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Choir of the Monastery of Tbilisi · Тбилиси – Georgian Music · Грузинская Музыка (16/44 Vinyl Rip Mono)

Posted By: boogie-de
Choir of the Monastery of Tbilisi · Тбилиси – Georgian Music · Грузинская Музыка (16/44 Vinyl Rip Mono)

Choir of the Monastery of Tbilisi · Тбилиси – Georgian Music · Грузинская Музыка
Max Flac 16Bit/44.1kHz Mono = 358 MB | Mp3 VBR0 Mono = 108 MB | Only Front Cover Scan | RAR
3 Vinyl LPs | Melodiya · Μелодия | Folk | Georgia · საქართველო · Грузия
Never released on CD

Info from Wikipedia:
On 18 March 2001, UNESCO for the first time awarded the title of "Masterpieces of the Oral and Intangible Heritage of Humanity" to 19 outstanding cultural spaces or forms of expression from the different regions of the world. One of these is the Georgian polyphonic singing.
Georgian folk music possesses what is the oldest tradition of polyphonic music in the world, predating the introduction of Christianity.
Scales used in traditional Georgian music have, like most European scales, octaves divided into seven tones (eight including the octave), but the spacing of the tones is different. As with most traditional systems of tuning, traditional Georgian folk music uses a just perfect fifth. Between the unison and the fifth, however, come three evenly-spaced notes, producing a compressed (compared to most European music) major second, a neutral third, and a stretched perfect fourth. Likewise, between the fifth and the octave come two evenly-spaced notes, producing a compressed major sixth and a stretched minor seventh. This system of tuning renders thirds as the most consonant interval after fifths, which resulted in the third being treated as a stable interval in Georgia long before it acquired that status in Western music.
Some consider the Georgian scale a "quintave system" (as opposed to the octave-repeating "octave system"). Due to the neutral tuning within the quintave system, the eighth degree or octave is slightly widened, which often results in a rise in pitch from the beginning of a song to the end.
But don't worry, it's still beautiful music ;-))

Tracks
01. Lile 02:19
02. Kwiria 03:36
03. Alilo 02:53
04. Tschona 02:44
05. Schen char benachi 03:44
06. Mumli muchasa 02:42
07. Tamaris droscha 01:47
08. Tamap kalo 03:25
09. Kartwelo 02:34
10. Chasan beriga 02:45
11. Simgera simona dolidzeze 03:54
12. Ali pascha 02:18
13. Tschakrulo 05:10
14. Urmeli 03:23
15. Glesaw da glesaw, namgalo 03:21
16. Orowela 02:29
17. Odoia 03:42
18. Mgzabruli 02:14
19. Iawnana 02:02
20. Gaprindi, schabo mertschchalo 03:15
21. Kutschchi bedinera 03:17
22. Dida boi, nana 03:48
23. Guschin schwidni gurdschanelni 03:06
24. Achra iszku ascha 02:05
25. Iwen mschwidoba 01:39
26. Schaschwi kakabu 03:52
27. track 27 02:20
28. Netawi, gogo 02:34
29. Si, koul, bata 03:28
30. Tebrone migis tschxalscheda 02:49
31. Mochebis kalo 02:48
32. Salamuro 02:06
33. Wisia, wisia 01:58
34. Suliko 03:40
35. Buba kakutschela 02:12
36. Tschepena 02:38
37. Tscholi gamididgulda 01:36
38. Tschitsche tura 02:27
39. Satrpialo 01:33
40. Tschaguna 02:22
41. Tschagala da gogona 01:57
42. Gandagan 01:57
43. Kaklis toti 01:39
44. Aii kacheti 01:59
45. Misalmeba tbiliss 02:40
46. Adscha iaschkuaschaga ascha 01:43
47. Sakolmeupneo 02:18
Total time: 02:06:26

These rips are several years old, 16Bit/44.1kHz resolution was my limit in those days.
Record Player: Dual CS series, Ortofon pickup, or Thorens TD 160
Pre-/Amplifier: Kenwood KR 5030 Link
Mac G4 with Audiowerk 8-channel PCI Audio Card
Sound editing: SonicWorx by ProSoniq
Flac & Mp3 encoding: Max Link
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