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Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge (2016)

Posted By: SERTiL
Date: 1 Apr 2017 10:14:40
Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge (2016)

Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge
Classical | WEB FLAC (tracks) & d. booklet | 55:40 min | 185 MB
Label: Harmonia Mundi | Tracks: 18 | Rls.date: 2016

Brahms wrote a vast number of lieder over a period of 40 years. The 200 or so he permitted to survive show just how important the genre was to his compositional process. The selection presented here illustrates the diversity of a corpus that features Heine (as with so many other composers), but also a wide variety of other poets whom he set to music with the same consummate skill as the Four Serious Songs Op.121, the peak of his magnificent and highly individual output.

'But his gravelly low notes can be glorious, his long phrases are powerful and his high pianissimos are especially poignant in Mondenschein, Op 85. The finest-grained colours come from the piano: Eschenbach knows when to push and when to linger, and he has a lovely knack of catching Goerne at the crest of a phrase and then adding his own quiet commentary.' –Kate Molleson The Guardian, 30th June 2016

'Goerne remains a fine lieder singer … he shows a careful attention to text … he finds a contemplative depth for the Four Serious Songs, however, with the sorrow and tenderness of the second beautifully suggested.' –George Hall - BBC Music Magazine, September 2016

GRAMOPHONE EDITOR S CHOICE 'This is supremely seductive Lieder singing, with a natural intelligence and ease with the words, matched by playing from Christoph Eschenbach (also at the keyboard for that final Schubert instalment, a similarly beguiling Winterreise 1/14), that coaxes and caresses the piano with loving delicacy. And listen to the opening of Meerfahrt : you can almost feel in his playing the boat s oars digging deep into the watery depths … But for all the beauty on show, I never get any sense of self-indulgence or narcissism not even in performances of the Heine pair of Sommerabend and Mondenschein in which time seems to stand still. It s nevertheless the heart-stopping beauty of his and Eschenbach s take on the concluding Wie bist du, meine Königin that lingers in the memory.' –Gramophone

TRACKLIST
01. 9 Lieder and Songs, Op. 32 : I. Wie rafft ich mich auf in der Nacht
02. 9 Lieder and Songs, Op. 32 : II. Nicht mehr zu dir zu gehen
03. 9 Lieder and Songs, Op. 32 : III. Ich schleich umher betrübt und stumm
04. 9 Lieder and Songs, Op. 32 : V. Der Strom, der neben mir verrauschte
05. 9 Lieder and Songs, Op. 32 : V. Wehe, so willst du mich wieder
06. 9 Lieder and Songs, Op. 32 : VI. Du sprichst,daβ ich mich täuschte
07. 9 Lieder and Songs, Op. 32 : VII. Bitteres zu sagen denkst du
08. 9 Lieder and Songs, Op. 32 : VIII. So Stehn Wir, Ich Und Meine Weide
09. 9 Lieder and Songs, Op. 32 : IX. Wie bist du, meine Königin
10. 6 Lieder, Op. 85: I. Sommerabend
11. 6 Lieder, Op. 85: II. Mondenschein
12. 4 Lieder, Op. 9: I. Der Tod, das ist die kühle Nacht
13. 4 Lieder, Op. 9: III. Es schauen die Blumen
14. 4 Lieder, Op. 9: IV. Meerfahrt
15. Vier ernste Gesänge, Op. 121 : I. Denn es gehet dem Menschen wie dem Vieh
16. Vier ernste Gesänge, Op. 121 : II. Ich wandte mich, und sahe
17. Vier ernste Gesänge, Op. 121 : III. O Tod, wie bitter bist du
18. Vier ernste Gesänge, Op. 121 : IV. Wenn ich mit Menschen- und mit Engelszungen

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Christoph Eschenbach & Matthias Goerne - Brahms: Vier ernste Gesänge (2016)


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