The Complete Live at the Lighthouse is an expansive collection that presents for the very first time all 12 sets of music the legendary trumpeter Lee Morgan’s quintet with saxophonist Bennie Maupin, pianist Harold Mabern, bassist Jymie Merritt, and drummer Mickey Roker recorded during their historic engagement at The Lighthouse in Hermosa Beach, California from July 10-12, 1970.

Hailing from Portland, this eight piece jazz funk outfit should have been the next in line for multi-platinum success after Earth, Wind & Fire and Kool & The Gang.

Ludovico Einaudi has announced he will release Cinema, a new collection of his greatest works from film and television, including tracks from Oscar, BAFTA and Golden Globe winners Nomadland and The Father, on 4 June 2021.

She's Got A Way: Love Songs is a perfect distillation of the artist's expressions of love and romance over the course of his life and career.

Acclaimed guitarist MILOS presents a stunning new album of two world premiere guitar concertos - both written for him by legendary Canadian film composer Howard Shore (Lord of the Rings) and multi-disciplinary British US-based composer Joby Talbot.

NTS DJ, label boss and fabled collector Howard Williams lands on DDS with an etheric communique under his Japan Blues moniker, inspired by early C.20th Min'yō folk and avant-dub, richly spirited with field recordings and ghostly ephemera.

As the daughter of a blues musician, Chastity Brown was born with an innate ability to channel complex circumstances into beautiful, uplifting songs. But after surviving the isolation of the early pandemic and witnessing the global racial reckoning that manifested itself in the riots mere blocks from her South Minneapolis home, even she is surprised to hear the way her new album Sing To The Walls turned out. “It’s a love album, in a way I didn’t plan on,” Chastity says.

Following on from the 2020 release of ‘On A Nimbus’, Priori returns with his second album ‘Your Own Power’ to be released on the 12th November via NAFF - the label he co-founded alongside Ex-Terrestrial.

Throughout his nearly 70-year career, Konitz himself has been highly influential in the way of playing of several musicians. "Frescalalto" marks his debut on Impulse Records and features the acclaimed pianist Kenny Barron, and a tight bass-drums engine composed of Peter Washington and Kenny Washington (no family ties, but natural musical rapport). For this session, Konitz selected three originals and five standards, which were dressed with inventive new outfits.

On her seventh album Love in This Time, German jazz vocalist Ulita Knaus presents 10 sensual, sentimental and romantic songs, including a cover of Stevie Wonder's "Visions".

Responding to the warm welcome that greeted news of their reformation earlier this year, The Boo Radleys release their first album of all-new music in 24 years: Keep On With Falling. Rising from cult-shoegaze band to the very forefront of British guitar pop inside one, eventful decade, and formed of original members, Sice, Tim Brown and Rob Cieka, the 11-songs on Keep On With Falling are the first to be developed by The Boo Radleys as a three-piece. Having recorded six of their seven, previous albums as a 'hey day' Creation Records band, working in expensive studios for long periods with cost no issue, the band grabbed the opportunity to test the qualities of modern, DIY recording.

In their debut album, the Sakuntala Trio presents the world premiere recording of Franz Schubert’s String Trio in B-flat major, D.471, in this innovative and compelling completion by Professor Brian Newbould. Of this first trio, only the first movement and the beginning of the slow movement, were penned by Schubert, before he abandoned the work, leaving a gem of a fragment. The album also features the second version of Schubert’s String Trio in B-flat major, D.581, together with a selection of Peter Warlock’s transcriptions of Henry Purcell’s Three-Part Fantasias.

Jamie Teasdale returns to his Kuedo project after a 7 year absence, following a series high-profile sound design and scoring work with a full-length of Vangelis-inspired orchestration and lavishly engineered airlock trap rhythms. Sonically it's somewhere between Emeralds, Rustie and Hudson Mohawke - not bad at all.

Called by Mozart "The King of the Instruments," the organ went from sacred to salacious when it left the church and began turning up in jazz clubs in the 1950s. It was at that time that the model B-3 organ was assimilated into the jazz line-up and became a sought-after solo instrument. It's hipper-than-hip tone color and thumping bass pedals defined an instrumental sound that mesmerizes the instrument's aficionados to this very day. Pittsburgh-born Bill Heid knows the B-3's history well and his playing ranges from the boppish to the bodacious.