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    Brandenburg Consort, Roy Goodman - J.S. Bach: Brandenburg Concertos (1996)

    Posted By: tirexiss
    Brandenburg Consort, Roy Goodman - J.S. Bach: Brandenburg Concertos (1996)

    Brandenburg Consort, Roy Goodman - J.S. Bach: Brandenburg Concertos (1996)
    XLD | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:32:34 | 501 MB
    Genre: Classical | Label: Hyperion | Catalog: CDD22001

    For Roy Goodman's various roles in the project assume Toad-like proportions. Founder of the Brandenburg Consort, Goodman is not at all content merely to direct these performances but also plays solo violin, violino piccolo and viola as well as penning lively accompanying notes. Well, readers may rest assured that I'm no Badger and am inclined to applaud Goodman's diversity of talent rather than otherwise. Here we have notably robust interpretations of the Brandenburgs, sometimes lacking in finesse but seldom in esprit. There is a spring in the step of these performances as you will find at once in the opening movement of the First Concerto of the set. Horns are prominent as Bach surely intended them to be and, if they are not always refined in sound, they afford a colourful and occasional dimension to the text. The Menuet, Trios and Polacca of this concerto come off well, the latter being imbued with a character which reminds us of its country of origin.
    In the Second Concerto Goodman has secured the services of a sensitive group of concertino players but it is to Stephen Keavy that I offer my warmest congratulations. His natural trumpet playing has an almost balletic lightness and dexterity; ornaments for the most part are nicely in place and he does not, like certain of his rivals, sidestep the supreme challenges of Bach's formidable writing for the instrument. Such playing would, I feel sure, have entitled him to honorary status with the Stadtpfeiffer fraternity. The Concerto No. 3 sparkles with life under Goodman's direction. He is not afraid to introduce ornaments of his own here and there, though I hasten to add that they are neither immodest nor inappropriate. At the phrygian cadence which punctuates the two allegro movements Goodman himself plays a Largo from the Sonata in G major (BWV1021), a perfectly acceptable solution to Bach's little conundrum.
    Both the outer movements of the Fourth Concerto are played with vitality and a feeling for the shape of the music; but I was less taken with the clipped and somewhat rhythmically unsettled Andante. This is a difficult piece to perform convincingly and with sustained interest, and though these artists have evidently given it careful consideration I do not feel altogether happy with the result. (Nikolaus Harnoncourt's idea of swinging the rhythm, however slightly, has long seemed to me to be a good one but it has few takers.) The concertino group in the Fifth Concerto consist of Goodman (violin), Rachel Brown (flute) and Alastair Ross (harpsichord), with a ripieno of more than one player to each part, a practice which is followed in Concertos Nos. 1, 2 and 4. As in the Fourth Concerto it is the slow movement, anaffettuoso, which I found least satisfying. The phrases are clearly articulated and there is a pleasing spontaneity in the players' freedom of approach towards ornamentation, but I found the repeated lift granted to the recurring dotted semiquaver almost throughout the movement an intrusive mannerism which impeded the music's lyricism. More gentillesse is required here and perhaps also in the finale where the good example set by Rachel Brown in her gently spoken appoggiaturas (bars 80-84) is not followed by others with the same sensibility. The performance of the Concerto No. 6 is greatly enhanced for me by the inclusion of a theorbo and the displacement of a harpsichord in favour of an organ. The resulting colours and textures effectively complement Bach's consort-like writing. Tempos in the outer movements are brisk, the opening one corresponding approximately with that chosen by Andrew Parrott on EMI and the finale perhaps a shade too fast for its own good falling somewhere between Reinhard Goebel on Archiv on the one hand and Parrott on the other. But I enjoyed this performance in spite of small reservations.
    In short, this recording is an invigorating and mainly satisfying experience. Concertos Nos. 2, 3 and 6 struck me as being outstandingly successful and I shall be listening to these, I hope, for a long time to come. A notable achievement and one which should appeal, at least intermittently to all sensibilities and shades of opinion. Recorded sound is close but pleasing and effective.

    Brandenburg Consort, Roy Goodman - J.S. Bach: Brandenburg Concertos (1996)

    Track List:

    CD 1:
    Brandenburgisches Konzert Nr. 1 F-dur, BWV 1046 - 20:09
    I. [ohne Satzbezeichnung] - 3:48
    II. Adagio - 3:31
    III. Allegro - 4:04
    IV. Menuetto. — Polacca - 8:45
    Recorded: All Saints' Church, East Finchley, London, UK, 11–13 October 1991
    Brandenburgisches Konzert Nr. 2 F-dur, BWV 1047 - 11:25
    I. [ohne Satzbezeichnung] - 5:08
    II. Andante - 3:30
    III. Allegro assai - 2:48
    Recorded: All Saints' Church, East Finchley, London, UK, 11–13 October 1991
    Brandenburgisches Konzert Nr. 3 G-dur, BWV 1048 - 12:04
    I. [ohne Satzbezeichnung] - 5:26
    II. Adagio - 1:55
    III. Allegro - 4:43
    Recorded: All Saints' Church, East Finchley, London, UK, 16–18 July 1991

    X Lossless Decoder version 20131102 (145.0)

    XLD extraction logfile from 2014-03-07 14:13:05 +1100

    The Brandenburg Consort, Roy Goodman (conductor) / Bach - The Brandenburg Concertos (1991) [FLAC] {Brandenburg Consort} CD1

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    CD 2:
    Brandenburgisches Konzert Nr. 4 G-dur, BWV 1049 - 13:47
    I. Allegro - 6:30
    II. Andante - 2:59
    III. Presto - 4:18
    Recorded: All Saints' Church, East Finchley, London, UK, 16–18 July 1991
    Brandenburgisches Konzert Nr. 5 D-dur, BWV 1050 - 20:15
    I. Allegro - 9:57
    II. Affettuoso - 5:18
    III. Allegro - 4:59
    Recorded: All Saints' Church, East Finchley, London, UK, 16–18 July 1991
    Brandenburgisches Konzert Nr. 6 B-dur, BWV 1051 - 14:54
    I. [ohne Satzbezeichnung] - 5:22
    II. Adagio ma non tanto - 4:28
    III. Allegro - 5:04
    Recorded: All Saints' Church, East Finchley, London, UK, 11–13 October 1991

    X Lossless Decoder version 20131102 (145.0)

    XLD extraction logfile from 2014-03-07 14:45:08 +1100

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    Track 08
    Filename : /Volumes/RIPs/Bach - The Brandenburg Concertos (1991) [FLAC] {Brandenburg Consort}/CD2/08 - No. 6 in B-flat major, BWV 1051. II. Adagio ma non tanto.flac

    Track gain : 3.76 dB
    Peak : 0.502991
    CRC32 hash (test run) : F8BC4DA5
    CRC32 hash : F8BC4DA5
    CRC32 hash (skip zero) : 3F320471
    AccurateRip v1 signature : 49DF80FE
    AccurateRip v2 signature : B3CD46EC
    ->Accurately ripped (v2, confidence 3/7)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 09
    Filename : /Volumes/RIPs/Bach - The Brandenburg Concertos (1991) [FLAC] {Brandenburg Consort}/CD2/09 - No. 6 in B-flat major, BWV 1051. III. Allegro.flac

    Track gain : -0.75 dB
    Peak : 0.944122
    CRC32 hash (test run) : A3C021ED
    CRC32 hash : A3C021ED
    CRC32 hash (skip zero) : DA332732
    AccurateRip v1 signature : DCCE8CA5
    AccurateRip v2 signature : 7512EADF
    ->Accurately ripped (v2, confidence 3/7)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    No errors occurred

    End of status report

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    [CUETools log; Date: 09.11.2017 20:55:11; Version: 2.1.5]
    [CTDB TOCID: 7rJHbaJMexgmu_rUiZGQLazgp2o-] found.
    Track | CTDB Status
    1 | (3/3) Accurately ripped
    2 | (3/3) Accurately ripped
    3 | (3/3) Accurately ripped
    4 | (3/3) Accurately ripped
    5 | (3/3) Accurately ripped
    6 | (3/3) Accurately ripped
    7 | (3/3) Accurately ripped
    8 | (3/3) Accurately ripped
    9 | (3/3) Accurately ripped
    [AccurateRip ID: 00111472-007d700c-720b7709] found.
    Track [ CRC | V2 ] Status
    01 [806084d9|a9d57cb8] (0+4/9) Accurately ripped
    02 [2fe1adb0|2083c9ad] (0+4/9) Accurately ripped
    03 [9512de0e|17fe4e1d] (0+4/9) Accurately ripped
    04 [48dbf025|bda1971b] (0+4/9) Accurately ripped
    05 [8817548b|9c0c4a8d] (0+4/9) Accurately ripped
    06 [6d705018|cb5a73c7] (0+4/9) Accurately ripped
    07 [2b7b6eee|5ec4eac4] (0+4/9) Accurately ripped
    08 [49df80fe|b3cd46ec] (0+4/9) Accurately ripped
    09 [dcce8ca5|7512eadf] (0+4/9) Accurately ripped
    Offsetted by -36:
    01 [5c17a7b3] (2/9) Accurately ripped
    02 [d92559ff] (2/9) Accurately ripped
    03 [57d9d9d7] (2/9) Accurately ripped
    04 [77299e9b] (2/9) Accurately ripped
    05 [0f8eb6a7] (2/9) Accurately ripped
    06 [090b629d] (2/9) Accurately ripped
    07 [a7c4c66b] (2/9) Accurately ripped
    08 [016eb9bd] (2/9) Accurately ripped
    09 [d0b506d7] (2/9) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL]
    – 98,8 [5B43C4E4] [F5FFAA6B]
    01 70,8 [76E2DCDB] [62ABC6B0]
    02 66,3 [858B9459] [47D651F1]
    03 98,8 [A899FAEB] [6A030005]
    04 71,5 [97654FF0] [0C581409]
    05 38,3 [4DEE3501] [8677CA2C]
    06 66,4 [59BA89CB] [47D3EA2C]
    07 65,7 [B7113DFA] [C0540B46]
    08 50,2 [F8BC4DA5] [3F320471]
    09 94,4 [A3C021ED] [DA332732]

    Performers:
    Brandenburg Consort
    Roy Goodman, conductor, violin
    Judith Tarling, viola
    Peter Holtslag, recorder
    Rachel Brown, flute
    Katharina Arfken, oboe
    Raul Diaz & Gavin Edwards, horns
    Stephen Keavy, trumpet
    Alastair Ross, harpsichord

    Thanks to the Original ripper (unknown)!

    Download: