Michel Camilo - On the Other Hand (1990)
Michel Camilo - On the Other Hand (1990)
Jazz (Latin) | EAC Rip | WavPack (image)+CUE+LOG | mp3@320 | 315 MB. & 146 MB.
600dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1990) | Label: CBS/Epic | Catalog# 466937-2 | 47:39 min.
Jazz (Latin) | EAC Rip | WavPack (image)+CUE+LOG | mp3@320 | 315 MB. & 146 MB.
600dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1990) | Label: CBS/Epic | Catalog# 466937-2 | 47:39 min.
~cduniverse.comTracklist:
"On the Other Hand" finds pianist Michel Camilo straying from his normal piano trio format to command a larger ensemble with horns and percussion. This expansion is continued further with the addition of a guest vocalist on one track ("Forbidden Fruit"). His stunning piano chops, however, are in fine form as usual, as are his masterful composing and arranging skills. With this release, his fifth as a leader, Camilo is in his prime.
The inclusion of several tunes not composed by Camilo make this an intriguing set. Jaco Pastorious' "City of Angels" is a soft ballad that offers a nice buffer between more blistering works like the funky "Journey" and the Calypso-grooved title track. Coltrane's "Impression" is given a fiery arrangement that showcases Camilo's nimble keyboard prowess and drummer Cliff Almond's quick brush work. The aforementioned "Forbidden Fruit" is an unusual track for such a dynamic artist as Camilo, but it still offers plenty in the way of musical inventiveness. Finally, Dizzy Gillespie's famed "Birk's Works" swings gently to assure us of the pianist's deep love of the traditional masters who inspire him.
01. On the Other Hand (4:07)
02. City of the Angels (4:25)
03. Journey (5:50)
04. Impressions (5:47)
05. Silent Talk I (3:45)
06. Forbidden Fruit (4:26)
07. Suite Sandrine Part III (8:49)
08. Birk's Works (5:52)
09. Silent Talk II (4:38)
Michel Camilo - On the Other Hand (1990)
Personnel:
Michel Camilo - piano
D.K. Dyson - lead & background vocals (on #6)
Ralph Bowen - saxophone (on #1, 3, 6, 7)
Chris Hunter - saxophone (on #1 & 2)
Michael Phillip Mossman - trumpet (on #1, 3, 6, 7)
Michael Bowie - bass
Cliff Almond - drums
Sammy Figueroa - congas, percussion (on #1, 6, 7)
Kacey Cysik - background vocals (on #6)
~www.michelcamilo.com
Pianist and composer Michel Camilo was born in Santo Domingo, Dominican Republic, in 1954. Fascinated with music since childhood, he composed his first song at the age of five, then studied for 13 years at the National Conservatory. At 16, he became a member of the National Symphony Orchestra.
Seeking to expand his musical horizons, he moved in 1979 to New York, where he continued his studies at Mannes and Juilliard School of Music. His composition Why Not? was recorded by Paquito D'Rivera as the title tune for one of his albums, and The Manhattan Transfer won a Grammy Award for their vocal version in 1983. His first two albums were titled Why Not? and Suntan/In Trio.
Camilo made his Carnegie Hall debut with his trio in 1985. Since then, he has become a prominent figure performing regularly in the United States, the Caribbean, Japan and Europe. December 1987 marked his debut as a classical conductor when the National Symphony Orchestra of the Dominican Republic invited him to conduct a recital featuring the works of Rimsky-Korsakoff, Beethoven, Dvorak and Camilo’s own composition, The Goodwill Games Theme, which won an Emmy Award. That year, he became the musical director of the Heineken Jazz Festival in his native Dominican Republic, a post he held through 1992.
November of 1988 marked his debut on a major record label with the release of his self- titled album, Michel Camilo (Sony). The album became an instant success and held the top jazz album spot for ten consecutive weeks. His next recording, On Fire, was voted one of the top three Jazz Albums of the Year by Billboard, and 1990s On the Other Hand was a top-ten jazz album. All three releases reached the number-one position in radio airplay.
Camilo’s list of compositions, recordings and other achievements throughout the '90s is vast. His composition Caribe was recorded by pianists Katia and Marielle Lebeque, and by the legendary Dizzy Gillespie, in 1991. His Rhapsody for Two Pianos and Orchestra, commissioned by the Philharmonia Orchestra, premiered a year later at the Royal Festival Hall. In 1993, Gavin and Billboard magazines picked his Rendezvous as one of the top jazz albums of the year.
Camilo performed a series of piano recitals in 1996 as part of Copenhagen’s Cultural Capital of Europe celebration, and also debuted at the Kennedy Center for the Performing Arts in Washington, DC, and Carnegie Hall in New York. That same year, he performed in Israel, Spain, Mexico, Dominican Republic and Switzerland, where he debuted at Zurich’s prestigious Tonhalle concert hall as part of the Jazz Piano Masters series.
He served as co-artistic director in 1998 for the first Latin-Caribbean Music Festival at the Kennedy Center, which featured performances by his trio and big band, as well as the world premiere of his Piano Concerto with the National Symphony Orchestra conducted by Leonard Slatkin. The following year, he toured with Cuban jazz pianist Chucho Valdes, and debuted with the Cleveland Symphony Orchestra.
In addition to compiling an extensive discography and maintaining a rigorous performance schedule, Camilo has composed and recorded a number of Spanish film scores over the years, and holds honorary degrees from his alma mater, Universidad Autonoma de Santo Domingo, and UTESA University of Santiago, Dominican Republic (he’s the youngest person to ever receive the distinction from the latter school). In 1992, he was named a Knight of the Heraldic Order of Christopher Columbus by the Dominican Government.
At the turn of the millennium, his 2000 Verve release, Spain, with guitarist Tomatito, won Best Latin Jazz Album in the first-ever Latin Grammy Awards. Camilo also performed in a trio concert in 2000 presented by the New Jersey Chamber Society with special guest Paquito D'Rivera.
In 2001, Camilo appeared on the soundtrack CD for the acclaimed Latin jazz film Calle 54, directed by the Oscar-winning Spaniard Fernando Trueba. In addition to his activities as a composer and pianist, Camilo lectured and performed at many universities and colleges throughout Europe and the United States—including New York University, Berklee School of Music, MIT, William Paterson College (in New Jersey) and Puerto Rico Conservatory.
In November 2001, he was awarded the Silver Cross of the Order of Duarte, Sanchez & Mella from the president of the Dominican Republic, the highest honor that the government can give.
2002 marked a special year for Camilo with two albums: Classical and Jazz. In February, Decca released his Concerto for Piano & Orchestra, Suite for Piano, Strings and Harp & Caribe, to celebrate his guest appearance with the NSO conducted by Leonard Slatkin at the Kennedy Center for the Performing Arts in Washington, D.C.
In March 2002, Telarc released Triangulo, Camilo’s Grammy Award nominee trio recording, which features bass guitarist Anthony Jackson and drummer Horacio “El Negro” Hernandez.
August 2003 marked the Telarc release of his latest album Live at the Blue Note, featuring Horacio "El Negro" Hernandez on drums and Charles Flores on acoustic bass. This two-CD set captures the quintessential Camilo “sound” live for the first time and was awarded a GRAMMY for Best Latin Jazz Album.
Pianist and composer Michel Camilo was born in Santo Domingo, Dominican Republic, in 1954. Fascinated with music since childhood, he composed his first song at the age of five, then studied for 13 years at the National Conservatory. At 16, he became a member of the National Symphony Orchestra.
Seeking to expand his musical horizons, he moved in 1979 to New York, where he continued his studies at Mannes and Juilliard School of Music. His composition Why Not? was recorded by Paquito D'Rivera as the title tune for one of his albums, and The Manhattan Transfer won a Grammy Award for their vocal version in 1983. His first two albums were titled Why Not? and Suntan/In Trio.
Camilo made his Carnegie Hall debut with his trio in 1985. Since then, he has become a prominent figure performing regularly in the United States, the Caribbean, Japan and Europe. December 1987 marked his debut as a classical conductor when the National Symphony Orchestra of the Dominican Republic invited him to conduct a recital featuring the works of Rimsky-Korsakoff, Beethoven, Dvorak and Camilo’s own composition, The Goodwill Games Theme, which won an Emmy Award. That year, he became the musical director of the Heineken Jazz Festival in his native Dominican Republic, a post he held through 1992.
November of 1988 marked his debut on a major record label with the release of his self- titled album, Michel Camilo (Sony). The album became an instant success and held the top jazz album spot for ten consecutive weeks. His next recording, On Fire, was voted one of the top three Jazz Albums of the Year by Billboard, and 1990s On the Other Hand was a top-ten jazz album. All three releases reached the number-one position in radio airplay.
Camilo’s list of compositions, recordings and other achievements throughout the '90s is vast. His composition Caribe was recorded by pianists Katia and Marielle Lebeque, and by the legendary Dizzy Gillespie, in 1991. His Rhapsody for Two Pianos and Orchestra, commissioned by the Philharmonia Orchestra, premiered a year later at the Royal Festival Hall. In 1993, Gavin and Billboard magazines picked his Rendezvous as one of the top jazz albums of the year.
Camilo performed a series of piano recitals in 1996 as part of Copenhagen’s Cultural Capital of Europe celebration, and also debuted at the Kennedy Center for the Performing Arts in Washington, DC, and Carnegie Hall in New York. That same year, he performed in Israel, Spain, Mexico, Dominican Republic and Switzerland, where he debuted at Zurich’s prestigious Tonhalle concert hall as part of the Jazz Piano Masters series.
He served as co-artistic director in 1998 for the first Latin-Caribbean Music Festival at the Kennedy Center, which featured performances by his trio and big band, as well as the world premiere of his Piano Concerto with the National Symphony Orchestra conducted by Leonard Slatkin. The following year, he toured with Cuban jazz pianist Chucho Valdes, and debuted with the Cleveland Symphony Orchestra.
In addition to compiling an extensive discography and maintaining a rigorous performance schedule, Camilo has composed and recorded a number of Spanish film scores over the years, and holds honorary degrees from his alma mater, Universidad Autonoma de Santo Domingo, and UTESA University of Santiago, Dominican Republic (he’s the youngest person to ever receive the distinction from the latter school). In 1992, he was named a Knight of the Heraldic Order of Christopher Columbus by the Dominican Government.
At the turn of the millennium, his 2000 Verve release, Spain, with guitarist Tomatito, won Best Latin Jazz Album in the first-ever Latin Grammy Awards. Camilo also performed in a trio concert in 2000 presented by the New Jersey Chamber Society with special guest Paquito D'Rivera.
In 2001, Camilo appeared on the soundtrack CD for the acclaimed Latin jazz film Calle 54, directed by the Oscar-winning Spaniard Fernando Trueba. In addition to his activities as a composer and pianist, Camilo lectured and performed at many universities and colleges throughout Europe and the United States—including New York University, Berklee School of Music, MIT, William Paterson College (in New Jersey) and Puerto Rico Conservatory.
In November 2001, he was awarded the Silver Cross of the Order of Duarte, Sanchez & Mella from the president of the Dominican Republic, the highest honor that the government can give.
2002 marked a special year for Camilo with two albums: Classical and Jazz. In February, Decca released his Concerto for Piano & Orchestra, Suite for Piano, Strings and Harp & Caribe, to celebrate his guest appearance with the NSO conducted by Leonard Slatkin at the Kennedy Center for the Performing Arts in Washington, D.C.
In March 2002, Telarc released Triangulo, Camilo’s Grammy Award nominee trio recording, which features bass guitarist Anthony Jackson and drummer Horacio “El Negro” Hernandez.
August 2003 marked the Telarc release of his latest album Live at the Blue Note, featuring Horacio "El Negro" Hernandez on drums and Charles Flores on acoustic bass. This two-CD set captures the quintessential Camilo “sound” live for the first time and was awarded a GRAMMY for Best Latin Jazz Album.
Produced by Michel Camilo
Executive Producer: Michael Caplan
Executive Album Consultant: George Wein
All arrangements by Michel Camilo
Recorded and mixed digitally at Clinton Recording Studios, New York City; April 1990
Recording Engineer: Ed Rak
Assistant Engineer: Joseph Martin
Mixed by Ed Rak
Mastered by Vlado Meller
Art Direction: Carol Chen
Photography: Chris Cuffaro
Stylist: Leslie Lambert
Grooming: Helena Occhipinti
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 14. October 2011, 3:44
Michel Camilo / On The Other Hand
Used drive : PIONEER DVD-RW DVR-109 Adapter: 3 ID: 0
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Defeat audio cache : Yes
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
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8 | 37:09.25 | 5:52.25 | 167200 | 193624
9 | 43:01.50 | 4:37.50 | 193625 | 214449
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Filename D:\Musique de Jazz\Michel Camilo - On The Other Hand (Epic, 1990)\Michel Camilo - On The Other Hand.wav
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Copy CRC A119D3ED
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==== Log checksum 9C0A046BFEF4D630FCF5372BD4120481226BD6A8FBEB1DC406BE04126065BB8E ====
EAC extraction logfile from 14. October 2011, 3:44
Michel Camilo / On The Other Hand
Used drive : PIONEER DVD-RW DVR-109 Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\WavPack-4.60.1\wavpack.exe
Additional command line options : -h -m -w "Cuesheet=@*.cue" -w "Artist=%artist%" -w "Album=%albumtitle%" -w "Year=%year%" -w "Performer=%albuminterpret%" -w "Composer=%composer%" -w "Genre=%genre%" -w "comment=EAC Mode sécurisé avec 'flux précis', Accurate
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:06.60 | 0 | 18509
2 | 4:06.60 | 4:25.30 | 18510 | 38414
3 | 8:32.15 | 5:49.67 | 38415 | 64656
4 | 14:22.07 | 5:47.28 | 64657 | 90709
5 | 20:09.35 | 3:45.15 | 90710 | 107599
6 | 23:54.50 | 4:26.12 | 107600 | 127561
7 | 28:20.62 | 8:48.38 | 127562 | 167199
8 | 37:09.25 | 5:52.25 | 167200 | 193624
9 | 43:01.50 | 4:37.50 | 193625 | 214449
Range status and errors
Selected range
Filename D:\Musique de Jazz\Michel Camilo - On The Other Hand (Epic, 1990)\Michel Camilo - On The Other Hand.wav
Peak level 100.0 %
Extraction speed 6.9 X
Range quality 100.0 %
Test CRC A119D3ED
Copy CRC A119D3ED
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [B510D66C] (AR v2)
Track 2 accurately ripped (confidence 4) [B3D093E0] (AR v2)
Track 3 accurately ripped (confidence 4) [2672DB2A] (AR v2)
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Track 8 accurately ripped (confidence 4) [74ECD7E5] (AR v2)
Track 9 accurately ripped (confidence 4) [E9BA9373] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 9C0A046BFEF4D630FCF5372BD4120481226BD6A8FBEB1DC406BE04126065BB8E ====
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[ CTDBID ] Status
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[AccurateRip ID: 000f9b09-007463b7-630b2b09] found.
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03 [e42282df] (07/11) Accurately ripped
04 [030de986] (07/11) Accurately ripped
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Thanks to the original releaser.
Michel Camilo - On the Other Hand (1990)
(all links are interchangeable)