Bela Bartok - Works for Violin (Gyorgy Pauk, Kazuki Sawa)
Bela Bartok - Works for Violin (Gyorgy Pauk, Kazuki Sawa)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 390 Mb
Label: Naxos - Date: 1995
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 390 Mb
Label: Naxos - Date: 1995
Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and influential musical personalities of the twentieth century. Born in Nagyszentmiklós, Hungary (now Romania), on March 25, 1881, Bartók began his musical training with piano studies at the age of five, foreshadowing his lifelong affinity for the instrument. Following his graduation from the Royal Academy of Music in 1901 and the composition of his first mature works – most notably, the symphonic poem Kossuth (1903) – Bartók embarked on one of the classic field studies in the history of ethnomusicology. With fellow countryman and composer Zoltán Kodály, he traveled throughout Hungary and neighboring countries, collecting thousands of authentic folk songs. Bartók's immersion in this music lasted for decades, and the intricacies he discovered therein, from plangent modality to fiercely aggressive rhythms, exerted a potent influence on his own musical language.Tracks:
In addition to his compositional activities and folk music research, Bartók's career unfolded amid a bustling schedule of teaching and performing. The great success he enjoyed as a concert artist in the 1920s was offset somewhat by difficulties that arose from the tenuous political atmosphere in Hungary, a situation exacerbated by the composer's frank manner. As the specter of fascism in Europe in the 1930s grew ever more sinister, he refused to play in Germany and banned radio broadcasts of his music there and in Italy. A concert in Budapest on October 8, 1940, was the composer's farewell to the country which had provided him so much inspiration and yet caused him so much grief. Days later, Bartók and his wife set sail for America.
In his final years Bartók was beleaguered by poor health. Though his prospects seemed sunnier in the final year of his life, his last great hope – to return to Hungary – was dashed in the aftermath of World War II. He died of leukemia in New York on September 26, 1945. The composer's legacy included a number of ambitious but unrealized projects, including a Seventh String Quartet; two major works, the Viola Concerto and the Piano Concerto No. 3, were completed from Bartók's in-progress scores and sketches by his pupil, Tibor Serly.
From its roots in the music he performed as a pianist – Mozart, Beethoven, Chopin, Brahms – Bartók's own style evolved through several stages into one of the most distinctive and influential musical idioms of the first half of the twentieth century. The complete assimilation of elements from varied sources – the Classical masters, contemporaries like Debussy, folk songs – is one of the signal traits of Bartók's music. The polychromatic orchestral textures of Richard Strauss had an immediate and long-lasting effect upon Bartók's own instrumental sense, evidenced in masterpieces such as Music for Strings, Percussion, and Celesta (1936) and the Concerto for Orchestra (1945). Bartók demonstrated an especial concern with form in his exploitation and refinement of devices like palindromes, arches, and proportions based on the "golden section." Perhaps above all other elements, though, it is the ingenious application of rhythm that gives Bartók's music its keen edge. Inspired by the folk music he loved, Bartók infused his works with asymmetrical, sometimes driving, often savage, rhythms, which supply violent propulsion to works such as Allegro barbaro (1911) and the Sonata for Two Pianos and Percussion (1937). If a single example from Bartók's catalogue can be regarded as representative, it is certainly the piano collection Mikrokosmos (1926-1939), originally intended as a progressive keyboard primer for the composer's son, Peter. These six volumes, comprising 153 pieces, remain valuable not only as a pedagogical tool but as an exhaustive glossary of the techniques – melodic, harmonic, rhythmic, formal – that provided a vessel for Bartók's extraordinary musical personality.From Allmusic
01. Sonata for Solo Violin, SZ 117 : I Tempo di ciaccona [0:09:43.48]
02. Sonata for Solo Violin, SZ 117 : II Fuga [0:04:58.20]
03. Sonata for Solo Violin, SZ 117 : III Melodia [0:07:03.10]
04. Sonata for Solo Violin, SZ 117 : IV Presto [0:05:39.65]
05. 44 Duos for Two Violins, Book 1 : I Parosfto (Teasing Song) [0:00:53.07]
06. 44 Duos for Two Violins, Book 1 : II Kalamajko (Maypole Dance) [0:00:42.50]
07. 44 Duos for Two Violins, Book 1 : III Menuetto [0:00:49.58]
08. 44 Duos for Two Violins, Book 1 : IV Szentivaneji (Midsummer Night Song) [0:00:48.35]
09. 44 Duos for Two Violins, Book 1 : V Tot Nota (1) Slovakian Song) [0:01:06.65]
10. 44 Duos for Two Violins, Book 1 : VI Magyar Nota (1) (Hungarian Song) [0:00:44.07]
11. 44 Duos for Two Violins, Book 1 : VII Olah Nota (Walachian Song) [0:00:35.68]
12. 44 Duos for Two Violins, Book 1 : VIII Tot Nota (2) (Slovakian Song) [0:00:56.62]
13. 44 Duos for Two Violins, Book 1 : IX Jatek (Play Song) [0:00:37.00]
14. 44 Duos for Two Violins, Book 1 : X Ruten Nota (Ruthenian Song) [0:01:14.38]
15. 44 Duos for Two Violins, Book 1 : XI Gyermekrengeteskor (Cradle Song) [0:01:00.57]
16. 44 Duos for Two Violins, Book 1 : XII Szenagyujteskor (Hay Song) [0:00:53.15]
17. 44 Duos for Two Violins, Book 1 : XIII Lakodalmas (Wedding Song) [0:01:31.13]
18. 44 Duos for Two Violins, Book 1 : XIV Parnas Tanc (Pillow Dance) [0:00:42.52]
19. 44 Duos for Two Violins, Book 2 : I Katonanota (Soldiers Song) [0:00:56.70]
20. 44 Duos for Two Violins, Book 2 : II Burleszk (Burlesque) [0:00:54.03]
21. 44 Duos for Two Violins, Book 2 : III Menetelo Nota (1) (Hungarian March) [0:00:42.10]
22. 44 Duos for Two Violins, Book 2 : IV Menetelo Nota (2) (Hungarian March) [0:00:48.37]
23. 44 Duos for Two Violins, Book 2 : V Mese (Fairy Tale) [0:01:05.50]
24. 44 Duos for Two Violins, Book 2 : VI Dal (Rhythm Song) [0:01:20.38]
25. 44 Duos for Two Violins, Book 2 : VII Ujevkoszonto (1) New Year's Song) [0:01:56.07]
26. 44 Duos for Two Violins, Book 2 : VIII Szunyogtanc (Mosquite Dance) [0:00:38.30]
27. 44 Duos for Two Violins, Book 2 : IX Mennyasszonybucsuztato (Bride's Farewell) [0:01:08.05]
28. 44 Duos for Two Violins, Book 2 : X Trefas Nota (Comic Song) [0:00:39.25]
29. 44 Duos for Two Violins, Book 2 : XI Magyar Nota (2) (Hungarian Song) [0:00:48.73]
30. 44 Duos for Two Violins, Book 3 : I `Ugyan Edes Komamasszony..' (Teasing Song) [0:00:28.17]
31. 44 Duos for Two Violins, Book 3 : II Santa-Tanc (Limping Song) [0:00:28.65]
32. 44 Duos for Two Violins, Book 3 : III Bankodas (Sorrow) [0:02:15.33]
33. 44 Duos for Two Violins, Book 3 : IV Ujevkoszonto (2) New Year's Greeting) [0:00:37.07]
34. 44 Duos for Two Violins, Book 3 : V Ujevkoszonto (3) New Year's Greeting) [0:00:50.10]
35. 44 Duos for Two Violins, Book 3 : VI Ujevkoszonto (4) New Year's Greeting) [0:00:40.05]
36. 44 Duos for Two Violins, Book 3 : VII MaramarosiTanc (Dance from Maramaros) [0:00:43.25]
37. 44 Duos for Two Violins, Book 3 : VIII Ara taskor (Harvest Song) [0:01:29.15]
38. 44 Duos for Two Violins, Book 3 : IX Szamlalo Nota (Enumerating Song) [0:00:58.33]
39. 44 Duos for Two Violins, Book 3 : X Ruten Kolomejka (Ruthenian Kolomejka) [0:01:06.60]
40. 44 Duos for Two Violins, Book 3 : XI Szol a Duda (Bagpipes) [0:02:07.05]
41. 44 Duos for Two Violins, Book 4 : I Preludium es Kanon (Prelude and Canon) [0:02:55.07]
42. 44 Duos for Two Violins, Book 4 : II Forgatos (Rumanian Whirling Song) [0:00:40.50]
43. 44 Duos for Two Violins, Book 4 : III Szerb Tanc (Serbian Dance) [0:00:50.70]
44. 44 Duos for Two Violins, Book 4 : IV Olah Tanc (Walachian Dance) [0:00:48.20]
45. 44 Duos for Two Violins, Book 4 : V Scherzo [0:00:50.38]
46. 44 Duos for Two Violins, Book 4 : VI Arab Dal (Arabian Dance) [0:01:21.32]
47. 44 Duos for Two Violins, Book 4 : VII Pizzicato [0:01:02.28]
48. 44 Duos for Two Violins, Book 4 : VIII `Erdelyi' Tanc (Transylvanian Dance) [0:02:00.05]
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 23. April 2012, 1:19
Bela Bartok / Works for Violin. Gyorgy Pauk, Kazuki Sawa
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Filename F:\Musique\Bartok\Solo_Violin_Sonata_+_Duos\Bela Bartok - Works for Violin. Gyorgy Pauk, Kazuki Sawa.wav
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Test CRC DBE55942
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