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    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

    Posted By: Designol
    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)
    EAC | FLAC | Tracks (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
    Genre: Classical | Label: Hyperion | # CDA67597 | Time: 01:18:16

    Rameau on the piano? It's not altogether unheard of – there were a handful of classic recordings made by Robert Casadesus back in 1952 – but, despite many recordings of Bach, Handel, and Scarlatti on the piano in the digital age, there's been precious little Rameau on the piano until this Angela Hewitt recording of three complete suites from 2006. By choosing the Suite in E minor from the Pièces de clavecin of 1731 plus the Suites in G minor and A minor from Nouvelles suites de pièces de clavecin, Hewitt has for the most part stayed away from the more evocatively titled works and stuck to the standard stylized Baroque dance forms of the allemande, courante, and gigue. Justly celebrated for her cool and clean Bach recordings, this strategy works well for Hewitt. Without seeming to resort to the sustain or the mute pedal, she floats Rameau's lines and melodies, and without seeming to exaggerate the accents or dynamics, she gives Rameau's rhythms a wonderful sense of lift. In the deliberately evocative movements from the G minor Suite – "La poule," "Les sauvages," and especially "L'egiptienne" – Hewitt seems to bring less to the music – her interpretations are remarkably straight – and to get less out of it – her performances are remarkably bland. Still, as an alternative to Rameau on the harpsichord, Rameau on the piano works well enough to merit an occasional listening, and Hewitt's will more than likely remain the Rameau on the piano of choice for years to come. Hyperion's sound is warm, round, full, and deep.

    Review by James Leonard, Allmusic.com

    For Rameau on the piano, Angela Hewitt proves just as gorgeous in her realizations as Tzimon Barto on Ondine, but with a million times the intelligence, stylistic awareness, and taste. Helped by her Fazioli concert grand's bright edge, Hewitt demonstrates that the nooks and crannies of Rameau's ornamentation not only work on the piano but also benefit from the instrument's capacity for dynamic nuances. Hewitt's varied articulation and tonal shading arise from the music's dance origins and are never "pianistic" for their own sake. Sometimes Hewitt may taper a phrase to slightly precious effect or time a cadence with just a smidgen of archness, but her glorious rhythmic sense and crisply centered trills and mordents offer vivid compensation.

    And if harpsichordists can shift registrations, why not Hewitt? I love how her repeats in Le rappel des oiseaux tweet and twitter an octave higher than in the score. Hewitt also discreetly enhances textures by placing certain bass notes down the octave. All told, this is the finest Rameau piano disc since Marcelle Meyer's classic 1953 cycle, and I look forward to more. As usual, Hewitt's annotations are well researched and reader-friendly, while Hyperion's engineering is vivid and detailed, if slightly bass shy (I have not heard the SACD version).

    Review by Jed Distler, ClassicsToday.com

    Hewitt complements her continuing series of Couperin's keyboard music with a disc devoted to his younger French contemporary. Rameau's keyboard suites contain some of his best known music - vividly pictorial movements such as La Poule and L'Egyptienne, both from the G minor suite, and the Tambourin and Le Rappel des Oiseaux, from the E minor, have appeared in countless instrumental arrangements - and all predate the series of stage works begun in 1733 on which his reputation mainly rests today, and in which some of the pieces are recycled.

    Hewitt clearly relishes the colour and rhythmic energy of these dance sequences; her performances have a wonderfully fluid stylishness, with scrupulous ornamentation that never seems self-consciously correct, and they are founded upon a willingness to use the full tonal resources of a modern concert grand in a way that seems to make utterly irrelevant any question of what is historically or musicologically "correct" in playing this music.

    Review by Andrew Clements, The Guardian

    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)



    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)



    Tracklist:

    Jean-Philippe Rameau (1683-1764)

    Suite in E minor
    01. I. Allemande (3:35)
    02. II. Courante (1:49)
    03. III. Gigue en rondeau I (1:29)
    04. IV. Gigue en rondeau II (2:44)
    05. V. Le rappel des oiseaux (2:37)
    06. VI. Rigudons I and II (2:21)
    07. VII. Musette en rondeau (2:46)
    08. VIII. Tambourin (1:30)
    09. IX. La villageoise (2:43)

    Suite in G minor
    10. I. Les tricotets (1:49)
    11. II. L'indifferente (1:55)
    12. III. Menuets I and II (3:32)
    13. IV. La poule (4:54)
    14. V. Les triolets (4:47)
    15. VI. Les sauvages (1:53)
    16. VII. L'enharmonique (6:49)
    17. VIII. L'egiptienne (2:46)

    Suite in A minor
    18. I. Allemande (5:05)
    19. II. Courante (3:58)
    20. III. Sarabande (2:19)
    21. IV. Les trois mains (5:10)
    22. V. Fanfarinette (2:52)
    23. VI. La triomphante (1:31)
    24. VII. Gavotte (1:41)
    25. VIII. - Double 1 (0:59)
    26. VIII. - Double 2 (0:59)
    27. VIII. - Double 3 (0:59)
    28. VIII. - Double 4 (0:52)
    29. VIII. - Double 5 (0:52)
    30. VIII. - Double 6 (1:01)


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    Angela Hewitt (piano) / Jean-Philippe RameauЎEKeyboard Suites

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    Track 1

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    Offsetted by -18:
    01 [a225acb0] (00/11) No match (V2 was not tested)
    02 [44593a58] (00/11) No match (V2 was not tested)
    03 [acb700ec] (00/11) No match (V2 was not tested)
    04 [cfcb569e] (00/11) No match (V2 was not tested)
    05 [615ddab5] (00/11) No match (V2 was not tested)
    06 [1323e7e1] (00/11) No match (V2 was not tested)
    07 [8631f995] (00/11) No match (V2 was not tested)
    08 [2820c065] (00/11) No match (V2 was not tested)
    09 [99e78c68] (00/11) No match (V2 was not tested)
    10 [703603d1] (00/11) No match (V2 was not tested)
    11 [d7d63303] (00/11) No match (V2 was not tested)
    12 [06b3a2fc] (00/11) No match (V2 was not tested)
    13 [faef9ed0] (00/11) No match (V2 was not tested)
    14 [21a85aba] (00/11) No match (V2 was not tested)
    15 [7b5e23a4] (00/11) No match (V2 was not tested)
    16 [24218113] (00/11) No match (V2 was not tested)
    17 [b0ce05de] (00/11) No match (V2 was not tested)
    18 [cb0744f2] (00/11) No match (V2 was not tested)
    19 [66b4a664] (00/11) No match (V2 was not tested)
    20 [7155e938] (00/11) No match (V2 was not tested)
    21 [5d854dd6] (00/11) No match (V2 was not tested)
    22 [9a3a6527] (00/11) No match (V2 was not tested)
    23 [0dc2b488] (00/11) No match (V2 was not tested)
    24 [38079a13] (00/11) No match (V2 was not tested)
    25 [785da6f9] (00/11) No match (V2 was not tested)
    26 [afe2c858] (00/11) No match (V2 was not tested)
    27 [f36f3348] (00/11) No match (V2 was not tested)
    28 [6d09e69a] (00/11) No match (V2 was not tested)
    29 [62952973] (00/11) No match (V2 was not tested)
    30 [d656d2ea] (00/09) No match (V2 was not tested)
    Offsetted by 670:
    01 [76419fc3] (02/11) Accurately ripped
    02 [ae52eba1] (02/11) Accurately ripped
    03 [7634e155] (02/11) Accurately ripped
    04 [aef36650] (02/11) Accurately ripped
    05 [90af3546] (02/11) Accurately ripped
    06 [4fcc8092] (02/11) Accurately ripped
    07 [56e8fcd4] (02/11) Accurately ripped
    08 [594d5ab2] (02/11) Accurately ripped
    09 [191e2c8c] (02/11) Accurately ripped
    10 [fc5f4771] (02/11) Accurately ripped
    11 [f082124c] (02/11) Accurately ripped
    12 [431eb8e6] (02/11) Accurately ripped
    13 [d7cb5813] (02/11) Accurately ripped
    14 [18ab90d4] (02/11) Accurately ripped
    15 [2cc902a8] (02/11) Accurately ripped
    16 [7b90476f] (02/11) Accurately ripped
    17 [cde952ab] (02/11) Accurately ripped
    18 [cb84d653] (02/11) Accurately ripped
    19 [5400164d] (02/11) Accurately ripped
    20 [8db23ec2] (02/11) Accurately ripped
    21 [2eea13c7] (02/11) Accurately ripped
    22 [3f2daf84] (02/11) Accurately ripped
    23 [c5377d15] (02/11) Accurately ripped
    24 [4077ad79] (02/11) Accurately ripped
    25 [fc9d0f92] (02/11) Accurately ripped
    26 [d0c994df] (02/11) Accurately ripped
    27 [284ff094] (02/11) Accurately ripped
    28 [703a3caa] (02/11) Accurately ripped
    29 [224e9d72] (02/11) Accurately ripped
    30 [b7d8b7f0] (00/09) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 98,4 [7FFF7EB4] [E867D690]
    01 55,6 [A7AD3046] [AC81C32C] CRC32
    02 55,7 [2145BF05] [A306A1FD] CRC32
    03 47,0 [9EDA51CF] [87F04CA8] CRC32
    04 51,9 [5038E5A1] [5A960789] CRC32
    05 79,7 [53415AC2] [049D57C6] CRC32
    06 72,4 [2348F9B9] [7F4C9417] CRC32
    07 35,2 [FD9109EB] [C7C5DAB3] CRC32
    08 61,4 [113C2B0A] [B613444B] CRC32
    09 49,1 [4DBE6B0D] [F735D3F6] CRC32
    10 49,2 [35FB9DD4] [C9030B37] CRC32
    11 51,7 [7465B192] [67C2F3EA] CRC32
    12 61,4 [7E6A1D6A] [AF69E52E] CRC32
    13 74,3 [D256D871] [6F5C06A8] CRC32
    14 49,2 [46C87191] [AA27A853] CRC32
    15 58,6 [A05CBF34] [7B0733B3] CRC32
    16 45,1 [D215EB7B] [FC8F7F76] CRC32
    17 98,4 [FA93999C] [39BB4807] CRC32
    18 49,1 [1AC39D59] [EFBA8259] CRC32
    19 76,1 [B134CC99] [E35FED3B] CRC32
    20 72,9 [66ECDAF5] [ECE38A19] CRC32
    21 69,4 [5C945922] [D1C7A57A] CRC32
    22 58,5 [B5A7AB5B] [5BBF6E48] CRC32
    23 61,8 [E323ECAD] [0C11C00C] CRC32
    24 53,8 [77EE5B93] [02C792FA] CRC32
    25 44,9 [66124DF7] [D4E082C8] CRC32
    26 46,1 [B37FF469] [C4690083] CRC32
    27 39,7 [792B0965] [F6D28F45] CRC32
    28 97,4 [D07A8ADA] [A8DAA842] CRC32
    29 45,0 [87C9806A] [F37C7AFA] CRC32
    30 78,9 [9458B7F4] [26980B3C] CRC32

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-11-18 23:59:02

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Angela Hewitt (piano) / Jean-Philippe RameauЎEKeyboard Suites
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -5.09 dB -21.53 dB 3:35 01-Jean-Philippe Rameau Suite in E minor - I. Allemande
    DR11 -5.07 dB -19.83 dB 1:49 02-Jean-Philippe Rameau Suite in E minor - II. Courante
    DR12 -6.55 dB -22.01 dB 1:29 03-Jean-Philippe Rameau Suite in E minor - III. Gigue en rondeau I
    DR12 -5.68 dB -20.93 dB 2:44 04-Jean-Philippe Rameau Suite in E minor - IV. Gigue en rondeau II
    DR12 -1.97 dB -19.81 dB 2:37 05-Jean-Philippe Rameau Suite in E minor - V. Le rappel des oiseaux
    DR12 -2.80 dB -19.99 dB 2:21 06-Jean-Philippe Rameau Suite in E minor - VI. Rigudons I and II
    DR12 -9.05 dB -25.67 dB 2:46 07-Jean-Philippe Rameau Suite in E minor - VII. Musette en rondeau
    DR11 -4.23 dB -20.96 dB 1:30 08-Jean-Philippe Rameau Suite in E minor - VIII. Tambourin
    DR11 -6.17 dB -21.79 dB 2:43 09-Jean-Philippe Rameau Suite in E minor - IX. La villageoise
    DR14 -6.15 dB -23.64 dB 1:49 10-Jean-Philippe Rameau Suite in G minor - I. Les tricotets
    DR12 -5.72 dB -22.03 dB 1:55 11-Jean-Philippe Rameau Suite in G minor - II. L'indifferente
    DR13 -4.22 dB -22.38 dB 3:32 12-Jean-Philippe Rameau Suite in G minor - III. Menuets I and II
    DR14 -2.58 dB -20.50 dB 4:54 13-Jean-Philippe Rameau Suite in G minor - IV. La poule
    DR12 -6.15 dB -23.50 dB 4:47 14-Jean-Philippe Rameau Suite in G minor - V. Les triolets
    DR12 -4.63 dB -19.77 dB 1:53 15-Jean-Philippe Rameau Suite in G minor - VI. Les sauvages
    DR13 -6.91 dB -24.28 dB 6:49 16-Jean-Philippe Rameau Suite in G minor - VII. L'enharmonique
    DR13 -0.13 dB -19.07 dB 2:46 17-Jean-Philippe Rameau Suite in G minor - VIII. L'egiptienne
    DR13 -6.17 dB -22.33 dB 5:05 18-Jean-Philippe Rameau Suite in A minor - I. Allemande
    DR13 -2.37 dB -20.20 dB 3:58 19-Jean-Philippe Rameau Suite in A minor - II. Courante
    DR12 -2.74 dB -20.34 dB 2:19 20-Jean-Philippe Rameau Suite in A minor - III. Sarabande
    DR13 -3.16 dB -20.98 dB 5:10 21-Jean-Philippe Rameau Suite in A minor - IV. Les trois mains
    DR13 -4.66 dB -22.87 dB 2:52 22-Jean-Philippe Rameau Suite in A minor - V. Fanfarinette
    DR11 -4.17 dB -18.31 dB 1:31 23-Jean-Philippe Rameau Suite in A minor - VI. La triomphante
    DR12 -5.38 dB -23.10 dB 1:41 24-Jean-Philippe Rameau Suite in A minor - VII. Gavotte
    DR11 -6.94 dB -21.46 dB 0:59 25-Jean-Philippe Rameau Suite in A minor - VIII. - Double 1
    DR11 -6.71 dB -20.13 dB 0:59 26-Jean-Philippe Rameau Suite in A minor - VIII. - Double 2
    DR10 -8.02 dB -21.93 dB 0:59 27-Jean-Philippe Rameau Suite in A minor - VIII. - Double 3
    DR13 -0.22 dB -18.74 dB 0:52 28-Jean-Philippe Rameau Suite in A minor - VIII. - Double 4
    DR10 -6.93 dB -20.31 dB 0:52 29-Jean-Philippe Rameau Suite in A minor - VIII. - Double 5
    DR10 -2.06 dB -14.92 dB 1:01 30-Jean-Philippe Rameau Suite in A minor - VIII. - Double 6
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 30
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 528 kbps
    Codec: FLAC
    ================================================================================

    Angela Hewitt - Jean-Philippe Rameau: Keyboard Suites (2007)

    All thanks to original releaser

    More interesting music in My Blog