The Lamb Lies Down on Broadway (50th Anniversary Super Deluxe Edition) will provide a deep dive into the music and visual elements around this seminal album and pivotal period of time for the band. The album was the pinnacle of the band’s early success and is regarded as one of the most important progressive rock records of all time.

Here We Are finds acclaimed jazz vocalist Lori Williams at the heart of a soulful, cross-continental collaboration with top-tier European jazz artists. Born out of friendships from the Poysdorf Summer Jazz Workshop, the album blends original songs and timeless standards with Brazilian grooves, romantic ballads, and classic swing.

The eldest son of the immortal Muddy Waters, Mud has followed in his beloved dad's mammoth footsteps, staunchly keeping the traditional Chicago blues flame alight by faithfully singing Muddy's songs as well as plenty of his own originals in front of an all-star band of local heavy-hitters. He sauntered onto the main stage at the 2025 Chicago Blues Festival to belt his father's "I'm Your Hoochie Coochie Man" as one of the main cogs in a gala celebration of Chess Records' 75th anniversary, looking and sounding every bit the heir to Muddy's gilded throne.

Whiskey Myers's seventh album, Whomp Whack Thunder, is an onomatopoeic cry of self-determined Texas Rock. The band has played nearly 3,000 live shows to ever-increasing crowd sizes since their emergence in 2007. In addition to headlining their own sold-out shows from coast to coast at iconic venues such as Red Rocks Amphitheatre and Ryman Auditorium, plus performing at marquee festivals like Bonnaroo and Stagecoach, the six-piece was also personally selected to open The Rolling Stones' Chicago stadium show in 2019.

"Hard Road" is Christone “Kingfish” Ingram’s most personal and powerful album yet. Blending blues with rock and R&B, it marks a bold shift in sound and storytelling. Produced by Tom Hambridge, Patrick “Guitarboy” Hayes, and Nick Goldston, the record explores love, loss, identity, and growth. Released on Kingfish’s own Red Zero Records, "Hard Road" reflects his mission to honor blues tradition while shaping its future.

Geese return with their 3rd album, ‘Getting Killed’. They tracked the album with Kenneth Blume in 10 fast-paced days. With scant time for overdubbing, what emerged is a chaotic comedy, shambolic in structure but passionately performed, informed by an exacting vision. Big riffs are layered on choir samples; hissing drum machines pulse softly behind screeching guitars. They balance a disarming tenderness with an intensified anger, trading their love of classic rock for a disdain for music itself.

Today, Robert Plant announces the release of Saving Grace: the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” Arriving September 26 on Nonesuch Records, the genesis of Saving Grace began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden. While his recent adventures have centred around Nashville, having reunited with Alison Krauss for 2021’s chart-topping, multi GRAMMY-nominated Raise The Roof, it was in the English countryside that Robert Plant connected closely to this diverse group of musicians, who through their own experiences had a shared lean towards his much-loved corners of evocative song. Together, Plant and Saving Grace – vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown – have spent the past six years growing into a wide-ranging workshop of styles and personalities, weaving through time and circumstance with joy and abandon.Following his previous acclaimed releases on Nonesuch Records – 2014’s lullaby and… The Ceaseless Roar and 2017’s Carry Fire – Saving Grace brings yet another chapter of Robert Plant’s ceaseless roar into the daylight. Produced by Robert Plant and Saving Grace – and recorded between April 2019 and January 2025 in the Cotswolds and on the Welsh Borders – Saving Grace breathes fresh life into a collection of century-old music. A treasury of songs featured back in time by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.

"Blues for Allah – The Angel's Share" refers to the unreleased material, or "outtakes," from the Grateful Dead's 1975 album Blues for Allah, similar to other "Angel's Share" releases which provide access to vault recordings.

Chet Baker Sings and Plays (subtitled With Bud Shank, Russ Freeman and Strings) is an album by jazz trumpeter Chet Baker recorded in 1955 for Barclay Records and released on the Pacific Jazz label.

Digitally remastered from the Original Chess Records masters. Tracks 11 & 12 are CD bonus tracks.

This edition presents the complete sessions that produced both the seminal Quincy Jones albums The Birth Of A Band and its sequel!, presented here in chronological order. This CD features the 1959 Quincy Jones orchestra with Harry "Sweets" Edison, Clark Terry, Jimmy Cleveland, Zoot Sims, Benny Golson & Phil Woods, among many other stars.

Go Bo Diddley is the second album by American rock and roll musician Bo Diddley, released in July 1959. The album was Bo's first studio album that included some material that hadn't been prereleased on singles, and his first LP for Checker Records. In 2003, Rolling Stone ranked it number 214 on its The 500 Greatest Albums of All Time, and 216 in a 2012 revised list.

Feelin' Good is an album by jazz group The Three Sounds featuring performances recorded in 1960 and released on the Blue Note label.

"Blame It on the Bossa Nova" is a song written by Cynthia Weil (lyrics) and Barry Mann which was a 1963 hit single for Eydie Gormé, reaching number 7 on the Hot 100 in Billboard in March 1963. The song also peaked at number 32 in the UK, whereas "Yes, My Darling Daughter" became the biggest hit for Eydie there, reaching number 10.