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Dall'Aquila - Da Crema: Lute Music. Ricercars, Intabulations, Dances -- Christopher Wilson

Posted By: wdilbert

Date: 20 Jul 2010 08:36:09

A crucial juncture in the history of music for lute and for instrumental music in general occured during the first third of the sixteenth century, when a far-reaching innovation effected right-hand technique. Inspired perhaps by Joannes Orbo, a blind German lutenist active at the Gonzaga court in the 1460s and 1470s, players abandoned the plectrum in favour of using bare fingers to sound the instrument. As Johannes Tinctoris reported, this permitted one to 'play a composition alone, and most skilfully in not only two contrapuntal parts, but ever in three or four'. Lutenists of the older order often performed in team with a second musician who played a cantus firmus in long notes, while the plectrum virtuoso improvised brilliant divisions which ranged over the entire instrument. The waning of plectrum play coincided with the appearance of printed lute music. As lutenists sought to reconcile the older plectrum style with the newer finger technique, they laid the foundation for a soloist idiom which exploited the sound and playing characteristics of a plucked string instrument, and ultimately provided the requisites for an abstract music, one whose logic and coherence depended upon elements.
The most innovative lutenist-composer is unquestionably Marco dall' Aquila, who can be credited with defining the parameters of the newer soloist polyphonic manner, which was to dominate writing for the lute through to the time of John Dowland, nearly a century later. His delight in digital play, tempered by imagination in manipulating musical ideas with formal clarity place Marco dall' Aquila within the select circle of master composers
of the Italian Renaissance.
Of Gian Maria da Crema, who is sometimes confused with the notorious Count of Verucchio, Gian Maria Allemani, virtually no biographical data survive. In 1546 and 1548 two books of music edited and composed by him were issued in Venice, and subsequently some of his music found its way into printed sources in Germany and the Lowlands. Gian Maria's familiarity and reliance on instrumental ensemble music suggests that he may be identical with a 'Zuanmaria da Cremona,' a member of a sextet of Italian viol-players who appeared at the court of Henry VIII in 1540.

EAC Log

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Archivo Log de extracciones desde 18. Julio 2010, 12:20

Christopher Wilson / Lute Music

Usar unidad : LITE-ON DVDRW LH-20A1S Adapter: 3 ID: 0

Modo de Lectura : Seguro
Utilizar Corriente Exacta : Sí
Descartar Audio caché : Sí
Utilizar los punteros C2 : No

Corrección de Desplazamiento de Lectura : 6
Sobreleer tanto en Lead-In como en Lead-Out : No
Rellenar las muestras faltantes con silencios : Sí
Eliminar silencios inicial y final : No
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Opciones adicionales en línea de comandos : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC del CD extraido

Pista | Inicio | Duración | Sector inicial | Sector final
––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:50.32 | 0 | 17281
2 | 3:50.32 | 1:04.68 | 17282 | 22149
3 | 4:55.25 | 1:49.10 | 22150 | 30334
4 | 6:44.35 | 0:44.05 | 30335 | 33639
5 | 7:28.40 | 1:21.05 | 33640 | 39719
6 | 8:49.45 | 1:10.40 | 39720 | 45009
7 | 10:00.10 | 0:53.37 | 45010 | 49021
8 | 10:53.47 | 3:54.58 | 49022 | 66629
9 | 14:48.30 | 3:49.47 | 66630 | 83851
10 | 18:38.02 | 1:28.43 | 83852 | 90494
11 | 20:06.45 | 1:21.52 | 90495 | 96621
12 | 21:28.22 | 1:38.23 | 96622 | 103994
13 | 23:06.45 | 1:09.50 | 103995 | 109219
14 | 24:16.20 | 1:03.30 | 109220 | 113974
15 | 25:19.50 | 1:29.20 | 113975 | 120669
16 | 26:48.70 | 3:20.60 | 120670 | 135729
17 | 30:09.55 | 1:21.05 | 135730 | 141809
18 | 31:30.60 | 2:05.67 | 141810 | 151251
19 | 33:36.52 | 1:12.15 | 151252 | 156666
20 | 34:48.67 | 2:01.50 | 156667 | 165791
21 | 36:50.42 | 1:51.38 | 165792 | 174154
22 | 38:42.05 | 1:04.27 | 174155 | 178981
23 | 39:46.32 | 1:20.28 | 178982 | 185009
24 | 41:06.60 | 3:05.72 | 185010 | 198956
25 | 44:12.57 | 3:15.68 | 198957 | 213649
26 | 47:28.50 | 1:44.30 | 213650 | 221479
27 | 49:13.05 | 1:09.20 | 221480 | 226674
28 | 50:22.25 | 0:40.50 | 226675 | 229724
29 | 51:03.00 | 1:14.55 | 229725 | 235329
30 | 52:17.55 | 1:03.15 | 235330 | 240069
31 | 53:20.70 | 1:20.35 | 240070 | 246104
32 | 54:41.30 | 3:35.35 | 246105 | 262264

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Nombre de Archivo C:\Users\Usuario\Music\EAC\Dall'Aquila-Da Crema- Lute Music – Christopher Wilson\Dall'Aquila-Da Crema- Lute Music – Christopher Wilson.wav

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Gama de Calidad 100.0 %
Copiar CRC 2A850480
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Sin Errores

Resumen AccurateRip

Pista 1 no presente en la base de datos
Pista 2 no presente en la base de datos
Pista 3 no presente en la base de datos
Pista 4 no presente en la base de datos
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Pista 19 no presente en la base de datos
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Pista 21 no presente en la base de datos
Pista 22 no presente en la base de datos
Pista 23 no presente en la base de datos
Pista 24 no presente en la base de datos
Pista 25 no presente en la base de datos
Pista 26 no presente en la base de datos
Pista 27 no presente en la base de datos
Pista 28 no presente en la base de datos
Pista 29 no presente en la base de datos
Pista 30 no presente en la base de datos
Pista 31 no presente en la base de datos
Pista 32 no presente en la base de datos

Ninguna de las pistas está presente en la base de datos AccurateRip

Final del Informe

_TRACKS_

Marco dall'Aquila
1. Ricercar (No. 24)
2. Ricercar (No. 16)
3. La traditora (No. 38)
4. Priambolo (No. 71)
5. Ricercar (No. 33)
6. Amy souffrez (Pierre Moulu) (No. 62)
7. Ricercar (No. 19)
8. Ricercar (No. 101)
9. Ricercar / Fantasia (No. 26 / GAC, fol. 57)

Giovanni Maria da Crema
10. Ricercar tredecimo
11. Ricercar duodecimo
12. Saltarello ditto Bel fior
13. Saltarello ditto El Giorgio
14. Saltarello ditto El Maton
15. Con lacrime e sospiri (Philippe Verdelot)
16. Lasciar il velo (Jacques Arcadelt)
17. Ricercar sexto
18. Ricercar quinto
19. De vous servir (Claudin de Sermisy)
20. Ricercar decimoquarto
21. O felici occhi miei (Jacque Arcadelt)
22. Pass'e mezo ala bolognesa
23. Saltarello ala bolognesa
24. Ricercar decimoquinto

Marco dall'Aquila
25. Ricercar / Fantasia (GAC, fol. 7)
26. Ricercar (No. 28)
27. La cara cosa (No. 36f)
28. Ricercar (No. 70)
29. Ricercar (No. 22)
30. Ricercar (No. 18)
31. Ricercar (No. 15)
32. Ricercar / Fantasia (GAC, fol.29)

Christopher Wilson, lute

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