Jordi Savall - Ramon Llull 1232-1316 (2016) {2CD Set, Alia Vox AVSA9917}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 777 Mb | MP3 @320 -> 339 Mb
Full Artwork @ 300 dpi (jpg) -> 484 Mb | 5% repair rar
© 2016 Alia Vox | AVSA9917
Classical / Medieval
Born in Majorca c. 1232, three years after the Christian conquest of the island (1229), Ramon Llull had very close contact with Muslim culture. It was not until after he was thirty years old that he gave up his life at court and began to study theology and philosophy. Not long after that, he purchased a Moorish slave in order to learn Arabic. This proximity to the Muslim world gave him an exceptional insight into religion and culture which set him apart from all the intellectuals in the Europe of his day. A tireless traveller, he visited the principal courts of Christendom to rally support for his projects, and he did so while engaging in an intense missionary activity to convert Jewish and, above all, Muslim unbelievers. Meanwhile, he also wrote more than 260 works in Catalan, Arabic and Latin, which were widely read in his own lifetime and were brimming with new ideas which had a major influence on the development of universal thought. In his Ars generalis ultima he developed a method intended to be used in religious debate, but which he also applied to scientific subjects and demonstration. After going on various missions to North Africa, Llull died at the age of 84 on his way back from one of his final attempts to engage in religious discussion with Muslim scholars in Tunis, where he was stoned and imprisoned.
More than 700 years separate us from the time of Ramon Llull, whose work has attracted the attention of such major figures as Giordano Bruno and Leibniz. Indeed, he continues to be a source of inspiration and beauty, making him one of the most outstanding writers and poets of medieval Catalonia. He lived in an age of great cultural splendour, which was characterized by the (not always) peaceful coexistence of the three religious cultures of his time: Christian, Muslim and Jewish. A famous and prolific author, Ramon Llull epitomised the universality of his time in a written output which transcended borders and made his new combinatory language a tool for seeking truth and understanding between cultures and religions. Certainly, the medieval Catalonia in which Ramon Llull lived was very far and very different from that of the present day, but the emotion and beauty of the music and recited texts which accompany us on this journey illuminate the most important events of his life and offer a glimpse of the hopes and feelings of the people of his time.
We do not know whether he was himself a musician, but we do know that he loved the art of singing and many of Llull’s poems were written to be sung and set to music. As the eminent musicologist Higini Anglès confirms in his brilliant study, La Música a Catalunya fins el segle XIII, “therefore, although he did not compose new tunes for his songs, he often indicated the tune to which he wished a particular poem to be sung.” Accordingly, we have used the music of Giraut de Bornelh’s exquisite lament No puesc sofrir la dolor as a musical vehicle for Llull’s personal poetic lament, Lo Desconhort.
In this CD-Book, which was recorded during a concert at the Saló del Tinell in Barcelona to mark the beginning of Llull Year in the 700th anniversary of his death in 1317, we recreate the soundtrack to Llull’s life; we discover Muslim Majorca as we listen to the taksims (improvised preludes), the Moorish dances, the Muwashahs and Arab laments, all outstandingly performed by modern-day musicians from Syria, Morocco, Turkey, Greece, etc., who are the true custodians and the new (re)creators of this ancient intangible heritage. The medieval instruments of Hespèrion XXI, the Eastern musicians and the voices of La Capella Reial de Catalunya perform songs, sirventès, laments and profane dances composed by troubadours, poets and minstrels such as Raimon de Miraval, Pèire Cardenal, Bernat de Ventadorn and other anonymous poets who were active at the royal courts of James I, Peter II, Alfons II and James II. And also the most representative sacred and spiritual music of the age, alongside Eastern music of Arab and Jewish origin, which, with their emotion and beauty, evoke for us the key moments in the life of Ramon Llull, his travels and the main historical events of his time.
This rich mosaic of music and song is complemented with fragments from some of his most important texts, taken from the Book of Contemplation, the Vida de Mestre Ramon (Ramon Llull: a Contemporary Life), the sublime Book of the Lover and the Beloved and The Tree of the Philosophy of Love, and other commentaries – all wonderfully recited with the distinctive music and declamation of their original languages by Sílvia Bel and Jordi Boixaderas. These texts convey with eloquence and determination the course of Llull’s life and his belief in the need to educate, explain, reason and, above all, to impart the light and truths of his Christian faith to those who believed in other religions through dialogue and rational dialectic based on knowledge and wisdom.
His critical thought, at once passionate and inspired, is addressed to society at large and especially to all believers, whether Christians, Jews or Muslims, always guided by a great sense of commitment and driven by his immense personal generosity. His work explored an extraordinary breadth and variety of meditations and proposals, all of which sought to raise human beings to the highest levels of humanity and spirituality by means of beauty, knowledge, eloquence and respectful dialogue.
Today more than ever, Ramon Llull serves as an example of one who lived intensely as a man of his time, who faithfully followed his ideas and principles to their ultimate conclusions, firm in the belief that art and knowledge, spirituality and dialogue were the essential tools to improve and change the world. A thinker, poet, philosopher, theologian, orator and missionary, all that he did and achieved in his life is the unfailing testimony to a body of exemplary teachings that are still relevant and necessary today. That is why we believe it is important to keep his message alive by studying and making his work known in Catalonia and around the world through the beauty of these music and texts through which we remember him. In so doing, we ensure that his spirit will continue to be a source of light and wisdom, which are so necessary in today’s directionless world, in which violence, fanaticism and stupidity increasingly and inexorably distract us from the ideals for which the great Ramon Llull lived: those of a civilization where humanism is grounded in teaching and dialogue, spirituality and beauty.
JORDI SAVALL
25th February, 2016
Personnel:
La Capella Reial de Catalunya
Hespèrion XXI
Silvia Bel recitation
Jordi Boixaderas recitation
Waed Bouhassoun vocals, oud
Lior Elmaleh vocals
Moslem Rahal ney
Hakan Güngör kanun
Yurdal Tokcan oud
Haïg Sarikouyoumdjian duduk, ney
Dimitri Psonis santur, moresca
Jordi Savall viola d'arco, rebec, direction
tracklist:
CD1
01 - Hesperion XXI - Invocacio- campana & flauta doble
02 - Hesperion XXI - Doctrina pueril, LXXIIII, Sobre la musica.
03 - Waed Bouhassoun - La Mallorca Musulmana. Taksim & Moaxaja- Ya man Laibd Bihi Chamoulo
04 - Raimon de Miraval - Aissi cum es genser Pascors
05 - Hesperion XXI - Llibre dels Fets de Jaume I.
06 - Hesperion XXI - Fanfara- vents & percussio
07 - Hesperion XXI - Naixement de Ramon Llull a la ciutat de Mallorca.
08 - Raimbaut de Vaqueiras - Kalenda Maya
09 - Hesperion XXI - Retrat de joventut del Llibre de contemplacio de Ramon Llull.
10 - Anonymous - Veri dulcis in tempore
11 - Ibn Zaidun - Maqam Hijaz
12 - Hesperion XXI - Vida de Mestre Ramon, 1,4
13 - Hesperion XXI - Inicia la peregrinacio a Sant Jaume de Compostella i altres lloc sants.
14 - La Capella Reial de Catalunya & Hesperion XXI - Santa Maria, strela do dia
15 - Hesperion XXI - Compra un esclau moro.
16 - Waed Bouhassoun & Hesperion XXI - Himne a la verge en arab- Ya Mariam el bekr
17 - Hesperion XXI - El rei de Mallorca.
18 - Anonymous - Mater Dei plena gratia , Mater, virgo pia , Eius
19 - Hesperion XXI - Pere el Gran desembarca a Tunisia
20 - Pierre Hamon & Pedro Estevan - Istampitta- Belicha
21 - Hesperion XXI - El Llibre d'amic e amat.
22 - Hesperion XXI - Pot ensenyar als convents d'Italia.
23 - Anonymous - Ave, donna santissima
24 - Hesperion XXI - Sant Joan d'Acre, es presa pels sarrains.
25 - Anonymous - Jerusalem se plaint et li pais.
26 - Hesperion XXI - Primer viatge al Nord d'Africa, a Tunis.
27 - Waed Bouhassoun & Moslem Rahal - Billadi Askara Mon abdi Llama
28 - Hesperion XXI - A Roma, Llull fa una Peticio a Bonifaci VIII.
29 - Anonymous - Conductus- Roma gaudens jubila
CD2
01 - Berenguer de Palou - Tant m'abelis joys
02 - Teobalt I de Navarra - Deus est ainsi comme li pelicans
03 - Hesperion XXI - El Llibre d'oracio. Discurs de Llull a la Sinagoga de Barcelona.
04 - Anonymous - Quant ai lo mon consirat
05 - Hesperion XXI - Inici de l'expansio dels Turcs otomans a Anatolia - Taksim
06 - Murat Aydemir - Inici de l'expansio dels Turcs otomans a Anatolia - Dansa otomana - Hicaz son Yuruk Semai
07 - Guiraut de Borneill - No puesc sofrir la dolor
08 - Hesperion XXI - Viatges a Xipre, Armenia Menor i Jerusalem.
09 - Anonymous - Lo Desconhort,Conductus- O totius Asie Gloria, Regis Alexandrie Filia
10 - Andrew Lawrence-King - Coronacio de Climent V - Breviculum, figura 4
11 - Anonymous - Fanfara de Coronacio
12 - Anonymous - Te Deum
13 - Hesperion XXI - Expulsio dels jueus de Franca
14 - Lior Elmaleh & Hesperion XXI - Plany jueu- Qamti be - Ishon Layla - Cantic dels cantics.
15 - Hesperion XXI - Segon viatge al Nord d'Africa - Vida de Mestre Ramon, 36
16 - Moslem Rahal & Hesperion XXI - Dansa del vent- Kevoke
17 - Hesperion XXI - Escriu l'Art breu, acaba l'Ars generalis ultima.
18 - Anonymous - Piangeti christiani
19 - Hesperion XXI - Quarta i darrera estada a Paris - Vida de Mestre Ramon, 42
20 - Philippe de Vitry - Tribum , Quoniam secta , Merito hec patimur
21 - Hesperion XXI - A l'abril de 1313 dicta testament. Ja te 81 anys - Taksim
22 - Anonymous - Qaduka
23 - Hesperion XXI - Ramon Llull mor a Tunis (Marc).
24 - Guillaume Dufay - Veni Sancte Spiritus
25 - Hesperion XXI - Jaume II participa a la guerra castellana-granadina - Breviculum, figura 8
26 - Hesperion XXI - Culmina l'expansio mediterrania del regnat de Jaume II.
27 - Anonymous - Propinan de Melyor
28 - Anonymous - Der Makam Uzzal usules Darb-i feth
29 - Hesperion XXI - Neix Alfons el Magnanim
30 - Hesperion XXI - Alfons V El Magnanim conquesta Napols i crea la Ia Academia de les Arts.
31 - Anonymous - Dindirindin
32 - Guillaume Dufay - Magnificat- Gloria Patri et Filio
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. November 2016, 12:45
Hespèrion XXI, La Capella Reial de Catalunya, Jordi Savall / Ramon Llull 1232-1316 - CD1
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
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Copy CRC 1A4C4D29
Copy OK
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==== Log checksum C357127499312F3C48ECBD65AA5CAAC84FE333DAFF76767CF20EF605B2E82ED2 ====
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. November 2016, 14:46
Hespèrion XXI, La Capella Reial de Catalunya, Jordi Savall / Ramon Llull 1232-1316 - CD2
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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3 | 5:33.40 | 2:51.52 | 25015 | 37891
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Filename C:\temp\Ramon Llull 1232-1316\CD2\Ramon Llull 1232-1316 - CD2.wav
Peak level 99.2 %
Extraction speed 2.3 X
Range quality 100.0 %
Test CRC ED736A6F
Copy CRC ED736A6F
Copy OK
No errors occurred
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==== Log checksum 26FBAE7F23C86AFB72CA193C5155D5705DEAE67E44BC087911DD402FD97F0329 ====
EAC extraction logfile from 26. November 2016, 12:45
Hespèrion XXI, La Capella Reial de Catalunya, Jordi Savall / Ramon Llull 1232-1316 - CD1
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:51.58 | 0 | 3882
2 | 0:51.58 | 1:01.28 | 3883 | 8485
3 | 1:53.11 | 3:17.00 | 8486 | 23260
4 | 5:10.11 | 5:51.32 | 23261 | 49617
5 | 11:01.43 | 1:05.45 | 49618 | 54537
6 | 12:07.13 | 1:52.27 | 54538 | 62964
7 | 13:59.40 | 0:27.02 | 62965 | 64991
8 | 14:26.42 | 1:54.21 | 64992 | 73562
9 | 16:20.63 | 1:52.24 | 73563 | 81986
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11 | 20:21.19 | 3:38.19 | 91594 | 107962
12 | 23:59.38 | 2:54.65 | 107963 | 121077
13 | 26:54.28 | 0:16.02 | 121078 | 122279
14 | 27:10.30 | 3:08.08 | 122280 | 136387
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16 | 32:28.02 | 4:28.39 | 146102 | 166240
17 | 36:56.41 | 1:14.59 | 166241 | 171849
18 | 38:11.25 | 2:35.66 | 171850 | 183540
19 | 40:47.16 | 0:25.70 | 183541 | 185485
20 | 41:13.11 | 3:55.33 | 185486 | 203143
21 | 45:08.44 | 3:33.24 | 203144 | 219142
22 | 48:41.68 | 0:24.03 | 219143 | 220945
23 | 49:05.71 | 4:42.64 | 220946 | 242159
24 | 53:48.60 | 0:34.09 | 242160 | 244718
25 | 54:22.69 | 5:32.06 | 244719 | 269624
26 | 59:55.00 | 2:26.04 | 269625 | 280578
27 | 62:21.04 | 2:57.42 | 280579 | 293895
28 | 65:18.46 | 0:17.44 | 293896 | 295214
29 | 65:36.15 | 2:05.65 | 295215 | 304654
Range status and errors
Selected range
Filename C:\temp\Ramon Llull 1232-1316\CD1\Ramon Llull 1232-1316 - CD1.wav
Peak level 97.9 %
Extraction speed 2.3 X
Range quality 100.0 %
Test CRC 1A4C4D29
Copy CRC 1A4C4D29
Copy OK
No errors occurred
AccurateRip summary
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Track 17 accurately ripped (confidence 1) [2387D947] (AR v2)
Track 18 accurately ripped (confidence 1) [EA24DBD7] (AR v2)
Track 19 accurately ripped (confidence 1) [487672FF] (AR v2)
Track 20 accurately ripped (confidence 1) [7EB082E2] (AR v2)
Track 21 accurately ripped (confidence 1) [4C740603] (AR v2)
Track 22 accurately ripped (confidence 1) [AB5EBF61] (AR v2)
Track 23 accurately ripped (confidence 1) [917FD5C8] (AR v2)
Track 24 accurately ripped (confidence 1) [94F50E1B] (AR v2)
Track 25 accurately ripped (confidence 1) [814AB2B7] (AR v2)
Track 26 accurately ripped (confidence 1) [2EE6072C] (AR v2)
Track 27 accurately ripped (confidence 1) [2FD87058] (AR v2)
Track 28 accurately ripped (confidence 1) [D6045432] (AR v2)
Track 29 accurately ripped (confidence 1) [F7677EF9] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum C357127499312F3C48ECBD65AA5CAAC84FE333DAFF76767CF20EF605B2E82ED2 ====
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. November 2016, 14:46
Hespèrion XXI, La Capella Reial de Catalunya, Jordi Savall / Ramon Llull 1232-1316 - CD2
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:21.13 | 0 | 10587
2 | 2:21.13 | 3:12.27 | 10588 | 25014
3 | 5:33.40 | 2:51.52 | 25015 | 37891
4 | 8:25.17 | 4:51.06 | 37892 | 59722
5 | 13:16.23 | 0:43.15 | 59723 | 62962
6 | 13:59.38 | 2:00.16 | 62963 | 71978
7 | 15:59.54 | 7:09.73 | 71979 | 104226
8 | 23:09.52 | 0:17.16 | 104227 | 105517
9 | 23:26.68 | 2:20.35 | 105518 | 116052
10 | 25:47.28 | 1:51.42 | 116053 | 124419
11 | 27:38.70 | 1:00.37 | 124420 | 128956
12 | 28:39.32 | 2:29.12 | 128957 | 140143
13 | 31:08.44 | 0:16.36 | 140144 | 141379
14 | 31:25.05 | 3:20.37 | 141380 | 156416
15 | 34:45.42 | 2:28.37 | 156417 | 167553
16 | 37:14.04 | 4:04.10 | 167554 | 185863
17 | 41:18.14 | 0:30.74 | 185864 | 188187
18 | 41:49.13 | 1:58.58 | 188188 | 197095
19 | 43:47.71 | 2:04.74 | 197096 | 206469
20 | 45:52.70 | 2:33.51 | 206470 | 217995
21 | 48:26.46 | 1:28.19 | 217996 | 224614
22 | 49:54.65 | 2:40.37 | 224615 | 236651
23 | 52:35.27 | 0:27.43 | 236652 | 238719
24 | 53:02.70 | 4:42.30 | 238720 | 259899
25 | 57:45.25 | 2:41.24 | 259900 | 271998
26 | 60:26.49 | 0:22.34 | 271999 | 273682
27 | 60:49.08 | 1:12.17 | 273683 | 279099
28 | 62:01.25 | 2:18.17 | 279100 | 289466
29 | 64:19.42 | 0:23.30 | 289467 | 291221
30 | 64:42.72 | 0:31.45 | 291222 | 293591
31 | 65:14.42 | 1:31.62 | 293592 | 300478
32 | 66:46.29 | 3:02.20 | 300479 | 314148
Range status and errors
Selected range
Filename C:\temp\Ramon Llull 1232-1316\CD2\Ramon Llull 1232-1316 - CD2.wav
Peak level 99.2 %
Extraction speed 2.3 X
Range quality 100.0 %
Test CRC ED736A6F
Copy CRC ED736A6F
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [7C878E4E] (AR v2)
Track 2 accurately ripped (confidence 1) [9C7C16CA] (AR v2)
Track 3 accurately ripped (confidence 1) [166F5C1B] (AR v2)
Track 4 accurately ripped (confidence 1) [4F0833B9] (AR v2)
Track 5 accurately ripped (confidence 1) [318E2426] (AR v2)
Track 6 accurately ripped (confidence 1) [D40040CC] (AR v2)
Track 7 accurately ripped (confidence 1) [0969A6B3] (AR v2)
Track 8 accurately ripped (confidence 1) [204167D1] (AR v2)
Track 9 accurately ripped (confidence 1) [F2F808D8] (AR v2)
Track 10 accurately ripped (confidence 1) [BEC0FE72] (AR v2)
Track 11 accurately ripped (confidence 1) [ECD6FC86] (AR v2)
Track 12 accurately ripped (confidence 1) [49E8048A] (AR v2)
Track 13 accurately ripped (confidence 1) [3692A681] (AR v2)
Track 14 accurately ripped (confidence 1) [9498E8E1] (AR v2)
Track 15 accurately ripped (confidence 1) [1098F1C4] (AR v2)
Track 16 accurately ripped (confidence 1) [CF09B3FD] (AR v2)
Track 17 accurately ripped (confidence 1) [C8A909D3] (AR v2)
Track 18 accurately ripped (confidence 1) [A550DFF4] (AR v2)
Track 19 accurately ripped (confidence 1) [5FD05B97] (AR v2)
Track 20 accurately ripped (confidence 1) [FBEFDA80] (AR v2)
Track 21 accurately ripped (confidence 1) [73FF0D80] (AR v2)
Track 22 accurately ripped (confidence 1) [C040E492] (AR v2)
Track 23 accurately ripped (confidence 1) [86562EE9] (AR v2)
Track 24 accurately ripped (confidence 1) [DDE95729] (AR v2)
Track 25 accurately ripped (confidence 1) [C15D22D7] (AR v2)
Track 26 accurately ripped (confidence 1) [DBC57DB8] (AR v2)
Track 27 accurately ripped (confidence 1) [DBD227F9] (AR v2)
Track 28 accurately ripped (confidence 1) [5DEA0CFC] (AR v2)
Track 29 accurately ripped (confidence 1) [A0B0D44A] (AR v2)
Track 30 accurately ripped (confidence 1) [30031B3F] (AR v2)
Track 31 accurately ripped (confidence 1) [D407C50A] (AR v2)
Track 32 accurately ripped (confidence 1) [B9419B28] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 26FBAE7F23C86AFB72CA193C5155D5705DEAE67E44BC087911DD402FD97F0329 ====
see more Jordi Savall…
===