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    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)

    Posted By: Designol
    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)

    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)
    EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
    Classical, Minimalism, Score | Label: Orange Mountain Music | # 0012 | Time: 00:57:25

    In 2002 Philip Glass composed the soundtrack score to the Stephen Daldry film "The Hours". The film went on to receive 9 Acadamy Awards nominations, including one for ‘best score’. At the beginning of the film, Daldry depicts the timelessness of small daily events, how the real elements of life are patterns that repeat across time. The movie opens with three women from three different eras intercut, all doing similar things. There's Virginia Woolf (Nicole Kidman) in 1923, a troubled young mother (Julianne Moore) in 1951 and a woman (Meryl Streep) in 2001 making preparations for a party later that evening. In one location flowers are bought, in another displayed, in another discarded. Philip Glass' score intensely underlines the images with a sense of strangeness and sympathy. Michael Riesman, Mr. Glass’ longtime musical director and producer of the film score recordings, created solo piano adaptations of the original score and has been performing them in concert.

    Philip Glass' score for the film The Hours is very typical of Glass, with its nearly constant repetition and slowly evolving variations on a theme. It suits the moods of the film perfectly, reflecting mesmerically the inner thoughts and emotions of the characters, but remaining subservient to the film itself. Michael Riesman, a long-time associate of Glass, has transcribed the score of The Hours for piano. It wasn't hard for him to do this: the score prominently features the piano alongside the orchestra, and Riesman performed the piano part in the soundtrack recording. His solo piano version covers exactly the same music as on the soundtrack album, but to call it a "reduction" of an orchestral work would be unfair. Yes, it is one instrument instead of many, but just by the facts that it's a single performer being responsible for realizing the music and it's no longer an accompaniment to screen images, Riesman is able to add to it more expression and more life. Even though his tempos and the track times match the soundtrack almost exactly, he is able to take tiny liberties with the phrasing of themes so that the quiet desperation of the music isn't quite as desperate. It doesn't matter if he uses a larger array of dynamics and is not quite as strict with time. Whereas listening to the soundtrack without the film can be almost unbearably boring or depressing, depending on your state of mind, listening to Riesman's version is less so. Although the track titles make no sense without film, in this version, the music is able to stand on its own as a distinct creative work, with more vitality and wider-ranging sentiment than the soundtrack.

    Review by Patsy Morita, Allmusic.com

    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)



    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)



    Tracklist:

    01. The Poet Acts (03:37)
    02. Morning Passages (05:48)
    03. Something She Has To Do (03:31)
    04. 'For Your Own Benefit' (01:55)
    05. Vanessa and the Changelings (01:41)
    06. 'I'm Going to Make a Cake' (03:46)
    07. An Unwelcome Friend (04:29)
    08. Dead Things (04:19)
    09. The Kiss (04:34)
    10. 'Why Does Someone Have to Die?' (03:41)
    11. Tearing Herself Away (04:47)
    12. Escape! (04:02)
    13. Choosing Life (04:03)
    14. The Hours (07:07)


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    Отчёт EAC об извлечении, выполненном 3. февраля 2011, 21:15

    Philip Glass / Music from 'The Hours'

    Дисковод: Optiarc DVD RW AD-7203A Adapter: 4 ID: 1

    Режим чтения : Достоверность
    Использование точного потока : Да
    Отключение кэша аудио : Да
    Использование указателей C2 : Нет

    Коррекция смещения при чтении : 48
    Способность читать области Lead-in и Lead-out : Нет
    Заполнение пропущенных сэмплов тишиной : Да
    Удаление блоков с тишиной в начале и конце : Нет
    При вычислениях CRC использовались нулевые сэмплы : Да
    Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

    Выходной формат : Пользовательский кодировщик
    Выбранный битрейт : 128 kBit/s
    Качество : Высокий
    Добавление ID3-тэга : Нет
    Утилита сжатия : C:\Program Files\FLAC\flac.exe
    Дополнительные параметры : -5 -V %s


    TOC извлечённого CD

    Трек | Старт | Длительность | Начальный сектор | Конечный сектор
    ––––––––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:37.32 | 0 | 16306
    2 | 3:37.32 | 5:48.26 | 16307 | 42432
    3 | 9:25.58 | 3:31.46 | 42433 | 58303
    4 | 12:57.29 | 1:55.01 | 58304 | 66929
    5 | 14:52.30 | 1:41.42 | 66930 | 74546
    6 | 16:33.72 | 3:46.34 | 74547 | 91530
    7 | 20:20.31 | 4:29.24 | 91531 | 111729
    8 | 24:49.55 | 4:19.44 | 111730 | 131198
    9 | 29:09.24 | 4:34.17 | 131199 | 151765
    10 | 33:43.41 | 3:41.06 | 151766 | 168346
    11 | 37:24.47 | 4:47.35 | 168347 | 189906
    12 | 42:12.07 | 4:02.09 | 189907 | 208065
    13 | 46:14.16 | 4:03.47 | 208066 | 226337
    14 | 50:17.63 | 7:07.26 | 226338 | 258388


    Характеристики диапазона извлечения и сообщения об ошибках

    Выбранный диапазон

    Имя файла D:\EAC\Philip Glass - Music from 'The Hours'.wav

    Пиковый уровень 87.6 %
    Качество диапазона 99.9 %
    CRC теста A390F81A
    CRC копии A390F81A
    Копирование… OK

    Ошибок не произошло


    AccurateRip: сводка

    Трек 1 точное извлечение (доверие 3) [550D2A8C]
    Трек 2 точное извлечение (доверие 4) [F804B154]
    Трек 3 точное извлечение (доверие 4) [2E058E49]
    Трек 4 точное извлечение (доверие 4) [70D93BD9]
    Трек 5 точное извлечение (доверие 4) [7598C3F0]
    Трек 6 точное извлечение (доверие 4) [DB16D228]
    Трек 7 точное извлечение (доверие 4) [6F111128]
    Трек 8 точное извлечение (доверие 4) [EFFD741C]
    Трек 9 точное извлечение (доверие 4) [9C798539]
    Трек 10 точное извлечение (доверие 4) [CE9475FD]
    Трек 11 точное извлечение (доверие 4) [77C1CC44]
    Трек 12 точное извлечение (доверие 4) [35768D53]
    Трек 13 точное извлечение (доверие 4) [228DFB20]
    Трек 14 точное извлечение (доверие 4) [2108326A]

    Все треки извлечены точно

    Конец отчёта

    [CUETools log; Date: 27.10.2024 15:38:56; Version: 2.1.7]
    [CTDB TOCID: usvKpP_fZdxNF8P7o4e0ovGYfAg-] found.
    Track | CTDB Status
    1 | (38/39) Accurately ripped
    2 | (38/39) Accurately ripped
    3 | (38/39) Accurately ripped
    4 | (38/39) Accurately ripped
    5 | (38/39) Accurately ripped
    6 | (38/39) Accurately ripped
    7 | (38/39) Accurately ripped
    8 | (38/39) Accurately ripped
    9 | (37/39) Accurately ripped
    10 | (37/39) Accurately ripped
    11 | (37/39) Accurately ripped
    12 | (38/39) Accurately ripped
    13 | (36/39) Accurately ripped
    14 | (36/39) Accurately ripped
    [AccurateRip ID: 001b66d2-01265084-cf0d750e] found.
    Track [ CRC | V2 ] Status
    01 [550d2a8c|f658579e] (03+13/27) Accurately ripped
    02 [f804b154|2d45f14e] (04+13/28) Accurately ripped
    03 [2e058e49|d705ccc5] (04+13/28) Accurately ripped
    04 [70d93bd9|929ec18b] (04+13/28) Accurately ripped
    05 [7598c3f0|2a6a4f3e] (04+13/28) Accurately ripped
    06 [db16d228|2302977a] (04+13/28) Accurately ripped
    07 [6f111128|0218e118] (04+13/28) Accurately ripped
    08 [effd741c|1c33013b] (04+13/28) Accurately ripped
    09 [9c798539|ee78ee0b] (04+13/28) Accurately ripped
    10 [ce9475fd|ee5d3c9b] (04+13/28) Accurately ripped
    11 [77c1cc44|5f81bbbd] (04+13/28) Accurately ripped
    12 [35768d53|85df59c4] (04+13/28) Accurately ripped
    13 [228dfb20|76212cf6] (04+13/28) Accurately ripped
    14 [2108326a|b888950b] (04+13/28) Accurately ripped
    Offsetted by 646:
    01 [f090a13e] (02/27) Accurately ripped
    02 [37d2b52d] (02/28) Accurately ripped
    03 [31e1b487] (02/28) Accurately ripped
    04 [07a1e1d9] (02/28) Accurately ripped
    05 [46ebcdd1] (02/28) Accurately ripped
    06 [81d214c0] (02/28) Accurately ripped
    07 [0dc685f6] (02/28) Accurately ripped
    08 [a850dbe4] (02/28) Accurately ripped
    09 [5c018dae] (02/28) Accurately ripped
    10 [c94c4bb6] (02/28) Accurately ripped
    11 [35d63675] (02/28) Accurately ripped
    12 [6fadd438] (02/28) Accurately ripped
    13 [77f6a8bc] (02/28) Accurately ripped
    14 [d4e10b91] (02/28) Accurately ripped
    Offsetted by 610:
    01 [bba89031] (00/27) No match (V2 was not tested)
    02 [3c1b447d] (00/28) No match (V2 was not tested)
    03 [81d1a269] (00/28) No match (V2 was not tested)
    04 [3e30a106] (00/28) No match (V2 was not tested)
    05 [119a3128] (00/28) No match (V2 was not tested)
    06 [dec3d7a3] (00/28) No match (V2 was not tested)
    07 [1ec8a3ff] (00/28) No match (V2 was not tested)
    08 [01d4a16f] (00/28) No match (V2 was not tested)
    09 [7bcbf7c0] (00/28) No match (V2 was not tested)
    10 [b8c3e41f] (00/28) No match (V2 was not tested)
    11 [d2cc42f1] (00/28) No match (V2 was not tested)
    12 [d38af7fd] (00/28) No match (V2 was not tested)
    13 [45d3865a] (00/28) No match (V2 was not tested)
    14 [4fc06aa7] (00/28) No match (V2 was not tested)

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 87,6 [A390F81A] [D324E57E] CRC32
    01 47,0 [87CB0692] [1DD9CC6A]
    02 85,1 [D7E8AA51] [110D3BCE]
    03 61,7 [EF307C0A] [9FE920FB]
    04 51,2 [CB71680C] [9F1CA7C7]
    05 49,8 [174B283F] [4D6C1E32]
    06 83,3 [5A728589] [F7C71952]
    07 45,9 [0841A543] [F66CEFD5]
    08 48,0 [49312844] [E219F9B6]
    09 50,3 [B38F0E55] [BAF225DE]
    10 44,1 [1E858895] [6A09B127]
    11 78,5 [959BE50E] [FE5BC67D]
    12 62,5 [C9DEA825] [C1BA8F8F]
    13 44,0 [79DC8F89] [041AB6AC]
    14 87,6 [3A4B1032] [B569EA8E]

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2015-03-29 18:15:12

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Philip Glass / Music from 'The Hours'
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -6.54 dB -20.20 dB 3:37 01-The Poet Acts
    DR11 -1.39 dB -17.57 dB 5:48 02-Morning Passages
    DR13 -4.19 dB -23.27 dB 3:32 03-Something She Has To Do
    DR11 -5.80 dB -21.36 dB 1:55 04-'For Your Own Benefit'
    DR11 -6.05 dB -21.65 dB 1:42 05-Vanessa and the Changelings
    DR12 -1.58 dB -19.16 dB 3:46 06-'I'm Going to Make a Cake'
    DR13 -6.75 dB -24.20 dB 4:29 07-An Unwelcome Friend
    DR12 -6.37 dB -22.53 dB 4:20 08-Dead Things
    DR12 -5.95 dB -21.93 dB 4:34 09-The Kiss
    DR12 -7.10 dB -22.74 dB 3:41 10-'Why Does Someone Have to Die?'
    DR12 -2.10 dB -19.59 dB 4:47 11-Tearing Herself Away
    DR14 -4.07 dB -24.38 dB 4:02 12-Escape!
    DR13 -7.12 dB -24.93 dB 4:04 13-Choosing Life
    DR12 -1.14 dB -18.16 dB 7:07 14-The Hours
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 433 kbps
    Codec: FLAC
    ================================================================================

    Michael Riesman - Philip Glass: Music from 'The Hours' (2004)

    All thanks to original releaser

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