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    The Five Keys - The Aladdin Years (1995) re-up

    Posted By: Justin
    The Five Keys - The Aladdin Years (1995) re-up

    The Five Keys - The Aladdin Years (1995)
    EAC-FLAC(tracks) with CUE & LOG - 327 MB | Full Scans | MP3 CBR 320 Kbps - 163 MB
    Early R&B / Doo-Wop / Oldies | 71:42 mins | Label: Collectables Records | Cat. # COL-5632

    The Five Keys is an American rhythm and blues vocal group that was instrumental in shaping this genre in the 1950s. They are generally regarded by aficionados of 1950s R&B vocal group harmony as one of the finest groups to ever record in this genre.

    Rhythm and Blues - the forerunner of Rock and Roll - began to take shape with the meteoric rise of recordings that featured the group harmony sound.
    Out in front from the start was the group that was hailed as "the smoothest group in rhythm and blues" - The Five Keys.

    It began with two pairs of brothers from Newport News, Virginia: Rudy and Bernie West, and Ripley and Raphael Ingram. They gained experience singing in church together and formed a gospel quartet, The Sentimental Four, by the time they finished high school.
    Inspired by the success of R&B balladeers Sonny Til And The Orioles, they began to concentrate on a more pop sound. A classmate of Rudy's, Maryland Pierce, soon joined the ranks and The Sentimental Four, now a quintet, became The Five Keys.
    They began to get bookings and would tour with all-black traveling shows, playing carnivals and fairs across the nation. It was during this early period that Raphael Ingram went into the Army. The group quickly sought a replacement and it was Richard Smith, who filled the bill. "Dickie," as the group called him, was a fine songwriter and had a strong enough voice to handle lead vocals if necessary.

    Their big break came when they entered an Apollo Theater amateur contest in New York and won over 31 competing acts. In the audience was Eddie Mesner, founder of Aladdin Records - and he liked what he heard. The group gave Mesner an audition tape they made back in Newport News. Mesner saw great potential in the group and signed them in February 1951. He had them re-record the songs over at WOR Studios in New York. Eddie was still not satisfied with the results and booked another session a month later at RCA Studios. This met with his approval and the boys were on their way. Incidentally, both the demo tape and the first Aladdin session are nowhere to be found in the tape vaults of EMI.
    "With A Broken Heart" was selected from the March session and issued as their first single release. It received significant radio exposure but didn't really sell like they hoped it would. Another song was pulled from the session and was put out as their next release. The tune was "The Glory Of Love" and was a remake of Benny Goodman's #1 hit from 1936. This disc would do it. Airplay and sales were staggering. The record reached #1 on the R&B charts and stayed there for 4 weeks of its 15-week run.
    The Five Keys continued to record their mixture of pop standards and originals and were reveled by many. In October 1952, Rudy West joined up for a 2-year hitch in the Army. He was replaced by Ulysses K. Hicks, who remained with the group for the rest of their Aladdin days.
    The group left Aladdin in late 1953 and were unsigned at the start of 1954. Dickie Smith, seeing an opportunity to strike out on his own, left to pursue a solo career with Bruce Records. His place was taken by Ramon Loper. The group made a deal with RCA Victor Records and recorded one session in July. A single was released on RCA's Groove subsidiary, but it is so rare that verification of its existence has been most difficult. These songs have only been heard in recent years, mainly on British import albums.
    A short month later, Dave Cavannaugh of Capitol Records signed them. Their first session that August produced "Ling Ting Tong," which went Top 5 R&B and was their breakthrough Top 30 entry on the pop charts.
    In October 1954 Rudy West returned to civilian life and was back in The Keys, replacing his replacement Ulysses K. Hicks. Hicks was in ill health and died several short months later.
    The Five Keys were sensations once again and continued with a steady flow of hits that included "Close Your Eyes," "The Verdict," "Out Of Sight, Out Of Mind" and "Wisdom Of A Fool." These and many of their other Capitol recordings are included on their 1989 CD collection, "The Capitol Collector's Series" (CDP 7 92709 2), while an unreleased seasonal selection from 1957, "Every Heart Is Home At Christmas," appears on Capitol's 1990 assorted artists collection, "Christmas Kisses" (CDP 7 94701 2). Their Aladdin Christmas tune, "It's Christmas Time," will appear on an EMI Christmas collection later this year.

    When their Capitol recording contract expired in 1958, Rudy West announced that he was going into semi-retirement. Bad management and rigorous touring were taking their toll on him and he was going to take a long-needed rest. Dick Threatt came in to take his place, and soon The Five Keys were signed with King Records. Threatt was very much a Rudy West sound-a-like. His ballads fooled many listeners into believing that it was actually West. Even more confusion ensued as King (taking no chances) also signed Rudy as a solo act. Gene Moore eventually replaced Dick Threatt and by the time their King contract expired in 1961, Raymond Haskiss and Daytill Jones were group members in place of Bernie West and Ripley Ingram.
    In 1962 Rudy West rejoined Bernie and Ripley and recorded a remake of their own "Out Of Sight, Out Of Mind" for Seg-Way Records. They also recorded "Hey Girl" and "No Matter" as a single release on Inferno in 1967.

    A very strange thing happened in 1971. Someone was able to obtain copies of all the unreleased Five Keys material that they had recorded for Aladdin. Before you knew it, oldies stores across the nation were carrying new 45's by The Five Keys - and on the Aladdin label. These singles were eventually collected together and issued in LP form (on Aladdin as well). All these releases were illegal and the songs are still officially unissued.
    These records sold well, very well, and soon the group gained a popularity they hadn't enjoyed for quite a while. The most popular of these tunes was undoubtedly "(I Don't Stand A) Ghost Of A Chance." The Keys recorded the 1933 Bing Crosby tune in 1952 and would perform it back then. Bobby Williams of The Solitaires heard them do it and had the first doo-wop rendition released when he did it with his group in 1954. But now - the original Five Keys version was heard and was becoming a fan favorite. Rudy, who was still playing with Bernie and Ripley called back Ramon Loper and Dickie Smith and the group played the rock revival circuit in the early 1970's.
    "(I Don't Stand A) Ghost Of A Chance" and eight other of these unissued tracks appear on this collection for the first time officially and from their first generation master tapes.
    In March 1973, Rudy West and four former members of a group called The Chateaus (who recorded for Epic and Warner Bros, in the '50s) got together to record as the new Five Keys From the session, they released two original tunes by Rudy as a single on Landmark and two acappella remakes of their hits on a Bim Bam Boom 45.
    Rudy West still performs with The Chateaus (as The Five Keys) and he genuinely sounds as good as ever. Rudy has one of the finest and distinctive voices in rhythm and blues and should be heard if the occasion arises.
    There is still enough material in the vault for at least two more volumes, and none of the material is filler. If you wish to see more Five Keys volumes in the future, let EMI and Capitol know it in writing. Listening to these recordings leaves you wanting for more. So sit back, put the disc on the player once more and play it again.

    - Steve Kolanjian, 1995



    The Five Keys - The Aladdin Years (1995) re-up

    This early '50s doo wop has a highly polished, easy-on-the-ears sheen. Heavy on the ballads, it also has a few uptempo items.

    – Bill Dahl, allmusic.com

    Tracklist:

    01. With A Broken Heart
    02. The Glory Of Love
    03. Yes Sir, That's My Baby
    04. Red Sails In The Sunset
    05. Be Anything But Be Mine
    06. Mistakes
    07. If You Only Knew
    08. Hold Me
    09. Will My Heart Stand A Chance
    10. (I Don't Stand A) Ghost Of A Chance
    11. Can't Keep From Crying
    12. Yearning
    13. There Ought To Be A Law
    14. Mama (Your Daughter Told A Lie On Me)
    15. When You're Gone
    16. I'll Always Be In Love With You
    17. Rocking And Crying Blues
    18. These Foolish Things (Remind Me Of You)
    19. Teardrops In Your Eyes
    20. My Saddest Hour
    21. (There'll Be Bluebirds Over The) White Cliffs Of Dover
    22. Oh! Babe!
    23. Someday, Sweetheart
    24. Deep In My Heart
    25. Story Of Love

    Compiled by Steve Kolanjian. Produced & Researching by Ron Furmanek.
    Digitally remastered by Bob Norgberg at Capitol Recording Studios, July 1990.
    This compilation was previously released in 1991 on EMI Records America.

    More information @ Wikipedia


    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 24. March 2011, 19:27

    Five Keys, the / The Aladdin Years

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    Track 1

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    Track 5

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    Track 8

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    Track 10

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    Track 12

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    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    No errors occurred

    End of status report

    ==== Log checksum 87DB33211C0334FCDE20BFB485E207CE84CC66E25144ACFF4CCA2D94008A3F7E ====


    AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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