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Duke Ellington feat. Mahalia Jackson - Black, Brown and Beige (1999) [Repost]
![Duke Ellington feat. Mahalia Jackson - Black, Brown and Beige (1999) [Repost]](https://pixhost.icu/avaxhome/a8/dd/000fdda8.jpeg)
Duke Ellington feat. Mahalia Jackson - Black, Brown and Beige (1999)
EAC Rip | FLAC (tracks & cue & log) & mp3 @ 320 kbps | tracks: 17 | Full Scans | 1:13:23 | ~ 437 Mb & 204 Mb
Label: Columbia Legacy | 5% recovery record | First release: 1958 | Remastered originals | Jazz
EAC Rip | FLAC (tracks & cue & log) & mp3 @ 320 kbps | tracks: 17 | Full Scans | 1:13:23 | ~ 437 Mb & 204 Mb
Label: Columbia Legacy | 5% recovery record | First release: 1958 | Remastered originals | Jazz
Excellent album with Duke Ellington's suite "Black, Brown and Beige", composed in 1943, featuring Mahalia Jackson singing a version of "Come Sunday", the centerpiece of the suite. It was initially released as LP in 1958 and was out of print for many years. The album is considered as a jazz masterpiece and it is a must-have for any quality jazz collector. A 28p nice booklet included. Enjoy.
Duke Ellington originally wrote the 50-minute "Black, Brown and Beige" in 1943 for a Carnegie Hall concert, where critics dismissed it as overreaching for a jazz composer. Over the next 15 years, he periodically resurrected it for performances of excerpts or, as in the case of his 1958 Columbia album, transmuting it into what was essentially a new work. Long out of print on vinyl and only available as an import on CD until 1999, the original Columbia Black, Brown and Beige album was one of the most extraordinary products of Ellington's second stay with the label, growing out of his 1956 Newport triumph, and it was received somewhat more readily than the original 1943 "Black, Brown and Beige." The main problem for those who knew the piece and its history lay in the absence of Johnny Hodges, who was hardly ever with the Ellington band during 1958, and on whose talents "Come Sunday," the centerpiece of the original work and even more the core of the revamped Black, Brown and Beige, was built. Instead, Mahalia Jackson sings a version of "Come Sunday" that is, if anything, equally affecting, backed by the orchestra led by Ray Nance's violin. The result on the original album was a piece that started off in big band-style blues and led to one of Ellington's most moving, wrenching pieces of work, and music that, had it been better known, might also have done more to raise people's consciousness about civil rights than a hundred folk songs of the period. An expanded 1999 reissue has ten bonus tracks, including eight flawed but fascinating alternate takes of the complete work. There's not a note of music that isn't worth hearing anywhere on the CD, and the album is a welcome restoration to the catalog.TRACKLISTBruce Eder, All Music
1. Part I
2. Part II
3. Part III (Light)
4. Part IV (Come Sunday)
5. Part V (Come Sunday) - (featuring Ray Nance)
6. Part VI (23rd Psalm)
7. Track 360 (Trains) - (previously unreleased, alternate take, bonus track)
8. Blues In Orbit (Tender) - (previously unreleased, alternate take, bonus track)
9. Part I - (previously unreleased, alternate take, 1958)
10. Part II - (previously unreleased, alternate take)
11. Part III (Light) - (previously unreleased)
12. Part IV (Come Sunday) - (previously unreleased, alternate take)
13. Part V (Come Sunday Interlude) - (previously unreleased, alternate take)
14. Part VI (23rd Psalm) - (previously unreleased, alternate take)
15. Studio Conversation (Mahalia Swears)
16. Come Sunday - (a cappella)
17. Blank
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 25. May 2008, 15:40
Duke Ellington & Mahalia Jackson / Black, Brown and Beige
Used drive : LITE-ON CD-RW SOHR-5238S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:16.70 | 0 | 37269
2 | 8:16.70 | 6:13.50 | 37270 | 65294
3 | 14:30.45 | 6:25.40 | 65295 | 94209
4 | 20:56.10 | 7:58.02 | 94210 | 130061
5 | 28:54.12 | 3:46.25 | 130062 | 147036
6 | 32:40.37 | 3:08.18 | 147037 | 161154
7 | 35:48.55 | 2:05.25 | 161155 | 170554
8 | 37:54.05 | 2:41.47 | 170555 | 182676
9 | 40:35.52 | 6:48.53 | 182677 | 213329
10 | 47:24.30 | 6:37.60 | 213330 | 243164
11 | 54:02.15 | 3:07.67 | 243165 | 257256
12 | 57:10.07 | 2:23.28 | 257257 | 268009
13 | 59:33.35 | 5:51.05 | 268010 | 294339
14 | 65:24.40 | 1:58.67 | 294340 | 303256
15 | 67:23.32 | 0:06.48 | 303257 | 303754
16 | 67:30.05 | 5:47.07 | 303755 | 329786
17 | 73:17.12 | 0:06.43 | 329787 | 330279
Track 1
Filename I:\EAC\BB&B\01 - Part I .wav
Pre-gap length 0:00:02.00
Peak level 97.7 %
Track quality 100.0 %
Test CRC 16D96925
Copy CRC 16D96925
Copy OK
Track 2
Filename I:\EAC\BB&B\02 - Part II .wav
Peak level 56.5 %
Track quality 100.0 %
Test CRC 47B2DBF5
Copy CRC 47B2DBF5
Copy OK
Track 3
Filename I:\EAC\BB&B\03 - Part III (Aka Light) .wav
Peak level 94.0 %
Track quality 99.9 %
Test CRC FC206778
Copy CRC FC206778
Copy OK
Track 4
Filename I:\EAC\BB&B\04 - Part IV (Aka Come Sunday) .wav
Peak level 79.2 %
Track quality 100.0 %
Test CRC 17CA153E
Copy CRC 17CA153E
Copy OK
Track 5
Filename I:\EAC\BB&B\05 - Part V (Aka Come Sunday) .wav
Peak level 48.4 %
Track quality 100.0 %
Test CRC FC7CD240
Copy CRC FC7CD240
Copy OK
Track 6
Filename I:\EAC\BB&B\06 - Part VI (23rd Psalm) .wav
Peak level 85.0 %
Track quality 100.0 %
Test CRC B7239328
Copy CRC B7239328
Copy OK
Track 7
Filename I:\EAC\BB&B\07 - Track 360 (Aka Trains) - Alternate Take .wav
Pre-gap length 0:00:07.30
Peak level 84.7 %
Track quality 100.0 %
Test CRC 4840C75C
Copy CRC 4840C75C
Copy OK
Track 8
Filename I:\EAC\BB&B\08 - Blues In Orbit (Aka Tender) - Alternate Take .wav
Pre-gap length 0:00:03.13
Peak level 65.6 %
Track quality 100.0 %
Test CRC 5A9AD18E
Copy CRC 5A9AD18E
Copy OK
Track 9
Filename I:\EAC\BB&B\09 - Part I - Alternate Take .wav
Pre-gap length 0:00:05.07
Peak level 97.7 %
Track quality 100.0 %
Test CRC FC130ADE
Copy CRC FC130ADE
Copy OK
Track 10
Filename I:\EAC\BB&B\10 - Part II - Alternate Take .wav
Peak level 61.3 %
Track quality 99.9 %
Test CRC 62F452F7
Copy CRC 62F452F7
Copy OK
Track 11
Filename I:\EAC\BB&B\11 - Part III (Aka Light) - Alternate Take .wav
Peak level 97.7 %
Track quality 100.0 %
Test CRC 819A0477
Copy CRC 819A0477
Copy OK
Track 12
Filename I:\EAC\BB&B\12 - Part IV (Aka Come Sunday) - Alternate Take .wav
Peak level 48.3 %
Track quality 100.0 %
Test CRC 83D60606
Copy CRC 83D60606
Copy OK
Track 13
Filename I:\EAC\BB&B\13 - Part V (Aka Come Sunday) - Alternate Take .wav
Peak level 43.4 %
Track quality 100.0 %
Test CRC CA9EA024
Copy CRC CA9EA024
Copy OK
Track 14
Filename I:\EAC\BB&B\14 - Part VI (23rd Psalm) - Alternate Take .wav
Peak level 97.7 %
Track quality 99.9 %
Test CRC 69186C2B
Copy CRC 69186C2B
Copy OK
Track 15
Filename I:\EAC\BB&B\15 - Studio Conversation (Mahalia Swears) .wav
Peak level 66.6 %
Track quality 98.3 %
Test CRC 690D07DC
Copy CRC 690D07DC
Copy OK
Track 16
Filename I:\EAC\BB&B\16 - Come Sunday (A Cappella) .wav
Peak level 80.0 %
Track quality 100.0 %
Test CRC 8D5D5448
Copy CRC 8D5D5448
Copy OK
Track 17
Filename I:\EAC\BB&B\17 - (Blank) .wav
Peak level 0.0 %
Track quality 100.0 %
Test CRC 7EBFEA74
Copy CRC 7EBFEA74
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 25. May 2008, 15:40
Duke Ellington & Mahalia Jackson / Black, Brown and Beige
Used drive : LITE-ON CD-RW SOHR-5238S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:16.70 | 0 | 37269
2 | 8:16.70 | 6:13.50 | 37270 | 65294
3 | 14:30.45 | 6:25.40 | 65295 | 94209
4 | 20:56.10 | 7:58.02 | 94210 | 130061
5 | 28:54.12 | 3:46.25 | 130062 | 147036
6 | 32:40.37 | 3:08.18 | 147037 | 161154
7 | 35:48.55 | 2:05.25 | 161155 | 170554
8 | 37:54.05 | 2:41.47 | 170555 | 182676
9 | 40:35.52 | 6:48.53 | 182677 | 213329
10 | 47:24.30 | 6:37.60 | 213330 | 243164
11 | 54:02.15 | 3:07.67 | 243165 | 257256
12 | 57:10.07 | 2:23.28 | 257257 | 268009
13 | 59:33.35 | 5:51.05 | 268010 | 294339
14 | 65:24.40 | 1:58.67 | 294340 | 303256
15 | 67:23.32 | 0:06.48 | 303257 | 303754
16 | 67:30.05 | 5:47.07 | 303755 | 329786
17 | 73:17.12 | 0:06.43 | 329787 | 330279
Track 1
Filename I:\EAC\BB&B\01 - Part I .wav
Pre-gap length 0:00:02.00
Peak level 97.7 %
Track quality 100.0 %
Test CRC 16D96925
Copy CRC 16D96925
Copy OK
Track 2
Filename I:\EAC\BB&B\02 - Part II .wav
Peak level 56.5 %
Track quality 100.0 %
Test CRC 47B2DBF5
Copy CRC 47B2DBF5
Copy OK
Track 3
Filename I:\EAC\BB&B\03 - Part III (Aka Light) .wav
Peak level 94.0 %
Track quality 99.9 %
Test CRC FC206778
Copy CRC FC206778
Copy OK
Track 4
Filename I:\EAC\BB&B\04 - Part IV (Aka Come Sunday) .wav
Peak level 79.2 %
Track quality 100.0 %
Test CRC 17CA153E
Copy CRC 17CA153E
Copy OK
Track 5
Filename I:\EAC\BB&B\05 - Part V (Aka Come Sunday) .wav
Peak level 48.4 %
Track quality 100.0 %
Test CRC FC7CD240
Copy CRC FC7CD240
Copy OK
Track 6
Filename I:\EAC\BB&B\06 - Part VI (23rd Psalm) .wav
Peak level 85.0 %
Track quality 100.0 %
Test CRC B7239328
Copy CRC B7239328
Copy OK
Track 7
Filename I:\EAC\BB&B\07 - Track 360 (Aka Trains) - Alternate Take .wav
Pre-gap length 0:00:07.30
Peak level 84.7 %
Track quality 100.0 %
Test CRC 4840C75C
Copy CRC 4840C75C
Copy OK
Track 8
Filename I:\EAC\BB&B\08 - Blues In Orbit (Aka Tender) - Alternate Take .wav
Pre-gap length 0:00:03.13
Peak level 65.6 %
Track quality 100.0 %
Test CRC 5A9AD18E
Copy CRC 5A9AD18E
Copy OK
Track 9
Filename I:\EAC\BB&B\09 - Part I - Alternate Take .wav
Pre-gap length 0:00:05.07
Peak level 97.7 %
Track quality 100.0 %
Test CRC FC130ADE
Copy CRC FC130ADE
Copy OK
Track 10
Filename I:\EAC\BB&B\10 - Part II - Alternate Take .wav
Peak level 61.3 %
Track quality 99.9 %
Test CRC 62F452F7
Copy CRC 62F452F7
Copy OK
Track 11
Filename I:\EAC\BB&B\11 - Part III (Aka Light) - Alternate Take .wav
Peak level 97.7 %
Track quality 100.0 %
Test CRC 819A0477
Copy CRC 819A0477
Copy OK
Track 12
Filename I:\EAC\BB&B\12 - Part IV (Aka Come Sunday) - Alternate Take .wav
Peak level 48.3 %
Track quality 100.0 %
Test CRC 83D60606
Copy CRC 83D60606
Copy OK
Track 13
Filename I:\EAC\BB&B\13 - Part V (Aka Come Sunday) - Alternate Take .wav
Peak level 43.4 %
Track quality 100.0 %
Test CRC CA9EA024
Copy CRC CA9EA024
Copy OK
Track 14
Filename I:\EAC\BB&B\14 - Part VI (23rd Psalm) - Alternate Take .wav
Peak level 97.7 %
Track quality 99.9 %
Test CRC 69186C2B
Copy CRC 69186C2B
Copy OK
Track 15
Filename I:\EAC\BB&B\15 - Studio Conversation (Mahalia Swears) .wav
Peak level 66.6 %
Track quality 98.3 %
Test CRC 690D07DC
Copy CRC 690D07DC
Copy OK
Track 16
Filename I:\EAC\BB&B\16 - Come Sunday (A Cappella) .wav
Peak level 80.0 %
Track quality 100.0 %
Test CRC 8D5D5448
Copy CRC 8D5D5448
Copy OK
Track 17
Filename I:\EAC\BB&B\17 - (Blank) .wav
Peak level 0.0 %
Track quality 100.0 %
Test CRC 7EBFEA74
Copy CRC 7EBFEA74
Copy OK
No errors occurred
End of status report
Credits to the original publisher