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    Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

    Posted By: Designol
    Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

    Anton Webern: Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)
    Pierre Boulez, conductor; Ensemble Intercontemporain; BBC Singers
    Françoise Pollet, soprano; Christiane Oelze, soprano

    EAC | FLAC | Tracks (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 159 Mb | Scans ~ 78 Mb
    Genre: Classical | Label: Deutsche Grammophon | # 437 786-2 | Time: 01:09:25

    It is almost exactly a quarter of a century since Pierre Boulez recorded his complete Webern survey. This new collection, apart from being useful for anyone who doesn't want to buy three whole CDs of Webern, offers an interesting insight into how Boulez's way with a composer probably more central to him than any other has changed.

    For a start he gives him a little more time: most of the pieces here are slightly but significantly slower than they were in 1970. This allows lines to be more subtly moulded, phrases to acquire a touch more poise. This is not to say that Boulez has softened and now phrases Webern as though he were Chopin, but grace and even wit (the second movement of the Quartet) are now noticeable alongside his customary precision. The Ensemble InterContemporain have been playing these pieces constantly since they were first founded, and it shows in the absolute assurance of their performances. The instrumental and choral works are very beautifully played and sung indeed, and anyone grappling with these pieces for the first time (or returning for another attempt) could hardly choose better.

    The songs are good, too, but here a comparison with the 1970 set makes me grateful that I still have a copy of it. Francoise Pollet sings the three earlier groups with precision and an intelligent realization that they often repay quietness, but the distinct break between the two registers of her voice and her not very characterful way with words make her no real rival to Heather Harper, her voice at its most beautiful and her musicianship at its most subtle in the 1970 recordings. The later songs are a real problem: they demand a soprano with an extended range, especially at the top, fearless negotiation of awkward intervals and absolute accuracy of pitch. A sort of 'Webern soprano' developed in response to this, chalk-white and rather antiseptic, and the great benefit of Halina Lukomska in 1970 was that she added verbal responsiveness and even a degree of vocal allure to these necessary but rather chilly qualities. Christiane Oelze has an agreeably child-like quality at times, which helps with the naive folk-texts of some of these songs, but the voice is otherwise pallid and thin. So in all I would buy this disc for the choruses (the BBC Singers: excellent) and the instrumental works; all three are masterpieces, in performances that leave no doubt of that. For the songs Boulez's earlier recordings are much to be preferred.

    Review by Michael Oliver, Gramophone

    It is 25 years since Boulez recorded the complete works of Webern for CBS – a pioneering three-disc set still available from Sony. Its starting point was Webern’s first published score, an orchestral passacaglia; but this new disc begins a few months before that official Op. 1, with a gently Expressionist single-movement Piano Quintet which, at 13 minutes, is by far the most expansive item included. Schoenberg once likened Webern’s achievement to that of expressing a novel in a single gesture; and of the forty-odd remaining individual pieces here, the longest barely exceeds three minutes, while the most condensed – the fourth of the Five Orchestral Pieces, Op. 10 – consists of no more than a half-dozen highly charged bars. Boulez and the Ensemble InterContemporain have been steeped in this repertoire for decades, and their experience shows in the fluency of these performances. Françoise Pollet’s warm and intense singing is an invaluable asset – I prefer her even to the admirable Heather Harper on the old CBS set – but Christiane Oelze, although she negotiates Webern’s uncompromisingly angular vocal lines with commendable accuracy is, unfortunately, a shade pale and colourless. Somebody, incidentally, ought to have spotted the serious lapse of ensemble between bars 55 and 60 in the second movement of the Op. 22 Quartet.

    Review by Misha Donat, BBC Music Magazine

    Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)



    Tracklist:

    01. Piano Quintet (1907) (13:15)

    02. Entflieht auf leichten Kähnen op.2 (02:48)

    2 Lieder op.8
    03. I. Du, der ichs nicht sage (01:05)
    04. II. Du machst mich allein (01:16)

    5 Pieces for Orchestra, op.10
    05. I. Sehr ruhig und zart (00:44)
    06. II. Lebhaft und zart bewegt (00:39)
    07. III. Sehr langsam und äußerst ruhig (01:48)
    08. IV. Fließend, äußerst zart (00:29)
    09. V. Sehr fließend (01:01)

    4 Lieder op.13
    10. I. Wiese im Park (02:14)
    11. II. Die Einsame (01:30)
    12. III. In der Fremde (01:03)
    13. IV. Ein Winterabend (02:17)

    6 Lieder op.14
    14. I. Die Sonne: 'Täglich kommt die gelbe Sonne (01:42)
    15. II. Abendland I (01:27)
    16. III. Abendland II (01:16)
    17. IV. Abendland III (01:35)
    18. V. Nachts (00:51)
    19. VI. Gesang einer gefangenen Amsel (01:25)

    5 Sacred Songs op.15
    20. I. Das Kreuz, das mußt' er tragen (00:59)
    21. II. Morgenlied (00:52)
    22. III. In Gottes Namen aufstehn (00:59)
    23. IV. Mein Weg geht jetzt vorüber (00:59)
    24. V. Fahr hin, o Seel', zu deinem Gott (01:38)

    5 Canons op.16
    25. I. Christus factus est (00:31)
    26. II. Dormi Jesu, mater ridet (01:05)
    27. III. Crux fidelis (00:50)
    28. IV. Asperges me, Domine (00:37)
    29. V. Crucem tuam adoramus, Domine (00:31)

    3 Traditional Rhymes op.17
    30. I. Armer Sünder, du (00:45)
    31. II. Liebste Jungfrau, wir sind dein (01:03)
    32. III. Heiland, unsre Missetate (00:53)

    3 Lieder op.18
    33. I. Schatzerl klein (00:56)
    34. II. Erlösung (01:11)
    35. III. Ave, Regina coelorum (01:29)

    2 Lieder op.19
    36. I. Weiß wie Lilien (01:23)
    37. II. Ziehn die Schafe (01:13)

    Quartet op.22
    38. I. Sehr mäßig (03:09)
    39. II. Sehr schwungvoll (03:20)

    Concerto op.24
    40. I. Etwas lebhaft (02:38)
    41. II. Sehr langsam (02:35)
    42. III. Sehr rasch (01:24)


    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 13. January 2016, 0:14

    Webern, Anton / Orchestral, Vocal & Chamber Works - Ensemble InterContemporain, Pierre Boulez

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    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.33 | 13:15.00 | 33 | 59657
    2 | 13:15.33 | 2:48.00 | 59658 | 72257
    3 | 16:03.33 | 1:05.00 | 72258 | 77132
    4 | 17:08.33 | 1:16.00 | 77133 | 82832
    5 | 18:24.33 | 0:44.00 | 82833 | 86132
    6 | 19:08.33 | 0:39.00 | 86133 | 89057
    7 | 19:47.33 | 1:48.00 | 89058 | 97157
    8 | 21:35.33 | 0:29.00 | 97158 | 99332
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    10 | 23:05.33 | 2:14.00 | 103908 | 113957
    11 | 25:19.33 | 1:30.00 | 113958 | 120707
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    13 | 27:52.33 | 2:17.00 | 125433 | 135707
    14 | 30:09.33 | 1:42.00 | 135708 | 143357
    15 | 31:51.33 | 1:27.00 | 143358 | 149882
    16 | 33:18.33 | 1:16.00 | 149883 | 155582
    17 | 34:34.33 | 1:35.00 | 155583 | 162707
    18 | 36:09.33 | 0:51.00 | 162708 | 166532
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    22 | 40:16.33 | 0:59.00 | 181233 | 185657
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    25 | 43:52.33 | 0:31.00 | 197433 | 199757
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    27 | 45:28.33 | 0:50.00 | 204633 | 208382
    28 | 46:18.33 | 0:37.00 | 208383 | 211157
    29 | 46:55.33 | 0:31.00 | 211158 | 213482
    30 | 47:26.33 | 0:45.00 | 213483 | 216857
    31 | 48:11.33 | 1:03.00 | 216858 | 221582
    32 | 49:14.33 | 0:53.00 | 221583 | 225557
    33 | 50:07.33 | 0:56.00 | 225558 | 229757
    34 | 51:03.33 | 1:11.00 | 229758 | 235082
    35 | 52:14.33 | 1:29.00 | 235083 | 241757
    36 | 53:43.33 | 1:23.00 | 241758 | 247982
    37 | 55:06.33 | 1:13.00 | 247983 | 253457
    38 | 56:19.33 | 3:09.00 | 253458 | 267632
    39 | 59:28.33 | 3:20.00 | 267633 | 282632
    40 | 62:48.33 | 2:38.00 | 282633 | 294482
    41 | 65:26.33 | 2:35.00 | 294483 | 306107
    42 | 68:01.33 | 1:24.00 | 306108 | 312407


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    Filename D:\EAC extraction\01 - Piano Quintet (1907).wav

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    Track 2

    Filename D:\EAC extraction\02 - Entflieht auf leichten Kaehnen op.2.wav

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    Track 3

    Filename D:\EAC extraction\03 - 2 Lieder op.8 - I. Du, der ichs nicht sage.wav

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    Track 4

    Filename D:\EAC extraction\04 - II. Du machst mich allein.wav

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    Track 5

    Filename D:\EAC extraction\05 - 5 Pieces for Orchestra, op.10 - I. Sehr ruhig und zart.wav

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    Track 6

    Filename D:\EAC extraction\06 - II. Lebhaft und zart bewegt.wav

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    Track 7

    Filename D:\EAC extraction\07 - III. Sehr langsam und aeusserst ruhig.wav

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    Track 8

    Filename D:\EAC extraction\08 - IV. Fliessend, aeusserst zart.wav

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    Filename D:\EAC extraction\09 - V. Sehr fliessend.wav

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    Track 11

    Filename D:\EAC extraction\11 - II. Die Einsame.wav

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    Track 12

    Filename D:\EAC extraction\12 - III. In der Fremde.wav

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    Track 13

    Filename D:\EAC extraction\13 - IV. Ein Winterabend.wav

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    Filename D:\EAC extraction\14 - 6 Lieder op.14 - I. Die Sonne; ''Taeglich kommt die gelbe Sonne.wav

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    Filename D:\EAC extraction\18 - V. Nachts.wav

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    Filename D:\EAC extraction\19 - VI. Gesang einer gefangenen Amsel.wav

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    Filename D:\EAC extraction\22 - III. In Gottes Namen aufstehn.wav

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    Filename D:\EAC extraction\23 - IV. Mein Weg geht jetzt vorueber.wav

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    Filename D:\EAC extraction\24 - V. Fahr hin, o Seel', zu deinem Gott.wav

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    Filename D:\EAC extraction\30 - 3 Traditional Rhymes op.17 - I. Armer Suender, du.wav

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    Track 32

    Filename D:\EAC extraction\32 - III. Heiland, unsre Missetate.wav

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    Track 34

    Filename D:\EAC extraction\34 - II. Erloesung.wav

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    Track 35

    Filename D:\EAC extraction\35 - III. Ave, Regina coelorum.wav

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    Track 36

    Filename D:\EAC extraction\36 - 2 Lieder op.19 - I. Weiss wie Lilien.wav

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    Track 37

    Filename D:\EAC extraction\37 - II. Ziehn die Schafe.wav

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    Track 38

    Filename D:\EAC extraction\38 - Quartet op.22 - I. Sehr maessig.wav

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    Track 39

    Filename D:\EAC extraction\39 - II. Sehr schwungvoll.wav

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    Filename D:\EAC extraction\40 - Concerto op.24 - I. Etwas lebhaft.wav

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    Accurately ripped (confidence 27) [2AD0EA46] (AR v2)
    Copy OK

    Track 42

    Filename D:\EAC extraction\42 - III. Sehr rasch.wav

    Peak level 50.3 %
    Extraction speed 1.2 X
    Track quality 99.8 %
    Test CRC 64C854E8
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    Accurately ripped (confidence 27) [7D1430CB] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    ==== Log checksum A62C64BBABAAA8A2F1075440DD8A8E55F9B55163D82129DC572F99AF5A89ECB2 ====

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2016-02-04 20:18:51

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Webern, Anton / Orchestral, Vocal & Chamber Works - Ensemble InterContemporain, Pierre Boulez
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -0.32 dB -20.99 dB 13:15 01-Piano Quintet (1907)
    DR14 -3.13 dB -24.81 dB 2:48 02-Entflieht auf leichten Kähnen op.2
    DR11 -2.45 dB -28.39 dB 1:05 03-2 Lieder op.8 - I. Du, der ichs nicht sage
    DR16 -5.16 dB -27.89 dB 1:16 04-II. Du machst mich allein
    DR7 -16.62 dB -36.09 dB 0:44 05-5 Pieces for Orchestra, op.10 - I. Sehr ruhig und zart
    DR11 -2.56 dB -23.88 dB 0:39 06-II. Lebhaft und zart bewegt
    DR10 -16.48 dB -37.66 dB 1:48 07-III. Sehr langsam und äußerst ruhig
    DR12 -26.46 dB -43.86 dB 0:29 08-IV. Fließend, äußerst zart
    DR15 -2.30 dB -29.37 dB 1:01 09-V. Sehr fließend
    DR17 -1.57 dB -28.73 dB 2:14 10-4 Lieder op.13 - I. Wiese im Park
    DR13 -5.99 dB -26.17 dB 1:30 11-II. Die Einsame
    DR12 -6.51 dB -27.60 dB 1:03 12-III. In der Fremde
    DR13 -7.32 dB -31.15 dB 2:17 13-IV. Ein Winterabend
    DR14 -3.53 dB -24.57 dB 1:42 14-6 Lieder op.14 - I. Die Sonne: 'Täglich kommt die gelbe Sonne
    DR13 -7.20 dB -25.98 dB 1:27 15-II. Abendland I
    DR14 -2.51 dB -28.20 dB 1:16 16-III. Abendland II
    DR15 -7.68 dB -29.35 dB 1:35 17-IV. Abendland III
    DR11 -3.02 dB -21.64 dB 0:51 18-V. Nachts
    DR16 -2.29 dB -27.33 dB 1:25 19-VI. Gesang einer gefangenen Amsel
    DR12 -6.49 dB -27.67 dB 0:59 20-5 Sacred Songs op.15 - I. Das Kreuz, das mußt' er tragen
    DR13 -4.49 dB -23.76 dB 0:52 21-II. Morgenlied
    DR13 -8.66 dB -27.47 dB 0:59 22-III. In Gottes Namen aufstehn
    DR11 -9.22 dB -28.75 dB 0:59 23-IV. Mein Weg geht jetzt vorüber
    DR12 -8.08 dB -28.23 dB 1:38 24-V. Fahr hin, o Seel', zu deinem Gott
    DR12 -6.59 dB -23.93 dB 0:31 25-5 Canons op.16 - I. Christus factus est
    DR12 -10.93 dB -28.71 dB 1:05 26-II. Dormi Jesu, mater ridet
    DR9 -7.02 dB -29.00 dB 0:50 27-III. Crux fidelis
    DR12 -9.84 dB -29.31 dB 0:37 28-IV. Asperges me, Domine
    DR10 -2.88 dB -22.81 dB 0:31 29-V. Crucem tuam adoramus, Domine
    DR14 -4.09 dB -23.92 dB 0:45 30-3 Traditional Rhymes op.17 - I. Armer Sünder, du
    DR14 -6.37 dB -24.80 dB 1:03 31-II. Liebste Jungfrau, wir sind dein
    DR12 -7.16 dB -24.06 dB 0:53 32-III. Heiland, unsre Missetate
    DR14 -2.74 dB -25.11 dB 0:56 33-3 Lieder op.18 - I. Schatzerl klein
    DR13 -1.77 dB -22.48 dB 1:11 34-II. Erlösung
    DR13 -5.75 dB -26.57 dB 1:29 35-III. Ave, Regina coelorum
    DR14 -4.21 dB -25.24 dB 1:23 36-2 Lieder op.19 - I. Weiß wie Lilien
    DR14 -6.28 dB -26.75 dB 1:13 37-II. Ziehn die Schafe
    DR15 -12.98 dB -34.20 dB 3:09 38-Quartet op.22 - I. Sehr mäßig
    DR16 -10.13 dB -30.45 dB 3:20 39-II. Sehr schwungvoll
    DR16 -4.74 dB -27.44 dB 2:38 40-Concerto op.24 - I. Etwas lebhaft
    DR14 -15.29 dB -35.49 dB 2:35 41-II. Sehr langsam
    DR16 -5.96 dB -27.03 dB 1:24 42-III. Sehr rasch
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 42
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 506 kbps
    Codec: FLAC
    ================================================================================

    Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

    Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

    All thanks to original releaser

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