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Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008)

Posted By: v3122
Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008)

Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008))
XLD | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Sony Classical, 88697-22218-2 | ~ 289 or 183 Mb | Artwork(png) -> 38 Mb
Swing

For many serious jazz fans, no pianist has ever approached the technical mastery of Art Tatum, though his virtuoso skills usually meant he was at his best unaccompanied. Many of his recordings from the 1930s and '40s were limited by the deficiencies of recording methods at the time. Piano Starts Here, long considered one of Tatum's definitive albums, combined four solos from a 1933 studio session (his first as a soloist, aside from a test pressing a year earlier), and a fabulous solo concert at the Shrine Auditorium in 1949 (the latter issued as an Armed Forces Radio Service 16" transcription disc), which has been reissued many times over the decades. But there were several problems with these releases. The pitch was slightly too slow on the live material. A medley of George Gershwin tunes was awkwardly edited (a miserly decision to save on royalty payments) to only "The Man I Love," discarding over one minute of other compositions, including "Summertime," "I've Got Plenty of Nothin'," and "It Ain't Necessarily So." The order of the live performances was also altered.

Zenph Studios decided to use 21st century computer technology to re-create this album, both the 1933 studio session and the famous 1949 concert. The technicians worked wonders with the source material, by correcting the speed and adding the missing segments. Improvements in computer technology enabled the staff to not only replicate how Tatum played each key, but also to duplicate his use of the sustain pedal, recording the playback on a MIDI file that in turn served as source for a Yamaha Disklavier Pro concert grand piano, which was recorded two different ways on the very same Shrine Auditorium stage. They even took the time to duplicate the exact location of the piano on-stage for Tatum's original Shrine concert. No audience was used for the 1933 selections, which included versions of "Tea for Two" and "Tiger Rag," in all likelihood similar to the performances Tatum used to best both Fats Waller and James P. Johnson during a Harlem cutting contest not long after Tatum arrived in New York City. Of major interest is the greatly improved fidelity of the re-creation of the 1949 concert. Instead of using generations-old, flawed tapes that were descended from the original AFRS transcription disc, the MIDI file as played back on the Yamaha Disklavier Pro concert grand piano seems closer to the essence of what Tatum's original performance sounded like. Antonin Dvorák's "Humoresque" is the playful opener (a tape transfer error on later LPs has been restored), followed by "Tatum Pole Boogie" (a rollicking inventive original that doesn't rely exclusively on a consistent, heavy ostinato bassline like most boogie-woogie). The complete restored "Gershwin Medley" (courtesy of Tatum discographer Arnold Laubich, who owned a copy of the original performance) removes for good the abrupt edit present between the opening and closing sections of "The Man I Love" on all earlier commercial issues. The uptempo showpieces are dazzling, including a romp through "How High the Moon" and "Yesterdays" (which includes a surprising octave unison segment) plus the strolling, bluesy take of "Willow Weep for Me."

The producers of this Art Tatum "re-performance" simultaneously recorded the playback in two different ways. The first 13 cuts on the CD were recorded to five tracks for a stereo surround version, to achieve ideal sound for listeners. The music is duplicated in the second half of the CD, but it is in a binaural stereo version recorded two-track into a dummy head propped as if the listener is the pianist hearing the instrument as he or she is performing. Listening to the binaural recordings on headphones gives an intimate perspective, with the applause heard mostly in the right channel and the auditorium air conditioning audible in quieter passages. It is compatible with regular CD players, Super Audio units, and Super Audio Surround Sound.

This re-performance of classic recordings by Art Tatum will likely be controversial for some collectors, who think that technology has destroyed the integrity of the pianist's performances. This CD doesn't replace Tatum's Piano Starts Here in anyone's collection, but the greatly improved sound of Piano Starts Here: Live at the Shrine should be considered a marvelous engineering feat to give jazz fans a much better idea of what the late piano virtuoso sounded like in concert on a top-notch instrument.

by Ken Dryden, allmusic
Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008):

Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008)

Tracklist:

Zenph Studios Re-Performance Stereo Surround Version
01. Tea for Two (Caesar-Youmans) - 3:14
02. St. Louis Blues (Handy) - 2:42
03. Tiger Rag (LaRocca) - 2:22
04. Sophisticated Lady (Ellington) - 3:20
05. Humoresque (Dvorak) - 3:48
06. Tatum Pole Boogie (Tatum) - 2:33
07. Someone to Watch over Me (Gershwin-Gershwin) - 3:35
08. How High the Moon (Hamilton-Lewis) - 2:30
09. Yesterdays (Harbach-Kern) - 3:28
10. Willow Weep for Me (Ronell) - 3:17
11. The Kerry Dance (Feibel-Molloy) - 1:06
12. Gershwin Medley (Gershwin-Gershwin) - 3:59
13. I Know That You Know (Harbach-O'Dea-Youmans) - 2:46
Zenph Studios Re-Performance Binaural Stereo Version (The Ultimate Headphone Experience)
14. Tea for Two (Caesar-Youmans) - 3:14
15. St. Louis Blues (Handy) - 2:42
16. Tiger Rag (LaRocca) - 2:21
17. Sophisticated Lady (Ellington) - 3:20
18. Humoresque (Dvorak) - 3:48
19. Tatum Pole Boogie (Tatum) - 2:33
20. Someone to Watch over Me (Gershwin-Gershwin) - 3:35
21. How High the Moon (Hamilton-Lewis) - 2:30
22. Yesterdays (Harbach-Kern) - 3:28
23. Willow Weep for Me (Ronell) - 3:18
24. The Kerry Dance (Feibel-Molloy) - 1:06
25. Gershwin Medley (Gershwin-Gershwin) - 3:59
26. I Know That You Know (Harbach-O'Dea-Youmans) - 2:43

X Lossless Decoder version 20161007 (149.3)

XLD extraction logfile from 2017-05-06 12:28:54 -0700

Art Tatum / Piano Starts Here: Live at the Shrine (Zenph Re-Performance)

Used drive : TSSTcorp BDDVDW SE-506BB (revision TS00)
Media type : Pressed CD

Ripper mode : XLD Secure Ripper
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Gap status : Analyzed, Appended (except HTOA)

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Track | Start | Length | Start sector | End sector
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List of alternate offset correction values
# | Absolute | Relative | Confidence
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1 | -6 | -12 | 15

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CRC32 hash (skip zero) : 995A7D24
AccurateRip v1 signature : 3CC5DFAB
AccurateRip v2 signature : 1B563534
->Accurately ripped (v1+v2, confidence 30+49/91)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 25
Filename : /Volumes/Hollywood and Vine/Rips/Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008) [FLAC]/25 Gershwin Medley (Binaural Stereo version).flac

Track gain : 3.12 dB
Peak : 0.747009
CRC32 hash (test run) : 1EC1AC96
CRC32 hash : 1EC1AC96
CRC32 hash (skip zero) : 10BC9AC1
AccurateRip v1 signature : 96C0AB2A
AccurateRip v2 signature : E71A243D
->Accurately ripped (v1+v2, confidence 30+49/91)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 26
Filename : /Volumes/Hollywood and Vine/Rips/Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008) [FLAC]/26 I Know That You Know (Binaural Stereo version).flac

Track gain : 3.08 dB
Peak : 0.699615
CRC32 hash (test run) : 2DDC2A03
CRC32 hash : 2DDC2A03
CRC32 hash (skip zero) : 6F009A52
AccurateRip v1 signature : F1C847AF
AccurateRip v2 signature : AED99D71
->Accurately ripped (v1+v2, confidence 30+49/91)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

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––-END XLD SIGNATURE––-


[CUETools log; Date: 10.02.2019 6:47:21; Version: 2.1.4]
[AccurateRip ID: 0047f953-053ea9c0-a7121c1a] found.
Track [ CRC | V2 ] Status
01 [03a3e9bc|eb0ae455] (031+059/106) Accurately ripped
02 [c01705dc|738cd679] (032+059/107) Accurately ripped
03 [1335bba9|bb5ab5e4] (032+058/106) Accurately ripped
04 [834a5bd1|d2ab2a40] (032+059/107) Accurately ripped
05 [c7889da9|8e12af3b] (032+059/107) Accurately ripped
06 [2b1a78a6|0598d845] (032+059/107) Accurately ripped
07 [0288d0cf|8dd338f4] (032+059/107) Accurately ripped
08 [951bd614|5e5eaf45] (032+059/107) Accurately ripped
09 [aaa101bc|d366f5eb] (032+059/107) Accurately ripped
10 [af9ef6e1|54c7837b] (031+058/105) Accurately ripped
11 [87a34985|3e784d47] (031+058/105) Accurately ripped
12 [959751a0|11b24af2] (032+059/107) Accurately ripped
13 [47af0b7e|b11bd5bc] (032+058/106) Accurately ripped
14 [72b6cfcc|59ca80ac] (031+056/100) Accurately ripped
15 [b5030cdb|3dc80a50] (031+056/100) Accurately ripped
16 [a1eb7606|1b39b34d] (031+056/100) Accurately ripped
17 [489b56ee|4aa39713] (031+056/100) Accurately ripped
18 [ef952668|0b00ca70] (031+056/100) Accurately ripped
19 [01539864|296713d8] (031+056/100) Accurately ripped
20 [746e1eb4|68093e47] (031+056/100) Accurately ripped
21 [dd4434d8|cfde86f3] (031+056/100) Accurately ripped
22 [a0f17987|a939cec7] (031+055/099) Accurately ripped
23 [feef4f2e|7d68c204] (031+055/099) Accurately ripped
24 [3cc5dfab|1b563534] (031+055/099) Accurately ripped
25 [96c0ab2a|e71a243d] (031+055/099) Accurately ripped
26 [f1c847af|aed99d71] (031+054/098) Accurately ripped
Offsetted by -12:
01 [3d90eb70] (007/106) Accurately ripped
02 [81dfe38e] (007/107) Accurately ripped
03 [817d70d0] (007/106) Accurately ripped
04 [e662a820] (007/107) Accurately ripped
05 [37996741] (007/107) Accurately ripped
06 [f4294bc0] (007/107) Accurately ripped
07 [5275a5de] (007/107) Accurately ripped
08 [0cfd5580] (007/107) Accurately ripped
09 [2b3a0d32] (007/107) Accurately ripped
10 [6eee2636] (007/105) Accurately ripped
11 [137d2cdb] (007/105) Accurately ripped
12 [961cf34e] (007/107) Accurately ripped
13 [ea4fffc9] (007/106) Accurately ripped
14 [df698366] (006/100) Accurately ripped
15 [62eccf9c] (006/100) Accurately ripped
16 [cc510c85] (006/100) Accurately ripped
17 [297a301b] (006/100) Accurately ripped
18 [d271fbcd] (006/100) Accurately ripped
19 [940772e3] (006/100) Accurately ripped
20 [929de302] (006/100) Accurately ripped
21 [712bddca] (006/100) Accurately ripped
22 [a39f7cb9] (006/099) Accurately ripped
23 [ed64207d] (006/099) Accurately ripped
24 [b85b0e1b] (006/099) Accurately ripped
25 [3e6bc345] (006/099) Accurately ripped
26 [8d056575] (006/098) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [8235E111] [489BDD50]
01 59,9 [062EBB52] [DCD819AD]
02 57,2 [D696FA14] [2B66ADEC]
03 75,0 [649A99D9] [5E765473]
04 53,2 [F170B476] [8BC03DB2]
05 53,5 [2093DFF5] [BF2DB014]
06 81,6 [28DE6239] [11AC5B31]
07 62,1 [D48837ED] [A46343C0]
08 79,9 [64776F1C] [6C1D5D2F]
09 84,6 [ED08100E] [AC5C6956]
10 63,3 [1C125969] [E1DD44A0]
11 55,1 [89D7CEA5] [D7F0B39C]
12 73,4 [7892CF63] [D054999A]
13 58,9 [CFF53862] [590E5AAE]
14 89,6 [C9FC4B77] [11B87CA6]
15 89,4 [FC517908] [593F742D]
16 100,0 [CC6ECE35] [45F804F2]
17 68,7 [3C4AE20D] [40210CF9]
18 53,0 [E5D1FED4] [D47E0493]
19 98,5 [E34B56F8] [0AAC98AB]
20 76,3 [CEA75816] [9FE37425]
21 72,2 [A385AD16] [3FA30F32]
22 69,8 [2296A083] [B54B5F06]
23 56,6 [A363E14B] [FA07692E]
24 52,7 [1E79DD5A] [995A7D24]
25 74,7 [1EC1AC96] [10BC9AC1]
26 69,9 [2DDC2A03] [6F009A52]


Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008)

All thanks go to snowbanks

Art Tatum in my Blog

Download Art Tatum - Piano Starts Here: Live at the Shrine (Zenph Re-Performance) (2008):