Martin Matalon - Traces (2009)
Martin Matalon - Traces
XLD Rip | FLAC+CUE+LOG | Cover | 58:57 | 303 MB
21st Century Classical - Contemporary | 2009 | Sismal
XLD Rip | FLAC+CUE+LOG | Cover | 58:57 | 303 MB
21st Century Classical - Contemporary | 2009 | Sismal
Ensemble Sillages:
Donatienne Michel-Dansac, soprano - Pierre Dutrieu, clarinet - Eve Payeur, marimba
Gilles Deliège, viola - Sophie Deshayes, flute - Pierre Remondière, french horn
TRACKS
01. Traces VII (la carta) (2008), for voice and electronics [11:47]
02. Traces V levedad (2006), for clarinet and electronics [07:56]
03. Traces IV (2006), for marimba and electronics [06:51]
04. Traces II (2005), for viola and electronics [13:20]
05. Traces VI multiplicidad (2006), for flute and electronics [10:12]
06. Traces III (2006), for french horn and electronics [08:29]
The Argentine Martin Matalon (born in Buenos Aires in 1958), after having emigrated to the East Coast of the United States, where a certain conservatism in musical activity left him disenchanted, chose to settle in France where he was fascinated by the vitality of a creative effervescence dominated by the names of Messiaen, Boulez, Murail and Grisey. Once he had assimilated the tools forged in this crucible - and in particular, the electronics worked on at IRCAM - the young Latino-American put them at the service of an imaginative frothing whose genealogical tree and ferments must be sought quite far from the musical circuit.
His compositional process is guided no less by an architect’s attentive standards, but the richness of sensations that can result from two complementary arts drawing alongside stands out as a constant preoccupation with Martin Matalon. With thinking of sound in a plastic way giving relief to the marks stemming from literature. Rather than an interdisciplinary nature in the conventional sense that this concept has nowadays, this is a matter of translating emotions that stimulate a fecund questioning from one artist to another. From Jorge Luis Borges, Matalon retains not only the labyrinthine imaginative universe but questions the brief forms in which concision contains abundance.
An exploration of timbric and formal inter-relations with the passing of furrows identified by general titles, the series of Traces concentrates on the pair formed by an instrument (or voice) and its electronic transformation in real time. Matalon defines these Traces as a ‘compositional diary’, a ‘journey to the interior of sound’, of which one of the episodes (Traces II for viola and electronics) is born of music conceived for a Buñuel film (Las Hurdes).
X Lossless Decoder version 20110312 (130.0)
XLD extraction logfile from 2011-03-16 19:01:04 +0100
Ensemble Sillages / Martin Matalon - Traces
Used drive : PIONEER DVD-RW DVR-218L (revision 1.02)
Ripper mode : CDParanoia III 10.2
Disable audio cache : OK for the drive with a cache less than 2750KiB
Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:00:00 | 11:49:39 | 0 | 53213
2 | 11:49:39 | 08:00:19 | 53214 | 89232
3 | 19:49:58 | 06:56:38 | 89233 | 120470
4 | 26:46:21 | 13:24:45 | 120471 | 180815
5 | 40:10:66 | 10:14:43 | 180816 | 226908
6 | 50:25:34 | 08:29:72 | 226909 | 265155
AccurateRip Summary
Disc not found in AccurateRip DB.
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End of status report