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    3. Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}

    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}

    Posted By: luckburz
    Date: 8 Nov 2012 17:18:11
    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}

    Hideo Harada - Schumann: Fantasia, Kreisleriana, Arabeske
    EAC+LOG+CUE | FLAC: 238 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Audite # 92.577 SACD | Country/Year: Germany 2010
    Genre: Classical | Style: Romantic, Piano

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [X] not my rip []

    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 4. May 2012, 23:08

    Hideyo Harada / Fantasie, Kreisleriana, Arabeske

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 15:04.14 | 0 | 67813
    2 | 15:04.14 | 8:40.00 | 67814 | 106813
    3 | 23:44.14 | 11:33.15 | 106814 | 158803
    4 | 35:17.29 | 2:50.25 | 158804 | 171578
    5 | 38:07.54 | 9:54.31 | 171579 | 216159
    6 | 48:02.10 | 5:15.03 | 216160 | 239787
    7 | 53:17.13 | 3:36.09 | 239788 | 255996
    8 | 56:53.22 | 3:18.62 | 255997 | 270908
    9 | 60:12.09 | 4:11.21 | 270909 | 289754
    10 | 64:23.30 | 2:26.28 | 289755 | 300732
    11 | 66:49.58 | 4:19.59 | 300733 | 320216
    12 | 71:09.42 | 7:47.01 | 320217 | 355242


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Hideyo Harada - Fantasie, Kreisleriana, Arabeske.wav

    Peak level 100.0 %
    Extraction speed 8.4 X
    Range quality 100.0 %
    Test CRC 5B9B7835
    Copy CRC 5B9B7835
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 8) [79DF4DFB] (AR v1)
    Track 2 accurately ripped (confidence 8) [2759D837] (AR v1)
    Track 3 accurately ripped (confidence 8) [71EE53E7] (AR v1)
    Track 4 accurately ripped (confidence 8) [EA0F6CE2] (AR v1)
    Track 5 accurately ripped (confidence 8) [67588F8D] (AR v1)
    Track 6 accurately ripped (confidence 8) [7D274B12] (AR v1)
    Track 7 accurately ripped (confidence 8) [362D087A] (AR v1)
    Track 8 accurately ripped (confidence 8) [4A7B3BBE] (AR v1)
    Track 9 accurately ripped (confidence 8) [F38F387B] (AR v1)
    Track 10 accurately ripped (confidence 8) [61193942] (AR v1)
    Track 11 accurately ripped (confidence 8) [2E1C6370] (AR v1)
    Track 12 accurately ripped (confidence 8) [991A7760] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 2CB9D65CB199E44F0BF2AAEB9257F24B3C1254F232B9274D1A0DBC660B26304D ====

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-05-14 21:29:41

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hideyo Harada / Hideyo Harada plays Schumann
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -0.04 dB -17.51 dB 15:05 01-Fantasie op17; Durchaus phantastisch und leidenschaftlich vorzutragen
    DR11 -0.01 dB -15.13 dB 8:40 02-Mäßig. Durchaus energisch
    DR15 -0.04 dB -21.45 dB 11:33 03-Langsam getragen. Durchweg leise zu halten
    DR11 -0.04 dB -15.80 dB 2:50 04-Kreisleriana op. 16; Nr.1- Äußerst bewegt
    DR14 -0.05 dB -20.64 dB 9:54 05-Nr. 2:Sehr innig und nicht zu rasch
    DR11 -0.03 dB -17.11 dB 5:15 06-Nr. 3: Sehr aufgeregt
    DR13 -8.32 dB -28.09 dB 3:36 07-Nr. 4: Sehr langsam
    DR13 -0.05 dB -18.23 dB 3:19 08-Nr. 5: Sehr lebhaft
    DR15 -0.16 dB -23.04 dB 4:11 09-Nr. 6: Sehr langsam
    DR10 -0.04 dB -14.10 dB 2:26 10-Nr. 7: Sehr rasch
    DR10 -0.03 dB -14.67 dB 4:20 11-Nr. 8: Schnell und spielend
    DR14 -0.05 dB -19.84 dB 7:47 12-Arabeske, op.18; Leicht und zart
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 12
    Official DR value: DR12

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2115 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Hideo Harada - Schumann

    Label: Audite
    Catalog#: 92.577 SACD
    Format: Hybrid-SACD, Album, Stereo, Multichannel
    Country: Germany
    Released: 2010
    Genre: Classical

    Tracklist:

    1-3 Fantasia in C major, OP. 17 35:17
    4-11 Kreisleriana, Op. 16 35:51
    12 Arabeske, Op. 18 7:47

    Notes:

    Following her highly successful recordings on SACD format of works by Grieg (aud. 92.555) and Tchaikovsky and Rachmaninov (aud. 92.569), the Japanese pianist Hideyo Harada presents her third SACD with three key works by Schumann, celebrating the 200th anniversary of his birth.

    In a coherent interpretation, Schumann’s works offer several mysteries and countless possibilities. With her new recording, Hideyo Harada exhibits a highly personal and carefully considered reading of three major romantic works. She realises with remarkable plasticity Schumann’s pivotal concerns from a crucial period of his artistic development: the wide, quasi-narrative context including stark contrasts and differentiated, filigree details; the characteristically free flow of tempo and the clear contours of the complex course of his music. Relationships to romantic literature (“Kreisleriana”), to the classical legacy of spacious musical design (“Fantasie” in C major) and to abstract visual art (“Arabeske”) accentuate the open horizon under which Schumann saw his music between 1836 and 1838.

    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}


    by Uncle Dave Lewis

    Audite's super audio CD release Schumann: Fantasia; Kreisleriana; Arabeske made its bow as the classical music world observed the 200th anniversary of Robert Schumann's birth amidst a veritable flood of Schumann solo piano recordings in the market. This, of course, adds to the already established surfeit of acknowledged classics by long ago keyboard masters such as Artur Rubinstein and Vladimir Horowitz and newer, less idiosyncratic – and highly recommendable – offerings by Murray Perahia, Alfred Brendel, Mikhail Pletnev, Evgeny Kissin, and so on. Japanese pianist Hideyo Harada concentrates her concert career mainly in Germany and her native Japan; however, her previous Audite recording of Tchaikovsky and Rachmaninov has gained high marks among critics in the English-speaking world, so perhaps her entry in the Schumann sweepstakes stands a chance.

    Whether Harada hits the jackpot or not in such a crowded field, this recording of Schumann's Fantaisie in C, Op. 17, and Kreisleriana, Op. 16, is not one to miss. The sound is quite good; there's some noticeable compression to the recording, but not so much that it's distracting, and the piano's sound tends toward the dark hues, though it does not fail to provide a sense of warmth. One of the aspects that made Rubinstein's old RCA Victor recordings of these works so enduring was the closeness of the recording itself; it was so right up on Rubinstein that you could almost hear the sound of a depressed key hitting the felt below, and the feeling of immediacy and intimacy that resulted was palpable. Here, Harada manages to convey much the same impression, but with the piano sound being placed not quite so close; bass sonorities ring out, and higher passagework sparkles with a certain kind of special, gracious lilt. This is especially apparent in the Kreisleriana, which is given a great, carefully modulated and memorable performance here; reflective passages are given a patient, hushed reading, whereas stormier ones are dazzlingly virtuosic, though Harada never loses control. Harada also manages to worm in the Arabeske, Op. 18, in addition to the usual pairing of the Fantaisie in C and Kreisleriana, usually enough to fill a disc on their own. Overall, Audite's Schumann: Fantasia; Kreisleriana; Arabeske is an excellent choice for these standard works whether one is coming to them for the first time or has sipped at this particular fount for many a season.
    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}
    allmusicguide
    Hideo Harada - Schumann (2010) {Hybrid-SACD // EAC rip}

    The HiRes version can be found over here:
    Hideo Harada - Schumann (2010) {Hybrid-SACD // ISO & HiRes FLAC}
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