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    Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

    Posted By: luckburz
    Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

    Johann Sebastian Bach - "La Nativité", Cantates BWV 61, 122, 123, 182
    Montreal Baroque - Eric Milnes
    EAC+LOG+CUE | APE: 295 MB | Artwork | 5% Recovery Info
    Label/Cat#: ATMA # SACD2 2403 | Country/Year: Canada 2008
    Genre: Classical | Style: Baroque, Sacred

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [] not my rip [X]

    Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]


    EAC extraction logfile from 8. May 2009, 11:11 for CD
    Montreal Baroque / Bach - Cantatas for the Nativity

    Used drive : LITE-ON DVDRW SOHW-812S Adapter: 1 ID: 0
    Read mode : Secure with NO C2, accurate stream, disable cache
    Read offset correction : 12
    Overread into Lead-In and Lead-Out : No

    Used output format : Internal WAV Routines
    44.100 Hz; 16 Bit; Stereo

    Other options :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Installed external ASPI interface


    Range status and errors
    Selected range
    Filename C:\Montreal Baroque - Bach - Cantatas for the Nativity.wav

    Peak level 100.0 %
    Range quality 99.9 %
    CRC E60C0831
    Copy OK

    No errors occured

    End of status report

    auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.

    Detect mode (0..40 with 0 = most accurate): 8 (default)


    ––––––––––––––––––––––––––––––
    [Montreal Baroque - Bach - Cantatas for the Nativity.wav]
    Detected average hi-boundary frequency: 2.036260e+004 Hz
    Detected average lo-boundary frequency: 1.266383e+004 Hz
    Detected average hi-cut frequency: 2.127292e+004 Hz
    Detected average lo-cut frequency: 1.135340e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 5.568020e-001
    First order smothness: 3.639150e-001
    Second order smothness: 7.513886e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
    log date: 2013-10-18 15:29:54

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Montreal Baroque / Bach - Cantatas for the Nativity
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -0.16 dB -16.23 dB 2:51 01-Track01
    DR12 -3.62 dB -19.83 dB 1:21 02-Track02
    DR15 0.00 dB -18.51 dB 3:33 03-Track03
    DR11 -9.15 dB -26.90 dB 0:54 04-Track04
    DR14 -0.32 dB -22.62 dB 3:57 05-Track05
    DR12 -0.13 dB -18.47 dB 0:55 06-Track06
    DR12 -0.27 dB -19.04 dB 2:16 07-Track07
    DR14 -3.87 dB -23.96 dB 5:10 08-Track08
    DR12 -0.22 dB -20.57 dB 1:12 09-Track09
    DR13 -3.38 dB -20.17 dB 1:39 10-Track10
    DR12 -4.02 dB -22.28 dB 1:12 11-Track11
    DR12 -0.14 dB -18.41 dB 0:38 12-Track12
    DR13 -0.76 dB -19.39 dB 4:43 13-Track13
    DR11 -4.81 dB -24.77 dB 0:48 14-Track14
    DR13 -3.74 dB -22.25 dB 5:55 15-Track15
    DR15 -3.55 dB -24.22 dB 0:41 16-Track16
    DR12 -6.21 dB -22.56 dB 6:56 17-Track17
    DR12 -0.91 dB -17.33 dB 1:21 18-Track18
    DR10 -8.29 dB -24.02 dB 2:23 19-Track19
    DR13 -1.05 dB -18.20 dB 2:55 20-Track20
    DR10 -6.35 dB -21.52 dB 0:32 21-Track21
    DR12 -2.36 dB -19.93 dB 2:59 22-Track22
    DR14 -3.26 dB -21.49 dB 7:56 23-Track23
    DR14 -3.25 dB -22.87 dB 3:33 24-Track24
    DR11 -4.88 dB -21.92 dB 2:38 25-Track25
    DR14 -0.08 dB -20.32 dB 3:50 26-Track26
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 26
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 568 kbps
    Codec: Monkey's Audio
    ================================================================================



    CD Info:

    Johann Sebastian Bach - "La Nativité", Cantates BWV 61, 122, 123, 182

    Montréal Baroque - Eric Milnes

    Label: ATMA
    Catalog#: SACD2 2403
    Format: Hybrid-SACD, Album
    Country: Canada
    Released: 2008
    Genre: Classical
    Style: Baroque, Sacred

    Tracklist:

    1-6 Nun Komm, der Heiden Heiland, BWV 61
    7-12 Das neugeborne Kindelein, BWV 122
    13-18 Liebster Immanuel, Herzog der Frommen, BWV 123
    19-26 Himmelskönig, sei willkommen, BWV 182

    Monika Mauch, soprano
    Matthew White, alto
    Charles Daniels, tenor
    Harry Van Der Kamp, bass

    Montréal Baroque
    Susie Napper, artistic director
    Eric Milnes, conductor

    Recorded: June 26-29, 2007
    Église Saint-Augustin, Saint-Augustin de Mirabel (Québec)

    Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]


    This is the fourth volume of ATMA's ongoing Bach Cantata cycle and it is a big improvement over Bach: Cantatas BWV 1, 82, 147 - Montréal Baroque because Eric Milnes has moderated his previous excesses of interpretative choices. Now pauses fit in the overall conception of phrases and the longer line is immediately identifiable without recourse to a score.

    The instrumental group used is substantially larger than on the Accent cycle and more "top heavy" in the string sections which makes the textures at once more concentrated yet lighter. As with the Accent cycle, Milnes is of the mind that the chorus should only be one voice per part and this helps keep the diction clear. The orchestral playing is good (as might be expected) although the larger forces do rather smooth over some textures in a way that gives Kuijken's set spice. The singing is good but not perhaps first class, especially for the somewhat stentorian Harry van der Kamp.

    The sound is a little distantly miked than might be considered ideal, again smoothing over expressive aspects of both playing and singing - although it does lend give a lovely glow to their tone (where possible).

    If one is collecting the series, then this is an easy addition - for a sample of Bach's output in this medium the BIS or Accent series would make for more reliably interesting accounts.

    Copyright © 2009 John Broggio and SA-CD.net
    Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

    Thanks to Caterina Sforza!

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