Cannonball Adderley - With Strings and Jump for Joy (1995)
Cannonball Adderley - With Strings and Jump for Joy (1995)
Jazz | EAC Rip | FLAC (image)+CUE+LOG | mp3@320 | 350 MB. & 161 MB.
300dpi. Complete Scans (JPG) - 14 MB. | WinRar, 3% recovery
Audio CD (1986) | Label: EmArcy/Verve | Catalog# 538-467-2 | 67:58 min.
Jazz | EAC Rip | FLAC (image)+CUE+LOG | mp3@320 | 350 MB. & 161 MB.
300dpi. Complete Scans (JPG) - 14 MB. | WinRar, 3% recovery
Audio CD (1986) | Label: EmArcy/Verve | Catalog# 538-467-2 | 67:58 min.
Review by Scott Yanow ~allmusicTracklist:
This CD reissues two complete LPs from near the beginning of altoist Cannonball Adderley's career. The first session is quite unusual for Adderley (who was completely unknown just a few months earlier) was given a very early opportunity to record with strings. He sounds fine on 11 standards and Terry Gibbs' "Lonely Dreams" but mostly sticks near the melody while Richard Hayman's Orchestra sounds rather anonymous. The 1958 sessions finds him performing ten songs from the early-'40s Duke Ellington show "Jump for Joy" (including "Just Squeeze Me," "I Got It Bad," and "Jump for Joy") while accompanied by a string quartet, a rhythm section, and trumpeter Emmett Berry; Bill Russo provided the generally stimulating arrangements. The formerly rare music on this CD is enjoyable but not as essential as Adderley's slightly later Riverside albums.
01. I Cover the Waterfront (2:29)
02. A Foggy Day (2:44)
03. The Surrey with the Fringe on Top (2:34)
04. Two Sleepy People (3:04)
05. I'll Never Stop Loving You (2:44)
06. (I'm Afraid) The Masquerade is Over (3:14)
07. I've Never Been in Love Before (2:22)
08. Lonely Dreams (2:32)
09. Falling in Love with Love (2:35)
10. Street of Dreams (2:16)
11. Polka Dots and Moonbeams (Around a Pug-nosed Dream) (3:07)
12. You are Too Beautiful (2:59)
13. Two Left Feet (3:15)
14. Just Squeeze Me (But Don't Tease Me) (3:19)
15. I Got it Bad (And That Ain't Good) (2:39)
16. Nothin' (4:36)
17. Jump for Joy (3:23)
18. Bli-Blip (3:51)
19. Chocolate Shake (2:43)
20. If Life Were All Peaches and Cream (5:17)
21. Brown-skin Gal (In the Calico Gown) (2:52)
22. The Tune of the Hickory Stick (3:24)
Cannonball Adderley - With Strings and Jump for Joy (1995)
Personnel:
Cannonball Adderley - alto saxophone on all tracks, accompanied by:
Tracks #1-12
Richard Hayman's Orchestra, personnel unknown
Richard Hayman - arranger & conductor
Tracks #13-22
Emmett Berry - trumpet
Leo Kruczek, Gene Orloff - violins
Dave Schwartz - viola
George Ricci - cello
Bill Evans - piano
Barry Galbraith - guitar
Milt Hinton - bass
Jimm Cobb - drums
Bill Russo - arranger & conductor
~allAboutJazz
Born: September 15, 1928 | Died: August 8, 1975 | Instrument: Alto Saxophone
Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin “Cannonball” Adderley was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop.
Born September 15, 1928, into a musical family in Florida, Adderley was drafted into the U.S. Army in 1950. He became leader of the 36th Army Dance Band, led his own band while studying music at the U.S. Naval Academy and then led an army band while stationed at Fort Knox, Kentucky. Originally nicknamed “Cannibal” in high school for his voracious appetite, the nickname mutated into “Cannonball” and stuck.
In 1955, Adderley traveled to New York City with his younger brother and lifelong musical partner, Nat Jr. (cornet). The elder Adderley sat in on a club date with bassist Oscar Pettiford and created such a furvor that he was signed almost immediately to a recording contract and was often (if not entirely accurately) called “the new Bird.”
Adderley's direct style on alto was indebted to the biting clarity of Charlie Parker, but it also significantly drew from the warm, rounded tones of Benny Carter; hard swingers such as Louis Jordan and Eddie “Cleanhead” Vinson were important influences as well. Adderly became a seminal influence on the hard-driving style known as hard-bop, and could swing ferociously at faster tempos, yet he was also an effective and soulful ballad stylist.
From 1956-57, Adderley led his own band featuring Nat, pianist Junior Mance and bassist Sam Jones. The group broke up when he was invited to join the Miles Davis Quintet in 1957. Davis expanded his group to a Sextet soon thereafter by hiring saxophonist John Coltrane. “I felt that Cannonball's blues-rooted alto sax up against Trane's harmonic, chordal way of playing, his more free-form approach, would create a new kind of feeling,” Davis explained in his autobiography.
From 1957-59, Adderley recorded some of his best work on the landmark Davis albums Milestones and Kind of Blue within this sextet. Davis reciprocated with a guest appearance on Adderly's 1958 solo album Somethin' Else, which also included bassist Jones, pianist Hank Jones, and drummer Art Blakey.
Adderley left the Davis band to reform his quintet in 1959, this time with his brother, Sam Jones, pianist Bobby Timmons and drummer Louis Hayes. Yusef Lateef made it a sextet around 1962; pianist Joe Zawinul replaced Timmons around 1963. Other band alumni include Charles Lloyd, and pianists Barry Harris, Victor Feldman and George Duke.
Adderley recorded for Riverside from 1959-63, for Capitol thereafter until 1973, and then for Fantasy. He suffered a stroke while on tour and died on August 8, 1975. He can also be found on recordings led by Bill Evans, John Coltrane, Wes Montgomery, Art Blakey and Oscar Peterson, and collaborated with singers Sarah Vaughan, Dinah Washington, Joe Williams, Lou Rawls, Sergio Mendes and Nancy Wilson.
During the period when the burgeoning development of polyrhythms and polytonality threatened to make jazz harder for non-musicians to appreciate, the Cannonball Adderley bands (much like bands led by Art Blakey and Horace Silver) helped preserve the music's roots in the more readily understood (and more funky) vocabulary of gospel and blues.
Born: September 15, 1928 | Died: August 8, 1975 | Instrument: Alto Saxophone
Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin “Cannonball” Adderley was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop.
Born September 15, 1928, into a musical family in Florida, Adderley was drafted into the U.S. Army in 1950. He became leader of the 36th Army Dance Band, led his own band while studying music at the U.S. Naval Academy and then led an army band while stationed at Fort Knox, Kentucky. Originally nicknamed “Cannibal” in high school for his voracious appetite, the nickname mutated into “Cannonball” and stuck.
In 1955, Adderley traveled to New York City with his younger brother and lifelong musical partner, Nat Jr. (cornet). The elder Adderley sat in on a club date with bassist Oscar Pettiford and created such a furvor that he was signed almost immediately to a recording contract and was often (if not entirely accurately) called “the new Bird.”
Adderley's direct style on alto was indebted to the biting clarity of Charlie Parker, but it also significantly drew from the warm, rounded tones of Benny Carter; hard swingers such as Louis Jordan and Eddie “Cleanhead” Vinson were important influences as well. Adderly became a seminal influence on the hard-driving style known as hard-bop, and could swing ferociously at faster tempos, yet he was also an effective and soulful ballad stylist.
From 1956-57, Adderley led his own band featuring Nat, pianist Junior Mance and bassist Sam Jones. The group broke up when he was invited to join the Miles Davis Quintet in 1957. Davis expanded his group to a Sextet soon thereafter by hiring saxophonist John Coltrane. “I felt that Cannonball's blues-rooted alto sax up against Trane's harmonic, chordal way of playing, his more free-form approach, would create a new kind of feeling,” Davis explained in his autobiography.
From 1957-59, Adderley recorded some of his best work on the landmark Davis albums Milestones and Kind of Blue within this sextet. Davis reciprocated with a guest appearance on Adderly's 1958 solo album Somethin' Else, which also included bassist Jones, pianist Hank Jones, and drummer Art Blakey.
Adderley left the Davis band to reform his quintet in 1959, this time with his brother, Sam Jones, pianist Bobby Timmons and drummer Louis Hayes. Yusef Lateef made it a sextet around 1962; pianist Joe Zawinul replaced Timmons around 1963. Other band alumni include Charles Lloyd, and pianists Barry Harris, Victor Feldman and George Duke.
Adderley recorded for Riverside from 1959-63, for Capitol thereafter until 1973, and then for Fantasy. He suffered a stroke while on tour and died on August 8, 1975. He can also be found on recordings led by Bill Evans, John Coltrane, Wes Montgomery, Art Blakey and Oscar Peterson, and collaborated with singers Sarah Vaughan, Dinah Washington, Joe Williams, Lou Rawls, Sergio Mendes and Nancy Wilson.
During the period when the burgeoning development of polyrhythms and polytonality threatened to make jazz harder for non-musicians to appreciate, the Cannonball Adderley bands (much like bands led by Art Blakey and Horace Silver) helped preserve the music's roots in the more readily understood (and more funky) vocabulary of gospel and blues.
Tracks #1-12 recorded October 27 and 28, 1955; at Fine Sound, New York City
Tracks #15-17, 20, and 21 recorded August 20, 1958 in New York City
Tracks #13, 14, 18, 19 and 22 recorded August 21, 1958 in New York City
Original LP issue for tracks #1-12: "Julian Cannonball Adderley and Strings" {EmArcy-MG36063}
Original LP issue for tracks #13-22: "Jump for Joy" {EmArcy-MG36146}
Original recordings for #1-12, produced by Bob Shad; cover photograph by Herman Leonard
Original recordings for #13-22, produced by Jack Tracy; cover photograph by Don Bronstein
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Archivo Log de extracciones desde 27. Febrero 2009, 9:22
Julian Cannonball Adderley / Julian Cannonball Adderley and Strings (1955), Jump For Joy (1958)
Usar unidad : HL-DT-STDVD-ROM GDR8162B Adapter: 1 ID: 1
Modo de Lectura : Seguro
Utilizar Corriente Exacta : Sí
Descartar Audio caché : Sí
Utilizar los punteros C2 : No
Corrección de Desplazamiento de Lectura : 102
Sobreleer tanto en Lead-In como en Lead-Out : Sí
Rellenar las muestras faltantes con silencios : Sí
Eliminar silencios inicial y final : No
Se han usado muestras nulas en los cálculos CRC : Sí
Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000
Formato de Salida utilizado : Rutinas WAV Internas
Formato de Muestreo : 44.100 Hz; 16 Bit; Estéreo
TOC del CD extraido
Pista | Inicio | Duración | Sector inicial | Sector final
––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:29.35 | 0 | 11209
2 | 2:29.35 | 2:43.70 | 11210 | 23504
3 | 5:13.30 | 2:34.17 | 23505 | 35071
4 | 7:47.47 | 3:03.73 | 35072 | 48869
5 | 10:51.45 | 2:43.55 | 48870 | 61149
6 | 13:35.25 | 3:14.12 | 61150 | 75711
7 | 16:49.37 | 2:22.03 | 75712 | 86364
8 | 19:11.40 | 2:32.02 | 86365 | 97766
9 | 21:43.42 | 2:35.05 | 97767 | 109396
10 | 24:18.47 | 2:16.25 | 109397 | 119621
11 | 26:34.72 | 3:06.40 | 119622 | 133611
12 | 29:41.37 | 2:58.38 | 133612 | 146999
13 | 32:40.00 | 3:15.25 | 147000 | 161649
14 | 35:55.25 | 3:18.65 | 161650 | 176564
15 | 39:14.15 | 2:38.47 | 176565 | 188461
16 | 41:52.62 | 4:35.43 | 188462 | 209129
17 | 46:28.30 | 3:23.07 | 209130 | 224361
18 | 49:51.37 | 3:50.65 | 224362 | 241676
19 | 53:42.27 | 2:42.63 | 241677 | 253889
20 | 56:25.15 | 5:17.17 | 253890 | 277681
21 | 61:42.32 | 2:51.40 | 277682 | 290546
22 | 64:33.72 | 3:24.35 | 290547 | 305881
Gama de estados y errores
Seleccionar gama
Nombre de Archivo C:\Documents and Settings\Administrador\Mis documentos\RIP\Julian Cannonball Adderley - Julian Cannonball Adderley and Strings (1955), Jump For Joy (1958).wav
Nivel Pico 100.0 %
Gama de Calidad 99.9 %
Copiar CRC FB6C8C84
Copia OK
Sin Errores
Final del Informe
Archivo Log de extracciones desde 27. Febrero 2009, 9:22
Julian Cannonball Adderley / Julian Cannonball Adderley and Strings (1955), Jump For Joy (1958)
Usar unidad : HL-DT-STDVD-ROM GDR8162B Adapter: 1 ID: 1
Modo de Lectura : Seguro
Utilizar Corriente Exacta : Sí
Descartar Audio caché : Sí
Utilizar los punteros C2 : No
Corrección de Desplazamiento de Lectura : 102
Sobreleer tanto en Lead-In como en Lead-Out : Sí
Rellenar las muestras faltantes con silencios : Sí
Eliminar silencios inicial y final : No
Se han usado muestras nulas en los cálculos CRC : Sí
Interfaz usada : Interfaz propio de Win32 para Windowns NT y 2000
Formato de Salida utilizado : Rutinas WAV Internas
Formato de Muestreo : 44.100 Hz; 16 Bit; Estéreo
TOC del CD extraido
Pista | Inicio | Duración | Sector inicial | Sector final
––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:29.35 | 0 | 11209
2 | 2:29.35 | 2:43.70 | 11210 | 23504
3 | 5:13.30 | 2:34.17 | 23505 | 35071
4 | 7:47.47 | 3:03.73 | 35072 | 48869
5 | 10:51.45 | 2:43.55 | 48870 | 61149
6 | 13:35.25 | 3:14.12 | 61150 | 75711
7 | 16:49.37 | 2:22.03 | 75712 | 86364
8 | 19:11.40 | 2:32.02 | 86365 | 97766
9 | 21:43.42 | 2:35.05 | 97767 | 109396
10 | 24:18.47 | 2:16.25 | 109397 | 119621
11 | 26:34.72 | 3:06.40 | 119622 | 133611
12 | 29:41.37 | 2:58.38 | 133612 | 146999
13 | 32:40.00 | 3:15.25 | 147000 | 161649
14 | 35:55.25 | 3:18.65 | 161650 | 176564
15 | 39:14.15 | 2:38.47 | 176565 | 188461
16 | 41:52.62 | 4:35.43 | 188462 | 209129
17 | 46:28.30 | 3:23.07 | 209130 | 224361
18 | 49:51.37 | 3:50.65 | 224362 | 241676
19 | 53:42.27 | 2:42.63 | 241677 | 253889
20 | 56:25.15 | 5:17.17 | 253890 | 277681
21 | 61:42.32 | 2:51.40 | 277682 | 290546
22 | 64:33.72 | 3:24.35 | 290547 | 305881
Gama de estados y errores
Seleccionar gama
Nombre de Archivo C:\Documents and Settings\Administrador\Mis documentos\RIP\Julian Cannonball Adderley - Julian Cannonball Adderley and Strings (1955), Jump For Joy (1958).wav
Nivel Pico 100.0 %
Gama de Calidad 99.9 %
Copiar CRC FB6C8C84
Copia OK
Sin Errores
Final del Informe
[CUETools log; Date: 19.11.2011 17:02:31; Version: 2.0.9]
[CTDB TOCID: 4phn9Gk5tiDIh3Cetc8plk8azXg-] disk not present in database.
[AccurateRip ID: 00320919-032d9323-380fee16] found.
Track [ CRC ] Status
01 [641da1ad] (0/5) No match
02 [157886fe] (0/5) No match
03 [0fad34af] (0/5) No match
04 [ead608a4] (0/5) No match
05 [259ff6ae] (0/5) No match
06 [d83d9edb] (0/5) No match
07 [2f1da4a8] (0/5) No match
08 [6e51ea2f] (0/5) No match
09 [2547c4bd] (0/5) No match
10 [4a88f696] (0/5) No match
11 [ab476d3a] (0/5) No match
12 [69776dc8] (0/5) No match
13 [b216e4fa] (0/5) No match
14 [9dff42cd] (0/5) No match
15 [1f22b79f] (0/5) No match
16 [ba4575dc] (0/5) No match
17 [d47e3a43] (0/5) No match
18 [8fdd3a51] (0/5) No match
19 [1517a2b5] (0/5) No match
20 [11f9f0da] (0/5) No match
21 [635cedd5] (0/5) No match
22 [1e113524] (0/5) No match
Offsetted by 669:
01 [1dd3004e] (2/5) Accurately ripped
02 [ce16d335] (2/5) Accurately ripped
03 [a2ac43e9] (2/5) Accurately ripped
04 [4f04d03d] (2/5) Accurately ripped
05 [11a7b0b7] (2/5) Accurately ripped
06 [142b6e80] (2/5) Accurately ripped
07 [92c4f2e8] (2/5) Accurately ripped
08 [f4a1b035] (2/5) Accurately ripped
09 [865c2266] (2/5) Accurately ripped
10 [0e9c4a85] (2/5) Accurately ripped
11 [46bc2f0e] (2/5) Accurately ripped
12 [88662561] (2/5) Accurately ripped
13 [af4dc302] (2/5) Accurately ripped
14 [efde4f11] (2/5) Accurately ripped
15 [cb2fa92c] (2/5) Accurately ripped
16 [dfd2e136] (2/5) Accurately ripped
17 [a26a9f19] (2/5) Accurately ripped
18 [71dc7520] (2/5) Accurately ripped
19 [c6da92e0] (2/5) Accurately ripped
20 [7f48d91d] (2/5) Accurately ripped
21 [fb9f8122] (2/5) Accurately ripped
22 [7a942c2b] (2/5) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [FB6C8C84] [97B154E3]
01 82,9 [382C798A] [2FBFBD21]
02 90,3 [BED7040D] [65C3B19B]
03 86,3 [0FC8E0F9] [A4C7BF98]
04 86,3 [0EB08E98] [E4FE0BC1]
05 100,0 [497DB368] [9E987EA6]
06 81,8 [50785E0E] [0C8B204F]
07 82,9 [6E38497C] [E1D838DD]
08 86,0 [85715ECB] [3D839C9C]
09 83,5 [FCA3185F] [240682CE]
10 82,9 [310AABF7] [2A5D0793]
11 77,1 [EFD35564] [56CB4603]
12 94,6 [DF36FA9C] [1BF7217A]
13 93,3 [21DC7BE0] [DC161A17]
14 93,2 [AF268C27] [FFDEE5AA]
15 81,2 [288ECAB8] [DCED5A06]
16 84,5 [D60E4406] [7F7583B5]
17 83,5 [71928DAA] [2CDD090D]
18 84,4 [A144D6EE] [D21ACF7A]
19 88,5 [CA5FADD0] [E96CBF81]
20 85,7 [FA26809A] [B32ABC0C]
21 95,2 [C8D08EDE] [4849DB6A]
22 80,5 [E255BE72] [591F5139]
[CTDB TOCID: 4phn9Gk5tiDIh3Cetc8plk8azXg-] disk not present in database.
[AccurateRip ID: 00320919-032d9323-380fee16] found.
Track [ CRC ] Status
01 [641da1ad] (0/5) No match
02 [157886fe] (0/5) No match
03 [0fad34af] (0/5) No match
04 [ead608a4] (0/5) No match
05 [259ff6ae] (0/5) No match
06 [d83d9edb] (0/5) No match
07 [2f1da4a8] (0/5) No match
08 [6e51ea2f] (0/5) No match
09 [2547c4bd] (0/5) No match
10 [4a88f696] (0/5) No match
11 [ab476d3a] (0/5) No match
12 [69776dc8] (0/5) No match
13 [b216e4fa] (0/5) No match
14 [9dff42cd] (0/5) No match
15 [1f22b79f] (0/5) No match
16 [ba4575dc] (0/5) No match
17 [d47e3a43] (0/5) No match
18 [8fdd3a51] (0/5) No match
19 [1517a2b5] (0/5) No match
20 [11f9f0da] (0/5) No match
21 [635cedd5] (0/5) No match
22 [1e113524] (0/5) No match
Offsetted by 669:
01 [1dd3004e] (2/5) Accurately ripped
02 [ce16d335] (2/5) Accurately ripped
03 [a2ac43e9] (2/5) Accurately ripped
04 [4f04d03d] (2/5) Accurately ripped
05 [11a7b0b7] (2/5) Accurately ripped
06 [142b6e80] (2/5) Accurately ripped
07 [92c4f2e8] (2/5) Accurately ripped
08 [f4a1b035] (2/5) Accurately ripped
09 [865c2266] (2/5) Accurately ripped
10 [0e9c4a85] (2/5) Accurately ripped
11 [46bc2f0e] (2/5) Accurately ripped
12 [88662561] (2/5) Accurately ripped
13 [af4dc302] (2/5) Accurately ripped
14 [efde4f11] (2/5) Accurately ripped
15 [cb2fa92c] (2/5) Accurately ripped
16 [dfd2e136] (2/5) Accurately ripped
17 [a26a9f19] (2/5) Accurately ripped
18 [71dc7520] (2/5) Accurately ripped
19 [c6da92e0] (2/5) Accurately ripped
20 [7f48d91d] (2/5) Accurately ripped
21 [fb9f8122] (2/5) Accurately ripped
22 [7a942c2b] (2/5) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [FB6C8C84] [97B154E3]
01 82,9 [382C798A] [2FBFBD21]
02 90,3 [BED7040D] [65C3B19B]
03 86,3 [0FC8E0F9] [A4C7BF98]
04 86,3 [0EB08E98] [E4FE0BC1]
05 100,0 [497DB368] [9E987EA6]
06 81,8 [50785E0E] [0C8B204F]
07 82,9 [6E38497C] [E1D838DD]
08 86,0 [85715ECB] [3D839C9C]
09 83,5 [FCA3185F] [240682CE]
10 82,9 [310AABF7] [2A5D0793]
11 77,1 [EFD35564] [56CB4603]
12 94,6 [DF36FA9C] [1BF7217A]
13 93,3 [21DC7BE0] [DC161A17]
14 93,2 [AF268C27] [FFDEE5AA]
15 81,2 [288ECAB8] [DCED5A06]
16 84,5 [D60E4406] [7F7583B5]
17 83,5 [71928DAA] [2CDD090D]
18 84,4 [A144D6EE] [D21ACF7A]
19 88,5 [CA5FADD0] [E96CBF81]
20 85,7 [FA26809A] [B32ABC0C]
21 95,2 [C8D08EDE] [4849DB6A]
22 80,5 [E255BE72] [591F5139]
Thanks to the original releaser.
Cannonball Adderley - With Strings and Jump for Joy (1995)
(flac & mp3@320 links are interchangeable, artwork = single link)