Acclaimed Scottish singer-songwriter Kathryn Joseph returns with her fourth album “WE WERE MADE PREY.”, out on Mogwai’s Rock Action Records. Co-produced with her long time creative collaborator, multi-instrumentalist Lomond Campbell (One Little Independent Records), “WE WERE MADE PREY.” is both a reaction to and reprieve for the animal within. With raw, honest lyrics that speak of strength and truth, and rage and loss, the album asks - what does it take to give up the comfort of being wanted in order to want something, and what are the ramifications? Recorded at the remote Black Bay Studio in Scotland’s Outer Hebrides, “WE WERE MADE PREY.” is the follow up to 2022's lauded “for you who are the wronged”.

The small orchestra was founded by Thomas M. Lauderdale in Portland, Oregon in 1994 and unites twelve musicians from a wide variety of backgrounds.

Turned To Stone is the first album by Troll (Barry Ryder and Mac Prindy), released in 1978.

A dark, pessimistic work, Belshazzar casts an uncompromising gaze on the fate of empires and those who govern them. In 2013, William Christie and Les Arts Florissants recorded a noble and majestic account of this formidable oratorio.

Jazz vocalist and pianist Dena DeRose is back with a stunning new recording that solidifies her place among the most communicative and sophisticated artists in jazz today.

Known for music which embodies a refined balance of swing, lyricism and harmonic sophistication, pianist Danny Grissett has been influenced by legends like Herbie Hancock, Mulgrew Miller and Cedar Walton. Grissett's approach is marked by a crystalline touch, fluid phrasing, and an impeccable sense of rhythm.

The Fourteenth Symphony was Shostakovich’s penultimate work. Dedicated to Benjamin Britten, it stands out from all the others by its unique form: its eleven movements, scored for soprano, bass, string orchestra and percussion, are structured around as many poems, sung in French, Russian, German and Spanish.

This album weaves together three essential elements: the compositions of acclaimed American trumpeter Tom Harrell, the interpretations of those compositions by the Chris Coull Quartet and the exciting vocals of Imogen Ryall, who has written lyrics to Harrell's tunes, breathing new dimensions into his melodies.

The poetics of space and the art of time, high-precision mechanism, rhythmic exhilaration . . .

Witness The Rite of Spring – a rite of passage for the Philharmonia Orchestra’s new Principal Conductor, and a visceral experience for performers and listeners alike.

Alpesh Chauhan and the BBC Scottish Symphony Orchestra continue their fascinating survey of Tchaikovsky’s orchestral works, combining established repertoire with lesser-known works to great effect.

The final volume in a distinguished quartet cycle by one of the most exciting Italian ensembles of the present day.

This album is the second release in a series of three, that encompass the entire 32 Beethoven Piano Sonatas\u200B.

Francesco Barsanti (1690-1775) was an Italian composer and flutist.

Johann Melchior Molter (1696-1765) was born in 1696 in Thuringen, where his musical talent was quickly recognised. He served in the orchestra at the court of Karlsruhe.