Alonso Mudarra - Música de Vihuela III: Tres Libros de Música en Cifras para Vihuela (1991)
Alonso Mudarra - Música de Vihuela III: Tres Libros de Música en Cifras para Vihuela
DbPowerAmp secure mode FLAC (tracks+log, no cue) + MP3 (320 kbps CBR) | 304.02 Mb (FLAC) + 159.11 Mb (MP3) | 65:05 minutes | Full info & covers.
classical, renaissance, vihuela | Auvidis-Astrée Records, Recorded at the Roman Church of Saint Lambert in November 1991. Cd published in 1996
![Alonso Mudarra - Música de Vihuela III: Tres Libros de Música en Cifras para Vihuela (1991)]()
DbPowerAmp secure mode FLAC (tracks+log, no cue) + MP3 (320 kbps CBR) | 304.02 Mb (FLAC) + 159.11 Mb (MP3) | 65:05 minutes | Full info & covers.
classical, renaissance, vihuela | Auvidis-Astrée Records, Recorded at the Roman Church of Saint Lambert in November 1991. Cd published in 1996
Alonso Mudarra - Música de Vihuela III: Tres Libros de Música en Cifras para Vihuela (1991)
The “Vihuela de mano” is a somewhat mysterious instrument. It evolved in Spain alongside the lute which it replaced at the begining of the 16th century and from which it differed in its guitar-like flat back and waisted shape. Alonso de Mudarra was a sixteenth century Spanish composer and vihuelist known for his songs and his numerous innovations in the field of instrumental music. He lived in relative luxury throughout his life. His upbringing and education were in the ducal household in Guadalajara. Duke Iñigo López de Mendoza (1493-1566), a highly cultured man and fine lutenist, may have been a mentor to the young de Mudarra, influencing him toward study of the vihuela. De Mudarra was eventually considered one of the best vihuelaplayers in Seville. With de Mendoza, he's believed to have traveled to Italy in 1529 in the retinue of Charles V. Soon after his return, he was ordained a priest, and then took a canonry at the Seville Cathedral on the October 18, 1546. Aside from creating his considerable output of music, for the rest of his life de Mudarra played an important role in the affairs of the cathedral. He did such things as deal with the composers commissioned to produce music for feast-days, hired performers, and negotiated the purchase and installation of a new organ. Later he was in charge of all the cathedral's monetary disbursements. As a sign of the kind of man de Mudarra might have been, despite his social privilege his will stated that upon his death (which came in 1580) all of his possessions were to be sold and the money given to the poor. de Mudarra's major publication was Tres libros de musica en cifras para vihuela (Three Books of Music in Tablature for Vihuela, 1546). The range of genres and styles suggest that it's a comprehensive sample of what he'd composed up to that point in his life. It contains 77 works and introduces numerous innovations. There are intabulations of motets and mass sections by Flemish composers, the earliest known pieces for modern guitar, a piece for harp or organ notated in a 14-line tablature system of de Mudarra's invention, and suites of pieces grouped by mode. His preferred instrumental genre was the fantasia, of which Tres libros contains 27 true examples, while many of the other works draw on fantasia techniques. But above all it's for his exquisite songs for vihuela and voice that de Mudarra is remembered. Subtle and economical of means, they're rightly considered the finest Spanish songs of his century. The sixteenth century Spanish courts supported a thriving tradition of composer-performers on a number of musical instruments: vihuela, organ, and harp. By the time Alonso de Mudarra, canon of the Cathedral of Seville, published his Tres libros de musica en cifras para vihuela (Three books of music in tablature for the vihuela, 1546), the tradition was already well underway. Other early volumes include those of Luis de Milán (Valencia, 1536), Luis de Narváez (Valladolid, 1538), Enríquez de Valderrábano (Valladolid, 1547), Diego Pisador (Salamanca, 1552), and Miguel de Fuenllana (Seville, 1553). Each volume offered to the players' market a large compilation of solos, dance tunes, improvisations, and songs, and advertised both the musician and his patron. Mudarra thus took pains to introduce into the 77 pieces contained in his Tres libros de musica certain innovations: the first music ever published for guitar, some bolder chromaticism alongside more traditional fantasias and variations, and a new system for organ or harp tablature. At the same time, he demonstrated his mastery of all known vihuela genres in more traditional compositions, such as this pavan and galliard pair. While this pavan and galliard share the same mode and some melodic similarities, they are not necessarily unique in doing so (though Mudarra did experiment with suites for vihuela among the other pieces in the publication). Rather, they represent a more traditional pairing of courtly dances, for which numerous Spanish composers wrote music (and from which the Elizabethan English learned the fashion). Consonant with his tradition, Mudarra even suggests a noble dedicatee for the pair: the unidentified "Alexander" of the pavan's subtitle. Also completely within the tradition, the opening pavan strides forth in a stately duple meter; this was the court's entry dance, a processional that might need strong accents and repeated sections. Yet though Mudarra includes the strong duple accents, he imposes over them an equally strong pattern of three measures per harmony, with eight such groups. The second dance expected is the galliard, a more lively triple-meter dance. Mudarra complies, and his galliard shares mode and overall harmonic character, clear-cut phrase structure, and even some melodic motives and textural alternations (fast ornamentation and thick chords). Cleverly, the composer also returns to the rhythmic complexity of the pavan: the galliard contains larger cross-rhythms that preserve the hints of ambiguity between duple and triple meter.
dBpoweramp Release 13.3 Digital Audio Extraction Log from 23/05/2010 1:29
Drive & Settings
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Ripping with drive 'E: [HL-DT-ST - DVDRAM GH41N ]', Drive offset: 667, Overread Lead-in/out: No
AccurateRip: Active, Using C2: Yes, Cache: 1024 KB, FUA Cache Invalidate: Yes
Pass 1 Drive Speed: Max, Pass 2 Drive Speed: Max
Bad Sector Re-rip:: Drive Speed: Max, Maximum Re-reads: 34
Encoder: FLAC -compression-level-0
Extraction Log
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Track 1: Ripped LBA 33 to 16873 (3:44) in 0:18. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\01. Pavana de Alexandre, Gallarda.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: AFEE66AD AccurateRip CRC: 994DE8BC [DiscID: 025-0040cf26-04663570-4d0f5019-1]
Track 2: Ripped LBA 16873 to 50210 (7:24) in 0:20. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\02. Primer Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 6B10D41B AccurateRip CRC: 6672F2D5 [DiscID: 025-0040cf26-04663570-4d0f5019-2]
Track 3: Ripped LBA 50210 to 60085 (2:11) in 0:05. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\03. Fantasía fácil.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: B09BDD18 AccurateRip CRC: 28D03CE4 [DiscID: 025-0040cf26-04663570-4d0f5019-3]
Track 4: Ripped LBA 60085 to 68545 (1:52) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\04. Segundo Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: B6D5365C AccurateRip CRC: 71AF28CC [DiscID: 025-0040cf26-04663570-4d0f5019-4]
Track 5: Ripped LBA 68545 to 83220 (3:15) in 0:07. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\05. Una Pavana.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 629057BC AccurateRip CRC: 7AF63CA6 [DiscID: 025-0040cf26-04663570-4d0f5019-5]
Track 6: Ripped LBA 83220 to 89468 (1:23) in 0:03. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\06. Fantasía para desenbolver las manos.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 4A53C0F3 AccurateRip CRC: D1273F70 [DiscID: 025-0040cf26-04663570-4d0f5019-6]
Track 7: Ripped LBA 89468 to 113608 (5:21) in 0:11. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\07. Tercero Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: C26B98B7 AccurateRip CRC: 2DF3FFBE [DiscID: 025-0040cf26-04663570-4d0f5019-7]
Track 8: Ripped LBA 113608 to 127085 (2:59) in 0:06. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\08. Fantasía.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: BFD5AD23 AccurateRip CRC: A293BAAD [DiscID: 025-0040cf26-04663570-4d0f5019-8]
Track 9: Ripped LBA 127085 to 133233 (1:21) in 0:02. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\09. Fantasía de pasos largos para desenbolver las manos.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 859ACD0E AccurateRip CRC: 31B82D40 [DiscID: 025-0040cf26-04663570-4d0f5019-9]
Track 10: Ripped LBA 133233 to 143525 (2:17) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\10. Quarto Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 7EBC8F59 AccurateRip CRC: AF82822B [DiscID: 025-0040cf26-04663570-4d0f5019-10]
Track 11: Ripped LBA 143525 to 152415 (1:58) in 0:03. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\11. Conde Claros en doze maneras.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: CA24D999 AccurateRip CRC: D58823CB [DiscID: 025-0040cf26-04663570-4d0f5019-11]
Track 12: Ripped LBA 152415 to 156143 (0:49) in 0:01. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\12. Tiento del Quinto Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 0A4CE8FA AccurateRip CRC: 975D316F [DiscID: 025-0040cf26-04663570-4d0f5019-12]
Track 13: Ripped LBA 156143 to 161660 (1:13) in 0:02. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\13. Fantasía de pasos para desenbolver las manos.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 75A093B5 AccurateRip CRC: DAF38982 [DiscID: 025-0040cf26-04663570-4d0f5019-13]
Track 14: Ripped LBA 161660 to 172518 (2:24) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\14. Fantasía fácil.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: DEFF307E AccurateRip CRC: D6FE3F02 [DiscID: 025-0040cf26-04663570-4d0f5019-14]
Track 15: Ripped LBA 172518 to 189273 (3:43) in 0:06. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\15. Sexto Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 82BDB43B AccurateRip CRC: E4694660 [DiscID: 025-0040cf26-04663570-4d0f5019-15]
Track 16: Ripped LBA 189273 to 202660 (2:58) in 0:05. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\16. Romanesca o Guárdame las vacas.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: F2D50C35 AccurateRip CRC: 841E6695 [DiscID: 025-0040cf26-04663570-4d0f5019-16]
Track 17: Ripped LBA 202660 to 218800 (3:35) in 0:07. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\17. Séptimo Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 42BE7F9B AccurateRip CRC: A1E31611 [DiscID: 025-0040cf26-04663570-4d0f5019-17]
Track 18: Ripped LBA 218800 to 227698 (1:58) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\18. Fantasía fácil.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 74DE5ED9 AccurateRip CRC: E2074CF4 [DiscID: 025-0040cf26-04663570-4d0f5019-18]
Track 19: Ripped LBA 227698 to 240413 (2:49) in 0:06. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\19. Octavo Tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 2039CF16 AccurateRip CRC: 2A4C029B [DiscID: 025-0040cf26-04663570-4d0f5019-19]
Track 20: Ripped LBA 240413 to 249165 (1:56) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\20. Fantasía que contrahaze la harpa en la manera de Ludovico.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 965A31BE AccurateRip CRC: 8125409F [DiscID: 025-0040cf26-04663570-4d0f5019-20]
Track 21: Ripped LBA 249165 to 259038 (2:11) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\21. Una Pavana.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 2A914D97 AccurateRip CRC: 0F958E63 [DiscID: 025-0040cf26-04663570-4d0f5019-21]
Track 22: Ripped LBA 259038 to 271615 (2:47) in 0:04. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\22. Fantasía del quarto tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: C5B334AB AccurateRip CRC: A9AA2350 [DiscID: 025-0040cf26-04663570-4d0f5019-22]
Track 23: Ripped LBA 271615 to 279683 (1:47) in 0:03. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\23. Romanesca o Guárdame las vacas.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 8F3862D3 AccurateRip CRC: 14EB77AB [DiscID: 025-0040cf26-04663570-4d0f5019-23]
Track 24: Ripped LBA 279683 to 286353 (1:28) in 0:02. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\24. Fantasía del primer tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 0E266D45 AccurateRip CRC: CAE3AAF0 [DiscID: 025-0040cf26-04663570-4d0f5019-24]
Track 25: Ripped LBA 286353 to 294015 (1:42) in 0:03. Filename: D:\Data\mp3\Alnoso Mudarra - 1991 Fantasías III. Múisca de Vihuela. Tres Libros de Música en Cifras para Vihuela (FLAC)\25. Fantasía del quinto tono.flac
AccurateRip: Accurate (confidence 2) [Pass 1]
CRC32: 94A4CF09 AccurateRip CRC: 845749E7 [DiscID: 025-0040cf26-04663570-4d0f5019-25]
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25 Tracks Ripped Accurately
Hopkinson Smith: vihuela de mano (Joël Van Lennep, Boston)
01. Pavana de Alexandre, Gallarda (3:44)
02. Primer Tono (7:24)
03. Fantasía fácil (2:11)
04. Segundo Tono (1:52)
05. Una Pavana (3:15)
06. Fantasía para desenbolver las manos (1:23)
07. Tercero Tono (5:21)
08. Fantasía (2:59)
09. Fantasía de pasos largos para desenbolver las manos (1:21)
10. Quarto Tono (2:17)
11. Conde Claros en doze maneras (1:58)
12. Tiento del Quinto Tono (0:49)
13. Fantasía de pasos para desenbolver las manos (1:13)
14. Fantasía fácil (2:24)
15. Sexto Tono (3:43)
16. Romanesca o Guárdame las vacas (2:58)
17. Séptimo Tono (3:35)
18. Fantasía fácil (1:58)
19. Octavo Tono (2:49)
20. Fantasía que contrahaze la harpa en la manera de Ludovico (1:56)
21. Una Pavana (2:11)
22. Fantasía del quarto tono (2:47)
23. Romanesca o Guárdame las vacas (1:47)
24. Fantasía del primer tono (1:28)
25. Fantasía del quinto tono (1:42)
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