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Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}

Posted By: ruskaval
Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}

Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 166 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1990 Hat Hut Records | hat ART CD 6035
Classical / Contemporary Classical / Avant-Garde / Minimalism

This first postmortem volume of the piano works of the Morton Feldman is an important one. Rather than attempt to be a complete representation of his work, it instead reveals the development of his aesthetic: From silence to silence, so to speak. The earliest work, from 1952, is "Intermission 5," where chance operation still had a small place in Feldman's work, but the notion that music is nothing but organized silence and must return to the stillness was already present. These graphic notational scores, made of blocks and lines shaded and hollow with other symbols, left much to the discernment of the musician playing the score, duration of pitch, timbre, etc.
Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}

This is also true in the 1963 piece "To Phillip Guston," a short, three-minute-plus piece which has nothing in common with the later four hour long chamber work. The final two pieces here, 1977's "Piano" and 1986's "Palais De Mari for Francesco Clemente," are very different. Both have very precise notational instruction for rhythm, pitch, and meter, but the place for silence is the same. Music is what joins the elements of silence together, asserting itself only briefly, not as a breach of it, but a bridge between its territories. In other words, in Feldman's compositional view silence has its own origins in the sounds themselves. Marianne Schroeder's performances here are truly masterful. Her ability to sustain the ppp tension for entire works is without flaw – particularly the longer ones, or even places beyond that signature where the only tension allowed is that of producing a sound from the keyboard. Given her deep understanding of these scores and her strict adherence to them, she has given us a generous first volume of Feldman's highly idiosyncratic and profound aesthetic, one that will be influential and instructive for the others who will undoubtedly open these doors for years to come
Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}


Performers
Morton Feldman (1926-1987) - composer
Marianne Schroeder - piano

Digital recording 1st to 4th August 1989 at Studio Stolberger Strasse, Köln.

Tracklisting
01 - Intermission 5 (1952)
02 - Piano Piece (to Philip Guston, 1963)
03 - Vertical Thoughts 4 (1963)
04 - Piano (1977)
05 - Palais de Mari (for Francesco Clemente, 1986)

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 19. April 2019, 12:56

Morton Feldman / Piano

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TOC of the extracted CD

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5 | 38:38.62 | 24:42.13 | 173912 | 285074


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All tracks accurately ripped

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==== Log checksum 142B67B27CBB6FD57BC7879715CDB7B3AD662F2878F5E4591D1A78760FA637A3 ====


Morton Feldman - Piano - Marianne Schroeder (1990) {hat ART CD 6035}



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