Daniel Hope - Spheres (2013)
Daniel Hope - Spheres (2013)
Ludovico Einaudi, Philip Glass, Johann Paul von Westhoff, Gabriel Fauré, Lera Auerbach
Arvo Pärt, Elena Kats-Chernin, Alex Baranowski, Gabriel Prokofiev, Aleksey Igudesman
Max Richter, Karl Jenkins, Johann Sebastian Bach, Michael Nyman, Karsten Gundermann
Daniel Hope (violin); Jacques Ammon (piano); Members of the Rundfunkchor Berlin
Deutsches Kammerorchester Berlin; Simon Halsey, conductor
EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 172 Mb | Scans ~ 44 Mb | 01:14:48
Classical, Contemporary, Minimalism | Label: Deutsche Grammophon | # 479 0571
Ludovico Einaudi, Philip Glass, Johann Paul von Westhoff, Gabriel Fauré, Lera Auerbach
Arvo Pärt, Elena Kats-Chernin, Alex Baranowski, Gabriel Prokofiev, Aleksey Igudesman
Max Richter, Karl Jenkins, Johann Sebastian Bach, Michael Nyman, Karsten Gundermann
Daniel Hope (violin); Jacques Ammon (piano); Members of the Rundfunkchor Berlin
Deutsches Kammerorchester Berlin; Simon Halsey, conductor
EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 172 Mb | Scans ~ 44 Mb | 01:14:48
Classical, Contemporary, Minimalism | Label: Deutsche Grammophon | # 479 0571
Award-winning violinist Daniel Hope presents an eclectic and accessible mix of neo-Baroque, minimalist and soundtrack favourites, including works and arrangements by contemporary masters like Ludovico Einaudi, Arvo Pärt, Karl Jenkins, Max Richter, Gabriel Prokofiev, Alex Baranowski and many more. “Spheres” features a curated collection of repertoire celebrating the idea, first brought forward by Pythagoras, that planetary movement creates its own kind of music, bringing beauty, harmony and simplicity to our complex solar system. This idea has fascinated philosophers, musicians, and mathematicians for centuries. Featured as main soloist on Max Richter’s acclaimed “Vivaldi Recomposed”, Hope is known for an effortless classical sound and intriguing approach to repertoire. Music of reflection, contemplation and relaxation.
With the presence of such composers as Michael Nyman and Karl Jenkins, this might look like a standard-issue British recording of crossover music for violin and other instruments. But actually it's a more complex and more ambitious thing than that. Under the title Spheres, South African-born British violinist Daniel Hope combines crossover heavyweights (even John Rutter is present as creator of the rather soupy arrangement of Fauré's Cantique de Jean Racine, Op. 11) with Baroque works, short tonal works by contemporary composers, and minimalists Arvo Pärt and Philip Glass, along with minimalist-leaning but unclassifiable Ludovico Einaudi. The spheres rubric sometimes seems to indicate nothing more definite than something revolves, or moves cyclically within a dynamic system, and the chief appeal of this release may well be to those seeking profundity on the cheap. Yet the range of Hope's choices compels a certain respect. The one work entitled Spheres, by Gabriel Prokofiev (grandson of Sergey), is a nifty collection of phrases that proceed from simplicity to chaos, and there are other intriguing short works such as the two excerpts from Lera Auerbach's 24 Preludes for violin and piano, Op. 46. The Baroque pieces are well integrated into the whole; Johann Paul von Westhoff's Imitazione delle campane (Imitation of the Bells), a work from the repertory of solo violin music preceding Bach's sonatas, is not nearly as profound as Hope thinks it is, but it makes an unusual introduction to the whole collection of pieces, which has a positive X factor coming from its combination of surface simplicity and ingenious variety. Worthwhile for anyone looking for a relaxing listen; it will stick in your head in unexpected ways.Review by James Manheim, Allmusic.com
I’ve always admired Daniel Hope for his determination to follow an unfashionable path. This album of 18 bite-sized pieces, in which Hope is joined by the Deutsches Kammerorchester Berlin and the Berlin Radio Choir, makes me think again. Hope writes in the liner notes, ‘My aim was to bring together composers… united by the age-old question: is there anything out there?’ But the question for any listener must be: is there anything in here?
Barely, is the answer. Two or three pieces deserve to be heard. Pärt’s Fratres emerges as the craggy masterwork it truly is, and the works by German Baroque composer Johann von Westhoff and Philip Glass are engaging. Everything else is feeble beyond belief. My star ratings salute Hope’s determination to wring every drop of expressivity from the music, however vacuous, and the glowing recorded sound. The music itself barely deserves one star. Hope tries to dignify it by invoking a connection with mankind’s dreams about the heavenly spheres in the CD notes. But it’s embarrassingly obvious that there’s no real connection. It’s depressing to see a once-proud label like DG releasing something so meretricious.Review by Ivan Hewett, BBC Music Magazine
Daniel Hope - Spheres (2013)
Daniel Hope (violin)
Jacques Ammon (piano)
Chié Peters (concertmaster and solo violin II on tracks 3 and 8)
Juan Lucas Aisemberg (solo viola on tracks 16 and 17)
Christiane Starke (solo violincello on track 16)
Jochen Carls (solo double bass on track 10)
Members of the Rundfunkchor Berlin
Deutsches Kammerorchester Berlin
Simon Halsey, conductor
Tracklist:
Johann Paul VON WESTHOFF (1656-1705)
1. Imitazione delle campane [2:24]
(sonate III from Sonate a Violino solo arr. for violin and string orchestra by Christian Badzura)
Ludovico EINAUDI (b.1955)
2. I giorni for violin and string orchestra [5:37]
Philip GLASS (b.1937)
3. Echorus for two violins and string orchestra [5:51]
Gabriel FAURÉ (1845-1924)
4. Cantique de Jean Racine op.11 [4:15] arr. for violin, choir and string orchestra by John Rutter
Lera AUERBACH (b.1973)
5. Adagio sognando [1:37] from 24 Preludes for Violin and Piano op.46
Arvo PÄRT (b.1935)
6. Fratres for violin, string orchestra and percussion [11:37]
Elena KATS-CHERNIN (b.1957)
7. Eliza Aria from Wild Swans Suite [3:08] version for violin and piano
Alex BARANOWSKI (b.1983)
8. Musica universalis for two violins, piano and string orchestra [2:33]
Gabriel PROKOFIEV (b.1975)
9. Spheres for violin and string orchestra [3:52]
Max RICHTER (b.1966)
10. Berlin by Overnight version for violin and double bass [1:34]
Alex BARANOWSKI
11. Biafra for violin, string orchestra, piano and harp [2:10]
Aleksey IGUDESMAN (b.1973)
12. Lento for violin, string orchestra and choir [3:34]
Ludovico EINAUDI
13. Passaggio for violin and piano [4:35]
Lera AUERBACH
14. Andante [3:14] from 24 Preludes for Violin and Piano op.46
Karl JENKINS (b.1944)
15. Benedictus from The Armed Man – A Mass for Peace [5:46]
version for violin, string orchestra, choir, piano and timpani
Johann Sebastian BACH (1685-1750)
16. Prelude in E minor BWV 855 from Das wohltemperierte Clavier I [2:59]
arr. for violin, viola and violincello by Olivier Fourés
Michael NYMAN (b.1944)
17. Trysting Fields [5:16]
from Drowning by Numbers version for violin, viola and string orchestra
Karsten GUNDERMANN (b.1966)
18. Faust - Episode 2 – Nachspiel for violin, strings and timpani [3:48]
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 26. February 2013, 22:39
Daniel Hope / Spheres
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==== Log checksum 531A0EDC4CB369D0181E0D3359ACBA7990F6A761070F9185710E38BB83ED5004 ====
EAC extraction logfile from 26. February 2013, 22:39
Daniel Hope / Spheres
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
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7 | 31:43.50 | 3:11.31 | 142775 | 157130
8 | 34:55.06 | 2:36.16 | 157131 | 168846
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-11-29 23:42:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: Daniel Hope / Spheres
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -7.06 dB -25.30 dB 2:26 01-Johann Paul von Westhoff - Imitazione delle campane
DR12 -0.84 dB -19.35 dB 5:40 02-Ludovico Einaudi - I giorni
DR12 -6.04 dB -24.25 dB 5:56 03-Philip Glass - Echorus
DR13 -0.10 dB -17.22 dB 4:18 04-Gabriel Faure - Cantique de Jean Racine, Op.11
DR13 -21.86 dB -41.06 dB 1:40 05-Lera Auerbach - Adagio sognando from 24 Preludes, Op.46
DR14 -0.10 dB -21.87 dB 11:44 06-Arvo Part - Fratres
DR11 -4.28 dB -22.14 dB 3:11 07-Elena Kats-Chernin - Eliza Aria from Wild Swans Suite
DR12 -8.44 dB -25.81 dB 2:36 08-Alex Baranowski - Musica universalis
DR15 -0.10 dB -22.80 dB 3:55 09-Gabriel Prokofiev - Spheres
DR12 -10.15 dB -26.77 dB 1:36 10-Max Richter - Berlin by Overnight
DR11 -14.79 dB -31.54 dB 2:14 11-Alex Baranowski - Biafra
DR12 -1.22 dB -20.54 dB 3:37 12-Aleksey Igudesman - Lento
DR13 -8.77 dB -27.44 dB 4:39 13-Ludovico Einaudi - Passaggio
DR14 -12.68 dB -35.70 dB 3:16 14-Lera Auerbach - Andante from 24 Preludes, Op.46
DR14 -0.10 dB -20.13 dB 5:50 15-Karl Jenkins - Benedictus from The Armed Man
DR14 -4.96 dB -25.68 dB 3:03 16-Johann Sebastian Bach - Prelude in E minor BWV 855
DR14 -0.10 dB -18.46 dB 5:19 17-Michael Nyman - Trysting Fields from Drowning by Numbers
DR16 -8.03 dB -28.60 dB 3:48 18-Karsten Gundermann - Faust - Episode 2 - Nachspiel
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 568 kbps
Codec: FLAC
================================================================================
log date: 2017-11-29 23:42:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: Daniel Hope / Spheres
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -7.06 dB -25.30 dB 2:26 01-Johann Paul von Westhoff - Imitazione delle campane
DR12 -0.84 dB -19.35 dB 5:40 02-Ludovico Einaudi - I giorni
DR12 -6.04 dB -24.25 dB 5:56 03-Philip Glass - Echorus
DR13 -0.10 dB -17.22 dB 4:18 04-Gabriel Faure - Cantique de Jean Racine, Op.11
DR13 -21.86 dB -41.06 dB 1:40 05-Lera Auerbach - Adagio sognando from 24 Preludes, Op.46
DR14 -0.10 dB -21.87 dB 11:44 06-Arvo Part - Fratres
DR11 -4.28 dB -22.14 dB 3:11 07-Elena Kats-Chernin - Eliza Aria from Wild Swans Suite
DR12 -8.44 dB -25.81 dB 2:36 08-Alex Baranowski - Musica universalis
DR15 -0.10 dB -22.80 dB 3:55 09-Gabriel Prokofiev - Spheres
DR12 -10.15 dB -26.77 dB 1:36 10-Max Richter - Berlin by Overnight
DR11 -14.79 dB -31.54 dB 2:14 11-Alex Baranowski - Biafra
DR12 -1.22 dB -20.54 dB 3:37 12-Aleksey Igudesman - Lento
DR13 -8.77 dB -27.44 dB 4:39 13-Ludovico Einaudi - Passaggio
DR14 -12.68 dB -35.70 dB 3:16 14-Lera Auerbach - Andante from 24 Preludes, Op.46
DR14 -0.10 dB -20.13 dB 5:50 15-Karl Jenkins - Benedictus from The Armed Man
DR14 -4.96 dB -25.68 dB 3:03 16-Johann Sebastian Bach - Prelude in E minor BWV 855
DR14 -0.10 dB -18.46 dB 5:19 17-Michael Nyman - Trysting Fields from Drowning by Numbers
DR16 -8.03 dB -28.60 dB 3:48 18-Karsten Gundermann - Faust - Episode 2 - Nachspiel
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 568 kbps
Codec: FLAC
================================================================================
Daniel Hope - Spheres (2013)
