Sarah Jane steps from St Louis ,with her lush sultry voice in the tradition of a “red hot mama”, along with the Blue Notes to bring you horn infused swingin’ hot jazz and St Louis blues from the 1920s to the 40s.

Revolver, who put the band on their cover in 2020, observed AUGUST BURNS RED “embrace the pain so well.”

Realeased by Nota Bene Records 24 March 24, 2023. Die Zauberflöte, K. 620: "Ouverture" performs Zagreb Woodwind Trio & Zoran Novačić.

Enrico Maria Polimanti si muove con sicurezza all’interno di un repertorio che si estende da Lodovico Giustini a Caroline Shaw.

Lukáš Vondráček and Sergei Rachmaninov. Scarcely do we encounter a connection between a musician and a composer so close, strong and energising. When, at the age of 15, Vondráček was invited by Vladimir Ashkenazy and the Czech Philharmonic to perform Rachmaninov’s Concerto No. 1, he had garnered international acclaim at numerous concerts and competitions. Just a year later, the pianist toured the USA and appeared at Carnegie Hall. At the age of 29, he triumphed at the Queen Elisabeth Competition in Brussels (2016), performing Rachmaninov’s Concerto No. 3, conducted by Marin Alsop.

Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946.

The Zipps were a Dutch beat band from Dordrecht that merged from The Beat-Town Skifflers en The Moving Strings. They were signed by Op-Art in 1965, and their initial folk-beat sound soon gave way for a more psychedelic sound.

Deleted Scenes from the Cutting Room Floor is the debut album by Dutch singer Caro Emerald. The album was conceived, written and produced as a studio project by David Schreurs, Vincent Degiorgio, Jan van Wieringen and Caroline van der Leeuw, and released in the Netherlands with Emerald as the starring artist on 29 January 2010 on their own label Grandmono.

The penultimate volume of Mozart’s works performed by Walter Gieseking for his bicentenary homage. This series includes the most famous sonatas of Mozart’s maturity such as the Turkish March and the Linz sonata.

The competition from Berlin sees Beethoven more as the forefather of modern orchestral language par excellence and relies on targeted pathos. But Herbert von Karajan's interpretation of the nine symphonies with the Berlin Philharmonic from the sixties has long been a piece of recording history.

This Da Vinci Classics album focuses on the soundtrack of an ancient Italian film, the subject of which is taken from a poem by Fausto M. Martini (1915). The film was made by Nino Oxilia and covered with sounds by Pietro Mascagni. The film revisits the myths of Faust and Dorian Gray, seen from a female perspective. Mascagni, whose fame was based mainly on his operas, sensed the potential of cinema which he considered as the future of opera, or the artistic expression that would replace singing theater as the public's preferred means of entertainment.

Brett Scott is Associate Professor of Ensembles and Conducting at the University of Cincinnati’s famed College-Conservatory of Music, where he conducts the CCM Chorale, teaches conducting and literature at the graduate and undergraduate level, and is Music Director of Opera d’arte. Under his direction, the CCM Chorale released its first commercial recording, Lux Dei—New Works for Choir by Douglas Knehans, through Ablaze Records, and has begun production of its second recording, focusing on sacred music for choir and electronics.

Born in Fiesole in 1986, Jacopo Salvatori is a pupil of pianist Maurizio Baglini at the Fondazione Musicale Monteverdi of Cremona. He first approached the piano when he was only four; two years later he began his piano studies at the Music School of Fiesole. He then graduated "cum laude" and with honourable mention at the “Girolamo Frescobaldi” Conservatory of Ferrara.

Born and raised in Vienna, Austria, Johannes Fleischmann epitomizes the young and aspiring artists of this vibrant city. As the “Viennese Violinist” he has developed a remarkable repertoire – consisting of hidden beauties and highly-valued treasures of varied eras. His versatility and passion for chamber music are evident in multiple collaborations with outstanding musicians like Norman Shetler, Christopher Hinterhuber, Hyung-ki Joo, Christoph Ulrich Meier, Julius Berger, José Gallardo and the Neue Wiener Concert Schrammeln.

The album consists of 13 tracks and invites the listener on a personal musical journey from dark and light, grief, passion, and pain. The melodic language of the music are similar to Norwegian folk music. Fredrik Falk has produced the album and also contributes with piano and soundscapes. Recorded by Ole Teigen in Crowtown recordings and mastered by Kenneth Amundsen. Artwork by Nihil.