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    Brahms: Ein Deutsches Requiem - Paavo Jarvi, Natalie Dessay, Ludovic Tezier (2011)

    Posted By: naponski
    Brahms: Ein Deutsches Requiem - Paavo Jarvi, Natalie Dessay, Ludovic Tezier (2011)

    Brahms: Ein Deutsches Requiem - Paavo Jarvi, Natalie Dessay, Ludovic Tezier (2011)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 290 MB
    Genre: Classical | Label: Virgin Classics | Catalog Number: 28610

    Celebrating 80 years of vigorous artistic life with Brahms’ expansive and consoling mass for the dead, Ein deutsches Requiem, the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) under its Chief Conductor Paavo Järvi, is joined by soprano Natalie Dessay, baritone Ludovic Tézier and the Swedish Radio Choir in an interpretation described as “exemplary” by the Frankfurter Allgemeine Zeitung.

    Composer: Johannes Brahms
    Performer: Natalie Dessay, Ludovic Tézier
    Conductor: Paavo Järvi
    Orchestra/Ensemble: Frankfurt Radio Symphony Orchestra, Swedish Radio Choir

    Reviews: I have reviewed almost a dozen of the almost 90 available recordings of the Brahms Requiem, with varying positive and negative opinions about their performance qualities. This brings me to a point of self-questioning. What am I (or what have I been) looking for objectively in judging the quality of a performance of this magnificent and monumental work? My first answer is that marginal differences among conductors, among orchestras, among choruses, and even among soloists should not matter. Nor should marginal differences in tempos matter. In fact, marginal differences of any kind should not, and do not, ultimately matter. What I consider important are absences of gimmicks and extremes, the latter in tempo, dynamics, and part-writing emphases. And, conversely, the presence of sensible tempos and dynamics and the presence of clarity of part-writing are important. But most important for the Brahms Requiem is clarity, for this is music of very complex part-writing where Brahms’s characteristically thick textures need definition.

    Paavo Järvi’s direction of the Frankfurt Radio Symphony Orchestra and the Swedish Radio Chorus serve the cause of clarity extremely well. Where the third movement concludes with a complex fugue, choral detail is discernable, and the very beautiful violin-section line comes through with precision. The opening movement (“Selig sind, die da Leid tragen”) and the final movement as its complement (“Selig sind die Toten”) are played with moving reverence. The appearance of “Aber des Herrn Wort” (Un poco sostenuto) later in the second movement quickens one’s pulse. Baritone Ludovic Tézier’s voice is strong and vibrant in the third and sixth movements. And in the sixth movement (“Denn wir haben hie keine bleibende Statt”) the Vivace at bar 82 (“Denn es wird die Posaune schallen”) is powerfully and incisively delivered by orchestra and chorus.

    A cross section of nationalities is present on this disc. The conductor is Estonian-American, the soloists are French, the chorus is Swedish-based, and the orchestra is German-based. This is reflective of the internationality of this music.

    The one negative aspect of this performance is the quality of Natalie Dessay’s voice. She uses her soprano coloratura to produce a strong vibrato, which is inappropriate to this music. Although she is always on pitch, her “Ihr habt nun Traurigkeit” becomes increasingly unattractive, and at “wiedersehen” at the end of the movement she sounds at once lugubrious and yodeling. Chalk this up to my personal aversion to strong vocal vibrato!

    The positive aspects of this performance far outweigh the single negative. Järvi and his forces have something new and worthwhile to say here—a subjective judgment that complements my objective considerations. This is a Brahms Requiem up there with the best, among them those under Klemperer, Rattle, and Tennstedt.

    Tracklisting:

    I. Selig sind, die da Leid tragen (Ziemlich langsam)10:37
    II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig) 15:17
    III. Herr, lehre doch mich (Andante moderato) 9:53
    IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) 5:20
    V. Ihr habt nun Traurigkeit (Langsam) 7:01
    VI. Denn wir haben hie keine bleibende Statt (Andante) 11:41
    VII. Selig sind die Toten (Feierlich) 12:25

    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 25. July 2011, 19:58

    Paavo Jarvi, Frankfurt Radio Symphony Orchestra / Brahms, Ein Deutsches Requiem

    Used drive : _NEC DVD_RW ND-3550A Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 320 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
    Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 10:36.04 | 0 | 47703
    2 | 10:36.04 | 15:10.47 | 47704 | 116000
    3 | 25:46.51 | 9:47.13 | 116001 | 160038
    4 | 35:33.64 | 5:19.35 | 160039 | 183998
    5 | 40:53.24 | 6:57.30 | 183999 | 215303
    6 | 47:50.54 | 11:39.11 | 215304 | 267739
    7 | 59:29.65 | 12:26.21 | 267740 | 323710


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    Track 6

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    Track 7

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    Accurately ripped (confidence 2) [38134EB6]
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    All tracks accurately ripped

    No errors occurred

    End of status report



    Special thanks to the original ripper