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    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

    Posted By: Designol
    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)
    EAC | FLAC | Tracks (Cue&Log) ~ 218 Mb | Mp3 (CBR320) ~ 174 Mb | Scans ~ 79 Mb
    Classical | Label: Національна Радіокомпанія України | # none | Time: 01:15:59

    Ukrainian composer Silvestrov is known for his "metaphorical" style of music, which sounds transparent, but is technically and emotionally complex.

    "Music should be so transparent that one can see the bottom and that poetry shimmers through this transparency." (Valentin Silvestrov)

    Valentin Silvestrov was born in Kiev on 30 September 1937. He came to music relatively late, at the age of fifteen. He at first taught himself, and then, between 1955-58, went to an evening music school while during the day studying to become a civil engineer; from 1958 to 1964 he studied composition and counterpoint, respectively, with Boris Lyatoshinsky and Lev Revutsky at Kiev Conservatory. He then taught at a music studio in Kiev for several years. He has been a freelance composer in Kiev since 1970.

    Silvestrov is considered one of the leading representatives of the "Kiev avant-garde", which came to public attention around 1960 and was violently criticized by the proponents of the conservative Soviet musical aesthetic. In the 1960s and 1970s his music was hardly played in his native city; premieres, if given at all, were heard only in Russia, primarily in Leningrad (now St. Petersburg), or in the West. His Spectrums for chamber orchestra, for example, was premiered to spectacular acclaim by the Leningrad Philharmonic under the baton of Igor Blashkov in 1965. In 1968 the same conductor gave the premiere of the Symphony no 2.

    The works of the young composer, especially his Symphony no 3, were awarded the Koussevitzky Prize in 1967, and in 1970 Silvestrov’s Hymn for six orchestral groups received an honorary title at the international Gaudeamus competition and festival in Utrecht.

    Despite much-acclaimed performances in the West, which the composer was not permitted to attend, his music was ignored in his own country on the official level, though unofficially it created quite a stir, which is the reason why it was sometimes banned. For many years there were at least a few enthusiastic performers who played his music from time to time.

    This situation gradually changed with Silvestrov's growing international acclaim. One of his earliest champions was the American pianist and conductor Virko Baley, an aficionado and longtime advocate of contemporary Ukrainian music in general and Silvestrov's works in particular. It was Baley who brought about in 1985 the first performances of Postludium for piano and orchestra and in 1988 of the symphony for baritone and orchestra Exegi monumentum in Las Vegas as well as a Valentin Silvestrov 50th Birthday Concert in New York. Silvestrov became a visiting composer at the Almeida Music Festival in London (1989), Gidon Kremer's Lockenhaus Festival in Austria (1990), and various festivals in Denmark, Finland, and Holland. Later he was "composer in residence" in Hungary (2007 Pannohalma), Poland (2009 Nostalgia-Festival, Poznan), Austria (2013 Klangspuren, Schwaz), Switzerland (2016 Davos-Festival "Young artists in concert"), the Netherlands (2017 The Hague, Unheard Music Festival) and in Germany (2017/18 Staatskapelle Weimar).

    Since the end of the 1980s, the number of performances has increased, even in Russia and the Ukraine. In 1989 Silvestrov took part in the "Alternativa" New Music Festival in Moscow, and in 1992 in the "Five Evenings with the Music of Valentin Silvestrov" in Ekaterinburg. In 1994 he participated in the "Sofia Gubaidulina and Her Friends" festival in St. Petersburg, and a year later in an event devoted to Sofia Gubaidulina, Arvo Pärt and himself. In 1998, on the occasion of his 60th birthday, there was a Silvestrov festival in Kiev with many concerts and a scholarly conference organized by the National Tchaikovsky Academy of Music of Ukraine, the former Kiev Conservatory.

    During the 1990s, Silvestrov's music was heard throughout Europe as well as in Japan and the United States. In 1998-99, he was a visiting fellow of the DAAD (German Academic Exchange Service) in Berlin, where three of his major works have been premiered to date: Metamusic (March 1993), Dedication for violin and orchestra (November 1993), and Symphony no 6 (August 2002).

    In celebration of Silvestrov’s 80th birthday there are many concerts across the world from America to Europe, from Russia, the Ukraine to Japan: Gidon Kremer performs Dedication, Vladimir Jurowski is conducting Symphony no 3, Roman Kofman the Symphonies no 5 and 7, John Storgårds Symphony no 8; the world premiere of his Violin Concerto (2016) takes place in Weimar on 14 January 2018 featuring the young violinist Valeriy Sokolov. Further renowned pianists, chamber musicians and choirs, as well as a conference in Moscow, join the series of jubilee festivities.

    Silvestrov has always maintained his independence, both in his early avant-garde period and after his stylistic volte-face in the 1970s. In recent decades he has dispensed with the conventional compositional devices of the avant-garde and discovered a style comparable to western "post-modernism". The name he has given to this style is "metamusic", a shortened form of "metaphorical Music".

    Of all the many translations of the Greek prefix meta (after/post-, above/supra-, behind/ultra-, outside/extra-, etc.) Silvestrov prefers "above" or "behind". He regards metamusic as "a semantic overtone above Music". In a certain sense, "metamusic" stands for a universal style (a concept that Silvestrov has been using a long time) and a universal language. He understands it to mean "a general 'dictionary’ that belongs to no one but can be used by anyone in his or her own way."

    His work has affinities with the era of the "classical" fin-de-siècle, especially Gustav Mahler, with whom Silvestrov is frequently compared. The difference is that the lexicon of contemporary musicians is unlimited. The lack of delimitation forces composers to search for the lost ontological meaning of music as art. Silvestrov believes that melody is an important precondition for the survival of Music – a view that reveals the lyric basis of his art regardless of the period in his career. The fact that he sees melody in a more comprehensive way is reflected in his vocal music which plays a special role in his musical output. Silvestrov is the author of two large and many shorter song cycles in addition to isolated songs and cantatas, most of them on poems by classical authors. His attitude to poetry is based on the notion that he does not wish to disturb its innate musicality and attempts to subordinate himself to it.

    "Poetry … is the salvation of all that is most essential, namely, melody as a holistic and indispensable organism. Either this organism is there, or it is not. I believe that Music – even if it cannot be 'sung' – is song nevertheless; it is neither philosophy nor a world view, it is the song of the world about itself, as it were a musical testimony to existence." This same approach also governs Silvestrov's instrumental music, which is always richly infused with both logical and melodic tension.

    Since 2001/02, Silvestrov has again been working with small forms and "pure" melodies, composing numerous cycles ('families', 'colonies') for various small instrumentations (more than 260 cycles for piano solo): waltzes, lullabies, postludes, nocturnes, barcaroles, pastorals, serenades. Silvestrov describes the short pieces as 'bagatelles' in the centre of which is the melody, and in which he tries to seize and 'halt' the 'melodic moment', intonations, calls and motifs which flash past, without imposing the burden of what is termed thematic elaboration.

    Since 2005, Silvestrov has again increasingly devoted himself to choral music, particularly to sacred choral music which, however, is not intended for liturgical use.

    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)



    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)


    Borys Demenko, piano (1-35)
    Valentin Silvestrov, piano (36-39)

    Tracklist:

    2 Serenades (November 2008), op.118. For I.S.Czarevitch:
    01. Allegretto (2:07)
    02. Moderato (1:38)

    2 Elegies (piano version, 2006), op.60:
    03. Moderato (2:06)
    04. Andante (3:39)

    5 Valses (April 2007), op.100. For Maria Dolnucky:
    05. Con moto lontano (1:36)
    06. Animato dolcissimo (1:21)
    07. Con moto leggierissimo (1:16)
    08. Allegro (1:28)
    09. Con moto dolce (1:32)

    3 Postludes (October 2005), op.57. For Jenny Lin:
    10. Allegro vivace dolce (2:13)
    11. Allegro moderato con moto (1:22)
    12. Animato leggiero (1:38)

    6 Pieces (June 2006), op.61:
    13. Pastorale (2:27)
    14. Serenade (1:30)
    15. Barcarolle (1:36)
    16. Valse (2:36)
    17. Pastorale (2:02)
    18. Mazurka (1:21)

    3 Valses (March 2005), op.54:
    19. '…to Inga' (2:29)
    20. '…to Kate' (1:33)
    21. '…to Pavel' (1:29)

    4 Intermezzo (2009), op.155. For Borys Demenko:
    22. Allegro (1:39)
    23. Andantino (2:28)
    24. Animato (1:26)
    25. Moderato (1:33)

    Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95:
    26. Andantino (2:09)
    27. Andantino (1:32)
    28. Animato (2:09)
    29. Animato (1:44)

    Italian Serenades (2005), op.48:
    30. Serenade (1:22)
    31. Dedication to G.Rossini (1:57)
    32. Dedication to V.Bellini (1:36)
    33. Dedication to G.Verdi (2:08)
    34. Dedication to W.Mozart (2:30)
    35. Dedication to M.Glinka (2:13)

    Bonus: Archive Recording [performed by V.Silvestrov]:
    Dedication To G. Purcell (Cycle Of 4 Pieces Attaca, 2007), op.95
    36. Andantino (3:11)
    37. Andantino (2:24)
    38. Animato (2:49)
    39. Animato (2:08)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 10. June 2013, 0:44

    Валентин Сильвестров - Valentyn Silvestrov / Метафорична Музика - Metaphoric Music

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    2 | 2:07.29 | 1:37.68 | 9554 | 16896
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    35 | 63:12.74 | 2:13.25 | 284474 | 294473
    36 | 65:26.24 | 3:10.53 | 294474 | 308776
    37 | 68:37.02 | 2:24.29 | 308777 | 319605
    38 | 71:01.31 | 2:49.33 | 319606 | 332313
    39 | 73:50.64 | 2:07.53 | 332314 | 341891


    Track 1

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\01 2 Serenades (November 2008), op.118. For I.S.Czarevitch- Allegretto.wav

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    Track 2

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\02 2 Serenades (November 2008), op.118. For I.S.Czarevitch- Moderato.wav

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    Track 3

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    Track 5

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\05 5 Valses (April 2007), op.100. For Maria Dolnucky- Con moto lontano.wav

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

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    Track 11

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    Track 12

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    Track 20

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    Track 21

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    Track 23

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    Track 26

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    Track 27

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    Track 28

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\28 Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

    Peak level 48.3 %
    Extraction speed 2.0 X
    Track quality 100.0 %
    Test CRC F3EE54B2
    Copy CRC F3EE54B2
    Track not present in AccurateRip database
    Copy OK

    Track 29

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\29 Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

    Peak level 36.9 %
    Extraction speed 1.9 X
    Track quality 100.0 %
    Test CRC 41A2F032
    Copy CRC 41A2F032
    Track not present in AccurateRip database
    Copy OK

    Track 30

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\30 Italian Serenades (2005), op.48- Serenade.wav

    Pre-gap length 0:00:02.36

    Peak level 15.2 %
    Extraction speed 1.8 X
    Track quality 100.0 %
    Test CRC E27ECF34
    Copy CRC E27ECF34
    Track not present in AccurateRip database
    Copy OK

    Track 31

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\31 Italian Serenades (2005), op.48- Dedication to G.Rossini.wav

    Peak level 36.7 %
    Extraction speed 2.0 X
    Track quality 100.0 %
    Test CRC E1FABC18
    Copy CRC E1FABC18
    Track not present in AccurateRip database
    Copy OK

    Track 32

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\32 Italian Serenades (2005), op.48- Dedication to V.Bellini.wav

    Peak level 15.5 %
    Extraction speed 2.0 X
    Track quality 100.0 %
    Test CRC BC856A6B
    Copy CRC BC856A6B
    Track not present in AccurateRip database
    Copy OK

    Track 33

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\33 Italian Serenades (2005), op.48- Dedication to G.Verdi.wav

    Peak level 27.0 %
    Extraction speed 2.1 X
    Track quality 100.0 %
    Test CRC 4EE52385
    Copy CRC 4EE52385
    Track not present in AccurateRip database
    Copy OK

    Track 34

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\34 Italian Serenades (2005), op.48- Dedication to W.Mozart.wav

    Peak level 33.9 %
    Extraction speed 2.3 X
    Track quality 100.0 %
    Test CRC 43FE73DD
    Copy CRC 43FE73DD
    Track not present in AccurateRip database
    Copy OK

    Track 35

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\35 Italian Serenades (2005), op.48- Dedication to M.Glinka.wav

    Peak level 26.8 %
    Extraction speed 2.2 X
    Track quality 100.0 %
    Test CRC E5F57E9A
    Copy CRC E5F57E9A
    Track not present in AccurateRip database
    Copy OK

    Track 36

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\36 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Andantino.wav

    Pre-gap length 0:00:03.54

    Peak level 22.3 %
    Extraction speed 2.5 X
    Track quality 100.0 %
    Test CRC 4971CDE6
    Copy CRC 4971CDE6
    Track not present in AccurateRip database
    Copy OK

    Track 37

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\37 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Andantino.wav

    Peak level 29.2 %
    Extraction speed 1.9 X
    Track quality 99.9 %
    Test CRC 6CD15A7E
    Copy CRC 6CD15A7E
    Track not present in AccurateRip database
    Copy OK

    Track 38

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\38 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

    Peak level 41.8 %
    Extraction speed 2.4 X
    Track quality 100.0 %
    Test CRC E3976455
    Copy CRC E3976455
    Track not present in AccurateRip database
    Copy OK

    Track 39

    Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\39 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

    Peak level 21.5 %
    Extraction speed 2.4 X
    Track quality 100.0 %
    Test CRC 8D273837
    Copy CRC 8D273837
    Track not present in AccurateRip database
    Copy OK


    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    ==== Log checksum 9F45D4DBCBDDBEE7B764FB539125B50C83E976519964FBA8D6C806A2913371F6 ====

    [CUETools log; Date: 25.09.2018 1:36:14; Version: 2.1.4]
    [CTDB TOCID: PS1O9w1x.5Y85IwFiP86mea5kas-] found.
    Track | CTDB Status
    1 | (1/1) Accurately ripped
    2 | (1/1) Accurately ripped
    3 | (1/1) Accurately ripped
    4 | (1/1) Accurately ripped
    5 | (1/1) Accurately ripped
    6 | (1/1) Accurately ripped
    7 | (1/1) Accurately ripped
    8 | (1/1) Accurately ripped
    9 | (1/1) Accurately ripped
    10 | (1/1) Accurately ripped
    11 | (1/1) Accurately ripped
    12 | (1/1) Accurately ripped
    13 | (1/1) Accurately ripped
    14 | (1/1) Accurately ripped
    15 | (1/1) Accurately ripped
    16 | (1/1) Accurately ripped
    17 | (1/1) Accurately ripped
    18 | (1/1) Accurately ripped
    19 | (1/1) Accurately ripped
    20 | (1/1) Accurately ripped
    21 | (1/1) Accurately ripped
    22 | (1/1) Accurately ripped
    23 | (1/1) Accurately ripped
    24 | (1/1) Accurately ripped
    25 | (1/1) Accurately ripped
    26 | (1/1) Accurately ripped
    27 | (1/1) Accurately ripped
    28 | (1/1) Accurately ripped
    29 | (1/1) Accurately ripped
    30 | (1/1) Accurately ripped
    31 | (1/1) Accurately ripped
    32 | (1/1) Accurately ripped
    33 | (1/1) Accurately ripped
    34 | (1/1) Accurately ripped
    35 | (1/1) Accurately ripped
    36 | (1/1) Accurately ripped
    37 | (1/1) Accurately ripped
    38 | (1/1) Accurately ripped
    39 | (1/1) Accurately ripped
    [AccurateRip ID: 00649eea-0abad3be-2911ce27] found.
    Track [ CRC | V2 ] Status
    01 [46e2fe1b|5280f1a4] (0+1/1) Accurately ripped
    02 [5f54cade|29532ee8] (0+1/1) Accurately ripped
    03 [f4c1f9fa|e28d228f] (0+1/1) Accurately ripped
    04 [7ae5f50f|dbf6317e] (0+1/1) Accurately ripped
    05 [c834e704|e3d53ee1] (0+1/1) Accurately ripped
    06 [b2be3515|522ba238] (0+1/1) Accurately ripped
    07 [b31b20fa|9eaeb190] (0+1/1) Accurately ripped
    08 [c7c5a270|c9a24b99] (0+1/1) Accurately ripped
    09 [1857a29e|eb7dbc86] (0+1/1) Accurately ripped
    10 [0defac80|860fa558] (0+1/1) Accurately ripped
    11 [e56d1352|e5af72d1] (0+1/1) Accurately ripped
    12 [a21eb2ac|a8301b64] (0+1/1) Accurately ripped
    13 [21a425aa|6edc3c40] (0+1/1) Accurately ripped
    14 [415fd5bf|64e41bc6] (0+1/1) Accurately ripped
    15 [d021fc57|7a930231] (0+1/1) Accurately ripped
    16 [707e0eac|0e1d140e] (0+1/1) Accurately ripped
    17 [600fb013|20f48fac] (0+1/1) Accurately ripped
    18 [4475e4ee|f0323648] (0+1/1) Accurately ripped
    19 [534b3f67|98840555] (0+1/1) Accurately ripped
    20 [b9c5f796|0fd23889] (0+1/1) Accurately ripped
    21 [9cc28635|dddd1b8f] (0+1/1) Accurately ripped
    22 [c50926a1|6e425e20] (0+1/1) Accurately ripped
    23 [711faeb5|7c84dfdb] (0+1/1) Accurately ripped
    24 [06a28efd|513360da] (0+1/1) Accurately ripped
    25 [db370d3b|86e9d2d2] (0+1/1) Accurately ripped
    26 [a856b867|1204c191] (0+1/1) Accurately ripped
    27 [b6dec050|702d2763] (0+1/1) Accurately ripped
    28 [b91eb5c2|c50852fd] (0+1/1) Accurately ripped
    29 [73d8762f|3579bd23] (0+1/1) Accurately ripped
    30 [404b43f8|bf87c98e] (0+1/1) Accurately ripped
    31 [9fe38988|f54d905e] (0+1/1) Accurately ripped
    32 [e0c5b072|1471f3c7] (0+1/1) Accurately ripped
    33 [dddda45a|1c1dad43] (0+1/1) Accurately ripped
    34 [6cc06987|7a24577b] (0+1/1) Accurately ripped
    35 [508475ea|fcf75b00] (0+1/1) Accurately ripped
    36 [87445d47|530a44da] (0+1/1) Accurately ripped
    37 [6918b044|4806cf00] (0+1/1) Accurately ripped
    38 [00a3663e|1ebc8bf0] (0+1/1) Accurately ripped
    39 [9bdcd3a0|be081fcd] (0+1/1) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 49,0 [A881EB8A] [3B342EB2]
    01 39,2 [281AA5AC] [9FEF1E30] CRC32
    02 25,4 [3EA5289B] [7FCBD1B5] CRC32
    03 24,1 [4A326BEE] [8893A5FD] CRC32
    04 16,9 [43A7E4F9] [44B75E7F] CRC32
    05 24,4 [5536BAFA] [C7303858] CRC32
    06 36,4 [21B7EE74] [A108942A] CRC32
    07 38,2 [5F2BD11E] [49C81C3F] CRC32
    08 45,9 [BEB10EA7] [8FE01F02] CRC32
    09 32,4 [B4F3118C] [A05A3567] CRC32
    10 34,7 [20D21590] [0F34402A] CRC32
    11 39,4 [C477B1A1] [AB5ED6C4] CRC32
    12 25,3 [4282CD04] [057F565C] CRC32
    13 33,7 [5A7610DA] [36DD1EE9] CRC32
    14 21,3 [A60320A0] [2F7EC175] CRC32
    15 21,8 [4ED3C3D0] [0421B60A] CRC32
    16 31,9 [DDE6B7CD] [BCD0A64C] CRC32
    17 34,2 [7E89D5A0] [54CE4FEB] CRC32
    18 28,8 [9EEFC18A] [4E9033DE] CRC32
    19 27,7 [B0956C7A] [0025D506] CRC32
    20 30,1 [A6364179] [B33F6F50] CRC32
    21 16,9 [D2F5B3ED] [943DE759] CRC32
    22 32,4 [FE97AACA] [42A7E7E6] CRC32
    23 24,9 [C0D755DC] [8CD23721] CRC32
    24 22,2 [37E1AD32] [C6E980ED] CRC32
    25 49,0 [33D90626] [11F5E6F1] CRC32
    26 24,6 [E445B4E4] [BF095A49] CRC32
    27 38,9 [C0E80488] [E5C3AF91] CRC32
    28 48,3 [F3EE54B2] [8FD0CDED] CRC32
    29 36,9 [41A2F032] [B8F67009] CRC32
    30 15,2 [E27ECF34] [6591343A] CRC32
    31 36,7 [E1FABC18] [A03AE62F] CRC32
    32 15,5 [BC856A6B] [23686EDC] CRC32
    33 27,0 [4EE52385] [7ED4706F] CRC32
    34 33,9 [43FE73DD] [3AC22F6E] CRC32
    35 26,8 [E5F57E9A] [5B9C25FA] CRC32
    36 22,3 [4971CDE6] [6EA1C667] CRC32
    37 29,2 [6CD15A7E] [186E2136] CRC32
    38 41,8 [E3976455] [891FF5E0] CRC32
    39 21,5 [8D273837] [54746738] CRC32

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-09-25 02:04:45

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Borys Demenko / Valentin Silvestrov - Metaphoric Music (1-35)
    Valentin Silvestrov / Valentin Silvestrov - Metaphoric Music (36-39)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -8.13 dB -28.21 dB 2:07 01-2 Serenades (November 2008), op.118. For I.S.Czarevitch: Allegretto
    DR12 -11.88 dB -28.65 dB 1:38 02-2 Serenades (November 2008), op.118. For I.S.Czarevitch: Moderato
    DR12 -12.33 dB -31.60 dB 2:06 03-2 Elegies (piano version, 2006), op.60: Moderato
    DR12 -15.42 dB -31.49 dB 3:39 04-2 Elegies (piano version, 2006), op.60: Andante
    DR12 -12.25 dB -31.00 dB 1:36 05-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto lontano
    DR13 -8.78 dB -28.46 dB 1:21 06-5 Valses (April 2007), op.100. For Maria Dolnucky: Animato dolcissimo
    DR13 -8.36 dB -27.72 dB 1:16 07-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto leggierissimo
    DR11 -6.75 dB -27.81 dB 1:28 08-5 Valses (April 2007), op.100. For Maria Dolnucky: Allegro
    DR12 -9.76 dB -32.62 dB 1:32 09-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto dolce
    DR12 -9.18 dB -28.71 dB 2:13 10-3 Postludes (October 2005), op.57. For Jenny Lin: Allegro vivace dolce
    DR12 -8.08 dB -26.16 dB 1:22 11-3 Postludes (October 2005), op.57. For Jenny Lin: Allegro moderato con moto
    DR13 -11.91 dB -30.23 dB 1:38 12-3 Postludes (October 2005), op.57. For Jenny Lin: Animato leggiero
    DR13 -9.45 dB -27.96 dB 2:27 13-6 Pieces (June 2006), op.61: Pastorale
    DR12 -13.41 dB -31.71 dB 1:30 14-6 Pieces (June 2006), op.61: Serenade
    DR11 -13.20 dB -29.15 dB 1:36 15-6 Pieces (June 2006), op.61: Barcarolle
    DR14 -9.91 dB -29.29 dB 2:36 16-6 Pieces (June 2006), op.61: Valse
    DR12 -9.32 dB -25.14 dB 2:02 17-6 Pieces (June 2006), op.61: Pastorale
    DR12 -10.78 dB -29.42 dB 1:21 18-6 Pieces (June 2006), op.61: Mazurka
    DR12 -11.12 dB -27.68 dB 2:29 19-3 Valses (March 2005), op.54: '…to Inga'
    DR12 -10.41 dB -26.49 dB 1:33 20-3 Valses (March 2005), op.54: '…to Kate'
    DR11 -15.44 dB -32.17 dB 1:29 21-3 Valses (March 2005), op.54: '…to Pavel'
    DR12 -9.78 dB -26.72 dB 1:39 22-4 Intermezzo (2009), op.155. For Borys Demenko: Allegro
    DR13 -12.07 dB -29.17 dB 2:28 23-4 Intermezzo (2009), op.155. For Borys Demenko: Andantino
    DR12 -13.05 dB -28.88 dB 1:26 24-4 Intermezzo (2009), op.155. For Borys Demenko: Animato
    DR12 -6.20 dB -23.67 dB 1:33 25-4 Intermezzo (2009), op.155. For Borys Demenko: Moderato
    DR13 -12.16 dB -29.02 dB 2:09 26-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
    DR11 -8.19 dB -27.06 dB 1:32 27-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
    DR13 -6.32 dB -25.78 dB 2:09 28-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
    DR13 -8.64 dB -28.10 dB 1:44 29-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
    DR11 -16.35 dB -31.39 dB 1:22 30-Italian Serenades (2005), op.48: Serenade
    DR13 -8.69 dB -27.01 dB 1:57 31-Italian Serenades (2005), op.48: Dedication to G.Rossini
    DR12 -16.18 dB -32.24 dB 1:36 32-Italian Serenades (2005), op.48: Dedication to V.Bellini
    DR11 -11.35 dB -26.42 dB 2:08 33-Italian Serenades (2005), op.48: Dedication to G.Verdi
    DR12 -9.39 dB -28.18 dB 2:30 34-Italian Serenades (2005), op.48: Dedication to W.Mozart
    DR12 -11.42 dB -28.47 dB 2:13 35-Italian Serenades (2005), op.48: Dedication to M.Glinka
    DR13 -13.02 dB -31.79 dB 3:11 36-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
    DR13 -10.67 dB -29.75 dB 2:24 37-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
    DR13 -7.56 dB -26.67 dB 2:49 38-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
    DR16 -13.33 dB -33.02 dB 2:08 39-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 39
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 395 kbps
    Codec: FLAC
    ================================================================================

    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

    Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

    All thanks to original releaser

    More interesting music in My Blog