Stravinsky: Petrouchka/Scherzo A La Russe/The Firebird Suite (2003)
Stravinsky: Petrouchka/Scherzo A La Russe/The Firebird Suite (2003)
Classical | EAC Rip | FLAC (image)+CUE+LOG | 238 MB.
150dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2003) | Label: TELARC | Catalog# CD-80587 | 59:42 min.
Classical | EAC Rip | FLAC (image)+CUE+LOG | 238 MB.
150dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2003) | Label: TELARC | Catalog# CD-80587 | 59:42 min.
~amazonTracklist:
Paavo Järvi’s outstanding reputation makes him one of the most sought-after conductors on the international stage. Born in Tallinn, Estonia, he studied percussion and conducting at the Tallinn School of Music before moving to the USA in 1980, where he continued his studies at the Curtis Institute of Music and at the Los Angeles Philharmonic Institute with Leonard Bernstein.
01. Petrouchka (1957 version) - The Shrove-Tide Fair. The Magic Trick. Russian Dance (10:06)
02. Petrouchka (1957 version) - Petrouchka's Room (4:34)
03. Petrouchka (1957 version) - The Blackamoor's Room. Dance of the Ballerina. Waltz of the… (6:49)
04. Petrouchka (1957 version) - The Shrove - Tide Fair. Dance of the Nursemaids. Peasant with… (13:58)
05. Scherzo a la Russe (4:09)
06. The Firebird Suite (1919 version) - Introduction (3:02)
07. The Firebird Suite (1919 version) - The Firebird and her Dance/Variation of the Firebird (1:29)
08. The Firebird Suite (1919 version) - Round of the Princesses Khorovod (4:59)
09. The Firebird Suite (1919 version) - Infernal Dance of King Katschei (4:03)
10. The Firebird Suite (1919 version) - Berceuse (3:28)
11. Finale (3:06)
Stravinsky: Petrouchka/Scherzo A La Russe/The Firebird Suite (2003)
Personnel:
Cincinnati Symphony Orchestra
Paavo Jarvi - conductor
~wikipedia
Igor Fyodorovich Stravinsky (Russian: Игорь Фёдорович Стравинский, 17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian, and later French and American, composer, pianist, and conductor.
He is acknowledged by some as one of the most important and influential composers of 20th century music. He was named by Time magazine as one of the 100 most influential people of the century. He became a naturalized French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase, Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
for more, please visit: http://en.wikipedia.org/wiki/Igor_Stravinsky
Igor Fyodorovich Stravinsky (Russian: Игорь Фёдорович Стравинский, 17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian, and later French and American, composer, pianist, and conductor.
He is acknowledged by some as one of the most important and influential composers of 20th century music. He was named by Time magazine as one of the 100 most influential people of the century. He became a naturalized French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase, Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
for more, please visit: http://en.wikipedia.org/wiki/Igor_Stravinsky
~www.paavojarvi.com
Grammy-award winning Paavo Järvi has built a remarkable conducting reputation. Born in Tallinn, Estonia, he studied percussion and conducting at the Tallinn School of Music then, in 1980, moved to the USA where he continued his studies at the Curtis Institute of Music and at the Los Angeles Philharmonic Institute, with Leonard Bernstein.
He became Music Director of the Cincinnati Symphony Orchestra in September 2001 and has recently extended his contract with the orchestra until 2011/12. During his Music Directorship they have toured together throughout America (including a California and a West Coast tour) and Japan. Their second tour of Europe in April 2008 was a major success and included concerts in Vienna, Paris,Amsterdam, Munich,Frankfurt, Hamburg,Barcelona and Madrid.
Currently in his third season as Music Director of Frankfurt Radio Symphony Orchestra, Paavo Järvi and the orchestra have just returned from a very successful tour to China and. Previous tours have taken them to major European Festivals, including the BBC Proms, the Rheingau Musik Festival in Germany and the Robeco Summer series in the Amsterdam Concertgebouw.
Paavo Järvi has been the Artistic Leader of the Deutsche Kammerphilharmonie Bremen since 2004 and has led the orchestra to highest public and critical acclaim for their concerts and recordings (on SonyBMG) of Beethoven Symphonies. Their first CD with Symphonies No 3 and 8 won the prestigious Annual German Record Critics’ Prize for 2007, while the second volume with Symphonies No 4 and 7 has been praised as “brilliantly conceived interpretations of both works, full of idiomatic fire and athletic drive” (Classics Today, January 2008). Paavo Järvi and the Deutsche Kammerphilharmonie Bremen will perform all the Beethoven symphonies in the Champs Elysees in March 2009, at the 2009 Salzburg Festival and at the Warsaw Easter Festival in 2010. They will also take part in the re-opening concerts for Alice Tully Hall (New York) in 2009.
As Artistic Advisor to the Estonian National Symphony Orchestra, Mr Järvi is known for having championed many works by Estonian composers including Arvo Pärt, Erkki-Sven Tüür, Lepo Sumera and Eduard Tubin. His Virgin Classics recording of Sibelius Cantatas with the Estonian National Symphony Orchestra, Estonian National Male Choir and Ellerhein Girls Choir won a Grammy Award for “Best Choral Performance”. His most recent recording - E-S Tüür’s Symphony No.4 “Magma” with Evelyn Glennie - was nominated for a 2008 Gramophone Award.
Paavo Järvi will become the seventh Music Director of the Orchestre de Paris in 2010/11, joining an eminent list of conductors who have held the post since 1967, including: Daniel Barenboim, Sir Georg Solti, Herbert von Karajan, and Charles Munch.
In addition to his permanent positions, Paavo Järvi is in much demand as a guest conductor appearing regularly with orchestras such as Chicago Symphony, Los Angeles, New York Philharmonic, Boston, Staatskapelle Dresden, La Scala and NHK Symphony. Highlights of 2007/08 included a return to the Royal Concertgebouw Orchestra. He gave his very successful debut with the Vienna Philharmonic in November 2006 and made his subscription series debut with the Cleveland Orchestra in May 2007. In 2008/09, he will return to Cleveland, as well as to the Philharmonia Orchestra in London, the Orchestre de Paris and the Tonhalle Orchestra in Zürich.
Mr Järvi’s extensive discography for EMI/Virgin Classics includes orchestral music by Grieg, the Grammy award-winning recording of Sibelius’s Cantatas, and Grieg’s Peer Gynt, which won the best orchestral recording in the 2006 BBC Music Magazine Awards. All three discs were recorded with the Estonian National Symphony Orchestra. Paavo Järvi has released more than 10 CDs on Telarc with the Cincinnati Symphony Orchestra. Their most recent release is a recording of Mussorgsky’s Pictures at an Exhibition. With the Frankfurt Radio Symphony Orchestra, he has recently embarked on a cycle of Bruckner symphonies, the first of which – Symphony No.7 – has just been released by Sony BMG.
Grammy-award winning Paavo Järvi has built a remarkable conducting reputation. Born in Tallinn, Estonia, he studied percussion and conducting at the Tallinn School of Music then, in 1980, moved to the USA where he continued his studies at the Curtis Institute of Music and at the Los Angeles Philharmonic Institute, with Leonard Bernstein.
He became Music Director of the Cincinnati Symphony Orchestra in September 2001 and has recently extended his contract with the orchestra until 2011/12. During his Music Directorship they have toured together throughout America (including a California and a West Coast tour) and Japan. Their second tour of Europe in April 2008 was a major success and included concerts in Vienna, Paris,Amsterdam, Munich,Frankfurt, Hamburg,Barcelona and Madrid.
Currently in his third season as Music Director of Frankfurt Radio Symphony Orchestra, Paavo Järvi and the orchestra have just returned from a very successful tour to China and. Previous tours have taken them to major European Festivals, including the BBC Proms, the Rheingau Musik Festival in Germany and the Robeco Summer series in the Amsterdam Concertgebouw.
Paavo Järvi has been the Artistic Leader of the Deutsche Kammerphilharmonie Bremen since 2004 and has led the orchestra to highest public and critical acclaim for their concerts and recordings (on SonyBMG) of Beethoven Symphonies. Their first CD with Symphonies No 3 and 8 won the prestigious Annual German Record Critics’ Prize for 2007, while the second volume with Symphonies No 4 and 7 has been praised as “brilliantly conceived interpretations of both works, full of idiomatic fire and athletic drive” (Classics Today, January 2008). Paavo Järvi and the Deutsche Kammerphilharmonie Bremen will perform all the Beethoven symphonies in the Champs Elysees in March 2009, at the 2009 Salzburg Festival and at the Warsaw Easter Festival in 2010. They will also take part in the re-opening concerts for Alice Tully Hall (New York) in 2009.
As Artistic Advisor to the Estonian National Symphony Orchestra, Mr Järvi is known for having championed many works by Estonian composers including Arvo Pärt, Erkki-Sven Tüür, Lepo Sumera and Eduard Tubin. His Virgin Classics recording of Sibelius Cantatas with the Estonian National Symphony Orchestra, Estonian National Male Choir and Ellerhein Girls Choir won a Grammy Award for “Best Choral Performance”. His most recent recording - E-S Tüür’s Symphony No.4 “Magma” with Evelyn Glennie - was nominated for a 2008 Gramophone Award.
Paavo Järvi will become the seventh Music Director of the Orchestre de Paris in 2010/11, joining an eminent list of conductors who have held the post since 1967, including: Daniel Barenboim, Sir Georg Solti, Herbert von Karajan, and Charles Munch.
In addition to his permanent positions, Paavo Järvi is in much demand as a guest conductor appearing regularly with orchestras such as Chicago Symphony, Los Angeles, New York Philharmonic, Boston, Staatskapelle Dresden, La Scala and NHK Symphony. Highlights of 2007/08 included a return to the Royal Concertgebouw Orchestra. He gave his very successful debut with the Vienna Philharmonic in November 2006 and made his subscription series debut with the Cleveland Orchestra in May 2007. In 2008/09, he will return to Cleveland, as well as to the Philharmonia Orchestra in London, the Orchestre de Paris and the Tonhalle Orchestra in Zürich.
Mr Järvi’s extensive discography for EMI/Virgin Classics includes orchestral music by Grieg, the Grammy award-winning recording of Sibelius’s Cantatas, and Grieg’s Peer Gynt, which won the best orchestral recording in the 2006 BBC Music Magazine Awards. All three discs were recorded with the Estonian National Symphony Orchestra. Paavo Järvi has released more than 10 CDs on Telarc with the Cincinnati Symphony Orchestra. Their most recent release is a recording of Mussorgsky’s Pictures at an Exhibition. With the Frankfurt Radio Symphony Orchestra, he has recently embarked on a cycle of Bruckner symphonies, the first of which – Symphony No.7 – has just been released by Sony BMG.
Stravinsky: Petrouchka/Scherzo A La Russe/The Firebird Suite (2003)
Igor Stravinsky (1882 - 1971)
Recorded in Music Hall, Cincinnati, Ohio; March 24-25, 2002
Recording Producer: Robert Woods
Recording Engineer: Jack Renner
Engineering Assistants: Robert Friedrich, James Yates
Editors: Paul Blakemore, assisted by Evan Schultz
Mixin Engineer: Robert Friedrich
Production Assistant: John Morris Russell
Production Supervisor: Erica Brenner
Front Cover Photography: Igor Stravinsky and Vaslav, Nijinsky as Petrouchka; 1911
Designer: Trish Carmichael
Art Director: Anilda Carrasquillo
Liner notes by Jonathan D. Kramer
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
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Stravinsky / Petrouchka, Scherzo à la Russe, The Firebird suite
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EAC extraction logfile from 30. December 2008, 2:46
Stravinsky / Petrouchka, Scherzo à la Russe, The Firebird suite
Used drive : TSSTcorpCDDVDW SE-S224Q Adapter: 0 ID: 1
Read mode : Secure
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––––––––––––––––––––––––––––-
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Thanks to the original releaser.
Stravinsky: Petrouchka/Scherzo A La Russe/The Firebird Suite (2003)
(links are interchangeable)