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Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

Posted By: Designol
Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)
EAC | FLAC | Tracks (Cue&Log) ~ 218 Mb | Mp3 (CBR320) ~ 174 Mb | Scans ~ 79 Mb
Classical | Label: Національна Радіокомпанія України | # none | Time: 01:15:59

Ukrainian composer Silvestrov is known for his "metaphorical" style of music, which sounds transparent, but is technically and emotionally complex.

"Music should be so transparent that one can see the bottom and that poetry shimmers through this transparency." (Valentin Silvestrov)

Valentin Silvestrov was born in Kiev on 30 September 1937. He came to music relatively late, at the age of fifteen. He at first taught himself, and then, between 1955-58, went to an evening music school while during the day studying to become a civil engineer; from 1958 to 1964 he studied composition and counterpoint, respectively, with Boris Lyatoshinsky and Lev Revutsky at Kiev Conservatory. He then taught at a music studio in Kiev for several years. He has been a freelance composer in Kiev since 1970.

Silvestrov is considered one of the leading representatives of the "Kiev avant-garde", which came to public attention around 1960 and was violently criticized by the proponents of the conservative Soviet musical aesthetic. In the 1960s and 1970s his music was hardly played in his native city; premieres, if given at all, were heard only in Russia, primarily in Leningrad (now St. Petersburg), or in the West. His Spectrums for chamber orchestra, for example, was premiered to spectacular acclaim by the Leningrad Philharmonic under the baton of Igor Blashkov in 1965. In 1968 the same conductor gave the premiere of the Symphony no 2.

The works of the young composer, especially his Symphony no 3, were awarded the Koussevitzky Prize in 1967, and in 1970 Silvestrov’s Hymn for six orchestral groups received an honorary title at the international Gaudeamus competition and festival in Utrecht.

Despite much-acclaimed performances in the West, which the composer was not permitted to attend, his music was ignored in his own country on the official level, though unofficially it created quite a stir, which is the reason why it was sometimes banned. For many years there were at least a few enthusiastic performers who played his music from time to time.

This situation gradually changed with Silvestrov's growing international acclaim. One of his earliest champions was the American pianist and conductor Virko Baley, an aficionado and longtime advocate of contemporary Ukrainian music in general and Silvestrov's works in particular. It was Baley who brought about in 1985 the first performances of Postludium for piano and orchestra and in 1988 of the symphony for baritone and orchestra Exegi monumentum in Las Vegas as well as a Valentin Silvestrov 50th Birthday Concert in New York. Silvestrov became a visiting composer at the Almeida Music Festival in London (1989), Gidon Kremer's Lockenhaus Festival in Austria (1990), and various festivals in Denmark, Finland, and Holland. Later he was "composer in residence" in Hungary (2007 Pannohalma), Poland (2009 Nostalgia-Festival, Poznan), Austria (2013 Klangspuren, Schwaz), Switzerland (2016 Davos-Festival "Young artists in concert"), the Netherlands (2017 The Hague, Unheard Music Festival) and in Germany (2017/18 Staatskapelle Weimar).

Since the end of the 1980s, the number of performances has increased, even in Russia and the Ukraine. In 1989 Silvestrov took part in the "Alternativa" New Music Festival in Moscow, and in 1992 in the "Five Evenings with the Music of Valentin Silvestrov" in Ekaterinburg. In 1994 he participated in the "Sofia Gubaidulina and Her Friends" festival in St. Petersburg, and a year later in an event devoted to Sofia Gubaidulina, Arvo Pärt and himself. In 1998, on the occasion of his 60th birthday, there was a Silvestrov festival in Kiev with many concerts and a scholarly conference organized by the National Tchaikovsky Academy of Music of Ukraine, the former Kiev Conservatory.

During the 1990s, Silvestrov's music was heard throughout Europe as well as in Japan and the United States. In 1998-99, he was a visiting fellow of the DAAD (German Academic Exchange Service) in Berlin, where three of his major works have been premiered to date: Metamusic (March 1993), Dedication for violin and orchestra (November 1993), and Symphony no 6 (August 2002).

In celebration of Silvestrov’s 80th birthday there are many concerts across the world from America to Europe, from Russia, the Ukraine to Japan: Gidon Kremer performs Dedication, Vladimir Jurowski is conducting Symphony no 3, Roman Kofman the Symphonies no 5 and 7, John Storgårds Symphony no 8; the world premiere of his Violin Concerto (2016) takes place in Weimar on 14 January 2018 featuring the young violinist Valeriy Sokolov. Further renowned pianists, chamber musicians and choirs, as well as a conference in Moscow, join the series of jubilee festivities.

Silvestrov has always maintained his independence, both in his early avant-garde period and after his stylistic volte-face in the 1970s. In recent decades he has dispensed with the conventional compositional devices of the avant-garde and discovered a style comparable to western "post-modernism". The name he has given to this style is "metamusic", a shortened form of "metaphorical Music".

Of all the many translations of the Greek prefix meta (after/post-, above/supra-, behind/ultra-, outside/extra-, etc.) Silvestrov prefers "above" or "behind". He regards metamusic as "a semantic overtone above Music". In a certain sense, "metamusic" stands for a universal style (a concept that Silvestrov has been using a long time) and a universal language. He understands it to mean "a general 'dictionary’ that belongs to no one but can be used by anyone in his or her own way."

His work has affinities with the era of the "classical" fin-de-siècle, especially Gustav Mahler, with whom Silvestrov is frequently compared. The difference is that the lexicon of contemporary musicians is unlimited. The lack of delimitation forces composers to search for the lost ontological meaning of music as art. Silvestrov believes that melody is an important precondition for the survival of Music – a view that reveals the lyric basis of his art regardless of the period in his career. The fact that he sees melody in a more comprehensive way is reflected in his vocal music which plays a special role in his musical output. Silvestrov is the author of two large and many shorter song cycles in addition to isolated songs and cantatas, most of them on poems by classical authors. His attitude to poetry is based on the notion that he does not wish to disturb its innate musicality and attempts to subordinate himself to it.

"Poetry … is the salvation of all that is most essential, namely, melody as a holistic and indispensable organism. Either this organism is there, or it is not. I believe that Music – even if it cannot be 'sung' – is song nevertheless; it is neither philosophy nor a world view, it is the song of the world about itself, as it were a musical testimony to existence." This same approach also governs Silvestrov's instrumental music, which is always richly infused with both logical and melodic tension.

Since 2001/02, Silvestrov has again been working with small forms and "pure" melodies, composing numerous cycles ('families', 'colonies') for various small instrumentations (more than 260 cycles for piano solo): waltzes, lullabies, postludes, nocturnes, barcaroles, pastorals, serenades. Silvestrov describes the short pieces as 'bagatelles' in the centre of which is the melody, and in which he tries to seize and 'halt' the 'melodic moment', intonations, calls and motifs which flash past, without imposing the burden of what is termed thematic elaboration.

Since 2005, Silvestrov has again increasingly devoted himself to choral music, particularly to sacred choral music which, however, is not intended for liturgical use.

Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)



Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)


Borys Demenko, piano (1-35)
Valentin Silvestrov, piano (36-39)

Tracklist:

2 Serenades (November 2008), op.118. For I.S.Czarevitch:
01. Allegretto (2:07)
02. Moderato (1:38)

2 Elegies (piano version, 2006), op.60:
03. Moderato (2:06)
04. Andante (3:39)

5 Valses (April 2007), op.100. For Maria Dolnucky:
05. Con moto lontano (1:36)
06. Animato dolcissimo (1:21)
07. Con moto leggierissimo (1:16)
08. Allegro (1:28)
09. Con moto dolce (1:32)

3 Postludes (October 2005), op.57. For Jenny Lin:
10. Allegro vivace dolce (2:13)
11. Allegro moderato con moto (1:22)
12. Animato leggiero (1:38)

6 Pieces (June 2006), op.61:
13. Pastorale (2:27)
14. Serenade (1:30)
15. Barcarolle (1:36)
16. Valse (2:36)
17. Pastorale (2:02)
18. Mazurka (1:21)

3 Valses (March 2005), op.54:
19. '…to Inga' (2:29)
20. '…to Kate' (1:33)
21. '…to Pavel' (1:29)

4 Intermezzo (2009), op.155. For Borys Demenko:
22. Allegro (1:39)
23. Andantino (2:28)
24. Animato (1:26)
25. Moderato (1:33)

Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95:
26. Andantino (2:09)
27. Andantino (1:32)
28. Animato (2:09)
29. Animato (1:44)

Italian Serenades (2005), op.48:
30. Serenade (1:22)
31. Dedication to G.Rossini (1:57)
32. Dedication to V.Bellini (1:36)
33. Dedication to G.Verdi (2:08)
34. Dedication to W.Mozart (2:30)
35. Dedication to M.Glinka (2:13)

Bonus: Archive Recording [performed by V.Silvestrov]:
Dedication To G. Purcell (Cycle Of 4 Pieces Attaca, 2007), op.95
36. Andantino (3:11)
37. Andantino (2:24)
38. Animato (2:49)
39. Animato (2:08)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 10. June 2013, 0:44

Валентин Сильвестров - Valentyn Silvestrov / Метафорична Музика - Metaphoric Music

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37 | 68:37.02 | 2:24.29 | 308777 | 319605
38 | 71:01.31 | 2:49.33 | 319606 | 332313
39 | 73:50.64 | 2:07.53 | 332314 | 341891


Track 1

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\01 2 Serenades (November 2008), op.118. For I.S.Czarevitch- Allegretto.wav

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Track 2

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Track 9

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Track 11

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Track 13

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Track 21

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Track 22

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Track 23

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Track 26

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Track 29

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Track 30

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Track 31

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Track 32

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\32 Italian Serenades (2005), op.48- Dedication to V.Bellini.wav

Peak level 15.5 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC BC856A6B
Copy CRC BC856A6B
Track not present in AccurateRip database
Copy OK

Track 33

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\33 Italian Serenades (2005), op.48- Dedication to G.Verdi.wav

Peak level 27.0 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 4EE52385
Copy CRC 4EE52385
Track not present in AccurateRip database
Copy OK

Track 34

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\34 Italian Serenades (2005), op.48- Dedication to W.Mozart.wav

Peak level 33.9 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC 43FE73DD
Copy CRC 43FE73DD
Track not present in AccurateRip database
Copy OK

Track 35

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\35 Italian Serenades (2005), op.48- Dedication to M.Glinka.wav

Peak level 26.8 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC E5F57E9A
Copy CRC E5F57E9A
Track not present in AccurateRip database
Copy OK

Track 36

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\36 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Andantino.wav

Pre-gap length 0:00:03.54

Peak level 22.3 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 4971CDE6
Copy CRC 4971CDE6
Track not present in AccurateRip database
Copy OK

Track 37

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\37 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Andantino.wav

Peak level 29.2 %
Extraction speed 1.9 X
Track quality 99.9 %
Test CRC 6CD15A7E
Copy CRC 6CD15A7E
Track not present in AccurateRip database
Copy OK

Track 38

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\38 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

Peak level 41.8 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC E3976455
Copy CRC E3976455
Track not present in AccurateRip database
Copy OK

Track 39

Filename E:\_Music\Valentyn Silvestrov - 2012-Metaphoric Music (Borys Demenko) [National Radio Company of Ukraine]\39 Bonus- Archive Recording [performed by V.Silvestrov]- Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95- Animato.wav

Peak level 21.5 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC 8D273837
Copy CRC 8D273837
Track not present in AccurateRip database
Copy OK


None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

==== Log checksum 9F45D4DBCBDDBEE7B764FB539125B50C83E976519964FBA8D6C806A2913371F6 ====

[CUETools log; Date: 25.09.2018 1:36:14; Version: 2.1.4]
[CTDB TOCID: PS1O9w1x.5Y85IwFiP86mea5kas-] found.
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
13 | (1/1) Accurately ripped
14 | (1/1) Accurately ripped
15 | (1/1) Accurately ripped
16 | (1/1) Accurately ripped
17 | (1/1) Accurately ripped
18 | (1/1) Accurately ripped
19 | (1/1) Accurately ripped
20 | (1/1) Accurately ripped
21 | (1/1) Accurately ripped
22 | (1/1) Accurately ripped
23 | (1/1) Accurately ripped
24 | (1/1) Accurately ripped
25 | (1/1) Accurately ripped
26 | (1/1) Accurately ripped
27 | (1/1) Accurately ripped
28 | (1/1) Accurately ripped
29 | (1/1) Accurately ripped
30 | (1/1) Accurately ripped
31 | (1/1) Accurately ripped
32 | (1/1) Accurately ripped
33 | (1/1) Accurately ripped
34 | (1/1) Accurately ripped
35 | (1/1) Accurately ripped
36 | (1/1) Accurately ripped
37 | (1/1) Accurately ripped
38 | (1/1) Accurately ripped
39 | (1/1) Accurately ripped
[AccurateRip ID: 00649eea-0abad3be-2911ce27] found.
Track [ CRC | V2 ] Status
01 [46e2fe1b|5280f1a4] (0+1/1) Accurately ripped
02 [5f54cade|29532ee8] (0+1/1) Accurately ripped
03 [f4c1f9fa|e28d228f] (0+1/1) Accurately ripped
04 [7ae5f50f|dbf6317e] (0+1/1) Accurately ripped
05 [c834e704|e3d53ee1] (0+1/1) Accurately ripped
06 [b2be3515|522ba238] (0+1/1) Accurately ripped
07 [b31b20fa|9eaeb190] (0+1/1) Accurately ripped
08 [c7c5a270|c9a24b99] (0+1/1) Accurately ripped
09 [1857a29e|eb7dbc86] (0+1/1) Accurately ripped
10 [0defac80|860fa558] (0+1/1) Accurately ripped
11 [e56d1352|e5af72d1] (0+1/1) Accurately ripped
12 [a21eb2ac|a8301b64] (0+1/1) Accurately ripped
13 [21a425aa|6edc3c40] (0+1/1) Accurately ripped
14 [415fd5bf|64e41bc6] (0+1/1) Accurately ripped
15 [d021fc57|7a930231] (0+1/1) Accurately ripped
16 [707e0eac|0e1d140e] (0+1/1) Accurately ripped
17 [600fb013|20f48fac] (0+1/1) Accurately ripped
18 [4475e4ee|f0323648] (0+1/1) Accurately ripped
19 [534b3f67|98840555] (0+1/1) Accurately ripped
20 [b9c5f796|0fd23889] (0+1/1) Accurately ripped
21 [9cc28635|dddd1b8f] (0+1/1) Accurately ripped
22 [c50926a1|6e425e20] (0+1/1) Accurately ripped
23 [711faeb5|7c84dfdb] (0+1/1) Accurately ripped
24 [06a28efd|513360da] (0+1/1) Accurately ripped
25 [db370d3b|86e9d2d2] (0+1/1) Accurately ripped
26 [a856b867|1204c191] (0+1/1) Accurately ripped
27 [b6dec050|702d2763] (0+1/1) Accurately ripped
28 [b91eb5c2|c50852fd] (0+1/1) Accurately ripped
29 [73d8762f|3579bd23] (0+1/1) Accurately ripped
30 [404b43f8|bf87c98e] (0+1/1) Accurately ripped
31 [9fe38988|f54d905e] (0+1/1) Accurately ripped
32 [e0c5b072|1471f3c7] (0+1/1) Accurately ripped
33 [dddda45a|1c1dad43] (0+1/1) Accurately ripped
34 [6cc06987|7a24577b] (0+1/1) Accurately ripped
35 [508475ea|fcf75b00] (0+1/1) Accurately ripped
36 [87445d47|530a44da] (0+1/1) Accurately ripped
37 [6918b044|4806cf00] (0+1/1) Accurately ripped
38 [00a3663e|1ebc8bf0] (0+1/1) Accurately ripped
39 [9bdcd3a0|be081fcd] (0+1/1) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 49,0 [A881EB8A] [3B342EB2]
01 39,2 [281AA5AC] [9FEF1E30] CRC32
02 25,4 [3EA5289B] [7FCBD1B5] CRC32
03 24,1 [4A326BEE] [8893A5FD] CRC32
04 16,9 [43A7E4F9] [44B75E7F] CRC32
05 24,4 [5536BAFA] [C7303858] CRC32
06 36,4 [21B7EE74] [A108942A] CRC32
07 38,2 [5F2BD11E] [49C81C3F] CRC32
08 45,9 [BEB10EA7] [8FE01F02] CRC32
09 32,4 [B4F3118C] [A05A3567] CRC32
10 34,7 [20D21590] [0F34402A] CRC32
11 39,4 [C477B1A1] [AB5ED6C4] CRC32
12 25,3 [4282CD04] [057F565C] CRC32
13 33,7 [5A7610DA] [36DD1EE9] CRC32
14 21,3 [A60320A0] [2F7EC175] CRC32
15 21,8 [4ED3C3D0] [0421B60A] CRC32
16 31,9 [DDE6B7CD] [BCD0A64C] CRC32
17 34,2 [7E89D5A0] [54CE4FEB] CRC32
18 28,8 [9EEFC18A] [4E9033DE] CRC32
19 27,7 [B0956C7A] [0025D506] CRC32
20 30,1 [A6364179] [B33F6F50] CRC32
21 16,9 [D2F5B3ED] [943DE759] CRC32
22 32,4 [FE97AACA] [42A7E7E6] CRC32
23 24,9 [C0D755DC] [8CD23721] CRC32
24 22,2 [37E1AD32] [C6E980ED] CRC32
25 49,0 [33D90626] [11F5E6F1] CRC32
26 24,6 [E445B4E4] [BF095A49] CRC32
27 38,9 [C0E80488] [E5C3AF91] CRC32
28 48,3 [F3EE54B2] [8FD0CDED] CRC32
29 36,9 [41A2F032] [B8F67009] CRC32
30 15,2 [E27ECF34] [6591343A] CRC32
31 36,7 [E1FABC18] [A03AE62F] CRC32
32 15,5 [BC856A6B] [23686EDC] CRC32
33 27,0 [4EE52385] [7ED4706F] CRC32
34 33,9 [43FE73DD] [3AC22F6E] CRC32
35 26,8 [E5F57E9A] [5B9C25FA] CRC32
36 22,3 [4971CDE6] [6EA1C667] CRC32
37 29,2 [6CD15A7E] [186E2136] CRC32
38 41,8 [E3976455] [891FF5E0] CRC32
39 21,5 [8D273837] [54746738] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-09-25 02:04:45

––––––––––––––––––––––––––––––––––––––––
Analyzed: Borys Demenko / Valentin Silvestrov - Metaphoric Music (1-35)
Valentin Silvestrov / Valentin Silvestrov - Metaphoric Music (36-39)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -8.13 dB -28.21 dB 2:07 01-2 Serenades (November 2008), op.118. For I.S.Czarevitch: Allegretto
DR12 -11.88 dB -28.65 dB 1:38 02-2 Serenades (November 2008), op.118. For I.S.Czarevitch: Moderato
DR12 -12.33 dB -31.60 dB 2:06 03-2 Elegies (piano version, 2006), op.60: Moderato
DR12 -15.42 dB -31.49 dB 3:39 04-2 Elegies (piano version, 2006), op.60: Andante
DR12 -12.25 dB -31.00 dB 1:36 05-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto lontano
DR13 -8.78 dB -28.46 dB 1:21 06-5 Valses (April 2007), op.100. For Maria Dolnucky: Animato dolcissimo
DR13 -8.36 dB -27.72 dB 1:16 07-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto leggierissimo
DR11 -6.75 dB -27.81 dB 1:28 08-5 Valses (April 2007), op.100. For Maria Dolnucky: Allegro
DR12 -9.76 dB -32.62 dB 1:32 09-5 Valses (April 2007), op.100. For Maria Dolnucky: Con moto dolce
DR12 -9.18 dB -28.71 dB 2:13 10-3 Postludes (October 2005), op.57. For Jenny Lin: Allegro vivace dolce
DR12 -8.08 dB -26.16 dB 1:22 11-3 Postludes (October 2005), op.57. For Jenny Lin: Allegro moderato con moto
DR13 -11.91 dB -30.23 dB 1:38 12-3 Postludes (October 2005), op.57. For Jenny Lin: Animato leggiero
DR13 -9.45 dB -27.96 dB 2:27 13-6 Pieces (June 2006), op.61: Pastorale
DR12 -13.41 dB -31.71 dB 1:30 14-6 Pieces (June 2006), op.61: Serenade
DR11 -13.20 dB -29.15 dB 1:36 15-6 Pieces (June 2006), op.61: Barcarolle
DR14 -9.91 dB -29.29 dB 2:36 16-6 Pieces (June 2006), op.61: Valse
DR12 -9.32 dB -25.14 dB 2:02 17-6 Pieces (June 2006), op.61: Pastorale
DR12 -10.78 dB -29.42 dB 1:21 18-6 Pieces (June 2006), op.61: Mazurka
DR12 -11.12 dB -27.68 dB 2:29 19-3 Valses (March 2005), op.54: '…to Inga'
DR12 -10.41 dB -26.49 dB 1:33 20-3 Valses (March 2005), op.54: '…to Kate'
DR11 -15.44 dB -32.17 dB 1:29 21-3 Valses (March 2005), op.54: '…to Pavel'
DR12 -9.78 dB -26.72 dB 1:39 22-4 Intermezzo (2009), op.155. For Borys Demenko: Allegro
DR13 -12.07 dB -29.17 dB 2:28 23-4 Intermezzo (2009), op.155. For Borys Demenko: Andantino
DR12 -13.05 dB -28.88 dB 1:26 24-4 Intermezzo (2009), op.155. For Borys Demenko: Animato
DR12 -6.20 dB -23.67 dB 1:33 25-4 Intermezzo (2009), op.155. For Borys Demenko: Moderato
DR13 -12.16 dB -29.02 dB 2:09 26-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
DR11 -8.19 dB -27.06 dB 1:32 27-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
DR13 -6.32 dB -25.78 dB 2:09 28-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
DR13 -8.64 dB -28.10 dB 1:44 29-Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
DR11 -16.35 dB -31.39 dB 1:22 30-Italian Serenades (2005), op.48: Serenade
DR13 -8.69 dB -27.01 dB 1:57 31-Italian Serenades (2005), op.48: Dedication to G.Rossini
DR12 -16.18 dB -32.24 dB 1:36 32-Italian Serenades (2005), op.48: Dedication to V.Bellini
DR11 -11.35 dB -26.42 dB 2:08 33-Italian Serenades (2005), op.48: Dedication to G.Verdi
DR12 -9.39 dB -28.18 dB 2:30 34-Italian Serenades (2005), op.48: Dedication to W.Mozart
DR12 -11.42 dB -28.47 dB 2:13 35-Italian Serenades (2005), op.48: Dedication to M.Glinka
DR13 -13.02 dB -31.79 dB 3:11 36-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
DR13 -10.67 dB -29.75 dB 2:24 37-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Andantino
DR13 -7.56 dB -26.67 dB 2:49 38-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
DR16 -13.33 dB -33.02 dB 2:08 39-Bonus: Archive Recording [performed by V.Silvestrov]: Dedication to G.Purcell (Cycle of 4 pieces attaca, 2007), op.95: Animato
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 39
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 395 kbps
Codec: FLAC
================================================================================

Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

Borys Demenko - Valentin Silvestrov: Metaphoric Music (Метафорична Музика) (2012)

All thanks to original releaser

More interesting music in My Blog