Nicola Matteis - Helene Schmitt - Ayrs for the Violin (2009) {Repost}
Nicola Matteis - Ayrs for the Violin
Helene Schmitt - Eric Bellocq - Jorge-Andreas Boettcher
EAC+LOG+CUE | FLAC: 395 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Alpha # 144 | Country/Year: France 2009
Genre: Classical | Style: Baroque
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Nicola Matteis - Helene Schmitt - Ayrs for the Violin (2009) {Repost}
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 21. May 2012, 23:13
Helene Schmitt / Nicola Matteis - Ayrs for the Violin
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:11.39 | 0 | 9863
2 | 2:11.39 | 2:56.17 | 9864 | 23080
3 | 5:07.56 | 2:20.13 | 23081 | 33593
4 | 7:27.69 | 1:01.68 | 33594 | 38236
5 | 8:29.62 | 2:42.48 | 38237 | 50434
6 | 11:12.35 | 1:55.18 | 50435 | 59077
7 | 13:07.53 | 0:28.49 | 59078 | 61226
8 | 13:36.27 | 1:24.21 | 61227 | 67547
9 | 15:00.48 | 1:27.14 | 67548 | 74086
10 | 16:27.62 | 5:51.20 | 74087 | 100431
11 | 22:19.07 | 2:19.30 | 100432 | 110886
12 | 24:38.37 | 2:46.71 | 110887 | 123407
13 | 27:25.33 | 0:40.50 | 123408 | 126457
14 | 28:06.08 | 2:05.61 | 126458 | 135893
15 | 30:11.69 | 1:44.49 | 135894 | 143742
16 | 31:56.43 | 0:51.19 | 143743 | 147586
17 | 32:47.62 | 4:39.11 | 147587 | 168522
18 | 37:26.73 | 2:05.43 | 168523 | 177940
19 | 39:32.41 | 5:33.28 | 177941 | 202943
20 | 45:05.69 | 2:46.63 | 202944 | 215456
21 | 47:52.57 | 0:44.01 | 215457 | 218757
22 | 48:36.58 | 1:44.10 | 218758 | 226567
23 | 50:20.68 | 3:06.23 | 226568 | 240540
24 | 53:27.16 | 2:14.34 | 240541 | 250624
25 | 55:41.50 | 2:34.17 | 250625 | 262191
26 | 58:15.67 | 1:49.28 | 262192 | 270394
27 | 60:05.20 | 1:42.67 | 270395 | 278111
28 | 61:48.12 | 1:28.27 | 278112 | 284738
29 | 63:16.39 | 2:02.09 | 284739 | 293897
30 | 65:18.48 | 2:16.52 | 293898 | 304149
31 | 67:35.25 | 0:47.53 | 304150 | 307727
32 | 68:23.03 | 1:31.36 | 307728 | 314588
33 | 69:54.39 | 1:15.62 | 314589 | 320275
34 | 71:10.26 | 1:39.09 | 320276 | 327709
35 | 72:49.35 | 1:54.48 | 327710 | 336307
Track 1
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\01 - Suite in A major; I. Allemanda presto.wav
Pre-gap length 0:00:02.00
Peak level 68.5 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC EAA6BE2C
Copy CRC EAA6BE2C
Accurately ripped (confidence 2) [9DEA96BE] (AR v2)
Copy OK
Track 2
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\02 - II. Aria con divisioni, allegro.wav
Peak level 66.2 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 2045FA2B
Copy CRC 2045FA2B
Accurately ripped (confidence 2) [5FBD9847] (AR v2)
Copy OK
Track 3
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\03 - III. Courante.wav
Peak level 71.2 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 8A233474
Copy CRC 8A233474
Accurately ripped (confidence 2) [875B84B2] (AR v2)
Copy OK
Track 4
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\04 - IV. Fuga, prestissimo.wav
Peak level 67.1 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC 0841FF5F
Copy CRC 0841FF5F
Accurately ripped (confidence 2) [3214C43A] (AR v2)
Copy OK
Track 5
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\05 - V. Sarabanda amorosa, adagio.wav
Peak level 75.1 %
Extraction speed 4.0 X
Track quality 99.9 %
Test CRC 23901B95
Copy CRC 23901B95
Accurately ripped (confidence 2) [04A03792] (AR v2)
Copy OK
Track 6
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\06 - Suite in C major; I. Adagio.wav
Pre-gap length 0:00:04.56
Peak level 50.5 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC 2A17A857
Copy CRC 2A17A857
Accurately ripped (confidence 2) [10410ABB] (AR v2)
Copy OK
Track 7
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\07 - II. Gavotte a cembalo solo de John Banister.wav
Peak level 16.7 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC C3D1A6B6
Copy CRC C3D1A6B6
Accurately ripped (confidence 2) [DE55B9CC] (AR v2)
Copy OK
Track 8
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\08 - III. Jigg, prestissimo.wav
Peak level 75.2 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC FE038388
Copy CRC FE038388
Accurately ripped (confidence 2) [DBF39F34] (AR v2)
Copy OK
Track 9
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\09 - IV. Aria con divisioni.wav
Peak level 51.4 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC A16ECEDC
Copy CRC A16ECEDC
Accurately ripped (confidence 2) [D8F8E029] (AR v2)
Copy OK
Track 10
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\10 - V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona.wav
Peak level 78.8 %
Extraction speed 5.8 X
Track quality 99.9 %
Test CRC 3EDEE182
Copy CRC 3EDEE182
Accurately ripped (confidence 2) [B6EA0975] (AR v2)
Copy OK
Track 11
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\11 - Suite in E major; I. Preludio semplice, adagio.wav
Pre-gap length 0:00:05.25
Peak level 50.0 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC D088F8EB
Copy CRC D088F8EB
Accurately ripped (confidence 2) [96F44140] (AR v2)
Copy OK
Track 12
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\12 - II. Passagio a solo e adagio.wav
Peak level 51.9 %
Extraction speed 4.9 X
Track quality 99.9 %
Test CRC E08B80F7
Copy CRC E08B80F7
Accurately ripped (confidence 2) [801CC47A] (AR v2)
Copy OK
Track 13
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\13 - III. Giga allegro.wav
Peak level 72.6 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC C763CB4B
Copy CRC C763CB4B
Accurately ripped (confidence 2) [62D413A3] (AR v2)
Copy OK
Track 14
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\14 - IV. Sarabanda con affetco.wav
Peak level 45.2 %
Extraction speed 4.6 X
Track quality 99.9 %
Test CRC 0262068B
Copy CRC 0262068B
Accurately ripped (confidence 2) [F679AF5A] (AR v2)
Copy OK
Track 15
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\15 - V. Fuga a due corde.wav
Peak level 63.6 %
Extraction speed 6.1 X
Track quality 100.0 %
Test CRC 80C1C2D9
Copy CRC 80C1C2D9
Accurately ripped (confidence 2) [6C5FBC44] (AR v2)
Copy OK
Track 16
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\16 - VI. Prestissimo.wav
Peak level 42.6 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC F8D59620
Copy CRC F8D59620
Accurately ripped (confidence 2) [5FDAEBEF] (AR v2)
Copy OK
Track 17
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\17 - VII. Ground.wav
Peak level 48.2 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC B76E3F2A
Copy CRC B76E3F2A
Accurately ripped (confidence 2) [220A5CEA] (AR v2)
Copy OK
Track 18
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\18 - Suite in A major; I. Andamento adagio.wav
Pre-gap length 0:00:05.40
Peak level 52.9 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC 65AD602C
Copy CRC 65AD602C
Accurately ripped (confidence 2) [61BA65C9] (AR v2)
Copy OK
Track 19
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\19 - II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso.wav
Peak level 57.5 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 8FECA69A
Copy CRC 8FECA69A
Accurately ripped (confidence 2) [3B678D49] (AR v2)
Copy OK
Track 20
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\20 - III. Minuetto con sua divisione, Allegro.wav
Pre-gap length 0:00:01.66
Peak level 43.2 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC F4572124
Copy CRC F4572124
Accurately ripped (confidence 2) [862F1232] (AR v2)
Copy OK
Track 21
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\21 - IV. Gigg a cembalo solo de John Banister.wav
Peak level 27.3 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 28AC63BB
Copy CRC 28AC63BB
Accurately ripped (confidence 2) [E47EFB4C] (AR v2)
Copy OK
Track 22
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\22 - V. Scaramuccia prestissimo.wav
Peak level 61.8 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC 58959D89
Copy CRC 58959D89
Accurately ripped (confidence 2) [A146BB6F] (AR v2)
Copy OK
Track 23
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\23 - Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher.wav
Pre-gap length 0:00:04.26
Peak level 53.6 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC 406E945C
Copy CRC 406E945C
Accurately ripped (confidence 2) [92918B7E] (AR v2)
Copy OK
Track 24
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\24 - II. Aria di sarabanda fatta a chitarra sola.wav
Peak level 19.2 %
Extraction speed 5.6 X
Track quality 99.9 %
Test CRC A6D14D8F
Copy CRC A6D14D8F
Accurately ripped (confidence 2) [6247EC79] (AR v2)
Copy OK
Track 25
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\25 - III. Sarabanda, adagio.wav
Peak level 64.6 %
Extraction speed 7.7 X
Track quality 100.0 %
Test CRC A82E05D3
Copy CRC A82E05D3
Accurately ripped (confidence 2) [A00013A8] (AR v2)
Copy OK
Track 26
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\26 - IV. Andamento presto e con affetto.wav
Peak level 44.8 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC EA164698
Copy CRC EA164698
Accurately ripped (confidence 2) [56C4861D] (AR v2)
Copy OK
Track 27
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\27 - V. Preludio in delasolre terza maggiore.wav
Peak level 47.5 %
Extraction speed 5.1 X
Track quality 99.8 %
Test CRC BFD3BF69
Copy CRC BFD3BF69
Accurately ripped (confidence 2) [61638FD1] (AR v2)
Copy OK
Track 28
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\28 - VI. Giga.wav
Peak level 58.1 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC D0C0209B
Copy CRC D0C0209B
Accurately ripped (confidence 2) [54B724CD] (AR v2)
Copy OK
Track 29
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\29 - Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino.wav
Pre-gap length 0:00:04.15
Peak level 31.8 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 0CFCC7E4
Copy CRC 0CFCC7E4
Accurately ripped (confidence 2) [C6CD383C] (AR v2)
Copy OK
Track 30
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\30 - II. Ricercata.wav
Peak level 65.3 %
Extraction speed 7.8 X
Track quality 100.0 %
Test CRC B2AB04CF
Copy CRC B2AB04CF
Accurately ripped (confidence 2) [A840FE2E] (AR v2)
Copy OK
Track 31
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\31 - III. Corrente da piedi.wav
Peak level 60.4 %
Extraction speed 5.2 X
Track quality 100.0 %
Test CRC A2394A90
Copy CRC A2394A90
Accurately ripped (confidence 2) [561433AF] (AR v2)
Copy OK
Track 32
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\32 - IV. Adagio.wav
Peak level 50.3 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC 004EFB44
Copy CRC 004EFB44
Accurately ripped (confidence 2) [1635AB87] (AR v2)
Copy OK
Track 33
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\33 - V. Burlesca.wav
Peak level 72.3 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC ED9EF0BE
Copy CRC ED9EF0BE
Accurately ripped (confidence 2) [B986FBDC] (AR v2)
Copy OK
Track 34
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\34 - VI. Corrente da orecchie.wav
Peak level 53.8 %
Extraction speed 7.3 X
Track quality 100.0 %
Test CRC CFE2245A
Copy CRC CFE2245A
Accurately ripped (confidence 2) [6692F403] (AR v2)
Copy OK
Track 35
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\35 - Prelude by Mister Henry Purcell, a violino solo.wav
Peak level 36.5 %
Extraction speed 8.1 X
Track quality 100.0 %
Test CRC 08E492D2
Copy CRC 08E492D2
Accurately ripped (confidence 2) [B8BD31CA] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum FB9427C5DD7A284392AA53D8FB3C673BD026CBFE3AC211748ADA5D02550FE324 ====
EAC extraction logfile from 21. May 2012, 23:13
Helene Schmitt / Nicola Matteis - Ayrs for the Violin
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:11.39 | 0 | 9863
2 | 2:11.39 | 2:56.17 | 9864 | 23080
3 | 5:07.56 | 2:20.13 | 23081 | 33593
4 | 7:27.69 | 1:01.68 | 33594 | 38236
5 | 8:29.62 | 2:42.48 | 38237 | 50434
6 | 11:12.35 | 1:55.18 | 50435 | 59077
7 | 13:07.53 | 0:28.49 | 59078 | 61226
8 | 13:36.27 | 1:24.21 | 61227 | 67547
9 | 15:00.48 | 1:27.14 | 67548 | 74086
10 | 16:27.62 | 5:51.20 | 74087 | 100431
11 | 22:19.07 | 2:19.30 | 100432 | 110886
12 | 24:38.37 | 2:46.71 | 110887 | 123407
13 | 27:25.33 | 0:40.50 | 123408 | 126457
14 | 28:06.08 | 2:05.61 | 126458 | 135893
15 | 30:11.69 | 1:44.49 | 135894 | 143742
16 | 31:56.43 | 0:51.19 | 143743 | 147586
17 | 32:47.62 | 4:39.11 | 147587 | 168522
18 | 37:26.73 | 2:05.43 | 168523 | 177940
19 | 39:32.41 | 5:33.28 | 177941 | 202943
20 | 45:05.69 | 2:46.63 | 202944 | 215456
21 | 47:52.57 | 0:44.01 | 215457 | 218757
22 | 48:36.58 | 1:44.10 | 218758 | 226567
23 | 50:20.68 | 3:06.23 | 226568 | 240540
24 | 53:27.16 | 2:14.34 | 240541 | 250624
25 | 55:41.50 | 2:34.17 | 250625 | 262191
26 | 58:15.67 | 1:49.28 | 262192 | 270394
27 | 60:05.20 | 1:42.67 | 270395 | 278111
28 | 61:48.12 | 1:28.27 | 278112 | 284738
29 | 63:16.39 | 2:02.09 | 284739 | 293897
30 | 65:18.48 | 2:16.52 | 293898 | 304149
31 | 67:35.25 | 0:47.53 | 304150 | 307727
32 | 68:23.03 | 1:31.36 | 307728 | 314588
33 | 69:54.39 | 1:15.62 | 314589 | 320275
34 | 71:10.26 | 1:39.09 | 320276 | 327709
35 | 72:49.35 | 1:54.48 | 327710 | 336307
Track 1
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\01 - Suite in A major; I. Allemanda presto.wav
Pre-gap length 0:00:02.00
Peak level 68.5 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC EAA6BE2C
Copy CRC EAA6BE2C
Accurately ripped (confidence 2) [9DEA96BE] (AR v2)
Copy OK
Track 2
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\02 - II. Aria con divisioni, allegro.wav
Peak level 66.2 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 2045FA2B
Copy CRC 2045FA2B
Accurately ripped (confidence 2) [5FBD9847] (AR v2)
Copy OK
Track 3
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\03 - III. Courante.wav
Peak level 71.2 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 8A233474
Copy CRC 8A233474
Accurately ripped (confidence 2) [875B84B2] (AR v2)
Copy OK
Track 4
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\04 - IV. Fuga, prestissimo.wav
Peak level 67.1 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC 0841FF5F
Copy CRC 0841FF5F
Accurately ripped (confidence 2) [3214C43A] (AR v2)
Copy OK
Track 5
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\05 - V. Sarabanda amorosa, adagio.wav
Peak level 75.1 %
Extraction speed 4.0 X
Track quality 99.9 %
Test CRC 23901B95
Copy CRC 23901B95
Accurately ripped (confidence 2) [04A03792] (AR v2)
Copy OK
Track 6
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\06 - Suite in C major; I. Adagio.wav
Pre-gap length 0:00:04.56
Peak level 50.5 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC 2A17A857
Copy CRC 2A17A857
Accurately ripped (confidence 2) [10410ABB] (AR v2)
Copy OK
Track 7
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\07 - II. Gavotte a cembalo solo de John Banister.wav
Peak level 16.7 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC C3D1A6B6
Copy CRC C3D1A6B6
Accurately ripped (confidence 2) [DE55B9CC] (AR v2)
Copy OK
Track 8
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\08 - III. Jigg, prestissimo.wav
Peak level 75.2 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC FE038388
Copy CRC FE038388
Accurately ripped (confidence 2) [DBF39F34] (AR v2)
Copy OK
Track 9
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\09 - IV. Aria con divisioni.wav
Peak level 51.4 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC A16ECEDC
Copy CRC A16ECEDC
Accurately ripped (confidence 2) [D8F8E029] (AR v2)
Copy OK
Track 10
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\10 - V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona.wav
Peak level 78.8 %
Extraction speed 5.8 X
Track quality 99.9 %
Test CRC 3EDEE182
Copy CRC 3EDEE182
Accurately ripped (confidence 2) [B6EA0975] (AR v2)
Copy OK
Track 11
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\11 - Suite in E major; I. Preludio semplice, adagio.wav
Pre-gap length 0:00:05.25
Peak level 50.0 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC D088F8EB
Copy CRC D088F8EB
Accurately ripped (confidence 2) [96F44140] (AR v2)
Copy OK
Track 12
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\12 - II. Passagio a solo e adagio.wav
Peak level 51.9 %
Extraction speed 4.9 X
Track quality 99.9 %
Test CRC E08B80F7
Copy CRC E08B80F7
Accurately ripped (confidence 2) [801CC47A] (AR v2)
Copy OK
Track 13
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\13 - III. Giga allegro.wav
Peak level 72.6 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC C763CB4B
Copy CRC C763CB4B
Accurately ripped (confidence 2) [62D413A3] (AR v2)
Copy OK
Track 14
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\14 - IV. Sarabanda con affetco.wav
Peak level 45.2 %
Extraction speed 4.6 X
Track quality 99.9 %
Test CRC 0262068B
Copy CRC 0262068B
Accurately ripped (confidence 2) [F679AF5A] (AR v2)
Copy OK
Track 15
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\15 - V. Fuga a due corde.wav
Peak level 63.6 %
Extraction speed 6.1 X
Track quality 100.0 %
Test CRC 80C1C2D9
Copy CRC 80C1C2D9
Accurately ripped (confidence 2) [6C5FBC44] (AR v2)
Copy OK
Track 16
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\16 - VI. Prestissimo.wav
Peak level 42.6 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC F8D59620
Copy CRC F8D59620
Accurately ripped (confidence 2) [5FDAEBEF] (AR v2)
Copy OK
Track 17
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\17 - VII. Ground.wav
Peak level 48.2 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC B76E3F2A
Copy CRC B76E3F2A
Accurately ripped (confidence 2) [220A5CEA] (AR v2)
Copy OK
Track 18
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\18 - Suite in A major; I. Andamento adagio.wav
Pre-gap length 0:00:05.40
Peak level 52.9 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC 65AD602C
Copy CRC 65AD602C
Accurately ripped (confidence 2) [61BA65C9] (AR v2)
Copy OK
Track 19
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\19 - II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso.wav
Peak level 57.5 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 8FECA69A
Copy CRC 8FECA69A
Accurately ripped (confidence 2) [3B678D49] (AR v2)
Copy OK
Track 20
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\20 - III. Minuetto con sua divisione, Allegro.wav
Pre-gap length 0:00:01.66
Peak level 43.2 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC F4572124
Copy CRC F4572124
Accurately ripped (confidence 2) [862F1232] (AR v2)
Copy OK
Track 21
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\21 - IV. Gigg a cembalo solo de John Banister.wav
Peak level 27.3 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 28AC63BB
Copy CRC 28AC63BB
Accurately ripped (confidence 2) [E47EFB4C] (AR v2)
Copy OK
Track 22
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\22 - V. Scaramuccia prestissimo.wav
Peak level 61.8 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC 58959D89
Copy CRC 58959D89
Accurately ripped (confidence 2) [A146BB6F] (AR v2)
Copy OK
Track 23
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\23 - Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher.wav
Pre-gap length 0:00:04.26
Peak level 53.6 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC 406E945C
Copy CRC 406E945C
Accurately ripped (confidence 2) [92918B7E] (AR v2)
Copy OK
Track 24
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\24 - II. Aria di sarabanda fatta a chitarra sola.wav
Peak level 19.2 %
Extraction speed 5.6 X
Track quality 99.9 %
Test CRC A6D14D8F
Copy CRC A6D14D8F
Accurately ripped (confidence 2) [6247EC79] (AR v2)
Copy OK
Track 25
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\25 - III. Sarabanda, adagio.wav
Peak level 64.6 %
Extraction speed 7.7 X
Track quality 100.0 %
Test CRC A82E05D3
Copy CRC A82E05D3
Accurately ripped (confidence 2) [A00013A8] (AR v2)
Copy OK
Track 26
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\26 - IV. Andamento presto e con affetto.wav
Peak level 44.8 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC EA164698
Copy CRC EA164698
Accurately ripped (confidence 2) [56C4861D] (AR v2)
Copy OK
Track 27
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\27 - V. Preludio in delasolre terza maggiore.wav
Peak level 47.5 %
Extraction speed 5.1 X
Track quality 99.8 %
Test CRC BFD3BF69
Copy CRC BFD3BF69
Accurately ripped (confidence 2) [61638FD1] (AR v2)
Copy OK
Track 28
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\28 - VI. Giga.wav
Peak level 58.1 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC D0C0209B
Copy CRC D0C0209B
Accurately ripped (confidence 2) [54B724CD] (AR v2)
Copy OK
Track 29
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\29 - Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino.wav
Pre-gap length 0:00:04.15
Peak level 31.8 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 0CFCC7E4
Copy CRC 0CFCC7E4
Accurately ripped (confidence 2) [C6CD383C] (AR v2)
Copy OK
Track 30
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\30 - II. Ricercata.wav
Peak level 65.3 %
Extraction speed 7.8 X
Track quality 100.0 %
Test CRC B2AB04CF
Copy CRC B2AB04CF
Accurately ripped (confidence 2) [A840FE2E] (AR v2)
Copy OK
Track 31
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\31 - III. Corrente da piedi.wav
Peak level 60.4 %
Extraction speed 5.2 X
Track quality 100.0 %
Test CRC A2394A90
Copy CRC A2394A90
Accurately ripped (confidence 2) [561433AF] (AR v2)
Copy OK
Track 32
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\32 - IV. Adagio.wav
Peak level 50.3 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC 004EFB44
Copy CRC 004EFB44
Accurately ripped (confidence 2) [1635AB87] (AR v2)
Copy OK
Track 33
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\33 - V. Burlesca.wav
Peak level 72.3 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC ED9EF0BE
Copy CRC ED9EF0BE
Accurately ripped (confidence 2) [B986FBDC] (AR v2)
Copy OK
Track 34
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\34 - VI. Corrente da orecchie.wav
Peak level 53.8 %
Extraction speed 7.3 X
Track quality 100.0 %
Test CRC CFE2245A
Copy CRC CFE2245A
Accurately ripped (confidence 2) [6692F403] (AR v2)
Copy OK
Track 35
Filename Z:\Nicola Matteis - Ayrs for the Violin (Helene Schmitt) (2009) [FLAC] {Alpha 141}\35 - Prelude by Mister Henry Purcell, a violino solo.wav
Peak level 36.5 %
Extraction speed 8.1 X
Track quality 100.0 %
Test CRC 08E492D2
Copy CRC 08E492D2
Accurately ripped (confidence 2) [B8BD31CA] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum FB9427C5DD7A284392AA53D8FB3C673BD026CBFE3AC211748ADA5D02550FE324 ====
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[01 - Suite in A major; I. Allemanda presto.wav]
Detected average hi-boundary frequency: 2.035559e+004 Hz
Detected average lo-boundary frequency: 1.489078e+004 Hz
Detected average hi-cut frequency: 2.062358e+004 Hz
Detected average lo-cut frequency: 1.496552e+004 Hz
Maximum probablis boundary frequency: 2.115900e+004 Hz
Coefficient of nonlinearity of a phase: 1.987059e+000
First order smothness: 2.911392e-001
Second order smothness: 8.227848e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[02 - II. Aria con divisioni, allegro.wav]
Detected average hi-boundary frequency: 2.054987e+004 Hz
Detected average lo-boundary frequency: 1.483147e+004 Hz
Detected average hi-cut frequency: 2.084064e+004 Hz
Detected average lo-cut frequency: 1.668826e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.168920e+000
First order smothness: 2.796209e-001
Second order smothness: 8.957346e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[03 - III. Courante.wav]
Detected average hi-boundary frequency: 2.024470e+004 Hz
Detected average lo-boundary frequency: 1.451286e+004 Hz
Detected average hi-cut frequency: 1.986895e+004 Hz
Detected average lo-cut frequency: 1.375016e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.292504e+000
First order smothness: 3.392857e-001
Second order smothness: 7.500000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[04 - IV. Fuga, prestissimo.wav]
Detected average hi-boundary frequency: 2.021532e+004 Hz
Detected average lo-boundary frequency: 1.198512e+004 Hz
Detected average hi-cut frequency: 2.087376e+004 Hz
Detected average lo-cut frequency: 1.581431e+004 Hz
Maximum probablis boundary frequency: 2.163300e+004 Hz
Coefficient of nonlinearity of a phase: 2.357593e+000
First order smothness: 3.333333e-001
Second order smothness: 8.133333e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[05 - V. Sarabanda amorosa, adagio.wav]
Detected average hi-boundary frequency: 2.059545e+004 Hz
Detected average lo-boundary frequency: 1.425960e+004 Hz
Detected average hi-cut frequency: 2.030558e+004 Hz
Detected average lo-cut frequency: 1.574224e+004 Hz
Maximum probablis boundary frequency: 2.093300e+004 Hz
Coefficient of nonlinearity of a phase: 2.344570e+000
First order smothness: 4.000000e-001
Second order smothness: 8.000000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 85%.
––––––––––––––––––––––––––––––
[06 - Suite in C major; I. Adagio.wav]
Detected average hi-boundary frequency: 2.059387e+004 Hz
Detected average lo-boundary frequency: 1.537483e+004 Hz
Detected average hi-cut frequency: 2.055314e+004 Hz
Detected average lo-cut frequency: 1.595519e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 2.345863e+000
First order smothness: 3.405797e-001
Second order smothness: 8.478261e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[07 - II. Gavotte a cembalo solo de John Banister.wav]
Detected average hi-boundary frequency: 2.079246e+004 Hz
Detected average lo-boundary frequency: 1.527011e+004 Hz
Detected average hi-cut frequency: 2.079449e+004 Hz
Detected average lo-cut frequency: 1.700841e+004 Hz
Maximum probablis boundary frequency: 2.194000e+004 Hz
Coefficient of nonlinearity of a phase: 2.156983e+000
First order smothness: 2.571429e-001
Second order smothness: 9.142857e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 87%.
––––––––––––––––––––––––––––––
[08 - III. Jigg, prestissimo.wav]
Detected average hi-boundary frequency: 2.046139e+004 Hz
Detected average lo-boundary frequency: 1.245664e+004 Hz
Detected average hi-cut frequency: 2.084433e+004 Hz
Detected average lo-cut frequency: 1.592859e+004 Hz
Maximum probablis boundary frequency: 2.121800e+004 Hz
Coefficient of nonlinearity of a phase: 2.257110e+000
First order smothness: 3.267327e-001
Second order smothness: 8.613861e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[09 - IV. Aria con divisioni.wav]
Detected average hi-boundary frequency: 2.040955e+004 Hz
Detected average lo-boundary frequency: 1.529553e+004 Hz
Detected average hi-cut frequency: 2.097992e+004 Hz
Detected average lo-cut frequency: 1.743538e+004 Hz
Maximum probablis boundary frequency: 2.177300e+004 Hz
Coefficient of nonlinearity of a phase: 2.188101e+000
First order smothness: 4.095238e-001
Second order smothness: 8.666667e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[10 - V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona.wav]
Detected average hi-boundary frequency: 2.046657e+004 Hz
Detected average lo-boundary frequency: 1.445887e+004 Hz
Detected average hi-cut frequency: 2.066710e+004 Hz
Detected average lo-cut frequency: 1.622639e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.235550e+000
First order smothness: 3.159145e-001
Second order smothness: 8.669834e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[11 - Suite in E major; I. Preludio semplice, adagio.wav]
Detected average hi-boundary frequency: 2.062041e+004 Hz
Detected average lo-boundary frequency: 1.518919e+004 Hz
Detected average hi-cut frequency: 2.054389e+004 Hz
Detected average lo-cut frequency: 1.584309e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.343099e+000
First order smothness: 3.233533e-001
Second order smothness: 8.502994e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[12 - II. Passagio a solo e adagio.wav]
Detected average hi-boundary frequency: 2.056094e+004 Hz
Detected average lo-boundary frequency: 1.447099e+004 Hz
Detected average hi-cut frequency: 2.066049e+004 Hz
Detected average lo-cut frequency: 1.647304e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.289411e+000
First order smothness: 3.450000e-001
Second order smothness: 8.550000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[13 - III. Giga allegro.wav]
Detected average hi-boundary frequency: 2.053643e+004 Hz
Detected average lo-boundary frequency: 1.512487e+004 Hz
Detected average hi-cut frequency: 2.099969e+004 Hz
Detected average lo-cut frequency: 1.682978e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 1.497840e+000
First order smothness: 3.061224e-001
Second order smothness: 8.163265e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[14 - IV. Sarabanda con affetco.wav]
Detected average hi-boundary frequency: 2.037517e+004 Hz
Detected average lo-boundary frequency: 1.425674e+004 Hz
Detected average hi-cut frequency: 2.068303e+004 Hz
Detected average lo-cut frequency: 1.631406e+004 Hz
Maximum probablis boundary frequency: 2.156300e+004 Hz
Coefficient of nonlinearity of a phase: 2.371858e+000
First order smothness: 4.304636e-001
Second order smothness: 8.543046e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[15 - V. Fuga a due corde.wav]
Detected average hi-boundary frequency: 2.056973e+004 Hz
Detected average lo-boundary frequency: 1.431754e+004 Hz
Detected average hi-cut frequency: 2.084597e+004 Hz
Detected average lo-cut frequency: 1.703924e+004 Hz
Maximum probablis boundary frequency: 2.131000e+004 Hz
Coefficient of nonlinearity of a phase: 2.098649e+000
First order smothness: 3.253968e-001
Second order smothness: 8.174603e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[16 - VI. Prestissimo.wav]
Detected average hi-boundary frequency: 2.055431e+004 Hz
Detected average lo-boundary frequency: 1.622095e+004 Hz
Detected average hi-cut frequency: 2.066450e+004 Hz
Detected average lo-cut frequency: 1.589638e+004 Hz
Maximum probablis boundary frequency: 2.190700e+004 Hz
Coefficient of nonlinearity of a phase: 2.186715e+000
First order smothness: 3.387097e-001
Second order smothness: 7.580645e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[17 - VII. Ground.wav]
Detected average hi-boundary frequency: 2.060251e+004 Hz
Detected average lo-boundary frequency: 1.398109e+004 Hz
Detected average hi-cut frequency: 2.082192e+004 Hz
Detected average lo-cut frequency: 1.694984e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.302818e+000
First order smothness: 4.281437e-001
Second order smothness: 8.502994e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[18 - Suite in A major; I. Andamento adagio.wav]
Detected average hi-boundary frequency: 2.034751e+004 Hz
Detected average lo-boundary frequency: 1.513625e+004 Hz
Detected average hi-cut frequency: 2.050506e+004 Hz
Detected average lo-cut frequency: 1.681016e+004 Hz
Maximum probablis boundary frequency: 2.150400e+004 Hz
Coefficient of nonlinearity of a phase: 2.176245e+000
First order smothness: 3.377483e-001
Second order smothness: 8.278146e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[19 - II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso.wav]
Detected average hi-boundary frequency: 2.048695e+004 Hz
Detected average lo-boundary frequency: 1.295752e+004 Hz
Detected average hi-cut frequency: 2.033834e+004 Hz
Detected average lo-cut frequency: 1.500450e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.300640e+000
First order smothness: 4.296482e-001
Second order smothness: 8.170426e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 85%.
––––––––––––––––––––––––––––––
[20 - III. Minuetto con sua divisione, Allegro.wav]
Detected average hi-boundary frequency: 2.043144e+004 Hz
Detected average lo-boundary frequency: 1.455452e+004 Hz
Detected average hi-cut frequency: 2.053257e+004 Hz
Detected average lo-cut frequency: 1.588610e+004 Hz
Maximum probablis boundary frequency: 2.152500e+004 Hz
Coefficient of nonlinearity of a phase: 2.352748e+000
First order smothness: 2.800000e-001
Second order smothness: 9.050000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[21 - IV. Gigg a cembalo solo de John Banister.wav]
Detected average hi-boundary frequency: 2.039938e+004 Hz
Detected average lo-boundary frequency: 1.599433e+004 Hz
Detected average hi-cut frequency: 2.110355e+004 Hz
Detected average lo-cut frequency: 1.745977e+004 Hz
Maximum probablis boundary frequency: 2.192300e+004 Hz
Coefficient of nonlinearity of a phase: 2.189178e+000
First order smothness: 2.830189e-001
Second order smothness: 8.301887e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[22 - V. Scaramuccia prestissimo.wav]
Detected average hi-boundary frequency: 2.063429e+004 Hz
Detected average lo-boundary frequency: 1.382335e+004 Hz
Detected average hi-cut frequency: 2.111758e+004 Hz
Detected average lo-cut frequency: 1.717345e+004 Hz
Maximum probablis boundary frequency: 2.134700e+004 Hz
Coefficient of nonlinearity of a phase: 2.140813e+000
First order smothness: 3.680000e-001
Second order smothness: 8.480000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[23 - Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher.wav]
Detected average hi-boundary frequency: 2.045140e+004 Hz
Detected average lo-boundary frequency: 1.325879e+004 Hz
Detected average hi-cut frequency: 2.065617e+004 Hz
Detected average lo-cut frequency: 1.648483e+004 Hz
Maximum probablis boundary frequency: 2.191800e+004 Hz
Coefficient of nonlinearity of a phase: 2.227745e+000
First order smothness: 4.125561e-001
Second order smothness: 8.609865e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[24 - II. Aria di sarabanda fatta a chitarra sola.wav]
Detected average hi-boundary frequency: 2.029464e+004 Hz
Detected average lo-boundary frequency: 1.311456e+004 Hz
Detected average hi-cut frequency: 1.890541e+004 Hz
Detected average lo-cut frequency: 8.609084e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.412136e+000
First order smothness: 3.664596e-001
Second order smothness: 7.391304e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 100%.
––––––––––––––––––––––––––––––
[25 - III. Sarabanda, adagio.wav]
Detected average hi-boundary frequency: 2.036992e+004 Hz
Detected average lo-boundary frequency: 1.429964e+004 Hz
Detected average hi-cut frequency: 2.083222e+004 Hz
Detected average lo-cut frequency: 1.616077e+004 Hz
Maximum probablis boundary frequency: 2.190700e+004 Hz
Coefficient of nonlinearity of a phase: 2.258757e+000
First order smothness: 3.567568e-001
Second order smothness: 8.540541e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[26 - IV. Andamento presto e con affetto.wav]
Detected average hi-boundary frequency: 2.069531e+004 Hz
Detected average lo-boundary frequency: 1.432989e+004 Hz
Detected average hi-cut frequency: 2.086558e+004 Hz
Detected average lo-cut frequency: 1.697446e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.143476e+000
First order smothness: 2.824427e-001
Second order smothness: 8.931298e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[27 - V. Preludio in delasolre terza maggiore.wav]
Detected average hi-boundary frequency: 2.048589e+004 Hz
Detected average lo-boundary frequency: 1.346900e+004 Hz
Detected average hi-cut frequency: 1.990694e+004 Hz
Detected average lo-cut frequency: 1.355821e+004 Hz
Maximum probablis boundary frequency: 2.141200e+004 Hz
Coefficient of nonlinearity of a phase: 2.364740e+000
First order smothness: 3.548387e-001
Second order smothness: 8.145161e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 90%.
––––––––––––––––––––––––––––––
[28 - VI. Giga.wav]
Detected average hi-boundary frequency: 2.055525e+004 Hz
Detected average lo-boundary frequency: 1.451011e+004 Hz
Detected average hi-cut frequency: 2.090860e+004 Hz
Detected average lo-cut frequency: 1.593670e+004 Hz
Maximum probablis boundary frequency: 2.150400e+004 Hz
Coefficient of nonlinearity of a phase: 2.276338e+000
First order smothness: 2.641509e-001
Second order smothness: 7.547170e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[29 - Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino.wav]
Detected average hi-boundary frequency: 2.046255e+004 Hz
Detected average lo-boundary frequency: 1.524364e+004 Hz
Detected average hi-cut frequency: 2.060532e+004 Hz
Detected average lo-cut frequency: 1.742293e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.227141e+000
First order smothness: 4.897959e-001
Second order smothness: 8.231293e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[30 - II. Ricercata.wav]
Detected average hi-boundary frequency: 2.037173e+004 Hz
Detected average lo-boundary frequency: 1.284227e+004 Hz
Detected average hi-cut frequency: 1.976187e+004 Hz
Detected average lo-cut frequency: 1.311386e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.382200e+000
First order smothness: 3.902439e-001
Second order smothness: 7.682927e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 43%.
––––––––––––––––––––––––––––––
[31 - III. Corrente da piedi.wav]
Detected average hi-boundary frequency: 2.074291e+004 Hz
Detected average lo-boundary frequency: 1.330413e+004 Hz
Detected average hi-cut frequency: 2.008507e+004 Hz
Detected average lo-cut frequency: 1.486966e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.344640e+000
First order smothness: 4.137931e-001
Second order smothness: 8.103448e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 92%.
––––––––––––––––––––––––––––––
[32 - IV. Adagio.wav]
Detected average hi-boundary frequency: 2.032481e+004 Hz
Detected average lo-boundary frequency: 1.224070e+004 Hz
Detected average hi-cut frequency: 1.973539e+004 Hz
Detected average lo-cut frequency: 1.187518e+004 Hz
Maximum probablis boundary frequency: 2.122900e+004 Hz
Coefficient of nonlinearity of a phase: 2.414623e+000
First order smothness: 3.363636e-001
Second order smothness: 7.909091e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 80%.
––––––––––––––––––––––––––––––
[33 - V. Burlesca.wav]
Detected average hi-boundary frequency: 2.034222e+004 Hz
Detected average lo-boundary frequency: 1.350797e+004 Hz
Detected average hi-cut frequency: 2.111268e+004 Hz
Detected average lo-cut frequency: 1.727743e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 1.986923e+000
First order smothness: 3.296703e-001
Second order smothness: 9.120879e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[34 - VI. Corrente da orecchie.wav]
Detected average hi-boundary frequency: 2.047802e+004 Hz
Detected average lo-boundary frequency: 1.622500e+004 Hz
Detected average hi-cut frequency: 2.061185e+004 Hz
Detected average lo-cut frequency: 1.605642e+004 Hz
Maximum probablis boundary frequency: 2.143400e+004 Hz
Coefficient of nonlinearity of a phase: 1.923853e+000
First order smothness: 2.689076e-001
Second order smothness: 7.731092e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[35 - Prelude by Mister Henry Purcell, a violino solo.wav]
Detected average hi-boundary frequency: 2.044568e+004 Hz
Detected average lo-boundary frequency: 1.235213e+004 Hz
Detected average hi-cut frequency: 1.971150e+004 Hz
Detected average lo-cut frequency: 1.227161e+004 Hz
Maximum probablis boundary frequency: 2.167000e+004 Hz
Coefficient of nonlinearity of a phase: 2.370032e+000
First order smothness: 3.768116e-001
Second order smothness: 7.391304e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 43%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[01 - Suite in A major; I. Allemanda presto.wav]
Detected average hi-boundary frequency: 2.035559e+004 Hz
Detected average lo-boundary frequency: 1.489078e+004 Hz
Detected average hi-cut frequency: 2.062358e+004 Hz
Detected average lo-cut frequency: 1.496552e+004 Hz
Maximum probablis boundary frequency: 2.115900e+004 Hz
Coefficient of nonlinearity of a phase: 1.987059e+000
First order smothness: 2.911392e-001
Second order smothness: 8.227848e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[02 - II. Aria con divisioni, allegro.wav]
Detected average hi-boundary frequency: 2.054987e+004 Hz
Detected average lo-boundary frequency: 1.483147e+004 Hz
Detected average hi-cut frequency: 2.084064e+004 Hz
Detected average lo-cut frequency: 1.668826e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.168920e+000
First order smothness: 2.796209e-001
Second order smothness: 8.957346e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[03 - III. Courante.wav]
Detected average hi-boundary frequency: 2.024470e+004 Hz
Detected average lo-boundary frequency: 1.451286e+004 Hz
Detected average hi-cut frequency: 1.986895e+004 Hz
Detected average lo-cut frequency: 1.375016e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.292504e+000
First order smothness: 3.392857e-001
Second order smothness: 7.500000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[04 - IV. Fuga, prestissimo.wav]
Detected average hi-boundary frequency: 2.021532e+004 Hz
Detected average lo-boundary frequency: 1.198512e+004 Hz
Detected average hi-cut frequency: 2.087376e+004 Hz
Detected average lo-cut frequency: 1.581431e+004 Hz
Maximum probablis boundary frequency: 2.163300e+004 Hz
Coefficient of nonlinearity of a phase: 2.357593e+000
First order smothness: 3.333333e-001
Second order smothness: 8.133333e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[05 - V. Sarabanda amorosa, adagio.wav]
Detected average hi-boundary frequency: 2.059545e+004 Hz
Detected average lo-boundary frequency: 1.425960e+004 Hz
Detected average hi-cut frequency: 2.030558e+004 Hz
Detected average lo-cut frequency: 1.574224e+004 Hz
Maximum probablis boundary frequency: 2.093300e+004 Hz
Coefficient of nonlinearity of a phase: 2.344570e+000
First order smothness: 4.000000e-001
Second order smothness: 8.000000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 85%.
––––––––––––––––––––––––––––––
[06 - Suite in C major; I. Adagio.wav]
Detected average hi-boundary frequency: 2.059387e+004 Hz
Detected average lo-boundary frequency: 1.537483e+004 Hz
Detected average hi-cut frequency: 2.055314e+004 Hz
Detected average lo-cut frequency: 1.595519e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 2.345863e+000
First order smothness: 3.405797e-001
Second order smothness: 8.478261e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[07 - II. Gavotte a cembalo solo de John Banister.wav]
Detected average hi-boundary frequency: 2.079246e+004 Hz
Detected average lo-boundary frequency: 1.527011e+004 Hz
Detected average hi-cut frequency: 2.079449e+004 Hz
Detected average lo-cut frequency: 1.700841e+004 Hz
Maximum probablis boundary frequency: 2.194000e+004 Hz
Coefficient of nonlinearity of a phase: 2.156983e+000
First order smothness: 2.571429e-001
Second order smothness: 9.142857e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 87%.
––––––––––––––––––––––––––––––
[08 - III. Jigg, prestissimo.wav]
Detected average hi-boundary frequency: 2.046139e+004 Hz
Detected average lo-boundary frequency: 1.245664e+004 Hz
Detected average hi-cut frequency: 2.084433e+004 Hz
Detected average lo-cut frequency: 1.592859e+004 Hz
Maximum probablis boundary frequency: 2.121800e+004 Hz
Coefficient of nonlinearity of a phase: 2.257110e+000
First order smothness: 3.267327e-001
Second order smothness: 8.613861e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[09 - IV. Aria con divisioni.wav]
Detected average hi-boundary frequency: 2.040955e+004 Hz
Detected average lo-boundary frequency: 1.529553e+004 Hz
Detected average hi-cut frequency: 2.097992e+004 Hz
Detected average lo-cut frequency: 1.743538e+004 Hz
Maximum probablis boundary frequency: 2.177300e+004 Hz
Coefficient of nonlinearity of a phase: 2.188101e+000
First order smothness: 4.095238e-001
Second order smothness: 8.666667e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[10 - V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona.wav]
Detected average hi-boundary frequency: 2.046657e+004 Hz
Detected average lo-boundary frequency: 1.445887e+004 Hz
Detected average hi-cut frequency: 2.066710e+004 Hz
Detected average lo-cut frequency: 1.622639e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.235550e+000
First order smothness: 3.159145e-001
Second order smothness: 8.669834e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[11 - Suite in E major; I. Preludio semplice, adagio.wav]
Detected average hi-boundary frequency: 2.062041e+004 Hz
Detected average lo-boundary frequency: 1.518919e+004 Hz
Detected average hi-cut frequency: 2.054389e+004 Hz
Detected average lo-cut frequency: 1.584309e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.343099e+000
First order smothness: 3.233533e-001
Second order smothness: 8.502994e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[12 - II. Passagio a solo e adagio.wav]
Detected average hi-boundary frequency: 2.056094e+004 Hz
Detected average lo-boundary frequency: 1.447099e+004 Hz
Detected average hi-cut frequency: 2.066049e+004 Hz
Detected average lo-cut frequency: 1.647304e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.289411e+000
First order smothness: 3.450000e-001
Second order smothness: 8.550000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[13 - III. Giga allegro.wav]
Detected average hi-boundary frequency: 2.053643e+004 Hz
Detected average lo-boundary frequency: 1.512487e+004 Hz
Detected average hi-cut frequency: 2.099969e+004 Hz
Detected average lo-cut frequency: 1.682978e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 1.497840e+000
First order smothness: 3.061224e-001
Second order smothness: 8.163265e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[14 - IV. Sarabanda con affetco.wav]
Detected average hi-boundary frequency: 2.037517e+004 Hz
Detected average lo-boundary frequency: 1.425674e+004 Hz
Detected average hi-cut frequency: 2.068303e+004 Hz
Detected average lo-cut frequency: 1.631406e+004 Hz
Maximum probablis boundary frequency: 2.156300e+004 Hz
Coefficient of nonlinearity of a phase: 2.371858e+000
First order smothness: 4.304636e-001
Second order smothness: 8.543046e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[15 - V. Fuga a due corde.wav]
Detected average hi-boundary frequency: 2.056973e+004 Hz
Detected average lo-boundary frequency: 1.431754e+004 Hz
Detected average hi-cut frequency: 2.084597e+004 Hz
Detected average lo-cut frequency: 1.703924e+004 Hz
Maximum probablis boundary frequency: 2.131000e+004 Hz
Coefficient of nonlinearity of a phase: 2.098649e+000
First order smothness: 3.253968e-001
Second order smothness: 8.174603e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[16 - VI. Prestissimo.wav]
Detected average hi-boundary frequency: 2.055431e+004 Hz
Detected average lo-boundary frequency: 1.622095e+004 Hz
Detected average hi-cut frequency: 2.066450e+004 Hz
Detected average lo-cut frequency: 1.589638e+004 Hz
Maximum probablis boundary frequency: 2.190700e+004 Hz
Coefficient of nonlinearity of a phase: 2.186715e+000
First order smothness: 3.387097e-001
Second order smothness: 7.580645e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[17 - VII. Ground.wav]
Detected average hi-boundary frequency: 2.060251e+004 Hz
Detected average lo-boundary frequency: 1.398109e+004 Hz
Detected average hi-cut frequency: 2.082192e+004 Hz
Detected average lo-cut frequency: 1.694984e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.302818e+000
First order smothness: 4.281437e-001
Second order smothness: 8.502994e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[18 - Suite in A major; I. Andamento adagio.wav]
Detected average hi-boundary frequency: 2.034751e+004 Hz
Detected average lo-boundary frequency: 1.513625e+004 Hz
Detected average hi-cut frequency: 2.050506e+004 Hz
Detected average lo-cut frequency: 1.681016e+004 Hz
Maximum probablis boundary frequency: 2.150400e+004 Hz
Coefficient of nonlinearity of a phase: 2.176245e+000
First order smothness: 3.377483e-001
Second order smothness: 8.278146e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[19 - II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso.wav]
Detected average hi-boundary frequency: 2.048695e+004 Hz
Detected average lo-boundary frequency: 1.295752e+004 Hz
Detected average hi-cut frequency: 2.033834e+004 Hz
Detected average lo-cut frequency: 1.500450e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 2.300640e+000
First order smothness: 4.296482e-001
Second order smothness: 8.170426e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 85%.
––––––––––––––––––––––––––––––
[20 - III. Minuetto con sua divisione, Allegro.wav]
Detected average hi-boundary frequency: 2.043144e+004 Hz
Detected average lo-boundary frequency: 1.455452e+004 Hz
Detected average hi-cut frequency: 2.053257e+004 Hz
Detected average lo-cut frequency: 1.588610e+004 Hz
Maximum probablis boundary frequency: 2.152500e+004 Hz
Coefficient of nonlinearity of a phase: 2.352748e+000
First order smothness: 2.800000e-001
Second order smothness: 9.050000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[21 - IV. Gigg a cembalo solo de John Banister.wav]
Detected average hi-boundary frequency: 2.039938e+004 Hz
Detected average lo-boundary frequency: 1.599433e+004 Hz
Detected average hi-cut frequency: 2.110355e+004 Hz
Detected average lo-cut frequency: 1.745977e+004 Hz
Maximum probablis boundary frequency: 2.192300e+004 Hz
Coefficient of nonlinearity of a phase: 2.189178e+000
First order smothness: 2.830189e-001
Second order smothness: 8.301887e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[22 - V. Scaramuccia prestissimo.wav]
Detected average hi-boundary frequency: 2.063429e+004 Hz
Detected average lo-boundary frequency: 1.382335e+004 Hz
Detected average hi-cut frequency: 2.111758e+004 Hz
Detected average lo-cut frequency: 1.717345e+004 Hz
Maximum probablis boundary frequency: 2.134700e+004 Hz
Coefficient of nonlinearity of a phase: 2.140813e+000
First order smothness: 3.680000e-001
Second order smothness: 8.480000e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[23 - Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher.wav]
Detected average hi-boundary frequency: 2.045140e+004 Hz
Detected average lo-boundary frequency: 1.325879e+004 Hz
Detected average hi-cut frequency: 2.065617e+004 Hz
Detected average lo-cut frequency: 1.648483e+004 Hz
Maximum probablis boundary frequency: 2.191800e+004 Hz
Coefficient of nonlinearity of a phase: 2.227745e+000
First order smothness: 4.125561e-001
Second order smothness: 8.609865e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.
––––––––––––––––––––––––––––––
[24 - II. Aria di sarabanda fatta a chitarra sola.wav]
Detected average hi-boundary frequency: 2.029464e+004 Hz
Detected average lo-boundary frequency: 1.311456e+004 Hz
Detected average hi-cut frequency: 1.890541e+004 Hz
Detected average lo-cut frequency: 8.609084e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.412136e+000
First order smothness: 3.664596e-001
Second order smothness: 7.391304e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 100%.
––––––––––––––––––––––––––––––
[25 - III. Sarabanda, adagio.wav]
Detected average hi-boundary frequency: 2.036992e+004 Hz
Detected average lo-boundary frequency: 1.429964e+004 Hz
Detected average hi-cut frequency: 2.083222e+004 Hz
Detected average lo-cut frequency: 1.616077e+004 Hz
Maximum probablis boundary frequency: 2.190700e+004 Hz
Coefficient of nonlinearity of a phase: 2.258757e+000
First order smothness: 3.567568e-001
Second order smothness: 8.540541e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[26 - IV. Andamento presto e con affetto.wav]
Detected average hi-boundary frequency: 2.069531e+004 Hz
Detected average lo-boundary frequency: 1.432989e+004 Hz
Detected average hi-cut frequency: 2.086558e+004 Hz
Detected average lo-cut frequency: 1.697446e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.143476e+000
First order smothness: 2.824427e-001
Second order smothness: 8.931298e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[27 - V. Preludio in delasolre terza maggiore.wav]
Detected average hi-boundary frequency: 2.048589e+004 Hz
Detected average lo-boundary frequency: 1.346900e+004 Hz
Detected average hi-cut frequency: 1.990694e+004 Hz
Detected average lo-cut frequency: 1.355821e+004 Hz
Maximum probablis boundary frequency: 2.141200e+004 Hz
Coefficient of nonlinearity of a phase: 2.364740e+000
First order smothness: 3.548387e-001
Second order smothness: 8.145161e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 90%.
––––––––––––––––––––––––––––––
[28 - VI. Giga.wav]
Detected average hi-boundary frequency: 2.055525e+004 Hz
Detected average lo-boundary frequency: 1.451011e+004 Hz
Detected average hi-cut frequency: 2.090860e+004 Hz
Detected average lo-cut frequency: 1.593670e+004 Hz
Maximum probablis boundary frequency: 2.150400e+004 Hz
Coefficient of nonlinearity of a phase: 2.276338e+000
First order smothness: 2.641509e-001
Second order smothness: 7.547170e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[29 - Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino.wav]
Detected average hi-boundary frequency: 2.046255e+004 Hz
Detected average lo-boundary frequency: 1.524364e+004 Hz
Detected average hi-cut frequency: 2.060532e+004 Hz
Detected average lo-cut frequency: 1.742293e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.227141e+000
First order smothness: 4.897959e-001
Second order smothness: 8.231293e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[30 - II. Ricercata.wav]
Detected average hi-boundary frequency: 2.037173e+004 Hz
Detected average lo-boundary frequency: 1.284227e+004 Hz
Detected average hi-cut frequency: 1.976187e+004 Hz
Detected average lo-cut frequency: 1.311386e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.382200e+000
First order smothness: 3.902439e-001
Second order smothness: 7.682927e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 43%.
––––––––––––––––––––––––––––––
[31 - III. Corrente da piedi.wav]
Detected average hi-boundary frequency: 2.074291e+004 Hz
Detected average lo-boundary frequency: 1.330413e+004 Hz
Detected average hi-cut frequency: 2.008507e+004 Hz
Detected average lo-cut frequency: 1.486966e+004 Hz
Maximum probablis boundary frequency: 2.190200e+004 Hz
Coefficient of nonlinearity of a phase: 2.344640e+000
First order smothness: 4.137931e-001
Second order smothness: 8.103448e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 92%.
––––––––––––––––––––––––––––––
[32 - IV. Adagio.wav]
Detected average hi-boundary frequency: 2.032481e+004 Hz
Detected average lo-boundary frequency: 1.224070e+004 Hz
Detected average hi-cut frequency: 1.973539e+004 Hz
Detected average lo-cut frequency: 1.187518e+004 Hz
Maximum probablis boundary frequency: 2.122900e+004 Hz
Coefficient of nonlinearity of a phase: 2.414623e+000
First order smothness: 3.363636e-001
Second order smothness: 7.909091e-001
––––––––––––––––––––––––––––––
This track looks like MPEG with probability 80%.
––––––––––––––––––––––––––––––
[33 - V. Burlesca.wav]
Detected average hi-boundary frequency: 2.034222e+004 Hz
Detected average lo-boundary frequency: 1.350797e+004 Hz
Detected average hi-cut frequency: 2.111268e+004 Hz
Detected average lo-cut frequency: 1.727743e+004 Hz
Maximum probablis boundary frequency: 2.191300e+004 Hz
Coefficient of nonlinearity of a phase: 1.986923e+000
First order smothness: 3.296703e-001
Second order smothness: 9.120879e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[34 - VI. Corrente da orecchie.wav]
Detected average hi-boundary frequency: 2.047802e+004 Hz
Detected average lo-boundary frequency: 1.622500e+004 Hz
Detected average hi-cut frequency: 2.061185e+004 Hz
Detected average lo-cut frequency: 1.605642e+004 Hz
Maximum probablis boundary frequency: 2.143400e+004 Hz
Coefficient of nonlinearity of a phase: 1.923853e+000
First order smothness: 2.689076e-001
Second order smothness: 7.731092e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[35 - Prelude by Mister Henry Purcell, a violino solo.wav]
Detected average hi-boundary frequency: 2.044568e+004 Hz
Detected average lo-boundary frequency: 1.235213e+004 Hz
Detected average hi-cut frequency: 1.971150e+004 Hz
Detected average lo-cut frequency: 1.227161e+004 Hz
Maximum probablis boundary frequency: 2.167000e+004 Hz
Coefficient of nonlinearity of a phase: 2.370032e+000
First order smothness: 3.768116e-001
Second order smothness: 7.391304e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 43%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-09-19 18:09:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Helene Schmitt / Nicola Matteis - Ayrs for the Violin
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.28 dB -19.58 dB 2:12 01-Suite in A major; I. Allemanda presto
DR13 -3.58 dB -21.13 dB 2:56 02-II. Aria con divisioni, allegro
DR12 -2.94 dB -21.05 dB 2:20 03-III. Courante
DR11 -3.45 dB -19.08 dB 1:02 04-IV. Fuga, prestissimo
DR13 -2.48 dB -22.88 dB 2:43 05-V. Sarabanda amorosa, adagio
DR10 -5.92 dB -21.85 dB 1:55 06-Suite in C major; I. Adagio
DR10 -15.53 dB -28.84 dB 0:29 07-II. Gavotte a cembalo solo de John Banister
DR12 -2.46 dB -18.18 dB 1:24 08-III. Jigg, prestissimo
DR12 -5.77 dB -22.47 dB 1:27 09-IV. Aria con divisioni
DR15 -2.06 dB -21.10 dB 5:51 10-V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona
DR12 -6.01 dB -23.07 dB 2:19 11-Suite in E major; I. Preludio semplice, adagio
DR12 -5.68 dB -21.98 dB 2:47 12-II. Passagio a solo e adagio
DR11 -2.77 dB -18.70 dB 0:41 13-III. Giga allegro
DR11 -6.89 dB -22.59 dB 2:06 14-IV. Sarabanda con affetco
DR12 -3.93 dB -20.11 dB 1:45 15-V. Fuga a due corde
DR11 -7.41 dB -22.15 dB 0:51 16-VI. Prestissimo
DR12 -6.32 dB -22.34 dB 4:39 17-VII. Ground
DR12 -5.52 dB -21.78 dB 2:06 18-Suite in A major; I. Andamento adagio
DR13 -4.80 dB -22.50 dB 5:33 19-II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso
DR13 -7.27 dB -22.13 dB 2:47 20-III. Minuetto con sua divisione, Allegro
DR12 -11.26 dB -26.59 dB 0:44 21-IV. Gigg a cembalo solo de John Banister
DR13 -4.17 dB -19.81 dB 1:44 22-V. Scaramuccia prestissimo
DR12 -5.40 dB -22.85 dB 3:06 23-Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher
DR15 -14.32 dB -32.45 dB 2:14 24-II. Aria di sarabanda fatta a chitarra sola
DR14 -3.79 dB -21.75 dB 2:34 25-III. Sarabanda, adagio
DR12 -6.96 dB -21.99 dB 1:49 26-IV. Andamento presto e con affetto
DR9 -6.46 dB -19.34 dB 1:43 27-V. Preludio in delasolre terza maggiore
DR12 -4.71 dB -19.92 dB 1:28 28-VI. Giga
DR12 -9.94 dB -26.16 dB 2:02 29-Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino
DR10 -3.70 dB -17.91 dB 2:17 30-II. Ricercata
DR12 -4.37 dB -20.02 dB 0:48 31-III. Corrente da piedi
DR10 -5.97 dB -21.09 dB 1:31 32-IV. Adagio
DR11 -2.82 dB -18.01 dB 1:16 33-V. Burlesca
DR12 -5.37 dB -21.02 dB 1:39 34-VI. Corrente da orecchie
DR12 -8.73 dB -26.71 dB 1:55 35-Prelude by Mister Henry Purcell, a violino solo
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 35
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 604 kbps
Codec: FLAC
================================================================================
log date: 2012-09-19 18:09:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Helene Schmitt / Nicola Matteis - Ayrs for the Violin
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.28 dB -19.58 dB 2:12 01-Suite in A major; I. Allemanda presto
DR13 -3.58 dB -21.13 dB 2:56 02-II. Aria con divisioni, allegro
DR12 -2.94 dB -21.05 dB 2:20 03-III. Courante
DR11 -3.45 dB -19.08 dB 1:02 04-IV. Fuga, prestissimo
DR13 -2.48 dB -22.88 dB 2:43 05-V. Sarabanda amorosa, adagio
DR10 -5.92 dB -21.85 dB 1:55 06-Suite in C major; I. Adagio
DR10 -15.53 dB -28.84 dB 0:29 07-II. Gavotte a cembalo solo de John Banister
DR12 -2.46 dB -18.18 dB 1:24 08-III. Jigg, prestissimo
DR12 -5.77 dB -22.47 dB 1:27 09-IV. Aria con divisioni
DR15 -2.06 dB -21.10 dB 5:51 10-V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona
DR12 -6.01 dB -23.07 dB 2:19 11-Suite in E major; I. Preludio semplice, adagio
DR12 -5.68 dB -21.98 dB 2:47 12-II. Passagio a solo e adagio
DR11 -2.77 dB -18.70 dB 0:41 13-III. Giga allegro
DR11 -6.89 dB -22.59 dB 2:06 14-IV. Sarabanda con affetco
DR12 -3.93 dB -20.11 dB 1:45 15-V. Fuga a due corde
DR11 -7.41 dB -22.15 dB 0:51 16-VI. Prestissimo
DR12 -6.32 dB -22.34 dB 4:39 17-VII. Ground
DR12 -5.52 dB -21.78 dB 2:06 18-Suite in A major; I. Andamento adagio
DR13 -4.80 dB -22.50 dB 5:33 19-II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso
DR13 -7.27 dB -22.13 dB 2:47 20-III. Minuetto con sua divisione, Allegro
DR12 -11.26 dB -26.59 dB 0:44 21-IV. Gigg a cembalo solo de John Banister
DR13 -4.17 dB -19.81 dB 1:44 22-V. Scaramuccia prestissimo
DR12 -5.40 dB -22.85 dB 3:06 23-Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher
DR15 -14.32 dB -32.45 dB 2:14 24-II. Aria di sarabanda fatta a chitarra sola
DR14 -3.79 dB -21.75 dB 2:34 25-III. Sarabanda, adagio
DR12 -6.96 dB -21.99 dB 1:49 26-IV. Andamento presto e con affetto
DR9 -6.46 dB -19.34 dB 1:43 27-V. Preludio in delasolre terza maggiore
DR12 -4.71 dB -19.92 dB 1:28 28-VI. Giga
DR12 -9.94 dB -26.16 dB 2:02 29-Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino
DR10 -3.70 dB -17.91 dB 2:17 30-II. Ricercata
DR12 -4.37 dB -20.02 dB 0:48 31-III. Corrente da piedi
DR10 -5.97 dB -21.09 dB 1:31 32-IV. Adagio
DR11 -2.82 dB -18.01 dB 1:16 33-V. Burlesca
DR12 -5.37 dB -21.02 dB 1:39 34-VI. Corrente da orecchie
DR12 -8.73 dB -26.71 dB 1:55 35-Prelude by Mister Henry Purcell, a violino solo
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 35
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 604 kbps
Codec: FLAC
================================================================================
CD Info:
Nicola Matteis (1670-1698) - Ayrs for the Violin
Label: Alpha
Catalog#: 141
Format: CD, Album
Country: Europe
Released: 2009
Genre: Classical
Tracklist:
1 - Suite in A major; I. Allemanda presto 2:12
2 - II. Aria con divisioni, allegro 2:56
3 - III. Courante 2:20
4 - IV. Fuga, prestissimo 1:02
5 - V. Sarabanda amorosa, adagio 2:43
6 - Suite in C major; I. Adagio 1:55
7 - II. Gavotte a cembalo solo de John Banister 0:29
8 - III. Jigg, prestissimo 1:24
9 - IV. Aria con divisioni 1:27
10 - V. Diverse bizarrie sopra la vecchia Sarabanda o pur Ciaccona 5:51
11 - Suite in E major; I. Preludio semplice, adagio 2:19
12 - II. Passagio a solo e adagio 2:47
13 - III. Giga allegro 0:41
14 - IV. Sarabanda con affetco 2:06
15 - V. Fuga a due corde 1:45
16 - VI. Prestissimo 0:51
17 - VII. Ground 4:39
18 - Suite in A major; I. Andamento adagio 2:06
19 - II. Passagio roto, Andamento veloce e Fantasia a violino solo senza basso 5:33
20 - III. Minuetto con sua divisione, Allegro 2:47
21 - IV. Gigg a cembalo solo de John Banister 0:44
22 - V. Scaramuccia prestissimo 1:44
23 - Suite in D major; I. Improvistation en forme de prelude par Joerg-Andreas Boetticher 3:06
24 - II. Aria di sarabanda fatta a chitarra sola 2:14
25 - III. Sarabanda, adagio 2:34
26 - IV. Andamento presto e con affetto 1:49
27 - V. Preludio in delasolre terza maggiore 1:43
28 - VI. Giga 1:28
29 - Suite in G major; I. Gavotta con divisioni fatta a chitarra sola e cembalo, senza violino 2:02
30 - II. Ricercata 2:17
31 - III. Corrente da piedi 0:48
32 - IV. Adagio 1:31
33 - V. Burlesca 1:16
34 - VI. Corrente da orecchie 1:39
35 - Prelude by Mister Henry Purcell, a violino solo 1:55
Helene Schmitt (violin)
Eric Bellocq (guitar/lute)
Gaetano Nasillo (cello)
Jorge-Andreas Boettcher (harpsichord/organ)
Nicola Matteis - Helene Schmitt - Ayrs for the Violin (2009) {Repost}
Disc reviews Robert Maxham "FANFARE"
Four of the six Suites from Nicola Matteis’s books of “ayres” in Héléne Schmitt’s collection contain movements by another composer. The Suite in C Major includes a brief but exuberant Gavotte for harpsichord from John Banister’s Melothesia; the (second) Suite in A Major includes a somewhat stately Gigg for harpsichord solo from the same source; the Suite in D Major, an improvisation by Jörg-Andreas Bötticher; and the Suite in G Major, a Prelude for solo violin by Henry Purcell. In reviewing The Arcadian Academy’s selection of these ayrs (Harmonia Mundi 907067, 15: 6), I cited Roger North’s remark that Matteis (an Italian transplanted to England), whom he considered worthy to be mentioned alongside Corelli, made a mouthful of every bow stroke. That said, I also noted that until the earlier recording, Matteis had slumbered “among the unknown and . . . unsung.” Those who warm to his lively Italianate style (Schmitt’s notes relate that he helped oust the French influence in English music) should also warmly welcome this further collection of his music.
Schmitt and the ensemble play the music with piquant sensitivity to the opportunities it affords for timbral nuance. The first two of the four books of Matteis’s collections may have been written with students in mind, but nothing in the six suites Schmitt has included sounds overtly didactic (though movements like the concluding Ciaccona from the Suite in C Major explore a variety of expressive techniques and bowings). The Suite in E Minor begins with a flowing Prelude that might remind listeners of the first movements of several of Corelli’s sonate da chiesa; the exploratory Passagio that follows burrows deeper into the rhapsodic expressive manner; and, after a very brief Giga, a Sarabanda con affetto further probes the sensitive style. The Sarabanda leads to a Prestissimo, after which an extended Ground brings the work to a conclusion. Both Franz Biber and the Germans (but also the Italian, Pandolfi-Mealli) displayed a fondness for such grounds, and I remarked in the earlier review that Matteis might have fallen under their spell.
The second movement of the second Suite in A Major, a Passagio rotto for solo violin, offers opportunities for the violinist to make not only a technical impression but an affective one as well. The Suite concludes with a titled character piece, “Scaramuccia prestissimo.” The Suite in D Minor opens with Jörg-Andreas Bötticher’s improvised Prelude, which features at its outset weeping descending lines. The air for solo guitar that succeeds it demonstrates the variety encompassed by these movements. The ensemble correspondingly varies its instrumentation, providing a kaleidoscopic burst of timbral color, such as those they display in the Gavotta from the Suite in G Major, played on solo guitar, in which Eric Bellocq and Bötticher demonstrate at the very least a virtuosic sense of tonal combinations.
Schmitt’s sound, though slightly acidulous, should never offend even the most ardent champion of modern instruments. She plays with a verve and dash that makes the ayrs ingratiating, even on first hearing. In the several movements in which this collection overlaps that of the Arcadian Academy (for example, the Minuetto con sua divisione from the Suite in A Major—the performers have often chosen different movements even when they perform the same suites, as in this case, so the overlap is minimal), the Academy’s slightly greater timbral opulence may make its performances marginally more attractive to some listeners; but collectors should find both performances highly appealing on account of their lively springiness. In all, this second volume should be welcome to specialists and to general collectors alike. Strongly recommended.
Nicola Matteis - Helene Schmitt - Ayrs for the Violin (2009) {Repost}
// classical music \\
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