Paolo Pandolfo, Rinaldo Alessandrini - Bach: Sonates et Suite pour Viole de Gambe et Clavecin (2002)
Paolo Pandolfo, Rinaldo Alessandrini - Bach: Sonates et Suite pour Viole de Gambe et Clavecin (2002)
Classical | Eac. Flac, Img+Cue, Log | Covers | 381 MB
Label: Harmonia Mundi | Catalog N.: HMA 1955218 | TT: 68:14
Classical | Eac. Flac, Img+Cue, Log | Covers | 381 MB
Label: Harmonia Mundi | Catalog N.: HMA 1955218 | TT: 68:14
Johann Sebastian Bach's sonatas for viola da gamba and obbligato harpsichord belong to those central works of the gamba repertory with which every generation, every ambitious player, must come to terms anew. Their technical demands and compositional complexity make the sonatas' interpretation a delicate task and, at the same time, a major challenge.
In the 17th century and above all in France, the viola da gamba possessed an idiom all of its own representing a happy synthesis of the Italian "jeu de melodie" and the English "jeu d'harmonie" of the lyra viol repertory. Via its lute-like fretted fingerboard, the gamba retained the possibilities of the chordal instruments, while, on the other hand, use of the bow opened up many possibilities of melody formation, including numerous types of register change. The gamba idiom was excellently suited to making use of both characteristics, which in turn complemented each other in continuous alternation of "sung" parts, chords, and register change.
Except for a few measures in the last movement of the Sonata BWV 1028, the three sonatas of J.S. Bach are held to a purely melodic style and therefore make use of only one of the gamba's many possibilities. This, in my opinion, is a matter of great interest, because Bach, in his six suites for solo violoncello, gave that instrument something which, until that time, had been considered to be typical of viola da gamba style. Not only did he make the sonorant aspect of gamba music - alternation between melody and chord - available to the violoncello, but also the musical form itself. The suite, namely, was the predominant genre in soloistic gamba playing und represented the formal framework for the idiomatic development of the instrument in France. In a single artistic act, therefore, Bach transposed two characteristics of viola da gamba music to the violoncello, an instrument which at the time did not possess a wide solo repertory but which was on the verge of major development. One could speak of a handing over of the legacy: an instrument which had already reached the zenith of its development gives its inheritance to another which at that moment stood only at the beginning of its development and which was preordained to replace the predecessor. Paradoxically, therefore, it is possible to argue that the six suites for solo violoncello are in fact the actual solo compositions by Bach for viola da gamba: typical/idealized gamba suites in - virtual - transcription for violoncello. (Paolo Pandolfo)
Cast:
Paolo Pandolfo, viole de gambe
Rinaldo Alessandrini, clavecin
Tracklist:
01-04. Sonate BWV 1027 en Sol majeur
05-08. Sonate BWV 1028 en Ré majeur
09-11. Sonate BWV 1029 en sol mineur
12-17. Suite pour viole de gambe seule en ré mineur, Transcription de la Suite pour violoncelle n°5 BWV 1011 et de la Suite pour luth BWV 995 (arr. Paolo Pandolfo)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 24. июля 2013, 3:38
Paolo Pandolfo, Rinaldo Alessandrini / J.S.Bach - Sonates et suite pour viole de gambe et clavecin
Дисковод: HL-DT-STDVDRAM GT33N Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 103
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 1024 kBit/s
Качество : Высокий
Добавление ID3-тега : Да
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.32 | 4:34.43 | 32 | 20624
2 | 4:35.00 | 3:35.45 | 20625 | 36794
3 | 8:10.45 | 2:37.12 | 36795 | 48581
4 | 10:47.57 | 3:04.40 | 48582 | 62421
5 | 13:52.22 | 1:58.58 | 62422 | 71329
6 | 15:51.05 | 3:30.50 | 71330 | 87129
7 | 19:21.55 | 4:31.55 | 87130 | 107509
8 | 23:53.35 | 4:00.70 | 107510 | 125579
9 | 27:54.30 | 5:21.47 | 125580 | 149701
10 | 33:16.02 | 6:23.38 | 149702 | 178464
11 | 39:39.40 | 3:36.50 | 178465 | 194714
12 | 43:16.15 | 6:08.65 | 194715 | 222379
13 | 49:25.05 | 5:59.67 | 222380 | 249371
14 | 55:24.72 | 2:24.20 | 249372 | 260191
15 | 57:49.17 | 3:48.18 | 260192 | 277309
16 | 61:37.35 | 4:10.45 | 277310 | 296104
17 | 65:48.05 | 2:26.15 | 296105 | 307069
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла O:\!Rips\J.S.Bach - Sonates et suite pour viole de gambe et clavecin.wav
Пиковый уровень 88.3 %
Скорость извлечения 2.2 X
Качество диапазона 100.0 %
CRC теста AE3D3D5A
CRC копии AE3D3D5A
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта 949BFB3D88C2158A49625F8AAB441FC9DA3BE59C9894FDFC80A9B0FA787FB1E3 ====
“Thanks to the original releaser"