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    1. Home
    2. Music
    3. Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)

    Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)

    Posted By: tirexiss
    Date: 18 Aug 2017 06:23:08
    Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)

    Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:51:31 | 584 MB
    Genre: Classical, Opera | Label: Erato Disques | Catalog: 2292-45773-2

    Béatrice et Bénédict, Berlioz's last completed work, is based on Shakespeare's Much Ado About Nothing, but the libretto, by the composer, dispenses with most of the intrigue of the original and reduces the plot to a single premise: Béatrice et Bénédict mask their affection for each other by squabbling, and then finally come to their senses and get married. Although designated an opera, it is closer in effect to an opéra comique because of its very extensive use of spoken dialogue. The effectiveness of a recording of an opera with this amount of dialogue depends at least in part on the persuasiveness of the spoken drama, and on that count this version is largely successful because it uses professional actors. They make the comedy plausibly fun, so that the listener is fully engaged, not just waiting around impatiently for the music to start up again. A great amount of attention has been given to production values, with impressive sound effects and realistic spatial blocking. The vocal performances are for the most part well taken, but the women outshine the men. Soprano Sylvia McNair in the relatively small role of Héro practically steals the show. Her aria, "Je vais le voir," is the undisputed highlight of the album because of the music – this is Berlioz at his most melodically eccentric, most deeply felt, and most inspired – and because of McNair's radiant, soaring performance. A close runner-up is the gorgeous, graceful women's trio, "Je vais d'un coeur aimant être la joie et le bonheur suprême," with McNair, Susan Graham as Béatrice, and Catherine Robbin as Ursule, Héro's lady-in-waiting. The rhapsodic duet with McNair and Robbin, "Nuit paisible et sereine!" also deserves mention, as does Béatrice's aria, "Dieu! que viens-je d'entendre?"; Berlioz's writing for women in this opera is consistently spectacular. In the opera's leading role, Graham sings with warmth and smooth lyricism, but because of the fragmented nature of the opera, it's difficult for her, or almost any other cast member, for that matter, to establish much of a sense of dramatic momentum. An exception is baritone Gabriel Bacquier as Somarone, a comic character invented by Berlioz to lampoon the pomposity of the composer Spontini. Bacquier is in excellent vocal form and he is a natural comedian, and he alone performs the spoken dialogue as well as singing. The remaining singers, Jean-Luc Viala as Bénédict, Vincent le Texier as Don Pedro, and Gilles Cachemaille as Claudio, are adequate at best. John Nelson, leading the Orchestra and Chorus of l'Opéra de Lyon, delivers an exceptionally polished performance and keeps things moving at a vivacious clip. The sound of the 1991 recording is disappointingly one-dimensional (except, paradoxically, for the sections featuring the actors), dull, and sometimes distant.
    AllMusic

    Choeurs et Orchestre de l’Opera de Lyon, John Nelson - Berlioz: Béatrice et Bénédict (1992)

    Track List:

    CD 1:
    01. Beatrice et Benedict, opera, H. 138: Ouverture
    02. Beatrice et Benedict, opera, H. 138: Act 1. Scene 1. No. 1. Choeur. Le More est en fuite! Victoire!
    03. Scene 2. Enfin, cette guerre est terminee! / Scene 3. Monseigneur, je vous annonce l'arri
    04. Scene 4. No. 2. Choeur. Le More est en fuite! Victorie! / Scene 5. Ne l'ecoutez pas, mes
    05. Scene 5. No. 2bis. Sicilienne
    06. Scene 6. No. 3. Air. Je vais le voir
    07. Scene 7. Recevez mes felicitations, general!
    08. Scene 7. No. 4. Duo. Comment le dedain pourrait-il mourir?
    09. Scene 8. Ma fille, suivez-moi! / Scene 9. Benedict, ne partez pas!
    10. Scene 9. No. 5. Trio. Me marier? Dieu me pardonne!
    11. Scene 10. Je vous quitte, messieurs, vous me convertiriez / Scene 11. Allons! chacun de v
    12. Scene 11. No. 6. Epithalame grotesque. Mourez, tendres epoux
    13. Scene 11. Ah! mon Dieu! vous me beuglez cet epithalame comme un De produndis! / Scene 12.
    14. Scene 13. No. 6bis. Epithalame grotesque. Mourez, tendres epoux
    15. Scene 13. Comment? 'mourez'? / Scene 14. Eh bien, Leonato / Scene 15. Non, il faut que le
    16. Scene 15. No. 7. Rondo. Ah! Je vais l'aimer, mon coeur me l'annonce!
    17. Scene 15. Voici la belle Hero et son amie / Scene 16. Je sais bien bon gre a mon pere
    18. Scene 16. No. 8. Duo (Nocturne). Vous soupirez, Madame?… Nuit paisible et sereine!

    Exact Audio Copy V1.1 from 23. June 2015

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    Hector Berlioz / Béatrice et Bénédict – CD1 Ouverture et Acte I

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    11 | 38:28.48 | 2:21.42 | 173148 | 183764
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    17 | 57:25.55 | 1:46.15 | 258430 | 266394
    18 | 59:11.70 | 9:56.63 | 266395 | 311157


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    CD 2:
    01. Beatrice et Benedict, opera, H. 138: Entracte Sicilienne
    02. Beatrice et Benedict, opera, H. 138: Act 2. Scene 1. Du vin! du vin!
    03. Scene 1. No. 9. Improvisation et chanson a boire. Le vin de Syracuse
    04. Scene 2. No. 10. Air. Dieu! que viens-je d'entendre?
    05. Scene 3. Qu'as-tu donc, Beatrice?
    06. Scene 3. No. 11. Trio. Je vais d'un coeur aimant etre la joie et le bonheur supreme
    07. Scene 3. On nous attend, chere Ursule!
    08. Scene 3. No. 12. Choeur lointain. Viens! Viens, de l'hymenee victime fortunee!
    09. Scene 4. Ciel! / Scene 5. Restez, ma chere niece!
    10. Act 2. Scene 5. No. 13. Marche nuptiale. Dieu qui guidas nos bras pour chasser l'infidele
    11. Act 2. Scene 6. No. 14. Enseigne. Ici l'on voit Benedict, l'homme marie!
    12. Scene 6. No. 15. Scherzo duettino. L'amour est un flambeau

    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 22. July 2017, 19:29

    Hector Berlioz / Béatrice et Bénédict – CD2 Acte II

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    12 | 39:38.43 | 0:52.30 | 178393 | 182322
    13 | 40:30.73 | 1:58.52 | 182323 | 191224


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    11 [240cdc9a] (00/16) No match (V2 was not tested)
    12 [2984fc2a] (00/16) No match (V2 was not tested)
    13 [529244c9] (00/16) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 93,8 [FDBE6F30] [FE21E5FE] CRC32
    01 38,5 [0DA24FA3] [88E7A4AB]
    02 37,0 [F96F4746] [A23E5DDE]
    03 61,4 [178AB63F] [2631F6B7]
    04 91,1 [889478A6] [46093D6D]
    05 24,6 [700ACDC9] [121157BD]
    06 90,5 [BB2E79EE] [C7A8F957]
    07 4,3 [0FEE83DE] [91F996C7]
    08 18,5 [DBA97B57] [CAA100AC]
    09 19,2 [7C245BE6] [AC855A99]
    10 93,8 [8FC6F94C] [10956F13]
    11 64,8 [3DCCFA1D] [C106DCE8]
    12 79,5 [FF69E843] [1D833C08]
    13 89,1 [397644C9] [5506D371]

    Performers:
    Vincent le Texier (Don Pedro)
    Jean-Luc Viala (Benedict)
    Sylvia McNair (Hero)
    Catherine Robbin (Ursule)
    Gilles Cachemaille (Claudio)
    Philippe Magnant (Leonato)
    Susan Graham (Beatrice)
    Gabriel Bacquier (Somarone)

    Choeurs et Orchestre de l’Opera de Lyon
    John Nelson, conductor

    Thanks to the Original ripper (unknown)!

    Download:
    UPWARDS