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    Coro and Orchestra del Teatro alla Scala, Riccardo Muti - Gluck: Iphigénie en Tauride (1993)

    Posted By: tirexiss
    Coro and Orchestra del Teatro alla Scala, Riccardo Muti - Gluck: Iphigénie en Tauride (1993)

    Coro and Orchestra del Teatro alla Scala, Riccardo Muti - Gluck: Iphigénie en Tauride (1993)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:56:09 | 580 MB
    Genre: Classical, Opera | Label: Sony Classical | Catalog: S2K 52 492

    I have a personal criterion for judging sopranos in modern recordings of any role that Maria Callas excelled in: If you can beat Callas, you are gold. And despite her achievements in bel canto roles (most of which I find uninteresting, either dramatically or as music), I still think that Callas’s greatest gift to the world of opera, particularly opera in Italy, was to point out to the entire country and the world how much more there was in roles like Elvira in I Vespri Siciliani, Cheribini’s Medea, Iphigénie in this opera, and yes, even Lady Macbeth than had been previously thought. If you had given me a lie detector test in February 1992, a month before this recording was culled from its six live performances at La Scala, I would have told you that no soprano in the world would ever eclipse Callas’s reading of the title role in this opera.
    Yet within the first five minutes of this recording, both Muti’s driving, insistent intensity and Vaness’s driving, soaring voice made me eat those words. And that is no disservice to Callas. Her live performance of this opera is still one of her finest moments, but as you continue to listen to the Vaness recording you realize how much more chameleon-like her performance was. Vaness had more colors in the voice, more changes of focus, volume and even changes of “face” than Callas did in her performance. Don’t ask me how she did it. I’m not sure if it was mostly her idea, Muti’s, or a combination of both. All I know is that it works.
    Moreover, the rest of the cast here is superior to Callas’s, particularly the Pylade of Gösta Winbergh that is well-nigh flawless. Millions of opera lovers publicly mourned the death of tenor Franco Corelli, but not me. I mourned the untimely death of Winbergh, one of the finest yet most understated tenors of his time. What other tenor, in this era, so painstakingly built his career, rung by rung, from Mozart to Wagner with every stop in between? His technique was flawless, his tone warm and ingratiating, his interpretations among the finest I’ve ever heard in the varied roles that he sang, and this recording is one of his finest moments.
    This recording is also one of Muti’s finest moments. How I wish he’d had this cast when he performed Spontini’s La Vestale. – Lynn René Bayley

    Coro and Orchestra del Teatro alla Scala, Riccardo Muti - Gluck: Iphigénie en Tauride (1993)

    Track List:

    CD 1:
    Acte Un. Act One. Erster Akt
    Scène 1. Scene 1. 1. Auftritt
    1-1 Introduction, Air Et Choeur : Grands Dieux ! Soyez-Nous Secourables (Iphigénie, Choeur Des Prêtresses) 7:18
    1-2 Récitatif : Le Calme Reparaît (Iphigénie, Première Et Deuxième Prêtresses) 4:02
    1-3 Choeur : Ô Songe Affreux ! Nuit Effroyable ! (Choeur Des Prêtresses) 1:11
    1-4 Récitatif : Ô Race De Pélops, Race Toujours Fatale ! (Iphigénie, Première Prêtresse) 2:01
    1-5 Air : Ô Toi, Qui Prolongeas Mes Jours (Iphigénie) 3:33
    1-6 Choeur : Quand Verrons-nous Tarir Nos Pleurs ? (Choeur Des Prêtresses) 1:14
    Scène 2. Scene 2. 2. Auftritt
    1-7 Récitatif : (Dieux ! Le Malheur En Tous Lieux Suit Mes Pas…) (Thoas, Iphigénie) 1:22
    1-8 Air : De Noirs Pressentiments (Thoas) 2:39
    Scène 3. Scene 3. 3. Auftritt
    1-9 Choeur : Les Dieux Apaisent Leur Courroux (Choeur Des Scythes) 0:34
    1-10 Récitatif : (Malheureuse !) (Iphigénie, Thoas, Un Scythe) 0:58
    1-11 Choeur : Les Dieux Apaisent Leur Courroux (Choeur Des Scythes) 0:35
    1-12 Récitatif : (Dieux ! Étouffez En Moi Le Cri De La Nature !…) (Iphigénie, Thoas) 0:40
    Scène 4. Scene 4. 4. Auftritt
    1-13 Récitatif : Et Vous, À Vos Dieux Tutélaires Adressez Vos Chants Belliqueux ! 0:20
    1-14 Choeur : Il Nous Fallait Du Sang Pour Expier Nos Crimes (Choeur Des Scythes) 0:48
    1-15 Ballet 2:32
    Scène 5. Scene 5. 5. Auftritt
    1-16 Récitatif : Malheureux ! Quel Dessein (Thoas, Pylade, Oreste) 0:47
    Scène 6. Scene 6. 6. Auftritt
    1-17 Choeur : Il Nous Fallait Du Sang Pour Expier Nos Crimes (Choeur Des Scythes) 1:11
    Acte Deux. Act Two. Zweiter Akt
    Scène 1. Scene 1. 1. Auftritt
    1-18 Récitatif : Quel Silence Effrayant ! (Pylade, Oreste) 2:52
    1-19 Dieux Qui Me Poursuivez, Dieux, Auteurs De Mes Crimes (Oreste) 2:00
    1-20 Récitatif : Quel Langage Acclabant Pour Un Ami Qui T'Aime (Pylade) 0:49
    1-21 Air : Unis Dès La Plus Tendre Enfance (Pylade) 3:44
    Scène 2. Scene 2. 2. Auftritt
    1-22 Récitatif : Étrangers Malheureux, Il Faut Vous Séparer ! (Le Ministre Du Santuaire, Pylade, Oreste) 1:20
    Scène 3. Scene 3. 3. Auftritt
    1-23 Récitatif : Dieux Protecteurs De Ces Affreux Rivages (Oreste) 1:36
    1-24 Air : Le Calme Rentre Dans Mon Coeur (Oreste) 2:05
    Scène 4. Scene 4. 4. Auftritt
    1-25 Ballet-Pantomime 1:18
    1-26 Choeur Et Danse : Vengeons Et La Nature Et Les Dieux En Courroux (Les Euménides, Oreste) 2:04
    Scène 5. Scene 5. 5. Auftritt
    1-27 Récitatif : Je Vois Toute L'Horreur Que Ma Présence Vous Inspire (Iphigénie, Oreste, Choeur Des Prêtresses) 5:33
    Scène 6. Scene 6. 6. Auftritt
    1-28 Récitatif : Ô Cie ! De Mes Tourments La Cause Et Le Témoin (Iphigénie) 0:47
    1-29 Choeur : Patrie Infortunée (Choeur Des Prêtesses) 1:13
    1-30 Air Et Choeur : Ô Malheureuse Iphigénie ! (Iphigénie, Choeur Des Prêtesses) 4:35
    1-31 Récitatif : Honorez Avec Moi Ce Héros Qui N'Est Plus ! (Iphigénie) 1:00
    1-33 Choeur : Contemplez Ces Tristes Apprêts (Choeur Des Prêtesses). Air : Ô Mon Frère, Daignez Entendre Les Accents De Ma Douleur (Iphigénie, Choeur Des Prêtesses) 6:29

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 8. December 2017, 22:41

    Riccardo Muti, Orchestra e Coro del Teatro alla Scala / Iphigénie en Tauride – CD1 Actes I et II

    Used drive : TSSTcorpCDDVDW SH-S203N Adapter: 1 ID: 1

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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
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    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


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    32 | 62:55.32 | 6:29.25 | 283157 | 312356


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    Filename F:\BLOGGER\AA CD RIPPATI\Gluck Iphigénie en Tauride Muti 1992\CD1\Riccardo Muti, Orchestra e Coro del Teatro alla Scala - Iphigénie en Tauride – CD1 Actes I et II.wav

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    Copy OK

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    CD 2:
    Acte Trois. Act Three. Dritter Akt
    Scène 1. Scene 1. 1. Auftritt
    2-1 Récitatif : Je Céde Á Vos Désirs (Iphigénie) 1:27
    2-2 Air : D'Une Image, Hélas ! Trop Chérie (Iphigénie) 2:16
    Scène 2. Scene 2. 2. Auftritt
    2-3 Récitatif : Voici Ces Captifs Malheureux (Deuxième Prêtresse, Iphigénie) 1:44
    Scène 3. Scene 3. 3. Auftritt
    2-4 Récitatif : Ô Joie Inattendue ! (Oreste, Pylade, Iphigénie). Trio : Je Pourrais Du Tyran Tromper La Barbarie (Iphigénie, Oreste, Pylade) 3:37
    Scène 4. Scene 4. 4. Auftritt
    2-5 Récitatif : Ô Moment Trop Heureux ! (Pylade, Oreste) 0:37
    2-6 Duo : Et Tu Prétends Encore Que Tu M'Aimes (Oreste, Pylade) 2:20
    2-7 Récitatif : Quoi ! Je Ne Vainrai Pas Ta Constance Funeste ? (Oreste, Pylade) 2:07
    2-8 Air : Ah ! Mon Ami, J'Implore Ta Pitié ! (Pylade). Duo : Pylade ! - Ah ! Mon Ami, J'Implore Ta Pitié (Oreste, Pylade) 2:32
    Scène 5. Scene 5. 5. Auftritt
    2-9 Récitatif : Malgré Toi, Je Saurai T'Arracher Au Trépas (Oreste, Iphigénie, Pylade) 1:51
    2-10 Air Et Récitatif : Quioi ? Toujours À Mes Voeux Vous Êtes Insensible ? (Oreste, Iphigénie) 1:19
    Scène 6. Scene 6. 6. Auftritt
    2-11 Récitatif : Puisque Le Ciel À Vos Jours S'Intéresse (Iphigénie, Pylade) 1:01
    Scène 7. Scene 7. 7. Auftritt
    2-12 Air : Divinité Des Grandes Âmes (Pylade) 2:24
    Acte Quatre. Act Four. Vierter Akt
    Scène 1. Scene 1. 1. Auftritt
    2-13 Récitatif : Non, Cet Affreux Devoir Je Ne Puis Le Remplir (Iphigénie) 0:39
    2-14 Air : Je T'Implore Et Je Tremble, Ô Déesse Implacable ! (Iphigénie) 3:20
    Scène 2. Scene 2. 2. Auftritt
    2-15 Choeur : Ô Diane, Sois-Nous Propice (Choeur Des Prêtesses) 1:54
    2-16 Récitatif : La Force M'Abondonne (Iphigénie, Oreste) 1:53
    2-17 Air : Que Ces Regrets Touchants (Oreste, Iphigénie) 1:03
    2-18 Hymne : Chaste Fille De Latone (Choeur Des Prêtesses) 2:23
    2-19 Récitatif : Quel Moment ! Dieux Puissants, Secourez-Moi ! (Iphigénie, Oreste,Choeur Des Prêtesses) 2:58
    2-20 Air : Ah ! Laissons-Là Ce Souvenir Funeste (Iphigénie)
    Scène 3. Scene 3. 3. Auftritt
    2-21 Air : Tremblez ! Tremblez ! On Sait Tout Le Mystère ! (Une Femme Grecque, Choeur Des Prêtesses) 0:37
    2-22 Récitatif : Il Ne Se Fera Pas, Ce Sacrifice Abominable (Iphigénie) 0:22
    Scène 4. Scene 4. 4. Auftritt
    2-23 Air Et Récitatif : De Tes Forfaits La Trame Est Découverte… Qu'Oses-Tu Proposer, Barbare ? (Thoas, Iphigénie, Choeur Des Prêtesses) 1:34
    Scène 5. Scene 5. 5. Auftritt
    2-24 Récitatif Et Choeur : C'Est à Toi De Mourir ! (Pylade, Oreste, Iphigénie, Choeur Des Gardes Du Roi, Choeur Des Prêtesses, Choeur Des Grecs) 0:49
    Scène 6. Scene 6. 6. Auftritt
    2-25 Récitatif : Arrêtez ! Écoutez Mes Décrets Éternels (Diane) 1:36
    Scène 7. Scene 7. 7. Auftritt
    2-26 Récitatif : Ta Soeur ! Qu'Ai-Je Entendu ? (Pylade, Oreste). Air : Dans Cet Objet Touchant À Qui Je Dois Ma Vie (Oreste) 1:07
    2-27 Choeur : Les Dieux, Longtemps En Courroux, Ont Accomply Leurs Oracles (Choeur Des Prêtesses, Des Grecs At Des Scythes) 2:23

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 8. December 2017, 22:54

    Riccardo Muti, Orchestra e Coro del Teatro alla Scala / Iphigénie en Tauride – CD2 Actes III et IV

    Used drive : TSSTcorpCDDVDW SH-S203N Adapter: 1 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:27.10 | 0 | 6534
    2 | 1:27.10 | 2:16.22 | 6535 | 16756
    3 | 3:43.32 | 1:44.18 | 16757 | 24574
    4 | 5:27.50 | 3:37.37 | 24575 | 40886
    5 | 9:05.12 | 0:36.53 | 40887 | 43639
    6 | 9:41.65 | 2:20.07 | 43640 | 54146
    7 | 12:01.72 | 2:07.03 | 54147 | 63674
    8 | 14:09.00 | 2:31.47 | 63675 | 75046
    9 | 16:40.47 | 1:50.53 | 75047 | 83349
    10 | 18:31.25 | 1:19.25 | 83350 | 89299
    11 | 19:50.50 | 1:01.20 | 89300 | 93894
    12 | 20:51.70 | 2:34.07 | 93895 | 105451
    13 | 23:26.02 | 0:39.53 | 105452 | 108429
    14 | 24:05.55 | 3:19.52 | 108430 | 123406
    15 | 27:25.32 | 1:53.50 | 123407 | 131931
    16 | 29:19.07 | 1:53.05 | 131932 | 140411
    17 | 31:12.12 | 1:02.63 | 140412 | 145124
    18 | 32:15.00 | 2:23.35 | 145125 | 155884
    19 | 34:38.35 | 2:58.12 | 155885 | 169246
    20 | 37:36.47 | 1:05.15 | 169247 | 174136
    21 | 38:41.62 | 0:36.43 | 174137 | 176879
    22 | 39:18.30 | 0:21.60 | 176880 | 178514
    23 | 39:40.15 | 1:34.22 | 178515 | 185586
    24 | 41:14.37 | 0:49.28 | 185587 | 189289
    25 | 42:03.65 | 1:36.20 | 189290 | 196509
    26 | 43:40.10 | 1:06.72 | 196510 | 201531
    27 | 44:47.07 | 2:23.18 | 201532 | 212274


    Range status and errors

    Selected range

    Filename F:\BLOGGER\AA CD RIPPATI\Gluck Iphigénie en Tauride Muti 1992\CD2\Riccardo Muti, Orchestra e Coro del Teatro alla Scala - Iphigénie en Tauride – CD2 Actes III et IV.wav

    Peak level 100.0 %
    Extraction speed 6.4 X
    Range quality 100.0 %
    Copy CRC 3DDF02FA
    Copy OK

    No errors occurred


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    [CUETools log; Date: 10.12.2017 10:29:56; Version: 2.1.5]
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    Performers:
    (Soprano) Carol Vaness (Iphigénie)
    (Soprano) Anna Zoroberto (First Priestess)
    (Soprano) Michaela Remor (Second Priestess)
    (Soprano) Sylvie Brunet (Diane)
    (Soprano) Svetla Krasteva (Une femme grecque)
    (Tenor) Gösta Winbergh (Pylade)
    (Baritone) Thomas Allen (Oreste)
    (Baritone) Angelo Veccia (Un Scythe)
    (Bass) Giorgio Surian (Thoas)
    (Bass) Enrico Turco (Le ministre du sanctuaire)

    Coro and Orchestra del Teatro alla Scala
    Riccardo Muti, conductor

    Thanks to the Original ripper (unknown)!

    Download: