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Cory Weeds - Condition Blue: The Music of Jackie McLean (2015)

Posted By: Designol

Date: 16 Jun 2023 12:11:38

Jackie McLean was a hard-bop alto saxophonist with a fiery tight tone, who recorded extensively in the ‘50s and ‘60s mainly with Blue Note Records. Although his forays with an organ was confined to two albums with Jimmy Smith Open House and Plain Talk, Cory Weeds’ decision to use an organ on this session does not stray off the mark. Condition Blue accomplishes the band’s intention, to acknowledge a saxophonist who had an exploratory vision.

In a set list of either McLean originals, or compositions associated with him, this tight-knit band delivers the goods in firm, yet flexible style. The key players in this session in addition, to the cooly effective altoist Weeds, are Mike LeDonne, a B-3 player of energetic disposition, and creative guitarist Peter Bernstein. Also along is drummer Joe Farnsworth who is a propulsive player.

The session begins with the title track “Condition Blue” which is one of McLean’s own compositions. From the getgo, this is a hard swinger with Weeds doggedly self-assured, Bernstein then following in an unfussy fashion, before LeDonne briskly adds his voice. Another McLean original is “Capuchin Swing” which along with the previous number comes from McLean’s album of the same name for Blue Note in 1960. Driven by Farnsworth’s quicksilver drumming, Bernstein sets the pace with a long sinewy solo, after which Weeds shows that he is a skilfully inspired player.

Not to be outdone, LeDonne chimes in with some bopish phrasing.

“My Old Flame” is offered in a relaxed groove, with Weeds running through the melody before Bernstein picks up the bridge, and Weeds again completes the theme, before taking off in solo mode. Throughout the number, the band shows that they can play with uncomplicated cohesion. The two other McLean originals are “‘Snuff” and “ Das Dat”. On the former, the number starts off with some intricate interplay between Weeds and Bernstein, before Weeds expands the theme with a sure-footed solo. Bernstein then slides into an incisive improvisation, with LeDonne swirling around on the B-3. On the latter composition, the band finds an earthiness in the structure of the tune, that inundates the music with fluency.

Of the remaining tracks, one of the more interesting is “Bluesanova” written by Lee Morgan, that appeared on McLean’s album Consequence, on which he shared the front line with trumpeter Morgan. The band pitches their interpretation with a bossa nova time signature, coupled with a hard-bop line, and some soul-jazz thrown in for good measure. All in all, the band shows that they are sympathetic and sophisticated collaborators.

Review by Pierre Giroux, Audiophile Audition

Among the many saxophonists who have been influenced by the Hall of Fame composer, arranger, educator and alto master Jackie McLean, three stand out: alto sax prodigy Christopher Hollyday, Dr. Steve Lehman, and now composer, arranger, alto/tenor saxist, and Canadian jazz scene impresario Cory Weeds. All three of these musicians were able to develop their own styles. This recording harkens back not only to McLean’s days at Blue Note records, but to countless past and present saxophone-organ-guitar-drum combos that have a special place in the hearts of many jazz fans. This is an enjoyable blowing session of the first water that McLean himself might have delighted in as this potent quartet gives their own interpretation of some of his compositions. Joining Weeds in this tribute are master guitarist Peter Bernstein, first-rate organist Mike LeDonne, and drum master Joe Farnsworth. Three songs of this tribute are from the McLean “Consequence” session with Lee Morgan.

The ‘best of the best’ begin with hard-bop and bluesy versions of “Condition Blue”, where Weeds makes a stunning introduction to those who have not heard him yet, as do LeDonne and Bernstein. “Snuff” gets great blowing from Weeds, LeDonne, and Bernstein, taking turns on these McLean tunes. Then there is a fabulous version of McLean’s well-known “Capuchin Swing” with slick solos by Weeds and Bernstein with warm comping from LeDonne, with an emphasis on the great melodic stick work by Farnsworth in support and on the break. “Slumber” is a gentle mid-tempo blues alternating between 6/8 and 4/4 times with a wailing B3 organ solo from LeDonne. The swirling head of “Jacknief” jumpstarts some furious solos from Weeds, Bernstein, and LeDonne pushed on by Farnsworth’s snare accents, hi-hat and cymbal work and later an extended solo. It’s a pleasure to be introduced to and listen to saxophonist Cory Weeds and his all-star jazz quartet on a session that gets repeated play. Highly Recommended. Five FIERY Stars!

Review by RBSProds, Amazon.com

Cory Weeds at Allmusic
Cory Weeds Website

Cory Weeds - alto saxophone
Mike LeDonne - Hammond B3
Peter Bernstein - guitar
Joe Farnsworth - drums

Tracklist:

01. Condition Blue (05:23)
02. Slumber (06:02)
03. Capuchin Swing (06:33)
04. My Old Flame (05:51)
05. 'Snuff (05:41)
06. Marilyn's Dilemma (05:19)
07. Das Dat (06:02)
08. Jacknife (06:03)
09. Bluesanova (07:41)
10. Blues In A Jiff (06:33)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 10. September 2015, 18:49

Cory Weeds / Condition Blue: The Music of Jackie McLean

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==== Log checksum 77300F8CC0EA9E06564F42C6772BB2AA0F791658F4197579B3C55B84608D77A8 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-12-13 23:47:37

––––––––––––––––––––––––––––––––––––––––
Analyzed: Cory Weeds / Condition Blue: The Music of Jackie McLean
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.30 dB -10.06 dB 5:26 01-Condition Blue
DR8 -0.30 dB -9.46 dB 6:05 02-Slumber
DR8 -0.30 dB -9.37 dB 6:35 03-Capuchin Swing
DR10 -0.30 dB -12.37 dB 5:53 04-My Old Flame
DR7 -0.30 dB -8.41 dB 5:43 05-'Snuff
DR8 -0.30 dB -10.03 dB 5:21 06-Marilyn's Dilemma
DR9 -0.30 dB -11.23 dB 6:04 07-Das Dat
DR8 -0.30 dB -10.52 dB 6:05 08-Jacknife
DR8 -0.30 dB -10.16 dB 7:43 09-Bluesanova
DR8 -0.30 dB -9.91 dB 6:34 10-Blues In A Jiff
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 903 kbps
Codec: FLAC
================================================================================

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