Clark Terry - Live at the Village Gate (1991) REPOST

~allAboutJazz

Born: December 14, 1920 | Instrument: Trumpet

Clark Terry's career in jazz spans more than sixty years. He is a world-class trumpeter, flugelhornist, educator, and NEA Jazz Master. He performed for seven U.S. Presidents, and was a Jazz Ambassador for State Department tours in the Middle East and Africa. More than fifty jazz festivals in all seven continents still feature him. He received a Grammy Award, two Grammy certificates, three Grammy nominations, thirteen honorary doctorates, keys to cities, lifetime achievements and halls of fame awards. He was knighted in Germany and is the recipient of the French Order of Arts and Letters. Clark's star on the Walk of Fame, and his Black World History Museum's life-sized wax figure can both be visited in his hometown, St. Louis, Missouri.

Clark composed more than two hundred jazz songs, and his books include Let's Talk Trumpet: From Legit to Jazz, Interpretation of the Jazz Language and Clark Terry's System of Circular Breathing for Woodwind and Brass Instruments.

He recorded with The London Symphony Orchestra, The Dutch Metropole Orchestra, The Duke Ellington Orchestra and The Chicago Jazz Orchestra, at least thirty high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands – Clark Terry's Big Bad Band and Clark Terry's Young Titans of Jazz. His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the luminaries in jazz.

Clark's discography reads like a “Who's Who In Jazz,” with personnel that includes great jazz artists such as Duke Ellington, Count Basie, Quincy Jones, Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Ben Webster, Charlie Barnet, Doc Severinsen, Ray Charles, Billy Strayhorn, Dexter Gordon, Thelonious Monk, Billie Holiday, Sarah Vaughn, Coleman Hawkins, Zoot Sims, Milt Jackson, Bob Brookmeyer, Jon Faddis, and Dianne Reeves.“

Clark Terry,” writes Chuck Berg, “is one of contemporary music's great innovators, and justly celebrated for his great technical virtuosity, swinging lyricism, and impeccable good taste. Combining these with the gifts of a great dramatist, Clark is a master storyteller whose spellbinding musical 'tales' leave audiences thrilled and always awaiting more.”

In the 1940s, after serving in the Navy, Clark's musical star rose rapidly with successful stints in the bands of George Hudson, Charlie Barnet, Charlie Ventura, Eddie Vinson, and then in 1948 – the great Count Basie. In addition to his outstanding musical contribution to these bands, Mr. Terry exerted a positive influence on musicians such as Miles Davis and Quincy Jones, both of whom credit Clark as a formidable influence during the early stages of their careers. In 1951 Clark was asked to join Maestro Duke Ellington's renowned orchestra where he stayed for eight years as a featured soloist.

Following a tour with Harold Arlen's “Free and Easy” show directed by Quincy Jones in 1960, Clark's international recognition soared when he accepted an offer from the National Broadcasting Company to become its first African American staff musician. Soon after, Clark became a ten year television star as one of the spotlighted players in the Tonight Show band where he scored a smash hit as a singer with his irrepressible “Mumbles.” From the 70's through the 90's, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson's New York Pops Orchestra. Since 2000, he hosts Clark Terry Jazz Festivals on land and sea, and his own jazz camps.

Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark's greatest love - involving youth in the perpetuation of Jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students.

Registo da extracção do EAC de 7. Outubro 2005, 0:43 para CD
Terry Clark / Live At The Village Gate

Unidade utilizada : PLEXTOR DVDR PX-708A Adapter: 1 ID: 0
Modo de Leitura : Seguro SEM C2, fluxo preciso, desligar cache
Correcção de offset de leitura/escrita combinada : 0
Sobrescrever no Lead-In e Lead-Out : Não

Formato de saída utilizado : C:\Programas\Monkey's Audio\MAC.exe (Encoder Monkey's Audio Lossless)
Normal Lossless Compression

Outras opções :
Preencher offset samples em falta com silêncio : Sim
Eliminar blocos de silêncio dianteiros e finais : Não
Interface nativa Win32 para Win NT & 2000


Estado e erros dos limites
Limites Seleccionados
Nome de ficheiro C:\Documents and Settings\Jaime\Ambiente de trabalho\backup dvd\CDImage.wav

Nível de pico 100.0 %
Qualidade dos limites 100.0 %
CRC 7F7379E8
Cópia OK

Não ocorreram erros

Fim do relatório de estado

[CUETools log; Date: 24.12.2011 17:55:36; Version: 2.0.9]
[CTDB TOCID: Ujsf4cxa_lcB7EQV6ecT7EioQdY-] disk not present in database.
[AccurateRip ID: 00119afb-00767f71-640e3008] found.
Track [ CRC ] Status
01 [3b956ed8] (0/5) No match
02 [af964871] (0/5) No match
03 [1290fd61] (0/5) No match
04 [856ab71d] (0/5) No match
05 [0cc1dee0] (0/5) No match
06 [3283dab8] (0/5) No match
07 [1e202822] (0/5) No match
08 [92654767] (0/5) No match
Offsetted by 198:
01 [652c2aae] (5/5) Accurately ripped
02 [7121191f] (5/5) Accurately ripped
03 [75887fbd] (5/5) Accurately ripped
04 [62ef5a3a] (5/5) Accurately ripped
05 [013d6229] (5/5) Accurately ripped
06 [8aeddf02] (5/5) Accurately ripped
07 [356c9fa3] (5/5) Accurately ripped
08 [da2ebb04] (5/5) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [A202E741] [7F7379E8]
01 99,1 [11DB3838] [4029AE1B]
02 94,4 [75B30ADF] [75415FCD]
03 100,0 [EFA87997] [1B5C9FA6]
04 94,4 [16B77344] [D4E2F21D]
05 94,4 [C5FAF838] [0EF3F535]
06 49,2 [F0C2B79B] [827E074B]
07 100,0 [74CD20A9] [69C55AC8]
08 100,0 [6A1EB234] [66FFC304]