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    Boulez Conducts Webern II (1995) {Deutsche Grammophon}

    Posted By: shamanicus
    Boulez Conducts Webern II (1995) {Deutsche Grammophon}

    Boulez Conducts Webern II (1995)
    EAC Rip | FLAC (tracks+.cue, log) | Artwork (png) | 279 mb | MP3 CBR 320kbps | RAR | 213 mb
    Classical, Modern | Label: Deutsche Grammophon / DG 447 099-2

    If you are only ever going to listen to one disc of the music of Anton Webern, make it this one. It has more of his appealing orchestral music on it than any other disc. There is the Passacaglia, Op. 1 - the finale of Brahms Fourth meets the finale of Mahler's Sixth. There is the Movements (5), Op. 5 - angular, aggressive, and rapturous. There is the Pieces (6), Op. 6 - tender, mysterious, and tragic. There is his pointillistic orchestration of Bach's Ricercar a 6 voci - cool dots of color illuminating a mathematical proof. There is his affectionate orchestration of Schubert's German Dances - lightly lyrical peasant dances done with loving care. There is even his Im Sommerwind - a Romantic tone poem describing his trysts in the Austrian alps.

    Boulez Conducts Webern II (1995) {Deutsche Grammophon}


    Gramophone [3/1996]::
    With the exception of the Bach and Schubert arrangements this is all relatively early, pre-serial Webern, yet Boulez devotes as much care and as much affection to the D minor Passacaglia and to the undeniably immature but irresistibly luscious Im Sommerwind as to the far more characteristic Op. 5 and Op. 6 pieces. Indeed, if the Passacaglia is anything to go by, a Brahms symphony cycle from Boulez would be a fascinating prospect, while his reading of the ‘idyll for large orchestra’ suggests that his Delius might be no less interesting. In fact I was reminded of Delius, if only momentarily, because Boulez is so good at distinguishing all those things that are quite un - Straussian in a work whose debt to Strauss is obvious. Even here, with markings as untypical of the older Webern as ‘merrily’, ‘jubilantly’ and ‘with verve’, subtle scoring and musing quietness are more frequent than sheer opulence. Boulez does not imply that the mature Webern is present here in embryo; but he does perhaps make us ask how much of that later music is, like this, inspired by nature.
    To be reminded of Brahms by the Passacaglia is no less appropriate. This is a Janus of a piece, looking back not only to Brahms’s Fourth Symphony but beyond (the presence of the Bach/Webern Ricercar points that up), and at the same time moving onwards from the delicate chamber passages in Im Sommerwind towards the ‘ orchestral chamber music ’ of Op. 5 and Op. 6. Boulez looks both ways too, with rich orchestral amplitude and expressive phrasing (very broad rubato) but he also notices Webern ’ s already marked liking for transparent textures, quiet subtleties of string colour and the sound of the muted trumpet.
    And yes: heard in this context the shorter pieces are a logical progression. They are intensely expressive, with a wide range of emotion often within a very few bars; no wonder Boulez prefers the earlier, richer scoring of Op. 6. He obviously loves their Mahler-derived dissolution of the boundary between orchestral and chamber music, and encourages the Berlin Philharmonic to play with great tonal beauty, aware that a recurrent marking in mature Webern is “tenderly”. Those qualities recur in the Bach and Schubert arrangements; the rubato in the Fourth Schubert Dance and the Viennese charm of the Fifth suggest that a Boulez Fledermaus, even, might be a gleam at the back of his mind. The recordings, very properly, are warm as well as clean.
    Michael Oliver


    ANTON WEBERN (1883-1945)
    Orchestral Works


    Boulez Conducts Webern II (1995) {Deutsche Grammophon}




    Tracklist:

    Boulez Conducts Webern II (1995) {Deutsche Grammophon}


    • Passacaglia for Orchestra op. 1 [10'04]
    • Five Movements op. 5 (Version for String Orchestra) [10'36]
    • Six Pieces for Orchestra op. 6 [11'48]
    JOHANN SEBASTIAN BACH
    orch. ANTON WEBERN
    • Fuga (Ricercata) a 6 voci (from "The Musical Offering") [7'11]
    FRANZ SCHUBERT
    orch. ANTON WEBERN
    • German Dances op. posth. D 820 [10'25]
    ANTON WEBERN
    • Im Sommerwind - Idyll for Large Orchestra [16'00]

    Boulez Conducts Webern II (1995) {Deutsche Grammophon}


    Berliner Philharmoniker
    Pierre Boulez


    Recording: Berlin, Jesus-Christus-Kirche, 3/1993 (Fuga, German Dances), 5/94 (Im Sommerwind); Berlin, Philharmonie, 9/1994 (op. 1, 5, 6)
    Executive Producer: Roger Wright
    Recording Producer: Karl-August Naegler (Fuga, German Dances, Im Sommerwind); Christian Gansch (op. 1, 5, 6)
    Balance Engineer: Helmut Burk (Fuga, German Dances, Im Sommerwind); Rainer Maillard (op. 1, 5, 6)
    Recording Engineers: Jobst Eberhardt; Wolf-Dieter Karwatky (Fuga, German Dances); Klaus Behrens (Im Sommerwind)
    Editing: Reinhard Lagemann (Ira Sommerwind); Mark Buecker (German Dances, Fuga); Wolf-Dieter Karwatky (op. 1, 5, 6)
    © 1995 Deutsche Grammophon GmbH, Hamburg • [66'48]
    447 099-2

    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 13. January 2016, 16:01

    Webern, Anton / Orchestral Works - Berliner Philharmoniker, Pierre Boulez

    Used drive : TSSTcorpCDDVDW SH-216BB Adapter: 1 ID: 0

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    Read offset correction : 6
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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.33 | 10:13.00 | 33 | 46007
    2 | 10:13.33 | 2:53.00 | 46008 | 58982
    3 | 13:06.33 | 2:13.00 | 58983 | 68957
    4 | 15:19.33 | 0:43.00 | 68958 | 72182
    5 | 16:02.33 | 1:28.00 | 72183 | 78782
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    12 | 31:05.33 | 1:51.00 | 139908 | 148232
    13 | 32:56.33 | 7:18.00 | 148233 | 181082
    14 | 40:14.33 | 4:28.00 | 181083 | 201182
    15 | 44:42.33 | 6:06.00 | 201183 | 228632
    16 | 50:48.33 | 16:00.00 | 228633 | 300632


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    Track 2

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    Track 3

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    Track 4

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    Track 7

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    Track 13

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    Track 14

    Filename D:\EAC extraction\14 - Schubert; German Dances D820 (orch. Webern) - no.1, 2, 3 in A flat major.wav

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    Track 15

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    Track 16

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    All tracks accurately ripped

    No errors occurred

    End of status report

    ==== Log checksum F3458C183C1A5A3136F76811DA372ECA22570E49BF3C0C250F549656C19913A6 ====


    Thanks to the Original customer.