Robert William Gary Moore (4 April 1952 – 6 February 2011) was a Northern Irish musician.

Retrouvailles’ est le premier album en piano solo, une nouvelle merveille de Yonathan Avishaï. - - Le piano solo semble particulièrement fait pour Yonathan, lui qui ne redoute en rien les silences et qui bien au contraire sait les rendre intenses et essentiels, vitaux. Il en joue comme des notes, comme un peintre pourrait ajouter des touches de couleurs en partant d’une toile noire ou comme un créateur de vitraux.

Since his days as the leader of The Commotions and his still-mighty 1984 debut album, Rattlesnakes, Lloyd Cole has soldiered on, often swinging between conventional synth pop outings like 2013's Standards and more experimental electronic albums like 2015's 1D Electronics 2012-2014.

I live only for music, I live only for my piano. There is no blood flowing in my veins, there are tones and melodies flowing.

Ernst Wallfisch (27 May 1920 in Frankfurt am Main – 8 May 1979 in Northampton, Massachusetts) was a prominent viola soloist, recording artist and pedagogue, primarily remembered along with his wife, pianist Lory Wallfisch, as partners of the Wallfisch Duo.

Dillinger: An American Oratorio from composer Matthew Heap in collaboration with librettist Darren Canady dramatizes the life of notorious Great Depression-era bank robber John Dillinger.

Pianist with Osesp since 1999, Olga Kopylova was born in Uzbekistan and studied at the Moscow State Tchaikovsky Conservatory.

A session recorded live December 9, 2021 at Werkplaats Walter, Brussels (Oren Ambarchi: guitar & audobon bird call; Eric Thielemans: drums & percussion).

This album celebrates the delicacy and intimacy of the clavichord, the harpsichord’s quieter cousin, which was central to the daily life of musicians for centuries. The title is inspired by the story that Handel’s early biographer John Mainwaring tells, ab out the young Handel secretly going up to the attic during the night to practise on the clavichord, in defiance of his father.

"Lover, Beloved: Songs from an Evening with Carson McCullers" is the ninth studio album by the American singer/songwriter Suzanne Vega. The album is based on a play "Carson McCullers Talks About Love" about the life of the writer Carson McCullers, written and performed by Vega, which premiered in 2011.

Unreleased recordings from the original Buena Vista Social Club sessions, artists sessions and iconic live performances. Buena Vista Social Club released in 1997 is one of the biggest selling world music album of all time and its great, this collection will fulfill any long-term fans! Coming almost two decades after the release of the original Grammy-winning, self-titled LP, Buena Vista Social Club's "Lost and Found" album is a collection of previously unreleased tracks—some of which were recorded during the original album’s sessions in Havana and others from the years that followed.

J.S. Bach completed his six suites for solo cello in 1723. Since then, these works have become pillars of the repertoire, influencing many of the 20th century’s works for the instrument. This recording project is a celebration of the 300th anniversary of the completion of the suites and of their far reaching impact on composers of our time. In addition to recording all of the suites, Erica Wise has commissioned six short works for solo cello, each inspired by Bach and his work.

Jazz trumpet virtuoso Ambrose Akinmusire is known for his "unfurling lines that confound expectation" (Chicago Tribune) and the "strong aesthetic compass" (The New York Times) that guides his compositions.

'Virus Meadow’ is considered by many to be the classic ‘And Also The Trees’ album. It was recorded in 1986 in Worcestershire, England, not far from the Hamlet where the band were based in an old farmhouse. ‘Virus Meadow’, the title track of the album, is a song inspired by the fields overlooking where a medieval village once stood before being abandoned and left to fall into the ground after being decimated by the bubonic plague.

Stockholm-based composer Shida Shahabi returns with her sophomore album, ‘Living Circle’ - a wonderfully rich and accomplished new work that resonates with a powerful depth and viscerality. Where the warm, homespun piano of her 2018 debut, ‘Homes’, drew widespread praise and announced her arrival as a bold new voice, ‘Living Circle’ sees the artist pushing forwards into deeper, more expansive sonic realms. With tracks stretching longer and slower, and her piano lines less ornate and dominant, ‘Living Circle’ is a heavyweight album and a must-hear for fans of Stars Of The Lid, Sarah Davachi, Max Richter, Labradford, etc.