Frank Martin - Der Sturm, Maria - Tryptichon, Jedermann
Frank Martin - Der Sturm, Maria - Tryptichon, Jedermann
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 350 Mb
Label: Chandos - Date: 1995
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 350 Mb
Label: Chandos - Date: 1995
Frank Martin's long, quietly productive career reflected a quest to reconcile creative imperatives with stylistic integrity in an era of unprecedented technical challenges, experiments, and fragmentation. A conventionally trained musician would have been less liable to brook such challenges as an ethical dilemma or to see in them an almost paralyzing array of possibilities, while Martin, the tenth child of a Calvinist pastor, felt both keenly. Martin began composing at 8, was overwhelmed by a performance of Bach's St. Matthew Passion at 10, and by his 16th year knew that music was his destiny. While formally studying mathematics and physics at his parents' behest, he pursued music privately with the distinguished Swiss composer Joseph Lauber, who introduced him to the rudiments of piano, harmony, and composition. Martin became an able interpreter at the piano and harpsichord and, in later life, proved well enough equipped to make a definitive recording of his difficult Preludes (8) for piano. In 1918 Martin moved to Zurich, then on to Rome and Paris, returning to Geneva in 1926 with the experience of jazz hot in the ear. A meeting that year with Émile Jaques-Dalcroze, founder of eurhythmics, went hand-in-hand with exploration of Hindu and Bulgarian rhythms, issuing in the orchestral triptych Rhythmes (1926) an element of rhythmic nervosité as a persistent feature of his music. Modal and serial elements also informed his work without being slavishly adopted. That the fairly prolific Martin achieved his first characteristic work – the secular oratorio Le vin herbé (1938-1941) – only as he passed his 50th year owes as much, perhaps, to the German-dominated insularity of Swiss musical life as to the search for an ideal purity of utterance. The impact of Debussy and Ravel, for instance, was brought to bear only during the Great War through the revelations of Swiss conductor Ernest Ansermet, who performed Martin's Les dithyrambes in 1918 and became a champion of his work, making several classic recordings of it. Recognition came in the form of teaching posts, directorship of the Technicum Moderne de Musique, president of the Swiss Musicians' Union 1943-1946, a composition class at the Cologne Hochschule für Musik 1950-1957, and commissions (e.g., by Geneva Radio for the oratorio In terra pax for broadcast on armistice day). In 1943 he married his third wife, Maria Boeke, and in 1946 moved with her to Amsterdam, and later to Naarden. Masterworks flowed from his pen between concert tours that carried his music worldwide.Tracks:From Allmusic
01. Suite from Der Sturm - Overture: Adagio molto tranquillo [0:08:37.32]
02. Suite from Der Sturm - Prospero 'Mein Ariel, hast du, der Luft nur ist . . .' [0:05:09.07]
03. Suite from Der Sturm - Allegretto alla marcia [0:03:00.29]
04. Suite from Der Sturm - Epilogue: Larghetto [0:04:59.20]
05. Maria - Tryptichon - Ave Maria: Adagio [0:04:32.52]
06. Maria - Tryptichon - Magnificat: Andante energico [0:11:43.14]
07. Maria - Tryptichon - Stabat Mater: Molto lento [0:07:58.15]
08. Six Monologues from 'Everyman' - 'Ist alls zu End das Freudenmahl' [0:04:32.24]
09. Six Monologues from 'Everyman' - 'Ach Gott, wie graust mir vor dem Tod' [0:04:17.22]
10. Six Monologues from 'Everyman' - 'Ist als wenn eins gerufen hätt' [0:03:13.05]
11. Six Monologues from 'Everyman' - 'So wollt ich ganz vernichtet sein' [0:02:30.39]
12. Six Monologues from 'Everyman' - 'Ja! Ich glaub: solches hat Er vollbracht' [0:03:12.27]
13. Six Monologues from 'Everyman' - 'O ewiger Gott!' [0:05:00.65]
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 24. April 2012, 22:57
Frank Martin / Der Sturm, Maria - Tryptichon, Jedermann
Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1
Read mode : Secure
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Make use of C2 pointers : No
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Null samples used in CRC calculations : Yes
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Additional command line options : -V -0 -T "artist=%artist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "tracknumber=%tracknr%" -T "genre=%genre%" %source%
TOC of the extracted CD
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2 | 8:37.32 | 5:09.07 | 38807 | 61988
3 | 13:46.39 | 3:00.29 | 61989 | 75517
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12 | 60:33.34 | 3:12.27 | 272509 | 286935
13 | 63:45.61 | 5:00.65 | 286936 | 309500
Range status and errors
Selected range
Filename F:\Musique\Martin, Frank\Monologues_Der_Sturm_Maria_Triptychon\Frank Martin - Der Sturm, Maria - Tryptichon, Jedermann.wav
Peak level 95.9 %
Extraction speed 14.9 X
Range quality 100.0 %
Test CRC 1E524751
Copy CRC 1E524751
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
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None of the tracks are present in the AccurateRip database
End of status report
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