Colectivo Cantata Rock-Cantata Rock Santa María de Iquique-2009

Santa María de Iquique, cantata popular is a cantata composed in 1969 by the Chilean composer Luis Advis Vitaglich, combining elements of both classical and folkloric/indigenous musical traditions to produce what became known as a popular cantata and one of Quilapayún’s most acclaimed and popular music interpretation. The theme of the cantata is a historical industrial dispute that ended with the massacre of miners in the northern Chilean city of Iquique in 1907. Instrumental interludes and songs empower the progression of the story leading to a final song which voices the miners demand for an end to exploitation with visions of an egalitarian and free world.

This new version, changed the traditional latinoamerican instrument for a rock ensamble integrated by musicians of the chilean Band “Chancho en Piedra” and young musicians from Quilapayún and Inti Illimani Histórico.

Ensamble:

Ismael Oddó (Quilapayún)
Pablo Ilabaca (Chancho en Piedra)
Ricardo Venegas (Quilapayún)
Camilo Salinas (Inti Illimani Histórico)
Eduardo Lalo Ibeas (Chancho en Piedra)
Fernando Julio (Inti Illimani Histórico)
Felipe Ilabaca (Chancho en Piedra)
Leonardo Corvalán (Chancho en Piedra)
Patricio Pimienta (reading)


Tracks:

1.Pregón
2.Preludio Instrumental
3.Relato I
4.Canción I “El Sol En Desierto Grande”
5.Relato II
6.Canción II “Vamos Mujer”
7.Relato III
8.Interludio Cantado “Se Han Unido”
9.Relato IV
10.Canción III e Interludio Instrumental “Soy Obrero”
11.Relato V
12.Canción Letanía
13.Canción IV “A Los Hombres De La Pampa”
14.Pregón II
15.Canción Final

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