Described by his teacher, J S Bach, as “a musician of distinction, a player of the keyboard, violin and lute and a proficient composer”, this second volume of Keyboard works by Johann Ludwig Krebs demonstrates his diverse compositional style that represents a significant sea-change in musical taste of the time.

Explore new paths with each album. A love for composition, rearrangements and jazz standards. Complicity and a good dose of energy.

Bahamas, my island, my home…I’m walking by the sea listening to the wind blowing while the coconut trees sway.

As I sat down to write these liner notes, I looked at the song list of the album. I noticed that seven out of the nine pieces were written in 2021, the year my mother passed away.

Wenn die Tage kürzer und die Nächte kälter werden, ist man auf der Suche nach Balsam für die Seele.

In January 2019 he made his debuts at the Paris Philharmonie with Orchestre National d’Ile de France, performing Prokofiev second violin concerto under british conductor Jamie Philipps, and appears regularly at major international venues, the Kennedy Center, Alice Tully Hall, Wigmore Hall, Moscow Tchaikovsky Hall, Tokyo Bunka Kaikan, Salle Pleyel, Cité de la Musique and Théâtre des Champs-Élysées among others.

Featuring 15 distinctive sessions, each offers a rich tapestry of rhythms and tempos.

The Munich specialist for early music and artistic director of the Inter-national Gluck Festival in Nuremberg, Michael Hofstetter, is making his debut as guest conductor of the Bavarian Radio Chorus.

BERNARD HAITINK conducts: SHOSTAKOVICH: SYMPHONY No. 15 in A major op. 141. The Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra enjoyed a long and intensive artistic collaboration, which came to an abrupt end with Haitink's death in October 2021.

Here presenting his debut album, Oleg Shebeta-Dragan came to international attention in the spring of 2022 as winner of the clarinet category at the Carl Nielsen International Competition in Odense, where he also claimed the Special Prize of the Odense Symphony Orchestra and the Junior Jury Prize.

Lera Auerbach’s profoundly expressive music has won the admiration of the world’s leading performers. Her solo violin music is marked by respect for the past but is deeply personal and innovative, qualities shown in the intense, intimate T’filah (‘Prayer’), a personal reaction to the Holocaust, and Speak, Memory, evoking memories of youth.

The third and final instalment in their award-winning series, the Calidore Quartet return with a three-disc release of Beethoven Early Quartets.

Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.

For the fourth instalment of his Schubert+ series, Can cakmur focuses on the genre of the impromptu, aiming to identify historical predecessors for Schubert's piano writing as well as gain an insight into the evolution of free-standing poetic keyboard compositions.

Overtures & Dances matured as a concept through years of touring and performing. Naturally, as we explored repertoire, we found pieces that resonated with audiences and had a special affinity with the quartet. These pieces tended to be ones that had a theatrical element in opera, ballet, or dance.