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    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ (2002)

    Posted By: luckburz
    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ (2002)

    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ
    Works by J.S. Bach, H. Purcell, O. Messiaen & others
    EAC+LOG+CUE | FLAC: 222 MB | Full Artwork: 55 MB | 5% Recovery Info
    Label/Cat#: EMI Classics "Debut" # 7243 5 75683 2 6 | Country/Year: Europe 2002
    Genre: Classical | Style: Baroque, Contemporary, Trumpet, Organ

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip []

    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ (2002)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 27. August 2013, 10:40

    Alison Balsom and Quentin Thomas / Music for Trumpet and Organ

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

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    Null samples used in CRC calculations : Yes
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    TOC of the extracted CD

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    10 | 29:24.72 | 4:47.33 | 132372 | 153929
    11 | 34:12.30 | 4:30.55 | 153930 | 174234
    12 | 38:43.10 | 6:29.17 | 174235 | 203426
    13 | 45:12.27 | 6:00.25 | 203427 | 230451
    14 | 51:12.52 | 6:32.13 | 230452 | 259864


    Range status and errors

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    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Alison Balsom and Quentin Thomas - Music for Trumpet and Organ.wav

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    Extraction speed 7.2 X
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    Copy CRC D81E05EC
    Copy OK

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    AccurateRip summary

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    [58474f11] (17/17) Accurately ripped


    ==== Log checksum BDA1A306C881B5F605BEA0FB17672DC53557544A1583E99617DBC4AB73EAD8F1 ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2013-08-27 13:08:15

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Alison Balsom and Quentin Thomas / Music for Trumpet and Organ
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -4.16 dB -22.62 dB 6:16 01-Sweelnick, Variation on 'Mein junges Leben hat ein Ende'
    DR13 -6.91 dB -23.37 dB 4:59 02-Bach, Allemande from Partita II
    DR13 -5.53 dB -22.40 dB 0:50 03-Purcell, Musike from 'King Arthur' 1
    DR11 -8.72 dB -23.73 dB 2:00 04-Purcell, Musike from 'King Arthur' 2
    DR10 -17.91 dB -30.63 dB 1:36 05-Purcell, Musike from 'King Arthur' 3
    DR12 -5.71 dB -22.99 dB 1:07 06-Purcell, Musike from 'King Arthur' 4
    DR10 -6.35 dB -23.63 dB 2:42 07-Shenandoah (traditional)
    DR11 -3.15 dB -20.42 dB 3:47 08-Thalben-Ball, Elegy
    DR13 -0.10 dB -18.26 dB 6:09 09-Tomasi, Semaine Sainte a Cuzco
    DR13 -5.56 dB -23.50 dB 4:47 10-Messiaen, Vocalise-Etude, pour voix élévees
    DR13 -0.10 dB -17.48 dB 4:31 11-Petr Eben, Okna, podle Marca Chagalla 1
    DR17 -3.00 dB -27.43 dB 6:29 12-Petr Eben, Okna, podle Marca Chagalla 2
    DR13 -0.10 dB -17.91 dB 6:00 13-Petr Eben, Okna, podle Marca Chagalla 3
    DR13 -0.20 dB -18.12 dB 6:32 14-Petr Eben, Okna, podle Marca Chagalla 4
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 513 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ

    Label: EMI Classics
    Series: Debut
    Catalog#: 7243 5 75683 2 6
    Format: CD, Album
    Country: Europe
    Released: 2002
    Genre: Classical
    Style: Various, Trumpet, Organ

    Tracklist:

    1 Variations on/Variationen über/Variations sur “Mein junges Leben hat ein End” 6:16
    2 Allemande from/aus/de Partita II, BWV 1004 4:59
    Musike from/aus/de “King Arthur”
    3 1. Trumpet Tune 0:50
    4 2. Symphony 2:00
    5 3. Song Tune 1 “Round Thy Shores” 1:36
    6 4. Warlike Consort 1:07
    -
    7 Shenandoah 2:42
    8 Elegy 3:47
    9 Semaine Sainte a Cuzco 6:09
    10 Vocalise-Étude, pour voix élevées 4:47
    Okna, podle Marca Chagalla (Windows, after Marc Chagall / Fenster, nach Marc Chagall / Fenêtres, d’après Marc Chagall)
    11 1. Modré Okno (The Blue Window / Das blaue Fenster / La Fenêtre bleue) - Con moto persistente 4:31
    12 2. Zelené Okno (The Green Window / Das grüne Fenster / La Fenêtre verte) - Andantino pastorale 6:29
    13 3. Červené Okno (The Red Window / Das rote Fenster / La Fenêtre Rouge) - Risoluto e drammatico 6:00
    14 4. Zlaté Okno (The Gold Window / Das goldene Fenster / La Fenêtre d’or) - Festivo 6:32

    Composed By – Jan Pieterszoon Sweelinck (tracks: 1) Johann Sebastian Bach (tracks: 2) Henry Purcell (tracks: 3 to 6), Henri Tomasi (tracks: 9), Olivier Messiaen (tracks: 10), Petr Eben (tracks: 11 to 14)
    Flugelhorn – Alison Balsom (tracks: 7, 8)
    Organ – Quentin Thomas (tracks: 1, 3 to 14)
    Trumpet – Alison Balsom (tracks: 1, 2, 9, 10, 11 to 14)
    Trumpet [Natural] – Alison Balsom (tracks: 3 to 6)
    Trumpet [Piccolo] – Alison Balsom (tracks: 9)

    The EMI Debut series has now been successful in drawing a number of exceptionally promising young artists to public attention, amongst them Thomas Adès and, more recently (and currently particularly newsworthy) the bass-baritone Jonathan Lemalu, hailed by some as the next Bryn Terfel and having just picked up a Gramophone award for best debut disc.

    Anyone who happened to be listening to the Prom on the 19th August with the Australian Chamber Orchestra will already have heard Alison Balsom in Shostakovitch’s Piano Concerto in C minor, partnering Olli Mustonen and those with a particularly good memory may recall her winning the brass final of the BBC Young Musician of the Year in 1998. Indeed for a young brass player her pedigree already speaks for itself having appeared as soloist with the Philharmonia, Bournemouth and Ulster Orchestras as well as playing with the LSO and LPO amongst others.

    Balsom explains in her booklet note that EMI gave her considerable freedom in choosing her programme for the disc and thereby lays my only real reservation. The objective (a daunting one as Balsom readily admits) was to seek out new material although what we get is a slightly uncomfortable blend of one vast original composition in the Eben, that whilst well coupled with the shorter Tomasi work seems rather ill at ease with the likes of Shenandoah and George Thalben-Ball’s well-known organ Elegy. It may be that Balsom was conscious of not duplicating works with Håkan Hardenberger’s release of music for the same combination that appeared on BIS earlier this year (also reviewed by the writer) although in fact it is only the Tomasi that is common to both discs.

    It is Eben’s Windows that is the undoubted highlight of the disc, a weighty, dramatic tableaux in four substantial movements inspired by Chagall’s twelve stained glass windows at the Hadassah Medical Centre in Jerusalem (The same windows that in 1974, also inspired John McCabe’s orchestral piece Chagall Windows). Balsom mentions the unforgettable experience of recording the work at midnight in Paisley Cathedral. The silence and grandeur of the surroundings must have made an impression for this is an evocative performance of a characteristically deeply felt work. Anyone familiar with Eben’s music will know his brilliance as a composer for organ and the writing for the instrument here is every bit as demanding as the trumpet part, both Balsom and the young organist Quentin Thomas acquitting themselves with considerable aplomb.

    In the Tomasi, Balsom may not quite have the spectacular security in the highest register of the piccolo trumpet that Hardenberger possesses but gives a slightly less hard-edged performance, with beautifully lyrical playing in the tranquil central section. Indeed it is Balsom’s lyrical playing that in many ways impresses most, a combination of her superb clarity of both tone and articulation, producing a seamless legato sound that truly shines in the Sweelinck, the most effective of the arrangements of early music on the disc. Whilst the Bach violin Partita is a fine vehicle for her virtuosity the genius of the original writing is such that any arrangement will always leave me slightly cold. The playing is, nonetheless, sympathetic.

    Alison Balsom is a player we are likely to hear considerably more from in the coming years and this debut disc will do much to galvanise her already growing reputation.

    ~Christopher Thomas musicweb-international

    Alison Balsom & Quentin Thomas - Music for Trumpet and Organ (2002)


    Johann Sebastian Bach - Alison Balsom - Works For Trumpet
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