Elizabeth Farr - Johann Sebastian Bach: Concertos for Solo Harpsichord (Complete) (2009) 2CDs
Elizabeth Farr - J.S. Bach: Concertos for Solo Harpsichord (Complete) (2009) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 934 Mb | Mp3 (CBR320) ~ 355 Mb | Scans included
Classical, Baroque | Label: Naxos | # 8.572006-07 | Time: 02:30:31
EAC | FLAC | Image (Cue&Log) ~ 934 Mb | Mp3 (CBR320) ~ 355 Mb | Scans included
Classical, Baroque | Label: Naxos | # 8.572006-07 | Time: 02:30:31
This Bach release by American harpsichordist Elizabeth Farr is unusual in several respects and will be welcomed by listeners with Bach collections of any size. Start with the harpsichord, built by the iconoclastic maker Keith Hill in rural Manchester, MI. It's modeled on the Dutch Ruckers instruments of the 17th century, but it includes a set of 16-foot strings, and it has a truly mighty sound, beautifully captured at what is identified as Ploger Hall in the same locality. It's not clear what this venue is, but it's vast improvement over Naxos' preferred church sites. The booklet (in English only) includes a short note from Hill admitting that such a harpsichord would have been rare in Bach's time, but suggesting that it was a luxury item that its "value cannot be overestimated" when it is used where it makes musical sense. That's definitely the case here. These "concertos for solo harpsichord" are transcriptions Bach made for solo keyboard in the early 1710s, of mostly violin concertos by mostly Italian composers. It is not known for certain why Bach made them; he may simply have liked the music and wanted to study it more closely, but Farr's detailed notes also indicate that the transcriptions might have been done at the behest of Bach's patron at the time, the Duke of Weimar. The transcriptions of works by Vivaldi, grouped together on disc 1, are fairly well known; the others are rarer on recordings and might have been inserted among the Vivaldi pieces for variety, matching the sequence in the Bach Werke Verzeichnis. In any order, however, they work beautifully on the harpsichord used here, which can evoke orchestral-solo contrasts in a unique way. The dramatic Vivaldi outer movements, on which Farr takes her time, are especially stirring. Her playing is muscular, yet not without expression, and one possible audience for this release would be fans of the monster harpsichords that accompanied the revival of the instrument on LP in the 1960s who'd like to hear a big harpsichord sound done right. Dip into one of the Vivaldi works and sample, and you may well be hooked.Review by James Manheim, Allmusic.com
This recording hit me like a ton of bricks in three ways. First, there is the music itself, not actually by J.S. Bach but rather transcriptions he made for harpsichord of concertos by Vivaldi, Torelli, Alessandro and Benedetto Marcello, Johann Ernst, Telemann, and unknown composers, in addition to his own Prelude and Fugue in A Minor. Second, there is the extraordinarily high quality of Elizabeth Farr’s performances, dramatic, nuanced, and extraordinarily colorful. And third, there is the sound of the instrument, a rare Baroque-era harpsichord with a 16’ set of strings as well as damper and sustain pedals. When this CD first started pouring out of my speakers, I thought I was listening to Wanda Landowska in digital stereo. It turns out that such fabulous beasts did exist, after all, in the Baroque era, in fact from as far back as the 16th century. Well, well, well. It turns out that Landowska, who has been lambasted for more than half a century for her “grotesque,” “gargantuan-sounding” instruments, was on the right track after all. Not having an authentic instrument to play, she simply had Pleyel create one for her. Granted, it had a grand piano frame because she was a touring musician and even a newly minted harpsichord with 16’ strings would have gotten pummeled on trains, but the sound was not that far removed from this.
Farr is also an interesting annotator. In order to save space I refer you to her liner notes, which explain why Bach transcribed 22 concertos by primarily Italian composers for harpsichord (six of them are for two harpsichords). The key to the project was young Prince Johann Ernst, the nephew of Duke Wilhelm, who in fact composed three of the concertos transcribed here. The young prince, an outstanding musician, wanted them to play on his instrument. Bach was willing to oblige for one particular reason: By writing out these concertos he could study their composing methods, and apply what he learned to his own “Italianate” music.
Farr’s playing is in the style of Leonhardt and Kipnis, using a great deal of rubato—some of it obvious, some of it quite subtle—to break up the very regular rhythms. I love this style. It is antithetical to British harpsichordists like Trevor Pinnock (whom I also highly admire), but very much in line with the type of “hesitating” style that Bach himself later employed in so many solo harpsichord works, a style he undoubtedly picked up from his friend and older colleague Buxtehude. She also plays very dramatically—heavy chording and rich textures when emulating the full tutti of the orchestral passages, lighter and airier in slow movements and when emulating solo passages. This took me some getting used to, but I came to enjoy this approach. Some listeners may feel cheated that only one work (the Prelude and Fugue) is actually by Bach, but as a compendium of Baroque style transcribed by a musical genius, played to perfection and stunningly recorded, this set is very highly recommended.Review by Lynn René Bayley, Fanfare Magazine
Elizabeth Farr - Johann Sebastian Bach: Concertos for Solo Harpsichord (Complete) (2009) 2CDs
Elizabeth Farr - Johann Sebastian Bach: Concertos for Solo Harpsichord (Complete) (2009) 2CDs
Tracklist:
CD1 (1:16:24)
Concerto in D major (after A. Vivaldi, RV230), BWV972
01. I. (Allegro) (2:33)
02. II. Laghetto (2:47)
03. III. Allegro (2:54)
Concerto in G major (after A. Vivaldi, RV299), BWV973
04. I. (Allegro) (3:03)
05. II. Largo (1:59)
06. III. Allegro (2:59)
Concerto in G minor (after A. Vivaldi, RV316), BWV975
07. I. (Allegro) (3:42)
08. II. Largo (3:09)
09. III. Giga: Presto (2:08)
Concerto in C major (after A. Vivaldi, RV265), BWV976
10. I. (Allegro) (4:14)
11. II. Largo (2:57)
12. III. Allegro (3:48)
Concerto in F major (after A. Vivaldi, RV310), BWV978
13. I. Allegro (2:46)
14. II. Largo (1:45)
15. III. Allegro (3:04)
Concerto in G major (after A. Vivaldi, RV381), BWV980
16. I. (Allegro) (4:24)
17. II. Largo (3:15)
18. III. Allegro (2:17)
Concerto in C major (after an unknown composer), BWV977
19. I. (Allegro) (2:58)
20. II. Adagio (1:13)
21. III. Giga (3:10)
Concerto in G minor (after an unknown composer), BWV983
22. I. (Allegro) (3:53)
23. II. Adagio (2:22)
24. III. Allegro (2:46)
Concerto in G major (after an unknown composer), BWV986
25. I. (Allegro) (2:30)
26. II. Adagio (1:04)
27. III. (Allegro) (2:45)
CD2 (1:14:07)
Concerto in B minor (after G. Torelli), BWV979
01. I. (Adagio) - Allegro (1:39)
02. II. Adagio (0:42)
03. III. Allegro - (Adagio) (3:42)
04. IV. Andante (1:10)
05. V. Adagio (0:43)
06. VI. Allegro (4:20)
Concerto in D minor (after A. Marcello), BWV974
07. I. (Andante) (3:13)
08. II. Adagio (3:05)
09. III. Presto (2:30)
Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981
10. I. Adagio (1:48)
11. II. Vivace (2:14)
12. III. (Adagio) (1:59)
13. IV. Prestissimo (2:57)
Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982
14. I. (Allegro) (2:44)
15. II. Adagio - Allegro (3:45)
16. III. Allegro (2:17)
Concerto in C major (after J. Ernst), BWV984
17. I. (Allegro) (3:24)
18. II. Adagio e affettuoso (1:52)
19. III. Allegro assai (3:15)
Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987
20. I. (Grave, Presto, Grave), Presto, Grave (2:26)
21. II. (Allegro) (2:49)
22. III. Adagio (0:33)
23. IV. (Vivace) (1:20)
Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985
24. I. (Allegro) (2:51)
25. II. Adagio (1:50)
26. III. (Allegro) (2:51)
Prelude and Fugue in A minor, BWV894 -
27. I. Prelude (6:38)
28. II. Fugue (5:30)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. April 2012, 14:26
Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD1
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EAC extraction logfile from 18. April 2012, 14:26
Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD1
Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2
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Utilize accurate stream : Yes
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Offsetted by 580:
01 [3187a62b] (2/9) Accurately ripped
02 [698c98d1] (2/9) Accurately ripped
03 [a367f242] (2/9) Accurately ripped
04 [c9007a09] (2/9) Accurately ripped
05 [3beef5e8] (2/9) Accurately ripped
06 [dd87a25f] (2/9) Accurately ripped
07 [42f99774] (2/9) Accurately ripped
08 [41741654] (2/9) Accurately ripped
09 [858063b2] (2/9) Accurately ripped
10 [dd4f504b] (2/9) Accurately ripped
11 [76091bc1] (2/9) Accurately ripped
12 [04db6c77] (2/9) Accurately ripped
13 [304085b2] (2/9) Accurately ripped
14 [537a26d9] (2/9) Accurately ripped
15 [b164937d] (2/9) Accurately ripped
16 [57fffc9e] (2/9) Accurately ripped
17 [a3dad828] (2/9) Accurately ripped
18 [c30c09ae] (2/9) Accurately ripped
19 [e58026a7] (2/9) Accurately ripped
20 [844172d4] (2/9) Accurately ripped
21 [0ac0e87a] (2/9) Accurately ripped
22 [c67c7c7f] (2/9) Accurately ripped
23 [887efc8d] (2/9) Accurately ripped
24 [fbca3010] (2/9) Accurately ripped
25 [0b7e8074] (2/9) Accurately ripped
26 [be68c718] (2/9) Accurately ripped
27 [e4b481a9] (2/9) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 94,1 [484A1D37] [4436626D] CRC32
01 94,1 [100216A3] [5C0DE1A6]
02 31,6 [CFBF4ED9] [4E7AFC21]
03 88,6 [638D9069] [DBFED427]
04 78,3 [B56CF7CD] [FEBD20AC]
05 44,3 [A1E2B4F7] [BCDC567F]
06 84,0 [F6764F98] [2FF8B514]
07 71,2 [9D952711] [1251A0F6]
08 52,6 [EF779C86] [32959069]
09 82,2 [8A77BAF1] [24FFADE4]
10 69,7 [C22BE4D3] [F093534C]
11 57,1 [FB099D82] [203315D7]
12 85,5 [FAE2D9F7] [7548654D]
13 69,1 [EE61C8D7] [4F345E05]
14 83,2 [7E914BD8] [48EAF74E]
15 75,7 [7A88E4FA] [E128CC41]
16 67,9 [6DEDB537] [A1EFC82E]
17 55,1 [227870CA] [6DF755F8]
18 51,8 [DBC352EE] [FACE93B9]
19 60,8 [FA730E09] [A2B69F1B]
20 36,9 [15DABF2A] [02CE82BF]
21 52,8 [B367CE8F] [1BAC5AC1]
22 52,1 [ADEC1975] [5D50CE68]
23 37,2 [4E167662] [D2CAE868]
24 46,1 [98B88176] [76305251]
25 48,2 [5E70DE70] [F0740EF1]
26 21,9 [A89F3C73] [B72B465A]
27 59,6 [CB24430C] [248F1618]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-07-14 01:09:30
––––––––––––––––––––––––––––––––––––––––
Analyzed: Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.52 dB -16.83 dB 2:33 01-Concerto in D major (after A. Vivaldi, RV230), BWV972 - I. (Allegro)
DR13 -9.99 dB -25.67 dB 2:47 02-Concerto in D major (after A. Vivaldi, RV230), BWV972 - II. Laghetto
DR12 -1.05 dB -17.33 dB 2:54 03-Concerto in D major (after A. Vivaldi, RV230), BWV972 - III. Allegro
DR13 -2.12 dB -19.47 dB 3:03 04-Concerto in G major (after A. Vivaldi, RV299), BWV973 - I. (Allegro)
DR11 -7.07 dB -22.00 dB 1:59 05-Concerto in G major (after A. Vivaldi, RV299), BWV973 - II. Largo
DR12 -1.51 dB -17.41 dB 2:59 06-Concerto in G major (after A. Vivaldi, RV299), BWV973 - III. Allegro
DR12 -2.95 dB -19.12 dB 3:42 07-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - I. (Allegro)
DR11 -5.57 dB -21.53 dB 3:09 08-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - II. Largo
DR11 -1.70 dB -15.19 dB 2:08 09-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - III. Giga: Presto
DR13 -3.13 dB -17.89 dB 4:14 10-Concerto in C major (after A. Vivaldi, RV265), BWV976 - I. (Allegro)
DR13 -4.86 dB -22.69 dB 2:57 11-Concerto in C major (after A. Vivaldi, RV265), BWV976 - II. Largo
DR14 -1.35 dB -19.52 dB 3:48 12-Concerto in C major (after A. Vivaldi, RV265), BWV976 - III. Allegro
DR12 -3.20 dB -19.39 dB 2:46 13-Concerto in F major (after A. Vivaldi, RV310), BWV978 - I. Allegro
DR15 -1.59 dB -21.97 dB 1:45 14-Concerto in F major (after A. Vivaldi, RV310), BWV978 - II. Largo
DR12 -2.42 dB -20.22 dB 3:04 15-Concerto in F major (after A. Vivaldi, RV310), BWV978 - III. Allegro
DR13 -3.36 dB -20.12 dB 4:24 16-Concerto in G major (after A. Vivaldi, RV381), BWV980 - I. (Allegro)
DR15 -5.16 dB -24.74 dB 3:15 17-Concerto in G major (after A. Vivaldi, RV381), BWV980 - II. Largo
DR11 -5.70 dB -19.52 dB 2:17 18-Concerto in G major (after A. Vivaldi, RV381), BWV980 - III. Allegro
DR12 -4.32 dB -20.93 dB 2:58 19-Concerto in C major (after an unknown composer), BWV977 - I. (Allegro)
DR11 -8.64 dB -24.36 dB 1:13 20-Concerto in C major (after an unknown composer), BWV977 - II. Adagio
DR12 -5.54 dB -19.84 dB 3:10 21-Concerto in C major (after an unknown composer), BWV977 - III. Giga
DR13 -5.66 dB -22.21 dB 3:53 22-Concerto in G minor (after an unknown composer), BWV983 - I. (Allegro)
DR12 -8.57 dB -25.09 dB 2:22 23-Concerto in G minor (after an unknown composer), BWV983 - II. Adagio
DR12 -6.72 dB -21.72 dB 2:46 24-Concerto in G minor (after an unknown composer), BWV983 - III. Allegro
DR12 -6.32 dB -22.71 dB 2:30 25-Concerto in G major (after an unknown composer), BWV986 - I. (Allegro)
DR13 -13.18 dB -30.57 dB 1:04 26-Concerto in G major (after an unknown composer), BWV986 - II. Adagio
DR12 -4.48 dB -19.36 dB 2:45 27-Concerto in G major (after an unknown composer), BWV986 - III. (Allegro)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 27
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 861 kbps
Codec: FLAC
================================================================================
log date: 2018-07-14 01:09:30
––––––––––––––––––––––––––––––––––––––––
Analyzed: Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.52 dB -16.83 dB 2:33 01-Concerto in D major (after A. Vivaldi, RV230), BWV972 - I. (Allegro)
DR13 -9.99 dB -25.67 dB 2:47 02-Concerto in D major (after A. Vivaldi, RV230), BWV972 - II. Laghetto
DR12 -1.05 dB -17.33 dB 2:54 03-Concerto in D major (after A. Vivaldi, RV230), BWV972 - III. Allegro
DR13 -2.12 dB -19.47 dB 3:03 04-Concerto in G major (after A. Vivaldi, RV299), BWV973 - I. (Allegro)
DR11 -7.07 dB -22.00 dB 1:59 05-Concerto in G major (after A. Vivaldi, RV299), BWV973 - II. Largo
DR12 -1.51 dB -17.41 dB 2:59 06-Concerto in G major (after A. Vivaldi, RV299), BWV973 - III. Allegro
DR12 -2.95 dB -19.12 dB 3:42 07-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - I. (Allegro)
DR11 -5.57 dB -21.53 dB 3:09 08-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - II. Largo
DR11 -1.70 dB -15.19 dB 2:08 09-Concerto in G minor (after A. Vivaldi, RV316), BWV975 - III. Giga: Presto
DR13 -3.13 dB -17.89 dB 4:14 10-Concerto in C major (after A. Vivaldi, RV265), BWV976 - I. (Allegro)
DR13 -4.86 dB -22.69 dB 2:57 11-Concerto in C major (after A. Vivaldi, RV265), BWV976 - II. Largo
DR14 -1.35 dB -19.52 dB 3:48 12-Concerto in C major (after A. Vivaldi, RV265), BWV976 - III. Allegro
DR12 -3.20 dB -19.39 dB 2:46 13-Concerto in F major (after A. Vivaldi, RV310), BWV978 - I. Allegro
DR15 -1.59 dB -21.97 dB 1:45 14-Concerto in F major (after A. Vivaldi, RV310), BWV978 - II. Largo
DR12 -2.42 dB -20.22 dB 3:04 15-Concerto in F major (after A. Vivaldi, RV310), BWV978 - III. Allegro
DR13 -3.36 dB -20.12 dB 4:24 16-Concerto in G major (after A. Vivaldi, RV381), BWV980 - I. (Allegro)
DR15 -5.16 dB -24.74 dB 3:15 17-Concerto in G major (after A. Vivaldi, RV381), BWV980 - II. Largo
DR11 -5.70 dB -19.52 dB 2:17 18-Concerto in G major (after A. Vivaldi, RV381), BWV980 - III. Allegro
DR12 -4.32 dB -20.93 dB 2:58 19-Concerto in C major (after an unknown composer), BWV977 - I. (Allegro)
DR11 -8.64 dB -24.36 dB 1:13 20-Concerto in C major (after an unknown composer), BWV977 - II. Adagio
DR12 -5.54 dB -19.84 dB 3:10 21-Concerto in C major (after an unknown composer), BWV977 - III. Giga
DR13 -5.66 dB -22.21 dB 3:53 22-Concerto in G minor (after an unknown composer), BWV983 - I. (Allegro)
DR12 -8.57 dB -25.09 dB 2:22 23-Concerto in G minor (after an unknown composer), BWV983 - II. Adagio
DR12 -6.72 dB -21.72 dB 2:46 24-Concerto in G minor (after an unknown composer), BWV983 - III. Allegro
DR12 -6.32 dB -22.71 dB 2:30 25-Concerto in G major (after an unknown composer), BWV986 - I. (Allegro)
DR13 -13.18 dB -30.57 dB 1:04 26-Concerto in G major (after an unknown composer), BWV986 - II. Adagio
DR12 -4.48 dB -19.36 dB 2:45 27-Concerto in G major (after an unknown composer), BWV986 - III. (Allegro)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 27
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 861 kbps
Codec: FLAC
================================================================================
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. April 2012, 16:13
Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD2
Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:39.10 | 0 | 7434
2 | 1:39.10 | 0:42.06 | 7435 | 10590
3 | 2:21.16 | 3:42.31 | 10591 | 27271
4 | 6:03.47 | 1:10.16 | 27272 | 32537
5 | 7:13.63 | 0:43.03 | 32538 | 35765
6 | 7:56.66 | 4:19.65 | 35766 | 55255
7 | 12:16.56 | 3:12.67 | 55256 | 69722
8 | 15:29.48 | 3:05.01 | 69723 | 83598
9 | 18:34.49 | 2:29.48 | 83599 | 94821
10 | 21:04.22 | 1:48.13 | 94822 | 102934
11 | 22:52.35 | 2:14.27 | 102935 | 113011
12 | 25:06.62 | 1:59.11 | 113012 | 121947
13 | 27:05.73 | 2:56.47 | 121948 | 135194
14 | 30:02.45 | 2:44.12 | 135195 | 147506
15 | 32:46.57 | 3:45.09 | 147507 | 164390
16 | 36:31.66 | 2:16.66 | 164391 | 174656
17 | 38:48.57 | 3:24.33 | 174657 | 189989
18 | 42:13.15 | 1:51.69 | 189990 | 198383
19 | 44:05.09 | 3:14.40 | 198384 | 212973
20 | 47:19.49 | 2:25.48 | 212974 | 223896
21 | 49:45.22 | 2:48.56 | 223897 | 236552
22 | 52:34.03 | 0:32.71 | 236553 | 239023
23 | 53:06.74 | 1:20.19 | 239024 | 245042
24 | 54:27.18 | 2:50.47 | 245043 | 257839
25 | 57:17.65 | 1:50.34 | 257840 | 266123
26 | 59:08.24 | 2:50.64 | 266124 | 278937
27 | 61:59.13 | 6:38.00 | 278938 | 308787
28 | 68:37.13 | 5:29.60 | 308788 | 333522
Range status and errors
Selected range
Filename D:\temp\pics\Bach - Concertos for Solo Harpsichord\Bach - Concertos for Solo Harpsichord - CD2.wav
Peak level 72.1 %
Extraction speed 5.4 X
Range quality 100.0 %
Test CRC 005F464E
Copy CRC 005F464E
Copy OK
No errors occurred
End of status report
==== Log checksum 51AAB702F5E00F71283FC560258A4DE956E09A914DB27D92D617086E86700BD1 ====
EAC extraction logfile from 18. April 2012, 16:13
Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD2
Used drive : Optiarc DVD+-RW AD-5170S Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:39.10 | 0 | 7434
2 | 1:39.10 | 0:42.06 | 7435 | 10590
3 | 2:21.16 | 3:42.31 | 10591 | 27271
4 | 6:03.47 | 1:10.16 | 27272 | 32537
5 | 7:13.63 | 0:43.03 | 32538 | 35765
6 | 7:56.66 | 4:19.65 | 35766 | 55255
7 | 12:16.56 | 3:12.67 | 55256 | 69722
8 | 15:29.48 | 3:05.01 | 69723 | 83598
9 | 18:34.49 | 2:29.48 | 83599 | 94821
10 | 21:04.22 | 1:48.13 | 94822 | 102934
11 | 22:52.35 | 2:14.27 | 102935 | 113011
12 | 25:06.62 | 1:59.11 | 113012 | 121947
13 | 27:05.73 | 2:56.47 | 121948 | 135194
14 | 30:02.45 | 2:44.12 | 135195 | 147506
15 | 32:46.57 | 3:45.09 | 147507 | 164390
16 | 36:31.66 | 2:16.66 | 164391 | 174656
17 | 38:48.57 | 3:24.33 | 174657 | 189989
18 | 42:13.15 | 1:51.69 | 189990 | 198383
19 | 44:05.09 | 3:14.40 | 198384 | 212973
20 | 47:19.49 | 2:25.48 | 212974 | 223896
21 | 49:45.22 | 2:48.56 | 223897 | 236552
22 | 52:34.03 | 0:32.71 | 236553 | 239023
23 | 53:06.74 | 1:20.19 | 239024 | 245042
24 | 54:27.18 | 2:50.47 | 245043 | 257839
25 | 57:17.65 | 1:50.34 | 257840 | 266123
26 | 59:08.24 | 2:50.64 | 266124 | 278937
27 | 61:59.13 | 6:38.00 | 278938 | 308787
28 | 68:37.13 | 5:29.60 | 308788 | 333522
Range status and errors
Selected range
Filename D:\temp\pics\Bach - Concertos for Solo Harpsichord\Bach - Concertos for Solo Harpsichord - CD2.wav
Peak level 72.1 %
Extraction speed 5.4 X
Range quality 100.0 %
Test CRC 005F464E
Copy CRC 005F464E
Copy OK
No errors occurred
End of status report
==== Log checksum 51AAB702F5E00F71283FC560258A4DE956E09A914DB27D92D617086E86700BD1 ====
[CUETools log; Date: 14.07.2018 1:13:15; Version: 2.1.4]
[CTDB TOCID: coks7UlAEnurCYu2Z1UoFF6q1qM-] found.
Track | CTDB Status
1 | (5/5) Accurately ripped
2 | (5/5) Accurately ripped
3 | (5/5) Accurately ripped
4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
6 | (5/5) Accurately ripped
7 | (5/5) Accurately ripped
8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped
11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
13 | (5/5) Accurately ripped
14 | (5/5) Accurately ripped
15 | (5/5) Accurately ripped
16 | (5/5) Accurately ripped
17 | (5/5) Accurately ripped
18 | (5/5) Accurately ripped
19 | (5/5) Accurately ripped
20 | (5/5) Accurately ripped
21 | (5/5) Accurately ripped
22 | (5/5) Accurately ripped
23 | (5/5) Accurately ripped
24 | (5/5) Accurately ripped
25 | (5/5) Accurately ripped
26 | (5/5) Accurately ripped
27 | (5/5) Accurately ripped
28 | (5/5) Accurately ripped
[AccurateRip ID: 0042a56d-054c93ea-98115e1c] found.
Track [ CRC | V2 ] Status
01 [f398dd85|8e0276cc] (0+7/9) Accurately ripped
02 [e6326459|5e9c6cd2] (0+7/9) Accurately ripped
03 [d936e9e7|a9f4c002] (0+7/9) Accurately ripped
04 [1f969832|ac6ae586] (0+7/9) Accurately ripped
05 [5c1a02d8|7eaf80bd] (0+7/9) Accurately ripped
06 [70989fb7|92303087] (0+7/9) Accurately ripped
07 [375ff1d0|f840f660] (0+7/9) Accurately ripped
08 [c72dc901|a6ab203a] (0+7/9) Accurately ripped
09 [6b7fac44|fb581d69] (0+7/9) Accurately ripped
10 [55753496|648a3437] (0+7/9) Accurately ripped
11 [098cad60|96d70a69] (0+7/9) Accurately ripped
12 [594cb57c|930246d8] (0+7/9) Accurately ripped
13 [1e2d5bf8|903b702b] (0+7/9) Accurately ripped
14 [2ac57681|827a703a] (0+7/9) Accurately ripped
15 [d07affc8|030f02e2] (0+7/9) Accurately ripped
16 [212f726b|eb8e29c7] (0+7/9) Accurately ripped
17 [11c9e16c|c6ab21f9] (0+7/9) Accurately ripped
18 [cc2a1894|d13b24f6] (0+7/9) Accurately ripped
19 [815d437c|b04f678c] (0+7/9) Accurately ripped
20 [8de1d224|b4ac2ae9] (0+7/9) Accurately ripped
21 [5354b47b|f359ab1f] (0+7/9) Accurately ripped
22 [a3da7c1a|f6651b5f] (0+7/9) Accurately ripped
23 [0120fcda|8bc2d3d1] (0+7/9) Accurately ripped
24 [ad143efe|d375c242] (0+7/9) Accurately ripped
25 [f997e796|3bcc59e7] (0+7/9) Accurately ripped
26 [ba46f39e|0601e9fd] (0+7/9) Accurately ripped
27 [71d9dc62|6f2c8584] (0+7/9) Accurately ripped
28 [3a522427|ff1f5a69] (0+7/9) Accurately ripped
Offsetted by 634:
01 [2d800358] (2/9) Accurately ripped
02 [deaa828f] (2/9) Accurately ripped
03 [f5e3c057] (2/9) Accurately ripped
04 [a0342f5c] (2/9) Accurately ripped
05 [17cb6909] (2/9) Accurately ripped
06 [bdfa0f9b] (2/9) Accurately ripped
07 [9cd9ae6b] (2/9) Accurately ripped
08 [4cc0d731] (2/9) Accurately ripped
09 [b64881ea] (2/9) Accurately ripped
10 [f629d8d0] (2/9) Accurately ripped
11 [f8e01347] (2/9) Accurately ripped
12 [852a7853] (2/9) Accurately ripped
13 [078a14a9] (2/9) Accurately ripped
14 [d2680666] (2/9) Accurately ripped
15 [15b0f0a0] (2/9) Accurately ripped
16 [f7bc7e5a] (2/9) Accurately ripped
17 [5381407c] (2/9) Accurately ripped
18 [c5abe258] (2/9) Accurately ripped
19 [d05a1613] (2/9) Accurately ripped
20 [0cdc2d36] (2/9) Accurately ripped
21 [dc20ab2d] (2/9) Accurately ripped
22 [0673b01d] (2/9) Accurately ripped
23 [22e7710e] (2/9) Accurately ripped
24 [187cec0b] (2/9) Accurately ripped
25 [70496bf8] (2/9) Accurately ripped
26 [a511e235] (2/9) Accurately ripped
27 [2ea3ea89] (2/9) Accurately ripped
28 [dc404e52] (2/9) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 72,1 [005F464E] [EA184434] CRC32
01 67,5 [BF413116] [E267F62E]
02 20,6 [5AF46951] [15BB74C5]
03 67,2 [54AFD8E1] [D0923E81]
04 33,1 [5DF9B0B5] [39F74904]
05 38,3 [D3309A27] [51ECA91D]
06 52,0 [C5DA1A66] [FDB1EA1B]
07 54,7 [7BA6B623] [0659D0BB]
08 31,7 [0D828E2D] [AFEED0EE]
09 55,8 [EA8FAFFC] [B6FD9F4B]
10 53,9 [299E2866] [B2FC380C]
11 45,9 [324AA265] [EBDF99F2]
12 72,1 [811570F4] [86AEE391]
13 52,9 [7CE8899E] [8DEF62A5]
14 52,5 [D6FBF09E] [DD9C857B]
15 47,9 [609231C7] [B4AF0103]
16 49,7 [7F10A227] [8B7AFAE2]
17 59,6 [B15C9541] [19626F20]
18 37,0 [31C54D91] [00E9A003]
19 52,7 [4CDBFECE] [21033F43]
20 51,1 [A9DD8628] [AEC06177]
21 38,2 [17C93C13] [D8A23CEC]
22 18,0 [C01D68B4] [C0191AD0]
23 52,4 [9C9EEDA4] [71549A97]
24 52,7 [84A9B063] [33A0B6C8]
25 31,6 [8DF4C0D6] [E6DB6C04]
26 54,5 [08C715E5] [77EAD098]
27 64,1 [5F76D8E9] [16D84E1B]
28 66,6 [65A7C513] [59DF9A4F]
[CTDB TOCID: coks7UlAEnurCYu2Z1UoFF6q1qM-] found.
Track | CTDB Status
1 | (5/5) Accurately ripped
2 | (5/5) Accurately ripped
3 | (5/5) Accurately ripped
4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
6 | (5/5) Accurately ripped
7 | (5/5) Accurately ripped
8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped
11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
13 | (5/5) Accurately ripped
14 | (5/5) Accurately ripped
15 | (5/5) Accurately ripped
16 | (5/5) Accurately ripped
17 | (5/5) Accurately ripped
18 | (5/5) Accurately ripped
19 | (5/5) Accurately ripped
20 | (5/5) Accurately ripped
21 | (5/5) Accurately ripped
22 | (5/5) Accurately ripped
23 | (5/5) Accurately ripped
24 | (5/5) Accurately ripped
25 | (5/5) Accurately ripped
26 | (5/5) Accurately ripped
27 | (5/5) Accurately ripped
28 | (5/5) Accurately ripped
[AccurateRip ID: 0042a56d-054c93ea-98115e1c] found.
Track [ CRC | V2 ] Status
01 [f398dd85|8e0276cc] (0+7/9) Accurately ripped
02 [e6326459|5e9c6cd2] (0+7/9) Accurately ripped
03 [d936e9e7|a9f4c002] (0+7/9) Accurately ripped
04 [1f969832|ac6ae586] (0+7/9) Accurately ripped
05 [5c1a02d8|7eaf80bd] (0+7/9) Accurately ripped
06 [70989fb7|92303087] (0+7/9) Accurately ripped
07 [375ff1d0|f840f660] (0+7/9) Accurately ripped
08 [c72dc901|a6ab203a] (0+7/9) Accurately ripped
09 [6b7fac44|fb581d69] (0+7/9) Accurately ripped
10 [55753496|648a3437] (0+7/9) Accurately ripped
11 [098cad60|96d70a69] (0+7/9) Accurately ripped
12 [594cb57c|930246d8] (0+7/9) Accurately ripped
13 [1e2d5bf8|903b702b] (0+7/9) Accurately ripped
14 [2ac57681|827a703a] (0+7/9) Accurately ripped
15 [d07affc8|030f02e2] (0+7/9) Accurately ripped
16 [212f726b|eb8e29c7] (0+7/9) Accurately ripped
17 [11c9e16c|c6ab21f9] (0+7/9) Accurately ripped
18 [cc2a1894|d13b24f6] (0+7/9) Accurately ripped
19 [815d437c|b04f678c] (0+7/9) Accurately ripped
20 [8de1d224|b4ac2ae9] (0+7/9) Accurately ripped
21 [5354b47b|f359ab1f] (0+7/9) Accurately ripped
22 [a3da7c1a|f6651b5f] (0+7/9) Accurately ripped
23 [0120fcda|8bc2d3d1] (0+7/9) Accurately ripped
24 [ad143efe|d375c242] (0+7/9) Accurately ripped
25 [f997e796|3bcc59e7] (0+7/9) Accurately ripped
26 [ba46f39e|0601e9fd] (0+7/9) Accurately ripped
27 [71d9dc62|6f2c8584] (0+7/9) Accurately ripped
28 [3a522427|ff1f5a69] (0+7/9) Accurately ripped
Offsetted by 634:
01 [2d800358] (2/9) Accurately ripped
02 [deaa828f] (2/9) Accurately ripped
03 [f5e3c057] (2/9) Accurately ripped
04 [a0342f5c] (2/9) Accurately ripped
05 [17cb6909] (2/9) Accurately ripped
06 [bdfa0f9b] (2/9) Accurately ripped
07 [9cd9ae6b] (2/9) Accurately ripped
08 [4cc0d731] (2/9) Accurately ripped
09 [b64881ea] (2/9) Accurately ripped
10 [f629d8d0] (2/9) Accurately ripped
11 [f8e01347] (2/9) Accurately ripped
12 [852a7853] (2/9) Accurately ripped
13 [078a14a9] (2/9) Accurately ripped
14 [d2680666] (2/9) Accurately ripped
15 [15b0f0a0] (2/9) Accurately ripped
16 [f7bc7e5a] (2/9) Accurately ripped
17 [5381407c] (2/9) Accurately ripped
18 [c5abe258] (2/9) Accurately ripped
19 [d05a1613] (2/9) Accurately ripped
20 [0cdc2d36] (2/9) Accurately ripped
21 [dc20ab2d] (2/9) Accurately ripped
22 [0673b01d] (2/9) Accurately ripped
23 [22e7710e] (2/9) Accurately ripped
24 [187cec0b] (2/9) Accurately ripped
25 [70496bf8] (2/9) Accurately ripped
26 [a511e235] (2/9) Accurately ripped
27 [2ea3ea89] (2/9) Accurately ripped
28 [dc404e52] (2/9) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 72,1 [005F464E] [EA184434] CRC32
01 67,5 [BF413116] [E267F62E]
02 20,6 [5AF46951] [15BB74C5]
03 67,2 [54AFD8E1] [D0923E81]
04 33,1 [5DF9B0B5] [39F74904]
05 38,3 [D3309A27] [51ECA91D]
06 52,0 [C5DA1A66] [FDB1EA1B]
07 54,7 [7BA6B623] [0659D0BB]
08 31,7 [0D828E2D] [AFEED0EE]
09 55,8 [EA8FAFFC] [B6FD9F4B]
10 53,9 [299E2866] [B2FC380C]
11 45,9 [324AA265] [EBDF99F2]
12 72,1 [811570F4] [86AEE391]
13 52,9 [7CE8899E] [8DEF62A5]
14 52,5 [D6FBF09E] [DD9C857B]
15 47,9 [609231C7] [B4AF0103]
16 49,7 [7F10A227] [8B7AFAE2]
17 59,6 [B15C9541] [19626F20]
18 37,0 [31C54D91] [00E9A003]
19 52,7 [4CDBFECE] [21033F43]
20 51,1 [A9DD8628] [AEC06177]
21 38,2 [17C93C13] [D8A23CEC]
22 18,0 [C01D68B4] [C0191AD0]
23 52,4 [9C9EEDA4] [71549A97]
24 52,7 [84A9B063] [33A0B6C8]
25 31,6 [8DF4C0D6] [E6DB6C04]
26 54,5 [08C715E5] [77EAD098]
27 64,1 [5F76D8E9] [16D84E1B]
28 66,6 [65A7C513] [59DF9A4F]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-07-14 01:10:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.40 dB -18.61 dB 1:39 01-Concerto in B minor (after G. Torelli), BWV979 - I. (Adagio) - Allegro
DR12 -13.71 dB -29.46 dB 0:42 02-Concerto in B minor (after G. Torelli), BWV979 - II. Adagio
DR13 -3.44 dB -21.17 dB 3:42 03-Concerto in B minor (after G. Torelli), BWV979 - III. Allegro - (Adagio)
DR10 -9.59 dB -23.31 dB 1:10 04-Concerto in B minor (after G. Torelli), BWV979 - IV. Andante
DR11 -8.32 dB -24.38 dB 0:43 05-Concerto in B minor (after G. Torelli), BWV979 - V. Adagio
DR12 -5.67 dB -20.80 dB 4:20 06-Concerto in B minor (after G. Torelli), BWV979 - VI. Allegro
DR14 -5.24 dB -23.75 dB 3:13 07-Concerto in D minor (after A. Marcello), BWV974 - I. (Andante)
DR12 -9.98 dB -26.27 dB 3:05 08-Concerto in D minor (after A. Marcello), BWV974 - II. Adagio
DR12 -5.06 dB -21.33 dB 2:30 09-Concerto in D minor (after A. Marcello), BWV974 - III. Presto
DR13 -5.35 dB -23.17 dB 1:48 10-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - I. Adagio
DR11 -6.76 dB -22.02 dB 2:14 11-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - II. Vivace
DR16 -2.83 dB -24.78 dB 1:59 12-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - III. (Adagio)
DR12 -5.53 dB -19.42 dB 2:57 13-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - IV. Prestissimo
DR12 -5.59 dB -22.17 dB 2:44 14-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - I. (Allegro)
DR12 -6.39 dB -24.30 dB 3:45 15-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - II. Adagio - Allegro
DR12 -6.07 dB -23.27 dB 2:17 16-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - III. Allegro
DR12 -4.49 dB -18.82 dB 3:24 17-Concerto in C major (after J. Ernst), BWV984 - I. (Allegro)
DR12 -8.63 dB -24.18 dB 1:52 18-Concerto in C major (after J. Ernst), BWV984 - II. Adagio e affettuoso
DR11 -5.56 dB -21.25 dB 3:15 19-Concerto in C major (after J. Ernst), BWV984 - III. Allegro assai
DR11 -5.83 dB -23.43 dB 2:26 20-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - I. (Grave, Presto, Grave), Presto, Grave
DR12 -8.34 dB -23.96 dB 2:49 21-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - II. (Allegro)
DR12 -14.87 dB -29.63 dB 0:33 22-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - III. Adagio
DR11 -5.60 dB -19.39 dB 1:20 23-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - IV. (Vivace)
DR12 -5.56 dB -22.26 dB 2:51 24-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - I. (Allegro)
DR12 -9.99 dB -25.80 dB 1:50 25-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - II. Adagio
DR13 -5.26 dB -23.26 dB 2:51 26-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - III. (Allegro)
DR12 -3.85 dB -19.25 dB 6:38 27-Prelude and Fugue in A minor, BWV894 - I. Prelude
DR13 -3.53 dB -20.19 dB 5:30 28-Prelude and Fugue in A minor, BWV894 - II. Fugue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 28
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 855 kbps
Codec: FLAC
================================================================================
log date: 2018-07-14 01:10:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Elizabeth Farr / Bach - Concertos for Solo Harpsichord - CD2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.40 dB -18.61 dB 1:39 01-Concerto in B minor (after G. Torelli), BWV979 - I. (Adagio) - Allegro
DR12 -13.71 dB -29.46 dB 0:42 02-Concerto in B minor (after G. Torelli), BWV979 - II. Adagio
DR13 -3.44 dB -21.17 dB 3:42 03-Concerto in B minor (after G. Torelli), BWV979 - III. Allegro - (Adagio)
DR10 -9.59 dB -23.31 dB 1:10 04-Concerto in B minor (after G. Torelli), BWV979 - IV. Andante
DR11 -8.32 dB -24.38 dB 0:43 05-Concerto in B minor (after G. Torelli), BWV979 - V. Adagio
DR12 -5.67 dB -20.80 dB 4:20 06-Concerto in B minor (after G. Torelli), BWV979 - VI. Allegro
DR14 -5.24 dB -23.75 dB 3:13 07-Concerto in D minor (after A. Marcello), BWV974 - I. (Andante)
DR12 -9.98 dB -26.27 dB 3:05 08-Concerto in D minor (after A. Marcello), BWV974 - II. Adagio
DR12 -5.06 dB -21.33 dB 2:30 09-Concerto in D minor (after A. Marcello), BWV974 - III. Presto
DR13 -5.35 dB -23.17 dB 1:48 10-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - I. Adagio
DR11 -6.76 dB -22.02 dB 2:14 11-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - II. Vivace
DR16 -2.83 dB -24.78 dB 1:59 12-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - III. (Adagio)
DR12 -5.53 dB -19.42 dB 2:57 13-Concerto in C minor (after B. Marcello, Op. 1 No. 2), BWV981 - IV. Prestissimo
DR12 -5.59 dB -22.17 dB 2:44 14-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - I. (Allegro)
DR12 -6.39 dB -24.30 dB 3:45 15-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - II. Adagio - Allegro
DR12 -6.07 dB -23.27 dB 2:17 16-Concero in B flat major (after J. Ernst, Op. 1 No. 1), BWV982 - III. Allegro
DR12 -4.49 dB -18.82 dB 3:24 17-Concerto in C major (after J. Ernst), BWV984 - I. (Allegro)
DR12 -8.63 dB -24.18 dB 1:52 18-Concerto in C major (after J. Ernst), BWV984 - II. Adagio e affettuoso
DR11 -5.56 dB -21.25 dB 3:15 19-Concerto in C major (after J. Ernst), BWV984 - III. Allegro assai
DR11 -5.83 dB -23.43 dB 2:26 20-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - I. (Grave, Presto, Grave), Presto, Grave
DR12 -8.34 dB -23.96 dB 2:49 21-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - II. (Allegro)
DR12 -14.87 dB -29.63 dB 0:33 22-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - III. Adagio
DR11 -5.60 dB -19.39 dB 1:20 23-Concerto in D minor (after J. Ernst, Op. 1 No. 4), BWV987 - IV. (Vivace)
DR12 -5.56 dB -22.26 dB 2:51 24-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - I. (Allegro)
DR12 -9.99 dB -25.80 dB 1:50 25-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - II. Adagio
DR13 -5.26 dB -23.26 dB 2:51 26-Concerto in G minor (after G.Ph. Telemann, TWV 51 : g 21), BWV985 - III. (Allegro)
DR12 -3.85 dB -19.25 dB 6:38 27-Prelude and Fugue in A minor, BWV894 - I. Prelude
DR13 -3.53 dB -20.19 dB 5:30 28-Prelude and Fugue in A minor, BWV894 - II. Fugue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 28
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 855 kbps
Codec: FLAC
================================================================================
Elizabeth Farr - Johann Sebastian Bach: Concertos for Solo Harpsichord (Complete) (2009) 2CDs
