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Johann Paul von Westhoff - Complete Suites for Solo Violin [1683 & 1696] - Kolja Lessing
![Johann Paul von Westhoff - Complete Suites for Solo Violin [1683 & 1696] - Kolja Lessing](https://pixhost.icu/avaxhome/9c/ae/0010ae9c.jpeg)
Johann Paul von Westhoff - Complete Suites for Solo Violin [1683 & 1696]
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 282 MB | Rapidshare
Recorded: 28/29 Nov. 2002 (17-30) & 30 June 2003 (1-6) Hans Rosbaud Studio, Südwestrundfunk, Baden-Baden
Released: 2004 | Label: Capriccio 67 083 | TT: 55:55
Kolja Lessing - violin
The little-known Johann Paul von Westhoff, Dresden-born, was a violinist, composer and something of a prodigious linguist as well. From his teenage years he was a language teacher to the princes of Saxony and later became Professor of Foreign languages at Wittenberg, though when he died he was a secretary to the Court of Weimar. These pioneering sonatas, the first such complete cycle of solo violin works before Bach, are constant feasts of polyphony and sensitively laid out for the instrument. That they have been neglected for so long – they were really only re-encountered (re-discovered sounds too melodramatic since they had been known, albeit many dictionaries ignored them) in the 1970s – is not an index of their paucity of invention. It would be objectively true however to say that judged by the constant expressive demands of Bach, or the idiosyncratic inventiveness and technical novelty of Biber, or even Pisendel’s command, these sonatas occupy a somewhat lower rung of invention.
They date from 1683 – the date of publication of the six movement Suite – to 1696, nine years before Westhoff’s death. He was clearly a melodist of no little talent; there’s no meandering or lack of concision. Since none of the movements breaches the three minute mark, compression of musical ideas and linear working out is the order of the day and the rewards are plentiful especially in this, the first recording of the complete sonatas on disc (though Elizabeth Wallfisch has recorded II, IV, V and VI for Hyperion). The influences on the 1683 Suite are prevailingly French with a Sarabande that demands good bowing and an accurate trill – both in evidence here – as well as the ability to sustain melodic impulse. In the First of the 1696 set we find a pleasing component of Westhoff’s compositional armoury – he was an energetic composer and wrote correspondingly energetic Courantes which thrive on motion and a sense of direction. In some of the sparer movements, the Sarabande of No.2 for example, Lessing applies some discreet ornamentation and it’s invariably apposite. To me this movement is one of the highlights of the set - intriguingly various and delightful.
Similarly the Allemande that opens No. 5 (these are incidentally all four-movement works in classic dance form; Allemande, Courante, Sarabande and Gigue) is serious but lyrical with some rhetorical pauses that are well judged by Lessing. The final Gigue has a hunting-like motif that shows some of the variety the composer imparts. The opening Allemande of the last Suite is full of great delicacy and clarity and the concluding Gigue is vibrant and vocalised and makes a fine conclusion to these far too little known works; those moments when Westhoff departs from strict form and embraces the rustic as well as the courtly are invariably delightful.
The recording derives from the radio studio in Baden-Baden and is of excellent quality; not cold at all. Lessing writes the impressive notes and has dedicated the recording to his baby daughter and there’s a delightful picture of the proud father with her; let’s hope he’s in at the birth of a revival of interest in Westhoff as well. (Jonathan Woolf, musicweb-international.com)
Tracklist:
01-06 Suite in A major (1683)
Six Suites for Solo violin (1696):
07-10 Suite No. 1 in A minor
11-14 Suite No. 2 in A major
15-18 Suite No. 3 in B flat major
19-22 Suite No. 4 in C major
23-26 Suite No. 5 in D minor
27-30 Suite No. 6 in D major
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. November 2009, 21:56
Kolja Lessing / Westhoff-Suites for Solo Violin
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
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EAC extraction logfile from 15. November 2009, 21:56
Kolja Lessing / Westhoff-Suites for Solo Violin
Used drive : HL-DT-STDVDRAM GSA-T50N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:47.52 | 0 | 8076
2 | 1:47.52 | 1:47.63 | 8077 | 16164
3 | 3:35.40 | 1:35.61 | 16165 | 23350
4 | 5:11.26 | 2:31.52 | 23351 | 34727
5 | 7:43.03 | 0:53.36 | 34728 | 38738
6 | 8:36.39 | 1:42.24 | 38739 | 46412
7 | 10:18.63 | 2:42.13 | 46413 | 58575
8 | 13:01.01 | 1:38.54 | 58576 | 65979
9 | 14:39.55 | 1:56.05 | 65980 | 74684
10 | 16:35.60 | 1:30.38 | 74685 | 81472
11 | 18:06.23 | 2:55.65 | 81473 | 94662
12 | 21:02.13 | 1:30.16 | 94663 | 101428
13 | 22:32.29 | 1:24.13 | 101429 | 107741
14 | 23:56.42 | 1:50.32 | 107742 | 116023
15 | 25:46.74 | 2:41.55 | 116024 | 128153
16 | 28:28.54 | 1:40.03 | 128154 | 135656
17 | 30:08.57 | 1:30.45 | 135657 | 142451
18 | 31:39.27 | 2:27.63 | 142452 | 153539
19 | 34:07.15 | 2:22.69 | 153540 | 164258
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24 | 44:06.63 | 1:26.24 | 198513 | 204986
25 | 45:33.12 | 1:27.08 | 204987 | 211519
26 | 47:00.20 | 2:13.45 | 211520 | 221539
27 | 49:13.65 | 2:39.52 | 221540 | 233516
28 | 51:53.42 | 1:12.06 | 233517 | 238922
29 | 53:05.48 | 1:41.28 | 238923 | 246525
30 | 54:47.01 | 1:06.42 | 246526 | 251517
Range status and errors
Selected range
Filename C:\Westhoff-Suites for Solo Violin.wav
Peak level 77.4 %
Range quality 100.0 %
Test CRC FF4C398B
Copy CRC FF4C398B
Copy OK
No errors occurred
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End of status report