The first call pianist Masyoko Kagura, a proud Japanese jazz world, challenging the opposing theme. Plays Coltrane plays Standards has been released simultaneously on October 27!

Set at the fictional college campus Parnassus University, the songs on The Scholars are populated with students and staff whose travails illuminate a loose narrative of life, death, and rebirth. Inspired by an apocryphal poem by "Archbishop Guillermo Guadalupe del Toledo," and featuring character designs from Toledo’s friend, the cartoonist Cate Wurtz, the first half of the album focuses on the deep yearning and spiritual crisis of the titular Scholars.

The Dallas Bach Society joined with their director and prominent harpsichordist James Richman provide a masterful debut recording with Onyx Classics, Handel’s ‘Messiah’, a new edition provided by Malcolm Bruno based on the original 1741 score. Handel had composed the work at an astounishing pace, spending less than a month in the summer of 1741. At its premiere in Dublin, over 700 patrons overcrowded the Musick hall, with the ladies had been requested to dress ‘without hoops’ in help make room. The Messiah was an instant hit and is established as Handel’s greatest works.

"Progressive piano" from a young Kenny Drew – already swinging here with a sound that's unlike anybody else at the time! The album follows nicely from Drew's early work for Blue Note – and like those sides, the groove here is a mix of creatively compelling solo lines, and a slight soulful undercurrent in the rhythms – kind of a blend of bop inspiration and some of the more creative 50s piano modes, all wrapped together with just a hint of the generation of players to come. The group features Eugene Wright on bass and Charles Wright on drums – and titles include "Angie", "Bluesville", "Four & Five", "Lo Flame", "Chartreuse", "Kenny's Blues", "Many Miles Away", and "My Beautiful Lady".

This limited double vinyl and download collection is a wonderful document of two nights that Birchall and his band played at the Duende Jazz Bar in Larissa during May 2013. The trip appears to have made an enormous impression on Birchall who commented shortly after returning that "I think our visit will become one of the defining experiences of my life…" drawing inspiration from people who were "the most spiritual, warm-hearted and generous I have ever met…."

GoGo Penguin have been internationally hailed as electrifying live performers, innovative soundtrack composers, and as a collective who channel electronic and club culture atmospheres alongside minimalist, jazz and rock influences to create music that pulses and flows from the dancefloor to meditative inner-worlds, transporting us into brand new realms.

All-analogue pressing, cut directly from the original master tapes. Licensed from Ray Pierle with his full cooperation and support.

Two albums from this obscure soul ensemble – a group with the same sort of upbeat, positive energy we love in The Sylvers! Surprise Surprise is a lost bit of boogie from the late Curtom years – a set that has TTF working with the hard-grooving team of Jimmy Levine and Jesse Boyce!

Ai Kuwabara (born September 21, 1991) is a modern jazz pianist from Chiba, Japan.

The "Lady Full Of Dreams" title served double duty as the unofficial title of her second album, although neither of those records made it past the test-pressing stage.

Northern Spy Records and Bob Holmes of SUSS have invited eight innovators from the wide landscape of instrumental music to curate the first volume of the Across the Horizon series, with the mission of exploration, collaboration and discovery.

Jesse Allen Breckenridge Wells (born 22 November 1994), known professionally as Jesse Welles, or simply Welles, is an American singer-songwriter and guitarist.

The trombonist, in a musical search for the organic origins of life, explore ancestral rhythms and sounds through electro-acoustic landscapes shaped by his modular synth. Rooted in jazz and Middle-Eastern scales, MŸA revolves around the wordless vocals of the band members and guest singers Lynn Adib and Natacha Atlas.’

On Sinister Grift, Panda Bear’s first solo album in five years, Noah Lennox has returned with another statement that feels equally cumulative and unprecedented in his catalog. While his solo records have ranged from starkly intimate expressions of grief to colorful, electronic opuses, his music has never before sounded so warm and immediate. Working in his Lisbon, Portugal home studio with Animal Collective bandmate Josh “Deakin” Dibb, Lennox transforms Panda Bear into something resembling an old-school rock ensemble, playing nearly all the instruments himself and inviting kindred spirits into the process such as Cindy Lee, Spirit of the Beehive’s Rivka Ravede, and - for the first time on a Panda Bear solo album - each of his Animal Collective bandmates.

Two young composers from what today is Austria are featured on this recording. The works, separated in time by 120 years, are contrasting in many respects — in form, mood and artistic aim. In music history we speak of several Viennese “schools”, and here the differences between them are obvious. They are similar only in wealth of imagination and quality.