Su	Mo	Tu	We	Th	Fr	Sa
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	1	2	3	4	5

Ben Webster - Ballads (1955) Remastered 2011

Posted By: Designol

Date: 14 Apr 2025 13:15:32

In the 1950s, tenor-saxophonist Ben Webster was at the peak of his powers. His musical personality really featured two separate emotions: harsh and tough on the faster pieces and surprisingly warm and tender on the ballads. Webster uses the latter voice throughout this two-LP set. On all but four of 20 selections, Ben is backed by a string section arranged by Ralph Burns (except for "Chelsea Bridge" which was arranged by Billy Strayhorn) and, although clarinetists Tony Scott and Jimmy Hamilton and pianists Teddy Wilson and Hank Jones are heard from, the focus is otherwise entirely on the great tenor. The final four numbers, which matches Webster with Wilson in a stringless quartet, also stick to ballads. Music that is both beautiful and creative.

Review by Scott Yanow, Allmusic.com

A recent article about Ben Webster in a jazz magazine said "Ben's breathy, aspirate sound plus heavy vibrato now more and more replicated a slow puncture". It is true that, in his later years, Webster's tenor sax often dissolved into simple breathing through the instrument, although the fluttering vibrato still gave it musicality. Earlier on, he was capable of a growling tone which showed up most memorably on Cotton Tail in 1940 while he was with the Ellington Orchestra.

Although, as the title suggests, this album consists of slow, tender numbers, that growl still appears occasionally. It can be heard in Do Nothin' till You Hear from Me. So Ben could play soft and loud, gentle and lusty. The CD consists of tracks from a double LP recorded in 1954 and 1955, placing Ben with four different groups, three of them including string and woodwind backings. The strings are occasionally shrill and add little to one's listening pleasure, as one wants to hear Webster - and the background is almost immaterial. Indeed, the strings at the beginning of Teach Me Tonight are so piercing that they remind me of the notorious shower scene in the film Psycho.

Ralph Burns wrote most of the otiose string arrangements (although I like his backing on Blue Moon), but Billy Strayhorn composed them rather more subtly for the first four tracks. I like most the cuts where Webster is accompanied simply by a sympathetic rhythm section. My Funny Valentine and Sophisticated Lady (as well as such tracks as Come Rain or Come Shine) benefit from Teddy Wilson's delicate piano, while Almost Like Being in Love reminds us what a subtle pianist Billy Strayhorn was, with drummer Louie Bellson adding fitting brushwork.

Ben's gentle side is an endless joy to hear. As the tunes are ballads, they are slow enough for you to hear what the tenorist does with each number, which is almost always inventive and original. For example, the album repeats Ben playing All Too Soon, which he performed so memorably with the Ellington band in 1940. His reading here shows that he was a master of phrasing and how he added graceful embellishments even while stating a simple melody. And that warm, breathy tenor tone is endlessly engaging.

The sleeve-notes, perhaps unwisely, quote a 1965 interview with Ben in which he said "You wouldn't want to play ballads all night. Anything gets monotonous". Fortunately this CD proves that a whole album of ballads is not only bearable but beautiful when Ben Webster is in the spotlight.

Review by Tony Augarde, MusicWeb-International

Ben Webster at Allmusic
Ben Webster at Wiki

Credits

Ben Webster - Tenor sax, with:

Tracks 1-4
Tony Scott - Clarinet
Mac Ceppos, David Novales, Mischa Russell - Violins
Richard Dickler - Viola
Rudy Sims - Cello
Billy Strayhorn - Piano, arranger, conductor
George Duvivier - Bass
Louie Bellson- Drums
New York, May 28, 1954.

Tracks 5-8
Jimmy Hamilton - Clarinet
Danny Bank - Clarinet, flute, bass clarinet
Sol Deutsch, Leo Kruczek, Julius Schachter, Jack Zayde - Violins
Burt Fisch - Viola
Bernard Greenhouse - Cello
Teddy Wilson - Piano
Wendell Marshall - Bass
Louie Bellson - Drums
Ralph Burns - Conductor, arranger
New York, December 15, 1954.

Tracks 9-16
Danny Bank - Flute, clarinet
Al Epstein - Clarinet, English horn, bass clarinet
Harold Coletta, Martin Donegan, Leo Kruczek, Harry Lookofsky, Gene Orloff, Tosha Samaroff, Paul Winter - Violins
Burt Fisch - Viola
Abe Borodkin, George Ricci, Lucien Schmit - Cellos
Hank Jones - Piano
Chet Amsterdam, Wendell Marshall - Bass
Osie Johnson - Drums
Ralph Burns - Arranger, conductor
New York, September 9, 1955.

Tracks 17-18
Teddy Wilson - Piano
Ray Brown - Bass
Jo Jones - Drums
New York, March 30, 1954.

Track 19
Billy Strayhorn - Piano, arranger, conductor
George Duvivier - Bass
Louie Bellson- Drums
New York, May 28, 1954.

Tracklist:

01. Chelsea Bridge (3:58)
02. Love Is Here To Stay (3:25)
03. It Happens To Be Me (3:23)
04. All Too Soon (4:47)
05. Willow Weep For Me (4:41)
06. Come Rain Or Come Shine (4:23)
07. Prelude To A Kiss (4:47)
08. Do Nothin' Till You Hear From Me (4:45)
09. My Greatest Mistake (3:37)
10. There Is No Greater Love (3:43)
11. Blue Moon (5:07)
12. What Am I Here For (3:58)
13. We'll Be Together Again (4:33)
14. Early Autumn (4:51)
15. Until Tonight (4:11)
16. Teach Me Tonight (4:04)
17. My Funny Valentine (3:24)
18. Sophisticated Lady (3:05)
19. Almost Like Being In Love (4:00)

EAC log

Exact Audio Copy V1.0 beta 6 from 9. April 2015

Отчёт EAC об извлечении, выполненном 2. мая 2017, 12:26

Ben Webster / Ballads

Дисковод: ASUS DRW-24F1ST a Adapter: 1 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : D:\05. Other\10. КОМПЬЮТЕР\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:57.63 | 0 | 17837
2 | 3:57.63 | 3:24.39 | 17838 | 33176
3 | 7:22.27 | 3:23.00 | 33177 | 48401
4 | 10:45.27 | 4:47.16 | 48402 | 69942
5 | 15:32.43 | 4:40.45 | 69943 | 90987
6 | 20:13.13 | 4:23.13 | 90988 | 110725
7 | 24:36.26 | 4:47.08 | 110726 | 132258
8 | 29:23.34 | 4:44.72 | 132259 | 153630
9 | 34:08.31 | 3:37.07 | 153631 | 169912
10 | 37:45.38 | 3:42.51 | 169913 | 186613
11 | 41:28.14 | 5:06.74 | 186614 | 209637
12 | 46:35.13 | 3:58.34 | 209638 | 227521
13 | 50:33.47 | 4:32.42 | 227522 | 247963
14 | 55:06.14 | 4:50.57 | 247964 | 269770
15 | 59:56.71 | 4:10.56 | 269771 | 288576
16 | 64:07.52 | 4:03.70 | 288577 | 306871
17 | 68:11.47 | 3:24.18 | 306872 | 322189
18 | 71:35.65 | 3:05.13 | 322190 | 336077
19 | 74:41.03 | 3:59.43 | 336078 | 354045

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\Ben Webster ‎– Ballads (1955)\Ben Webster - Ballads.wav

Пиковый уровень 100.0 %
Скорость извлечения 3.4 X
Качество диапазона 100.0 %
CRC теста 55D7254C
CRC копии 55D7254C
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 13) [DAF4E7F6] (AR v2)
Трек 2 : извлечено точно (доверие 13) [1BA35206] (AR v2)
Трек 3 : извлечено точно (доверие 13) [CCDF08CA] (AR v2)
Трек 4 : извлечено точно (доверие 13) [E1F8024B] (AR v2)
Трек 5 : извлечено точно (доверие 13) [B1532056] (AR v2)
Трек 6 : извлечено точно (доверие 13) [97E573E3] (AR v2)
Трек 7 : извлечено точно (доверие 13) [4EE321BE] (AR v2)
Трек 8 : извлечено точно (доверие 13) [31F2FD3D] (AR v2)
Трек 9 : извлечено точно (доверие 13) [71910A01] (AR v2)
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Трек 12 : извлечено точно (доверие 13) [EFDF297A] (AR v2)
Трек 13 : извлечено точно (доверие 13) [3482D726] (AR v2)
Трек 14 : извлечено точно (доверие 13) [6FDC1053] (AR v2)
Трек 15 : извлечено точно (доверие 13) [4AB15E4B] (AR v2)
Трек 16 : извлечено точно (доверие 13) [86B3B746] (AR v2)
Трек 17 : извлечено точно (доверие 13) [6B560658] (AR v2)
Трек 18 : извлечено точно (доверие 13) [54425CAA] (AR v2)
Трек 19 : извлечено точно (доверие 14) [C51540D1] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 2BD23584453D21395E285B579484DFD36D1A67701EAE8880EB5E7946CEED6A3A ====

CUETools log

[CUETools log; Date: 14.04.2025 16:46:39; Version: 2.1.7]
[CTDB TOCID: 5pFA3l0BAq.ZdB.WVnSZ.XqyqF0-] found.
Track | CTDB Status
1 | (46/49) Accurately ripped, or (2/49) differs in 126 samples @02:41:39
2 | (48/49) Accurately ripped
3 | (48/49) Accurately ripped
4 | (48/49) Accurately ripped
5 | (46/49) Accurately ripped
6 | (48/49) Accurately ripped
7 | (47/49) Accurately ripped
8 | (48/49) Accurately ripped
9 | (47/49) Accurately ripped
10 | (49/49) Accurately ripped
11 | (43/49) Accurately ripped
12 | (48/49) Accurately ripped
13 | (49/49) Accurately ripped
14 | (49/49) Accurately ripped
15 | (48/49) Accurately ripped
16 | (48/49) Accurately ripped
17 | (48/49) Accurately ripped
18 | (48/49) Accurately ripped
19 | (44/49) Accurately ripped, or (2/49) differs in 185 samples @00:13:06,02:59:29
[AccurateRip ID: 00369155-02ff4425-31127013] found.
Track [ CRC | V2 ] Status
01 [e4420d91|daf4e7f6] (03+20/28) Accurately ripped
02 [51992e03|1ba35206] (03+20/28) Accurately ripped
03 [335aff9c|ccdf08ca] (03+19/27) Accurately ripped
04 [3bd398b1|e1f8024b] (03+20/28) Accurately ripped
05 [74343ca5|b1532056] (03+20/28) Accurately ripped
06 [db6acacd|97e573e3] (03+20/28) Accurately ripped
07 [27d9bb7b|4ee321be] (03+20/28) Accurately ripped
08 [b2df713c|31f2fd3d] (03+20/28) Accurately ripped
09 [098d20b7|71910a01] (03+20/28) Accurately ripped
10 [e8f6c637|4bf4d85c] (03+20/28) Accurately ripped
11 [4be34f2b|4f49643f] (03+19/27) Accurately ripped
12 [693d1bb8|efdf297a] (03+20/28) Accurately ripped
13 [e4808f4b|3482d726] (03+20/28) Accurately ripped
14 [4d2b1c3e|6fdc1053] (03+20/28) Accurately ripped
15 [f0f543c2|4ab15e4b] (03+20/28) Accurately ripped
16 [e30cefd6|86b3b746] (03+20/27) Accurately ripped
17 [b60b49ec|6b560658] (04+20/29) Accurately ripped
18 [16d822c7|54425caa] (03+20/28) Accurately ripped
19 [9eefea93|c51540d1] (02+21/28) Accurately ripped
Offsetted by 18:
01 [28938c51] (00/28) No match (V2 was not tested)
02 [db13cd3d] (00/28) No match (V2 was not tested)
03 [e0c0bbc6] (00/27) No match (V2 was not tested)
04 [ef20149b] (00/28) No match (V2 was not tested)
05 [34f9bcaf] (00/28) No match (V2 was not tested)
06 [09f61fcd] (00/28) No match (V2 was not tested)
07 [544c169b] (00/28) No match (V2 was not tested)
08 [9c4ea8bc] (00/28) No match (V2 was not tested)
09 [72e19dbd] (00/28) No match (V2 was not tested)
10 [5e4e5b99] (00/28) No match (V2 was not tested)
11 [003885e1] (00/27) No match (V2 was not tested)
12 [c862a2ca] (00/28) No match (V2 was not tested)
13 [899dbf21] (00/28) No match (V2 was not tested)
14 [539e6866] (00/28) No match (V2 was not tested)
15 [63dcf67a] (00/28) No match (V2 was not tested)
16 [36123a2c] (00/27) No match (V2 was not tested)
17 [ec2baf12] (00/29) No match (V2 was not tested)
18 [689334a5] (00/28) No match (V2 was not tested)
19 [13870d5f] (00/28) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,9 [55D7254C] [440D9DB0] CRC32
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11 99,9 [AD328742] [D5763DC0]
12 99,9 [22744681] [DA642B43]
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14 99,9 [E6DBC410] [D2650804]
15 99,9 [F6AD6B89] [5286C9D1]
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17 99,9 [748876C2] [EFF721BB]
18 99,9 [6B6AF99C] [3513A454]
19 89,1 [DE495230] [BE63427A]

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-05-03 16:57:08

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ben Webster / Ballads
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.04 dB -14.48 dB 3:58 01-Chelsea Bridge
DR10 0.00 dB -12.56 dB 3:25 02-Love Is Here To Stay
DR11 0.00 dB -13.60 dB 3:23 03-It Happens To Be Me
DR11 -0.80 dB -13.58 dB 4:47 04-All Too Soon
DR14 0.00 dB -16.52 dB 4:41 05-Willow Weep For Me
DR14 0.00 dB -17.42 dB 4:23 06-Come Rain Or Come Shine
DR13 0.00 dB -16.21 dB 4:47 07-Prelude To A Kiss
DR12 -0.04 dB -14.86 dB 4:45 08-Do Nothin' Till You Hear From Me
DR12 0.00 dB -16.02 dB 3:37 09-My Greatest Mistake
DR12 -0.50 dB -15.62 dB 3:43 10-There Is No Greater Love
DR11 0.00 dB -15.05 dB 5:07 11-Blue Moon
DR12 0.00 dB -15.69 dB 3:58 12-What Am I Here For
DR11 -1.00 dB -14.90 dB 4:33 13-We'll Be Together Again
DR13 0.00 dB -15.78 dB 4:51 14-Early Autumn
DR11 0.00 dB -14.27 dB 4:11 15-Until Tonight
DR12 0.00 dB -14.74 dB 4:04 16-Teach Me Tonight
DR11 0.00 dB -15.18 dB 3:24 17-My Funny Valentine
DR12 0.00 dB -15.32 dB 3:05 18-Sophisticated Lady
DR12 -1.00 dB -16.13 dB 4:00 19-Almost Like Being In Love
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 19
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 423 kbps
Codec: FLAC
================================================================================

All thanks to original releaser

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