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Saint-Saens: Samson et Dalila - Gorr, Vicker, Blanc [Maazel] [2 CD]
![Saint-Saens: Samson et Dalila - Gorr, Vicker, Blanc [Maazel] [2 CD]](https://pixhost.icu/avaxhome/d0/bd/0014bdd0.jpeg)
Saint-Saëns - Samson et Dalila [Prêtre]
Classical (opera) | 2 CD | APE + CUE | EAC Logs | Scans | 605 mb | RS + SM | TT 02:01:15
Released: 11 Sep. 2001 | Label: EMI Classics | Recorded: 1962
Remy Corazza, Ernest Blanc, Rita Gorr, Jacques Pottier, Jon Vickers, Anton Diakov
Paris National Opera Theater Orchestra, Georges Pretre (conductor)
Classical (opera) | 2 CD | APE + CUE | EAC Logs | Scans | 605 mb | RS + SM | TT 02:01:15
Released: 11 Sep. 2001 | Label: EMI Classics | Recorded: 1962
Remy Corazza, Ernest Blanc, Rita Gorr, Jacques Pottier, Jon Vickers, Anton Diakov
Paris National Opera Theater Orchestra, Georges Pretre (conductor)
Samson et Dalila, first performed in Weimar in 1877, is the second and best-known of the operas of Camille Saint-Saens (1835-1921), who took the familiar biblical story of Delilah, who feigns love for Samson, leader of the oppressed Hebrews, to betray him to the Philistines. Captured and shorn of the hair that gives him his superhuman strength, his prayer to God for help is answered when, with his strength returned to him one last time, he is able to bring down the pagan temple on the heads of Delilah and the Philistines.
In this famous recording, made in the Salle Wagram in Paris in 1962, the distinguished French conductor Georges Pretre directs Parisian choral and orchestral forces and a trio of great international singers in the leading roles, including the French baritone Ernest Blanc as an imposing High Priest.
Heading the cast is the Canadian tenor Jon Vickers (last heard in this series of opera reissues as Florestan in Fidelio as the hero. Rita Gorr, the Belgian mezzo-soprano, is the traitress, whose voluptuous music (including the seductive and justly famous aria 'Mon c|ur s'ouvre a ta voix') is just one of the highlights of Saint-Saens's gracefully melodic, superbly orchestrated and often fiercely dramatic score. – Marbecks.co.nz review
"EMI's Great Recordings of the Century is exactly what it says: these classic interpretations warrant a place in everybody's collection." – The Times (October 1998)
Jon Vickers sings magnificently, with great dignity and expression, and Rita Gorr's fine voice and distinguished manner make all her contributions rewarding.' – Gramophone
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 7. July 2008, 15:06
Camille Saint-Saens / Samson Et Dalila I
Used drive : MATSHITADVD-RAM UJ-812 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : Yes
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
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Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
EAC extraction logfile from 8. July 2008, 13:27
Camille Saint-Saëns / Samson Et Dalila II
Used drive : MATSHITADVD-RAM UJ-812 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : Yes
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
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Copy CRC 6361CF29
Copy OK
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Disc 1
1. Act 1 - Introduction
2. Act 1. Scene 1 - 'Dieu ! Dieu d'Israël ! écoute la prière de tes enfants'
3. Act 1. Scene 1 - 'Quoi ! veux-tu donc qu'a jamais on efface'
4. Act 1. Scene 1 - 'Arrêtez, ô mes frères !'
5. Act 1. Scene 1 - 'Implorons à genoux le Seigneur qui nous aime !'
6. Act 1. Scene 2 - 'Qui donc élève ici la voix ?'
7. Act 1. Scene 2 - 'C'est toi que sa bouche invective'
8. Act 1. Scene 2 - 'Israël ! romps ta chaîne !'
9. Act 1. Scene 3 - 'Que vois-je ! Abimelech ! frappé par des escalves !'
10. Act 1. Scene 4 - 'Seigneur ! la troupe furieuse… Maudite à jamais soit la race'
11. Act 1. Scene 5 - Daybreak
12. Act 1. Scene 5 - 'Hymne de joie, hymne de délivrance'
13. Act 1. Scene 6 - 'Voici le primtemps nous portant des fleurs'
14. Act 1. Scene 6 - 'Je viens célèbrer la victoire…'
15. Act 1. Scene 6 - Dance of the priestesses of Dagon
16. Act 1. Scene 6 - 'Printemps qui commence, portant l'espérance'
17. Act 1. Scene 6 - 'L'esprit du mal a conduit cette femme'
Disc 2
1. Act 2 - Prelude
2. Act 2. Scene 1 - 'Samson, recherchant ma présence…'
3. Act 2. Scene 2 - 'J'ai gravi la montage'
4. Act 2. Scene 2 - 'À tes genoux sa force un jour l'abondonna'
5. Act 2. Scene 2 - 'Mais sur son coeur déjà n'aurais-tu pas en vain'
6. Act 2. Scene 2 - 'Il faut, pour assouvir ma haine'
7. Act 2. Scene 2 - 'Samson, me disais-tu, dans ces lieux doit se rendre ?…'
8. Act 2. Scene 3 - 'En ces lieux, malgré moi, m'ont ramené mes pas'
9. Act 2. Scene 3 - 'C'est toi ! C'est toi, mon bien-aimé !'
10. Act 2. Scene 3 - 'D'Israël renaît l'espérance'
11. Act 2. Scene 3 - 'Un dieu plus puissant que le tien'
12. Act 2. Scene 3 - 'Mon Coeur S'ouvre Á Ta Voix'
13. Act 2. Scene 3 - 'Mais !… non ! que dis-je ? hélas, la triste Dalila !'
14. Act 2. Scene 3 - 'À moi ! Philistins !… Trahison !'
15. Act 3. Tableau 1 - Introduction
16. Act 3. Scene 1 - 'Vois ma misère, hélas ! vois ma détresse !'
17. Act 3. Scene 1 - 'Hélas ! Israël dans les fers'
18. Act 3. Scene 1 - 'Frères ! votre chant douloureux'
19. Act 3. Scene 1 - Interlude
20. Act 3. Scene 2 - 'L'aube que blanchit déja les coteaux'
21. Act 3. Scene 2 - Bacchanale
22. Act 3. Scene 2 - 'Salut! Salut Au Juge D'Israél'
23. Act 3. Scene 3 - 'L'âme triste jusqu'à la mort'
24. Act 3. Scene 3 - 'Allons, Samson, divertis-nous'
25. Act 3. Scene 3 - 'Viens, Dalila, rendre grâce à nos dieux…'
26. Act 3. Scene 3 - 'Dagon se révèle !'
27. Act 3. Scene 3 - 'Pour que le sort soit favorable'
28. Act 3. Scene 3 - 'Dagon se révèle !'
29. Act 3. Scene 3 - 'Souviens-toi de ton serviteur'
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Please do not expose the links! No mirrors!