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    Elemer Balazs Quintet - Always That Moment (2000)

    Posted By: intothe
    Elemer Balazs Quintet - Always That Moment (2000)

    Elemer Balazs Quintet - Always That Moment (2000)
    Jazz | EAC rip (FLAC+CUE+LOG) + MP3 (320K/s) | 467 + 151 MB
    BMC | 61:40 | RAR with 5% recovery | full artwork


    EAC extraction logfile from 24. April 2010, 22:17

    Elemér Balázs Quintet / Always That Moment

    Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 8:19.25 | 0 | 37449
    2 | 8:19.25 | 7:07.61 | 37450 | 69535
    3 | 15:27.11 | 8:47.08 | 69536 | 109068
    4 | 24:14.19 | 7:01.37 | 109069 | 140680
    5 | 31:15.56 | 9:03.51 | 140681 | 181456
    6 | 40:19.32 | 6:07.42 | 181457 | 209023
    7 | 46:26.74 | 7:31.41 | 209024 | 242889
    8 | 53:58.40 | 7:44.73 | 242890 | 277762


    Range status and errors

    Selected range

    Filename J:\eMusic\Rip\Elemér Balázs Quintet - Always That Moment.wav

    Peak level 100.0 %
    Range quality 99.9 %
    Test CRC 92D8CF55
    Copy CRC 92D8CF55
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 1) [5AB4280F], AccurateRip returned [9258A791]
    Track 2 cannot be verified as accurate (confidence 1) [1B9DC5C4], AccurateRip returned [44DF3226]
    Track 3 cannot be verified as accurate (confidence 1) [D59AC536], AccurateRip returned [F0908CF5]
    Track 4 cannot be verified as accurate (confidence 1) [5C196FE0], AccurateRip returned [F86B5FE7]
    Track 5 cannot be verified as accurate (confidence 1) [67FAB543], AccurateRip returned [E9C27099]
    Track 6 cannot be verified as accurate (confidence 1) [1EF8A446], AccurateRip returned [8F24E22B]
    Track 7 cannot be verified as accurate (confidence 1) [1C145726], AccurateRip returned [9C686399]
    Track 8 cannot be verified as accurate (confidence 1) [9F93E3AB], AccurateRip returned [2B22F98C]

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report


    Standard, in the dictionary this word means something set up as a rule for a measuring or as a model to be followed. According to a different meaning it stands for a figure adopted as an emblem by a people, or the flag. In jazz this means a well-proven repertory coming from the outside, mainly from the realm of popular music. Jazz musicians use this material since the first initiations of Louis Armstrong in the twenties. The list starts from Cole Porter with the Gershwin brothers, Jerome Kern, Richard Rodgers, through the composers of the prevailing superstars like Bing Crosby, Frank Sinatra, Elvis Presley, the Beatles, to the pop music of these days. Hungarian light music is also in possession of this musical layer, although our jazz musicians used it rather infrequentley, preferring American composers. These five Hungarian musicians have chosen the standards of Iván Szenes, Szabolcs Fényes, István Mihály, Jeno Horváth, András Bágya, the elité of Hungarian light music as basis of their performance; proving that Hungarian composers created music equal in value to that of their world famous American contemporaries; although these pieces were written some decades ago, they still have something to tell today. - From the CD cover

    Tracks:
    1. The Best Moment Is Always That Moment (Mihály István/Fényes Szabolcs) 8:19
    2. No Mercy (Sándor Jeno/Furedi Imre) 7:07
    3. Who Knows If You'll See Me Again (Mihály István/Fényes Szabolcs) 8:47
    4. Happiness and I (Bágya István/Szenes Iván) 7:01
    5. The Longest Day (Szenes Iván) 9:03
    6. Deadly Spring (Polgár Tibor/Nadányi Zoltán) 6:07
    7. I Take the Backstreets to See You (Horváth Jeno/Halász Rudolf) 7:31
    8. Madly in Love (Szenes Iván/Fényes Szabolcs) 7:45

    Personnel:
    Mihaly Dresch (Tenor and Soprano Saxophone and Kaval)
    Csaba Tuzko (Tenor Saxophone)
    Gabor Juhasz (Guitar)
    Janos Egri (Double Bass)
    Elemer Balazs (Drums)