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    Bavouzet - Stravinsky: Concerto for Piano and Wind Instruments; Capriccio; Movements; Pétrouchka (2015)

    Posted By: peotuvave
    Bavouzet - Stravinsky: Concerto for Piano and Wind Instruments; Capriccio; Movements; Pétrouchka (2015)

    Bavouzet - Stravinsky: Concerto for Piano and Wind Instruments; Capriccio; Movements; Pétrouchka (2015)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 303 MB
    Genre: Classical | Label: Chandos | Catalog Number: 5147

    After having won the Gramophone Award in 2014 for his recording of Prokofiev’s five piano concertos, exclusive Chandos artist Jean-Efflam Bavouzet here explores the complete works for piano and orchestra of another Russian composer of the twentieth century: Igor Stravinsky. Bartók’s Piano Concerto No. 2, Ravel’s Piano Concerto for the left hand, and Stravinsky’s Concerto for Piano and Wind Orchestra make good company. First, Bavouzet considers them ‘the greatest concertos of the twentieth century.

    Furthermore, he has recorded all of them with Chandos. Last, but not least, his recordings of both Bartók’s (CHAN10610) and Ravel’s (CHSA5084) were shortlisted for Gramophone Awards in 2011 (‘Concerto’ category). The winner? The latter, which marked the first collaboration between Jean-Efflam Bavouzet and Yan Pascal Tortelier, one that is resumed on the present album.

    It starts with the crisp games with rhythms, polyphony, and classical form of the expressive, weighty Concerto for Piano and Wind Orchestra. Then the Capriccio is a piece that Stravinsky composed as a repertoire alternative to his concerto; he performed it more than forty times in the first four years after its creation. The antitonal, twelve-tone idiom of Movements represents Stravinsky’s experiments in the use of serial techniques.

    Pétrouchka is a work for piano and orchestra as well, except that the piano here is not a solo instrument but rather part of the orchestral fabric. Moreover, Bavouzet himself has described blending in with the fortissimos of the orchestra as ‘one of the best musical experiences of my life’.

    Composer: Igor Stravinsky
    Performer: Jean-Efflam Bavouzet
    Conductor: Yan Pascal Tortelier
    Orchestra/Ensemble: Sao Paulo State Symphony Orchestra

    Reviews: Petrushka began life as a “concert piece” for piano and orchestra before morphing into the ballet that we all know and love, and that is the logic for including it in this collection of Stravinsky’s remaining three works for piano and orchestra, even though in its final form there is little left of the work’s concertante origins. It’s not unheard of for a major pianist to take the orchestral keyboard part. Tamás Vásáry did it on Charles Dutoit’s first recording of the work for Deutsche Grammophon, and it goes without saying the Bavouzet plays beautifully, if without there being any particular way to tell that there’s a true concert pianist at work.

    More distinctive are the fine soloists of the São Paulo Symphony, flute and trumpet especially. Tortelier’s interpretation, though, is a bit on the droopy side, especially in the First Tableau. Things perk up as the ballet proceeds and the textures become more chamber-like, but there are too many excellent versions of the music for this one to be competitive or necessary. Moreover, listeners who are only casually interested in Stravinsky will likely not enjoy the other works on the disc as much as the ballet. So we are talking about a disc intended for diehard fans of Stravinsky, or Bavouzet, which is certainly fair enough as long as we’re clear about it.

    Bavouzet plays the pieces with real solo parts very well. None offer much in the way of expressive depth. Stravinsky, who was not a great pianist, wrote them for his own concerts, but the Concerto and Capriccio, at least, are great fun when played with this kind of high spirited bravura. Movements, nice minutes of twelve-tone noodling, is what it is. This release appeared at roughly the same time as the Steven Osborne/Volkov disc on Hyperion, and aside from the stupefying fact that we now have two new competing discs containing very good performances of Stravinsky’s complete music for piano and orchestra (with different couplings), if forced to choose between them my personal preference leans toward Bavouzet, both for his bolder projection of the solo parts as well as the Brazilian orchestra’s snappier response to the orchestral writing, at slightly swifter tempos.

    Chandos’ SACD sonics also offer a touch more clarity and impact than Hyperion’s good but more variable effort. Still, this isn’t the kind of repertoire that I see most collectors wanting to duplicate. If you already have, say, Paul Crossley’s Sony disc (with Esa-Pekka Salonen) of the complete works for piano and orchestra, there’s no pressing need to buy more. You will know how much this matters to you.

    Tracklisting:

    Concerto (1923-24, revised 1950) 18:36
    for Piano and Wind Instruments
    À Madame Nathalie Koussevitzky
    1 I Largo - Allegro - Più mosso - Maestoso (Largo del principio) 7:17
    2 II Largo - L'istesso tempo ma poco rubato. Cadenza (poco rubato) - 6:23
    3 III Allegro - [ ] - Tempo I - Agitato - Lento - Stringendo 4:49

    Capriccio (1928-29, revised 1949) 16:59
    for Piano and Orchestra
    4 I Presto - Doppio movimento - Presto - Doppio movimento - 6:38
    5 II Andante rapsodico - Più mosso - Tempo I - 4:51
    6 III Allegro capriccioso ma tempo giusto 5:29

    Movements (1958-59) 9:19
    for Piano and Orchestra
    To Margrit Weber
    7 I Semi-quaver=110 - Meno mosso, semi-quaver=72 - Crotchet=52 2:56
    8 II Crotchet=52 - Crotchet=72 1:16
    9 III Semi-quaver=72 - Semi-quaver=80 1:05
    10 IV Semi-quaver=80 - Crotchet=52 - 1:57
    11 V Semi-quaver=104 2:03

    Petrouchka (1910-11, revised 1946) 34:16
    Scènes burlesques en quatre tableaux by Igor Stravinsky and Alexander Benois (1870-1960)
    À Alexandre Benois
    First Part. The Shrove-tide Fair
    12 Vivace - Meno mosso - Tempo I - Meno mosso - 5:29
    13 Lento - Poco più mosso (Cadenza) - A tempo - 1:38
    14 Danse russe. Allegro giusto - Meno mosso - Tempo I - 2:50
    Second Part. Pétrouchka
    15 Impetuoso - Doppio valore - Più mosso - Andantino - 4:15
    16 L'istesso tempo - Sostenuto - Doppio movimento - Con furore - 3:20
    17 Valse. Lento cantabile - Allegretto - Con furore - 3:19
    Fourth Part. The Shrove-tide Fair and the Death of Pétrouchka
    18 Tempo giusto - 1:06
    19 Wet-nurses' Dance. Allegretto - 2:35
    20 Peasant with Bear. Poco accelerando - Tempo giusto - 1:28
    21 Gypsies and a Rake Vendor. [Tempo giusto] - [ ] - 1:09
    22 Dance of the Coachmen. Allegro moderato - 2:06
    23 Masqueraders. L'istesso tempo ma poco a poco agitato - 1:33
    24 The Scuffle. Blackamoor and Pétrouchka. [ ] - 0:47
    Meno mosso -
    25 Death of Pétrouchka. Lento, lamentoso - 0:43
    26 Police and the Juggler. Più mosso - Lento - 1:06
    L'istesso tempo -
    27 Apparition of Pétrouchka's Double. [ ] 0:46
    TT 79:40

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 11. February 2015, 16:08

    São Paulo Symphony Orchestra / Stravinsky: Piano Concerto, etc. [Bavouzet]

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