The genre-defying trio KOMARA returns with KOMARA II, a powerful new release that pushes sound boundaries and challenges musical convention. Featuring King Crimson drummer Pat Mastelotto, avant-garde guitarist David Kollar, and visionary trumpeter Paolo Raineri, the album blends ambient textures, industrial grit, and jazz-infused improvisation into a haunting, cinematic experience.

Halloween, a French progressive rock band that emerged at the dawn of the 1980's, released no less than five albums in fifteen years before taking a break shortly after the start of the new millennium. But in 2020, with the pandemic, another virus - that of progressive rock - took over, and the machine was relaunched, culminating in the year 2025 with the release of “Psy-Ko”, a title the band justifies by saying “because the personas that populate the songs are rather disturbed from a Psy point of view, perhaps as much so as the musicians in the band”.

Tchaikovsky's Serenade for Strings in C major, Op. 48, was composed in 1880. It was first performed October 30, 1881 in St. Petersburg at a Russian Musical Society concert conducted by Eduard Nápravník.

Hooffoot is an instrumental group from Sweden presenting a very LYRICAL and genuinely NEW blend of prog/kraut/jazz/rock. The first album struck like a bolt from the blue in 2015 and by some acclaimed as "debut of the century" . The follow up was equally appraised as “bloody bloody great”. The third album, Phantom Limb, will be released on April 4th.

Double Trouble is the fifteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3787, in June 1967.

Elvis Presley sizzles as a lovelorn million-heir in this riveting and romantic rock 'n roll romp…a hip version of The Prince and the Pauper.

Unquestionably, Doug and the Slugs are one of the most distinctive and entertaining Canadian bands of the last 40 years.

“While working on this album, I wanted to go deeper into the thoughts, dreams, experiences and feelings of modern female composers.

Legendary indie travelers Half Japanese return with their new album Adventure. The prolific outsider combo, helmed by the ever-optimistic Jad Fair, delivers a heartwarming set of upbeat sonnets celebrating the power of love, affection, and maturity.

The car windows are down, the air is warm, and the possibilities are boundless.

Grace Davies is here with her debut studio album The Wrong Side of 25, and I’ll say this, it’s one of the most introspective and deeply personal debut albums I’ve ever come across. The album sees Davies make a coming-of-age record that’s powerfully gripping and touches on so many of our daily insecurities that its relatability is guaranteed. If, like Áine Deane, you’re 20-something and pondering the reason why you’re trying to win a race you don’t remember running, you might find answers in this beautifully introspective Davies debut. Or you might come out with more questions than you did going in.

"I play yours, you play mine. The music never ends." Tony Allen (There Is No End, 2021). Following this mantra, the emerging 9-Piece band OLUMA, based in Leipzig, creates an impressive mix of Afrobeat, funk, jazz and Brazilian music. Their debut Album Cooking Time will be launched on April 5, 2024 on the Danish label One World Records.

The 3rd album from ysk, released 1 year and 8 months after the previous album "Solitary Faith". YUSUKE ANDO's expression of "consciousness, light, space-time" is fused with vocalist Yuji Ishii to create a unique progressive rock work that has evolved further. Yuji Ishii's world and YUSUKE ANDO's world overlap, becoming one key and opening up a new world. Guest guitarists include Koji Ikuma [cune/BLUEVINE], Nao Japonicus [Gama], YAGI MASAHIKO, and keyboardist Tatsuhiko Iino, and includes the single "imminent" released last year. This is one of the largest Japanese progressive rock albums in Japan.

Pymlico is an instrumental band from Oslo, Norway, led by composer and drummer Arild Brøter. The band mainly plays what has been described as a mix between progressive rock and fusion. However, their music also offers catchy hooks and singable melodies associated with pop music, alongside grandiose themes more in the vein of movie soundtracks.

For Tony Tixier everything is connected. Poetry for him is the link between dreams, thoughts and the lived reality where we spend our everyday lives. As an artist Tony feels fortunate to be able to live a life in the constant pursuit of his creativity: from the poems he wrote as a child to his current life as an internationally touring pianist, his artistic creativity has shaped who he is, just as his identity has shaped his creativity, so that he firmly believes that the art and the artist are indivisible. His latest album Poems Never End is a complete, honest expression of Tony’s current status as an artist and as a human being, captured in a single afternoon during a whirlwind visit to New York City. Whether in thrilling trio interaction with long-term associate Joe Martin on bass and dazzling young drummer Jongkuk Kim, or reviving old friendships and musical partnerships with special guests Logan Richardson, Seamus Blake and Mino Cinelu, the passion and integrity shines through every note.