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Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]
![Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]](https://pixhost.icu/avaxhome/65/f4/0047f465.jpg)
Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990)
EAC | FLAC (Tracks) + cue.+log ~ 394 Mb | Mp3, CBR320 kbps ~ 173 Mb | Scans ~ 49 Mb
Soundtrack, Score | Label: Prometheus | # XPCD 162 | 01:15:23
EAC | FLAC (Tracks) + cue.+log ~ 394 Mb | Mp3, CBR320 kbps ~ 173 Mb | Scans ~ 49 Mb
Soundtrack, Score | Label: Prometheus | # XPCD 162 | 01:15:23
Quigley Down Under interprets the modern Western score from a distinctly Australian perspective. Basil Poledouris' aw-shucks melodies and quirky arrangements employ French horn, banjo, and clarinet to create a vivid evocation of gunslinger life in the Outback. While Lonesome Dove remains Poledouris' definitive work in the Western arena, Quigley Down Under possesses no shortfall of charm or imagination; its playful approach bubbles with an energy quite uncommon to the genre, avoiding portent and ponderousness to communicate the joie de vivre of its characters and setting. Most impressive is Poledouris' stirring main theme, a bold, oddly funky reinvention of the classic Western fanfare that immediately serves notice that Quigley Down Under is a horse of a very different color.Jason Ankeny, All Music Guide
One of the more vibrant modern Westerns, Quigley Down Under represented a continuation of a character that was played by Steve McQueen in his final film, 1980's The Hunter. Replacing McQueen as American sharp-shooter Matthew Quigley is Tom Selleck, this time journeying to the outback of Australia, where he has been hired to train a British landlord played with typical sneer by Alan Rickman (whose career was being defined by such entertainingly wicked roles). Once Quigley learns that the landlord only wants to sharpen his shooting skills to better enjoy Aboriginal natives as target practice, he teams with a crazy, but beautiful local woman and the Aborigines to fight back against both the landlord and British Army forces. Keeping the film alive during its slow moments are its campy attitude, quirky characters, and spirited Western score by Basil Poledouris. A man of the sea, Poledouris was an avid sailor, and his enthusiasm for ocean-related films was reflected in such scores as Wind, The Hunt for Red October, and Free Willy. Even though Poledouris had won acclaim for his Emmy recognized music for the same director's Lonesome Dove, the desert Western genre was still not an obvious choice for Poledouris at the time, but the film did offer him a superb sailing scene at the beginning with which to get his themes rolling. As it would turn out, Simon Wincer's choice to stick with Poledouris for Quigley Down Under was a fantastic success, for the composer produced an upbeat, solid Western score with the same vigor and outlaw style that fans had clamored to hear in Cherry 2000. The opening clarinet solo sets the pace for the entire score, performing a ragtime-influenced, Western-style theme that eventually grows to encompass the entire orchestra. The woodwinds continue to convey this happy go lucky attitude of the film and its characters through the very end, when the same clarinet bounces along as the score fades away. In between, however, is a hidden gem of the 1990's and a generally undiscovered and underappreciated score in Poledouris' career.
The composer's appreciation of folk rhythms is clearly evident in this score more than many of his others that were only touched in the periphery by this traditional sound. The sense of rhythmic enthusiasm that Poledouris obtains from both the folk and ragtime structures produces a score as infectious as Cherry 2000 but with a weightier depth that represents the serious context of the geo-political subplots explored by the film. Poledouris conjures five themes for Quigley Down Under, though only two of them will leave a lasting impression. The title theme that Poledouris creates for Quigley himself is a mutation of a folk-inspired Western foundation to include a touch of Australian swing and tapping performance aspects of a ragtime march. A decade after its composition, this theme ranks with Bruce Broughton's Silverado fanfare among the best of modern Western scores. Its spirited banjo, tuba, and percussion performances add spark to a theme that is already heavy on grand French horn statements in the major key. A lazy trumpet performance of the idea opening and closing the film is reminiscent of the days of steamboat casinos. A separate adventure theme, bursting forth with typical Poledouris militarism, highlights "The Stabbing," "You'll Be Back," and especially "The Attack." Its horn performances and minor key power often mingle with a variant to represent the landlord's thugs, eventually yielding to interludes of Quigley's theme as the American blows them away one by one. The adventure theme engages the listener so well that it could very well serve as an excellent primary identity for another film. With the engaging personality of these themes guiding several lengthy cues, the remainder of the score features solid Western underscore, with tender melodies explored (but never really sweeping you off your feet) for the love interest and the native peoples. The former borrows pieces from the traditional lullaby "Hush Little Baby." The clarinet and banjo from the two primary themes add accents to several cues, the latter exploding with an enhanced, rambling presence in "The Attack." The only weak idea that Poledouris inserts into Quigley Down Under is the dainty, snare and flute-led march for the British forces, heard in "The Redcoats Move On" and "Freedom."
Texturally, Poledouris doesn't let the opportunity slip to include some of his varied electronic accompaniment. While he employs a deep sound that resembles throat singing as a stereotypical representation of the natives in "The Aborigines Return," he usually applies his synthetics in light rhythmic pulses or other tingling effects very standard in his career. A few cues in the middle portions of the work begin to explore keyboarded sounds that would define the composer's collaboration with Wincer for the upcoming Free Willy. In the end, the title theme is what sells Quigley Down Under, both in the film and on album. By combining the main titles cue and "The Attack," you'll be hearing the best survey of the two primary ideas in their best light. If the ragtime character of the title theme doesn't brighten your day, then you should explore prescription pills. The score was released on album by Intrada Records near the time of the film's debut, but it became difficult to find after about a decade. At the end of 2006, Prometheus Records of Belgium provided an expanded product that pushed the running time from 41 minutes to 75, offering a significant portion of the music from the middle sequences of the film that was previously unavailable. One of the interesting aspects of the press for the Prometheus album was Intrada's somewhat harsh description of the expanded product at their site, noting that it "duplicates [the] Intrada CD in sonic quality," adds cues that are "not significant" and offers a "muted variant on original artwork" in its packaging. While the Intrada product remains a good snapshot of the score and indeed sounds just as good as the later Prometheus product, the 2006 expanded edition does indeed uncover several robust cues that explore in greater detail Poledouris' electronic textures and all five of the score's major themes. So not only is this supposed "filler" material quite good, but the non-limited release from Prometheus finally put the score back into reasonable availability. The sound quality on both albums is dynamic, especially in the struck wooden and metallic percussion elements, but it's not quite as enveloping as Free Willy. For Poledouris and Western enthusiasts alike, and even for the general film music collector who enjoys rhythmically quirky, noble themes with fine structure, Quigley Down Under is a safe choice.Editorial review by FilmTracks.com
~ Basil Poledouris at Allmusic
~ Basil Poledouris at Wiki
~ Film at IMDB
~ Film at Wiki
Tracklist:
01. Main Title (3:22)
02. The Fight (4:59)
03. The Redcoats Move On (1:57)
04. The Arrival (1:55)
05. The Test (1:06)
06. Marston's Game (1:03)
07. Quigley Pans Out (0:51)
08. Quigley Gets Beat Up (1:52)
09. The Stabbing (2:05)
10. Desert Trek (2:59)
11. The Aborigines (1:21)
12. Native Montage (2:14)
13. Cora's Story (3:21)
14. Marston's Attack (3:36)
15. Royus Interrupts (1:36)
16. The Cliff (1:10)
17. The Bodies (0:36)
18. The Baby (1:52)
19. You'll Be Back (1:15)
20. Dingo Attack (2:43)
21. The Fire (3:01)
22. Under The Boat (3:03)
23. Quigley & Cora (2:39)
24. The Gift (5:28)
25. The Warning (1:39)
26. The Attack (2:53)
27. The Capture (2:47)
28. Freedom (3:37)
29. The Aborigines Return (2:58)
30. End Credits (5:24)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. January 2012, 13:10
Basil Poledouris / Quigley Down Under
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:21.48 | 0 | 15122
2 | 3:21.48 | 4:59.26 | 15123 | 37573
3 | 8:20.74 | 1:56.73 | 37574 | 46346
4 | 10:17.72 | 1:54.59 | 46347 | 54955
5 | 12:12.56 | 1:05.59 | 54956 | 59889
6 | 13:18.40 | 1:02.39 | 59890 | 64578
7 | 14:21.04 | 0:50.42 | 64579 | 68370
8 | 15:11.46 | 1:52.10 | 68371 | 76780
9 | 17:03.56 | 2:04.55 | 76781 | 86135
10 | 19:08.36 | 2:58.65 | 86136 | 99550
11 | 22:07.26 | 1:20.46 | 99551 | 105596
12 | 23:27.72 | 2:14.29 | 105597 | 115675
13 | 25:42.26 | 3:21.24 | 115676 | 130774
14 | 29:03.50 | 3:35.62 | 130775 | 146961
15 | 32:39.37 | 1:36.25 | 146962 | 154186
16 | 34:15.62 | 1:10.35 | 154187 | 159471
17 | 35:26.22 | 0:35.58 | 159472 | 162154
18 | 36:02.05 | 1:51.74 | 162155 | 170553
19 | 37:54.04 | 1:15.23 | 170554 | 176201
20 | 39:09.27 | 2:43.27 | 176202 | 188453
21 | 41:52.54 | 3:01.01 | 188454 | 202029
22 | 44:53.55 | 3:02.55 | 202030 | 215734
23 | 47:56.35 | 2:39.37 | 215735 | 227696
24 | 50:35.72 | 5:27.67 | 227697 | 252288
25 | 56:03.64 | 1:39.22 | 252289 | 259735
26 | 57:43.11 | 2:53.06 | 259736 | 272716
27 | 60:36.17 | 2:46.55 | 272717 | 285221
28 | 63:22.72 | 3:37.29 | 285222 | 301525
29 | 67:00.26 | 2:58.36 | 301526 | 314911
30 | 69:58.62 | 5:24.07 | 314912 | 339218
Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
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Track 8
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Track 9
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Track 10
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Track 11
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\11 The Aborigines.wav
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Track 12
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\12 Native Montage.wav
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Track 13
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\13 Cora's Story.wav
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Track 14
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\14 Marston's Attack.wav
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Track 15
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\15 Royus Interrupts.wav
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Track 16
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\16 The Cliff.wav
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Track 17
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\17 The Bodies.wav
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Track 18
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\18 The Baby.wav
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Track 19
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Track 20
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Track 21
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\21 The Fire.wav
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Track 22
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\22 Under The Boat.wav
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Track 23
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\23 Quigley & Cora.wav
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Track 24
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\24 The Gift.wav
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Track 25
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\25 The Warning.wav
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Track 26
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\26 The Attack.wav
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Track 27
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Track 28
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\28 Freedom.wav
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Track 29
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\29 The Aborigines Return.wav
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Track 30
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\30 End Credits.wav
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All tracks accurately ripped
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End of status report
==== Log checksum 4C61DDA660EFD5C8122CC1760DF4F03086C84C11D2DB788AE2F68DD549C27427 ====
EAC extraction logfile from 1. January 2012, 13:10
Basil Poledouris / Quigley Down Under
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:21.48 | 0 | 15122
2 | 3:21.48 | 4:59.26 | 15123 | 37573
3 | 8:20.74 | 1:56.73 | 37574 | 46346
4 | 10:17.72 | 1:54.59 | 46347 | 54955
5 | 12:12.56 | 1:05.59 | 54956 | 59889
6 | 13:18.40 | 1:02.39 | 59890 | 64578
7 | 14:21.04 | 0:50.42 | 64579 | 68370
8 | 15:11.46 | 1:52.10 | 68371 | 76780
9 | 17:03.56 | 2:04.55 | 76781 | 86135
10 | 19:08.36 | 2:58.65 | 86136 | 99550
11 | 22:07.26 | 1:20.46 | 99551 | 105596
12 | 23:27.72 | 2:14.29 | 105597 | 115675
13 | 25:42.26 | 3:21.24 | 115676 | 130774
14 | 29:03.50 | 3:35.62 | 130775 | 146961
15 | 32:39.37 | 1:36.25 | 146962 | 154186
16 | 34:15.62 | 1:10.35 | 154187 | 159471
17 | 35:26.22 | 0:35.58 | 159472 | 162154
18 | 36:02.05 | 1:51.74 | 162155 | 170553
19 | 37:54.04 | 1:15.23 | 170554 | 176201
20 | 39:09.27 | 2:43.27 | 176202 | 188453
21 | 41:52.54 | 3:01.01 | 188454 | 202029
22 | 44:53.55 | 3:02.55 | 202030 | 215734
23 | 47:56.35 | 2:39.37 | 215735 | 227696
24 | 50:35.72 | 5:27.67 | 227697 | 252288
25 | 56:03.64 | 1:39.22 | 252289 | 259735
26 | 57:43.11 | 2:53.06 | 259736 | 272716
27 | 60:36.17 | 2:46.55 | 272717 | 285221
28 | 63:22.72 | 3:37.29 | 285222 | 301525
29 | 67:00.26 | 2:58.36 | 301526 | 314911
30 | 69:58.62 | 5:24.07 | 314912 | 339218
Track 1
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\01 Main Title.wav
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Extraction speed 5.2 X
Track quality 100.0 %
Test CRC 478958BC
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Accurately ripped (confidence 9) [5DE23E49] (AR v1)
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Track 2
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\02 The Fight.wav
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Track quality 100.0 %
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Accurately ripped (confidence 8) [6D2DD380] (AR v1)
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Track 3
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\03 The Redcoats Move On.wav
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Extraction speed 5.5 X
Track quality 100.0 %
Test CRC 6D337EC0
Copy CRC 6D337EC0
Accurately ripped (confidence 8) [905F38B4] (AR v1)
Copy OK
Track 4
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\04 The Arrival.wav
Pre-gap length 0:00:02.00
Peak level 97.4 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC 4F68446C
Copy CRC 4F68446C
Accurately ripped (confidence 8) [C7812236] (AR v1)
Copy OK
Track 5
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\05 The Test.wav
Pre-gap length 0:00:02.00
Peak level 37.9 %
Extraction speed 4.9 X
Track quality 100.0 %
Test CRC 11F0FD0F
Copy CRC 11F0FD0F
Accurately ripped (confidence 8) [6A7A9CE4] (AR v1)
Copy OK
Track 6
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\06 Marston's Game.wav
Pre-gap length 0:00:02.00
Peak level 96.6 %
Extraction speed 4.9 X
Track quality 100.0 %
Test CRC 4235C3F7
Copy CRC 4235C3F7
Accurately ripped (confidence 8) [E99F5236] (AR v1)
Copy OK
Track 7
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\07 Quigley Pans Out.wav
Pre-gap length 0:00:02.00
Peak level 99.4 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC AF2A649E
Copy CRC AF2A649E
Accurately ripped (confidence 8) [E8EEBBF6] (AR v1)
Copy OK
Track 8
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\08 Quigley Gets Beat Up.wav
Pre-gap length 0:00:02.00
Peak level 73.5 %
Extraction speed 6.1 X
Track quality 100.0 %
Test CRC CFAEA081
Copy CRC CFAEA081
Accurately ripped (confidence 8) [30ABE61F] (AR v1)
Copy OK
Track 9
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\09 The Stabbing.wav
Pre-gap length 0:00:02.00
Peak level 87.9 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC 57DD83FF
Copy CRC 57DD83FF
Accurately ripped (confidence 8) [3CDB2E9B] (AR v1)
Copy OK
Track 10
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\10 Desert Trek.wav
Pre-gap length 0:00:02.00
Peak level 63.1 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC 4DACBE63
Copy CRC 4DACBE63
Accurately ripped (confidence 8) [C5EFC875] (AR v1)
Copy OK
Track 11
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\11 The Aborigines.wav
Pre-gap length 0:00:02.00
Peak level 41.6 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC 860EBDC8
Copy CRC 860EBDC8
Accurately ripped (confidence 8) [4E00A81D] (AR v1)
Copy OK
Track 12
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\12 Native Montage.wav
Pre-gap length 0:00:02.00
Peak level 50.5 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC ADC0AE75
Copy CRC ADC0AE75
Accurately ripped (confidence 8) [AF7C6843] (AR v1)
Copy OK
Track 13
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\13 Cora's Story.wav
Pre-gap length 0:00:02.00
Peak level 47.0 %
Extraction speed 7.7 X
Track quality 100.0 %
Test CRC 286051B7
Copy CRC 286051B7
Accurately ripped (confidence 8) [824230DE] (AR v1)
Copy OK
Track 14
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\14 Marston's Attack.wav
Pre-gap length 0:00:02.00
Peak level 99.3 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC 5EA8CBCC
Copy CRC 5EA8CBCC
Accurately ripped (confidence 8) [3F2AF595] (AR v1)
Copy OK
Track 15
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\15 Royus Interrupts.wav
Pre-gap length 0:00:02.00
Peak level 29.5 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC 35036F17
Copy CRC 35036F17
Accurately ripped (confidence 8) [3A63E8FE] (AR v1)
Copy OK
Track 16
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\16 The Cliff.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Extraction speed 6.4 X
Track quality 100.0 %
Test CRC 5BEF7929
Copy CRC 5BEF7929
Accurately ripped (confidence 8) [E27CDEFA] (AR v1)
Copy OK
Track 17
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\17 The Bodies.wav
Pre-gap length 0:00:02.00
Peak level 99.0 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 247DB71D
Copy CRC 247DB71D
Accurately ripped (confidence 8) [9FE447A2] (AR v1)
Copy OK
Track 18
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\18 The Baby.wav
Pre-gap length 0:00:02.00
Peak level 47.2 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC A4CE56B5
Copy CRC A4CE56B5
Accurately ripped (confidence 8) [D12F3B32] (AR v1)
Copy OK
Track 19
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\19 You'll Be Back.wav
Pre-gap length 0:00:02.00
Peak level 97.2 %
Extraction speed 6.6 X
Track quality 100.0 %
Test CRC AADD0661
Copy CRC AADD0661
Accurately ripped (confidence 8) [44CFBEE0] (AR v1)
Copy OK
Track 20
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\20 Dingo Attack.wav
Pre-gap length 0:00:02.00
Peak level 95.1 %
Extraction speed 7.1 X
Track quality 99.9 %
Test CRC AA08EBA6
Copy CRC AA08EBA6
Accurately ripped (confidence 8) [0D4578E5] (AR v1)
Copy OK
Track 21
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\21 The Fire.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Extraction speed 8.7 X
Track quality 100.0 %
Test CRC 602E1B3E
Copy CRC 602E1B3E
Accurately ripped (confidence 8) [9F400237] (AR v1)
Copy OK
Track 22
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\22 Under The Boat.wav
Pre-gap length 0:00:02.00
Peak level 99.1 %
Extraction speed 8.9 X
Track quality 100.0 %
Test CRC 3B404318
Copy CRC 3B404318
Accurately ripped (confidence 8) [1A3848A3] (AR v1)
Copy OK
Track 23
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\23 Quigley & Cora.wav
Pre-gap length 0:00:02.00
Peak level 38.7 %
Extraction speed 9.0 X
Track quality 100.0 %
Test CRC B720E420
Copy CRC B720E420
Accurately ripped (confidence 8) [2F97EB11] (AR v1)
Copy OK
Track 24
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\24 The Gift.wav
Pre-gap length 0:00:02.00
Peak level 99.7 %
Extraction speed 10.3 X
Track quality 100.0 %
Test CRC 80F5BFDA
Copy CRC 80F5BFDA
Accurately ripped (confidence 8) [5140D3D8] (AR v1)
Copy OK
Track 25
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\25 The Warning.wav
Pre-gap length 0:00:02.00
Peak level 92.0 %
Extraction speed 6.6 X
Track quality 99.8 %
Test CRC 772D7E14
Copy CRC 772D7E14
Accurately ripped (confidence 8) [A82BBE88] (AR v1)
Copy OK
Track 26
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\26 The Attack.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Extraction speed 9.5 X
Track quality 100.0 %
Test CRC 6E6C2C83
Copy CRC 6E6C2C83
Accurately ripped (confidence 9) [1387F45E] (AR v1)
Copy OK
Track 27
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\27 The Capture.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Extraction speed 9.7 X
Track quality 100.0 %
Test CRC CB1756C2
Copy CRC CB1756C2
Accurately ripped (confidence 8) [281A4D0E] (AR v1)
Copy OK
Track 28
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\28 Freedom.wav
Pre-gap length 0:00:02.00
Peak level 90.9 %
Extraction speed 10.2 X
Track quality 100.0 %
Test CRC 6326EFCF
Copy CRC 6326EFCF
Accurately ripped (confidence 8) [058E12CB] (AR v1)
Copy OK
Track 29
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\29 The Aborigines Return.wav
Pre-gap length 0:00:02.00
Peak level 88.1 %
Extraction speed 10.1 X
Track quality 100.0 %
Test CRC 8C60AC29
Copy CRC 8C60AC29
Accurately ripped (confidence 8) [27F59B51] (AR v1)
Copy OK
Track 30
Filename F:\torrent\Quigley Down Under_Basil Poledouris\score\30 End Credits.wav
Pre-gap length 0:00:02.00
Peak level 99.5 %
Extraction speed 11.2 X
Track quality 100.0 %
Test CRC 7958B89D
Copy CRC 7958B89D
Accurately ripped (confidence 8) [CEC14735] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 4C61DDA660EFD5C8122CC1760DF4F03086C84C11D2DB788AE2F68DD549C27427 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-11 18:33:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: After The Gunfight / Quigley Down Under (1)
Basil Poledouris / Quigley Down Under (2-29)
Matthew Quigley / Quigley Down Under (30)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.83 dB -16.54 dB 3:37 28-Freedom
DR9 -0.01 dB -13.05 dB 3:22 01-Main Title
DR9 -1.10 dB -15.36 dB 4:59 02-The Fight
DR10 -0.01 dB -14.93 dB 1:57 03-The Redcoats Move On
DR8 -0.22 dB -10.06 dB 1:55 04-The Arrival
DR11 -8.42 dB -24.32 dB 1:06 05-The Test
DR6 -0.29 dB -22.47 dB 1:03 06-Marston's Game
DR9 -0.05 dB -20.29 dB 0:51 07-Quigley Pans Out
DR10 -2.67 dB -16.78 dB 1:52 08-Quigley Gets Beat Up
DR11 -1.12 dB -15.38 dB 2:05 09-The Stabbing
DR11 -3.99 dB -21.44 dB 2:59 10-Desert Trek
DR10 -7.62 dB -22.92 dB 1:21 11-The Aborigines
DR11 -5.92 dB -21.75 dB 2:14 12-Native Montage
DR11 -6.54 dB -23.62 dB 3:21 13-Cora's Story
DR11 -0.05 dB -16.21 dB 3:36 14-Marston's Attack
DR10 -10.58 dB -27.50 dB 1:36 15-Royus Interrupts
DR10 -0.01 dB -13.90 dB 1:10 16-The Cliff
DR9 -0.09 dB -20.42 dB 0:36 17-The Bodies
DR11 -6.51 dB -22.88 dB 1:52 18-The Baby
DR11 -0.25 dB -14.35 dB 1:15 19-You'll Be Back
DR10 -0.43 dB -15.37 dB 2:43 20-Dingo Attack
DR9 0.00 dB -13.38 dB 3:01 21-The Fire
DR12 -0.08 dB -17.21 dB 3:03 22-Under The Boat
DR11 -8.23 dB -23.08 dB 2:39 23-Quigley & Cora
DR10 -0.02 dB -16.16 dB 5:28 24-The Gift
DR9 -0.72 dB -15.29 dB 1:39 25-The Warning
DR8 -0.01 dB -11.11 dB 2:53 26-The Attack
DR10 -0.01 dB -16.13 dB 2:47 27-The Capture
DR10 -1.10 dB -15.67 dB 2:58 29-The Aborigines Return
DR11 -0.04 dB -16.00 dB 5:24 30-End Credits
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 30
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 715 kbps
Codec: FLAC
================================================================================
log date: 2017-08-11 18:33:18
––––––––––––––––––––––––––––––––––––––––
Analyzed: After The Gunfight / Quigley Down Under (1)
Basil Poledouris / Quigley Down Under (2-29)
Matthew Quigley / Quigley Down Under (30)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.83 dB -16.54 dB 3:37 28-Freedom
DR9 -0.01 dB -13.05 dB 3:22 01-Main Title
DR9 -1.10 dB -15.36 dB 4:59 02-The Fight
DR10 -0.01 dB -14.93 dB 1:57 03-The Redcoats Move On
DR8 -0.22 dB -10.06 dB 1:55 04-The Arrival
DR11 -8.42 dB -24.32 dB 1:06 05-The Test
DR6 -0.29 dB -22.47 dB 1:03 06-Marston's Game
DR9 -0.05 dB -20.29 dB 0:51 07-Quigley Pans Out
DR10 -2.67 dB -16.78 dB 1:52 08-Quigley Gets Beat Up
DR11 -1.12 dB -15.38 dB 2:05 09-The Stabbing
DR11 -3.99 dB -21.44 dB 2:59 10-Desert Trek
DR10 -7.62 dB -22.92 dB 1:21 11-The Aborigines
DR11 -5.92 dB -21.75 dB 2:14 12-Native Montage
DR11 -6.54 dB -23.62 dB 3:21 13-Cora's Story
DR11 -0.05 dB -16.21 dB 3:36 14-Marston's Attack
DR10 -10.58 dB -27.50 dB 1:36 15-Royus Interrupts
DR10 -0.01 dB -13.90 dB 1:10 16-The Cliff
DR9 -0.09 dB -20.42 dB 0:36 17-The Bodies
DR11 -6.51 dB -22.88 dB 1:52 18-The Baby
DR11 -0.25 dB -14.35 dB 1:15 19-You'll Be Back
DR10 -0.43 dB -15.37 dB 2:43 20-Dingo Attack
DR9 0.00 dB -13.38 dB 3:01 21-The Fire
DR12 -0.08 dB -17.21 dB 3:03 22-Under The Boat
DR11 -8.23 dB -23.08 dB 2:39 23-Quigley & Cora
DR10 -0.02 dB -16.16 dB 5:28 24-The Gift
DR9 -0.72 dB -15.29 dB 1:39 25-The Warning
DR8 -0.01 dB -11.11 dB 2:53 26-The Attack
DR10 -0.01 dB -16.13 dB 2:47 27-The Capture
DR10 -1.10 dB -15.67 dB 2:58 29-The Aborigines Return
DR11 -0.04 dB -16.00 dB 5:24 30-End Credits
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 30
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 715 kbps
Codec: FLAC
================================================================================
![Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]](https://pixhost.icu/avaxhome/66/f4/0047f466_medium.jpg)
Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]
![Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]](https://pixhost.icu/avaxhome/66/f4/0047f466.jpg)
![Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]](https://pixhost.icu/avaxhome/64/f4/0047f464_medium.jpg)
Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]
![Basil Poledouris - Quigley Down Under: The Complete Original Motion Picture Soundtrack (1990) [Re-Up]](https://pixhost.icu/avaxhome/64/f4/0047f464.jpg)