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    Corte Antica - In Taberna: Medieval Songs and Dances (2012)

    Posted By: peotuvave
    Corte Antica - In Taberna: Medieval Songs and Dances (2012)

    Corte Antica - In Taberna: Medieval Songs and Dances (2012)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 298 MB
    Genre: Classical | Label: Newton Classics | Catalog Number: 8802126

    Laughter, derision, parody, jokes and satire: all 'tools for social survival' (Éric Smadja). The comic, parodic and satirical poetry presented on this CD provides, in performance, a thematic backdrop to a rich feast of medieval music. While at its heart lies a group of earthily humorous 15th-century sonnets in Paduan dialect — whose local flavour is typical of folk tradition but whose literary qualities are skilfully exploited — this collection of music, songs and courtly dances can only be defined as European (in the sense that these works are cross-cultural, rather than having anything to do with the modern political entity). The shared experience of liberation from the 'tyranny of Latin' with the development of the vernacular Romance languages centred first on the poetic heights of the French art, then travelled the pilgrim and trade routes: from Celtic Ireland to Britain and Flanders; from Germany to Provence; from the Spanish territories to the courts of Italy. At this time, many of these routes converged in the Po Valley: while the prospect of trading wealth drew some to Venice (the Rialto, then one of the world's greatest marketplaces, is mentioned in the first track on this album), others were attracted to Padua as a seat of learning — its university was one of the earliest to be founded (in 1222). The province of Padua was also home to the court of the D'Este family, the Provençal troubadours' first Italian port of call, and the place where Marchetto (da Padova) codified, with the Ars Nova, the future development of polyphony.

    Composer: Niccolo de' Rossi, Anonymous, Ottelio, Anonymous, C., Raimbaut de Vaqeiras, …
    Orchestra/Ensemble: Corte Antica

    Reviews: During the long medieval period (the 5th to 15th centuries) music was a fundamental part of people's everyday lives. Its role was essentially functional, with pieces often improvised or composed for specific occasions: to accompany work, battles, banquets, feast-days and other celebrations. It owed much to the monodic Jewish chant tradition whose influence spread to Europe with Christianization.

    It was Charlemagne, meanwhile, who established musical performances at court, with his love for accompanied songs telling of heroic feats (there was at the time a ban on the liturgical use of instruments). Travelling fairs carried music across borders, enabling a wide circulation of both melodies and the Romance languages, as the dominance of Latin began to wane. There was one entertaining exception to the latter rule: the Italian students known as Goliards composed and performed songs in an 'updated' Latin, setting texts often somewhat lacking in sophistication (favourite themes being wine, women, sex and general joie de vivre). Jongleurs were professional musicians and entertainers, some of them performing to a high level — the 'jongleurs de geste', or singers of epic narrative verses. From the higher echelons of society, where art and music were already highly valued forms of diversion, came the troubadours (from Provence, writing in the langue d'oc) and trouvères (from northern France, writing in the langue d'oïl) — travelling composer-poets who sang refined songs of chivalry and courtly love. Thousands of troubadour and trouvère works survive, some with musical notation intact.

    In Germany, meanwhile, the Minnesänger represented the homegrown equivalent of the troubadour/trouvère tradition, incorporating local elements into the Provençal/French genre of courtly love. Their star began to fade at the end of the 13th century, when their art was taken up by the Meistersinger: artisans and other city workers — men with no connections to court life — who formed themselves into guilds, composing and performing in accordance with a set of strict regulations.

    One fascinating aspect of the secular music written between the Middle Ages and the early Renaissance is the range of musical instruments used. These were classified on the basis of the intensity of the sounds they produced, thus were either haut (loud: used principally in outdoor perfomances), or bas (soft: designed for church use).

    On this album the instruments play and the voices sing, but the dances are left to our imagination. Among them are French estampies, interwoven with anonymous works and others by known authors, and with new and evocative discoveries as well as 'classics' such as the extract from the Carmina burana of Codex latinus 4660, or the brief incursion into the non-secular repertoire represented by one of Alfonso X's Galician-Portuguese Cantigas.

    This Corte Antica performance conjures up an ideal crossroads at which jongleurs and troubadours, nobles and minstrels, dancers and Goliards meet — a place where people suffer heartbreak and laugh heartily, drink fine wines and call lost loves to mind. Is this the Middle Ages? It's certainly how we'd like to think of those far-off days…

    Tracklisting:

    1. Paduanus for ensemble by Niccolo de' Rossi
    Orchestra/Ensemble: Corte Antica
    Written: 1308
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 0 Minutes 53 Secs.

    2. Tre fontane by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Written: Italy
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 22 Secs.

    3. A l'entrada del temps clar by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Romantic
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 42 Secs.

    4. La Septime Estampie Real by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Written: by 1300
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 7 Secs.

    5. Amor con un carcasso (Codice Ottelio No. 6), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 11 Secs.

    6. Chorea astra tenenti by Anonymous
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 35 Secs.

    7. Kalenda maia ni fueills de faia, estampie by Raimbaut de Vaqeiras
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Written: circa 1200; Europe
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 39 Secs.

    8. Ce fu en mai by Moniot d'Arras
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 3 Minutes 15 Secs.

    9. Saltarello by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 48 Secs.

    10. E vussi' rebaltar (Codice Ottelio No. 11), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 27 Secs.

    11. Conductus by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 34 Secs.

    12. Le Ductia by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Renaissance
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 10 Secs.

    13. Trotto, dance for instrumental ensemble by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Written: circa 1390; Italy
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 41 Secs.

    14. Frelo, el me vien (Codice Ottelio No. 2), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 28 Secs.

    15. In taberna quando sumus, CB 196 by Anonymous
    Orchestra/Ensemble: Corte Antica
    Period: Renaissance
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 11 Secs.

    16. En mai, quant li rossignolez by Colin Muset
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 3 Minutes 5 Secs.

    17. Sonetus domini Elisei patavini (Codice Ottelio No. 9), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 12 Secs.

    18. Lamento di Tristano & La Rotta by Anonymous
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 37 Secs.

    19. Cinquième estampie royale (Paris BNF, fr. 844) by Anonymous
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 3 Minutes 37 Secs.

    20. Dominus Marsilius de Carraria ad, for chorus by Marsilio da Carrara
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 10 Secs.

    21. Responso Francisci Vanocii, for chorus by Marsilio da Carrara
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 13 Secs.

    22. Paduanus quidam (Codice Ottelio No. 1), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 23 Secs.

    23. Antedicuts (Codice Ottelio No. 3), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 15 Secs.

    24. Si no se ne ha ben (Codice Ottelio No. 4), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 14 Secs.

    25. Villanesco (Codice Ottelio No. 5), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 22 Secs.

    26. Paduanus quidam 2 (Codice Ottelio No. 7), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 7 Secs.

    27. E fu in su (Codice Ottelio No. 8), for vocal ensemble by Ottelio, Anonymous, C.
    Orchestra/Ensemble: Corte Antica
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 1 Minutes 15 Secs.

    28. Cantiga de Santa María 195, Quena festa e o dia by Alfonso X (El Sabio)
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Written: 12th Century
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 2 Minutes 55 Secs.

    29. Ja nuns hons pris, for consort by Richard I Coeur-de-lion
    Orchestra/Ensemble: Corte Antica
    Period: Medieval
    Venue: Palazzo Morello, Castelfranco Veneto, It
    Length: 7 Minutes 11 Secs.

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 13. May 2013, 22:02

    Corte Antica / In Taberna - Medieval Songs and Dances

    Used drive : Optiarc DVD+-RW AD-5170S Adapter: 3 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
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    Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


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    29 | 58:30.42 | 1:07.55 | 263292 | 268371
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    Track 1

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    Filename C:\EAC Rips\Corte Antica - In Taberna - Medieval Songs and Dances (2012) [FLAC]\03 - A l'entrada del tens clar (13th century).wav

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    Track 20

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    Track 22

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    Track 23

    Filename C:\EAC Rips\Corte Antica - In Taberna - Medieval Songs and Dances (2012) [FLAC]\23 - Dominus Marsilius de Carraria ad (c.1360).wav

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    Track 24

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    Track 25

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    Track 26

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    Track 27

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    Pre-gap length 0:00:02.00

    Peak level 43.5 %
    Extraction speed 6.4 X
    Track quality 100.0 %
    Test CRC 417DECCC
    Copy CRC 417DECCC
    Track not present in AccurateRip database
    Copy OK

    Track 28

    Filename C:\EAC Rips\Corte Antica - In Taberna - Medieval Songs and Dances (2012) [FLAC]\28 - Villanesco No.5.wav

    Pre-gap length 0:00:02.00

    Peak level 39.1 %
    Extraction speed 6.7 X
    Track quality 100.0 %
    Test CRC CFA4C87E
    Copy CRC CFA4C87E
    Track not present in AccurateRip database
    Copy OK

    Track 29

    Filename C:\EAC Rips\Corte Antica - In Taberna - Medieval Songs and Dances (2012) [FLAC]\29 - Paduanus quidam 2 No.7.wav

    Pre-gap length 0:00:02.00

    Peak level 33.8 %
    Extraction speed 4.6 X
    Track quality 99.8 %
    Test CRC FA3C0C6E
    Copy CRC FA3C0C6E
    Track not present in AccurateRip database
    Copy OK

    Track 30

    Filename C:\EAC Rips\Corte Antica - In Taberna - Medieval Songs and Dances (2012) [FLAC]\30 - E fu in su No.8.wav

    Pre-gap length 0:00:02.00

    Peak level 37.1 %
    Extraction speed 6.6 X
    Track quality 100.0 %
    Test CRC 1ADB30AF
    Copy CRC 1ADB30AF
    Track not present in AccurateRip database
    Copy OK


    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: uuiCRCNctYAt5p11sOFMoF.aRQ4-] disk not present in database, Submit result: uuiCRCNctYAt5p11sOFMoF.aRQ4- has been uploaded


    ==== Log checksum 19E9A4B8B3A008A7D922BFB0F7FA5D72A90C08F90B0A400D19309D718C27CCC4 ====


    Thanks to the original releaser