OUA's 6th album collides a studio session of bass driven rhythms with a marathon free improvisation session - combined, sculpted and arranged into an ever morphing tapestry of new sounds from leftfield progressive music. Fans of Soft Machine, Magma, Pink Floyd, Henry Cow, Sun Ra will enjoy this too.

Excellent experimental band with outstanding attitude.

DUKE GARWOOD returns with a magical new album, Rogues Gospel, out on 25 November 2022 via God Unknown Records.

For a number of years now, Sion Orgon has been crafting music that fuses abstract electronic mulch with the kind of bright melodies one would expect from a shiny pop group. Using avant-garde sensibilities and a vision partly shaped by his affiliation with both Thighpaulsandra and Coil, the Welsh producer/musician has never been afraid to push these into areas most artists of a similar disposition would never be bold enough to touch.

“This is the only Rock. Disclose the language I call Rock as if the seal of old documents is unlocked.” - Keiji Haino. Recorded and mixed by Yoshiaki Kondoh at GOK Sound, Tokyo Japan on November 21th, 2020.

Just Another Band From L.A. was recorded live at the Pauley Pavillion, UCLA (Los Angeles), on August 7, 1971. Released in early 1972, it is the last album to document the Mothers of Invention lineup that included singers Mark Volman and Howard Kaylan (aka Flo & Eddie).

Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. In 1977 Heldon played three unreleased tracks during this tour – these titles have never been recorded since. Bam Balam Records thought that these three tracks were lost forever, but luckily they were found recently. The sound is rough, but it's a rare document. Live In Metz '77 was produced by French guitarist and producer Richard Pinhas. All tracks side A are unreleased versions and have never been edited before.

Self-recorded indie experimentalist from the Pacific Northwest. Features Madeline Johnston (Midwife), Alex Kent (Sprain), Lula Asplund, a chamber ensemble and more.

Horse Lords return with Comradely Objects, a continuation of the quartet’s exploration of repetition in minimalism and traditional musics, complex counterpoint, timbres and texture, but also an evolution of these sometimes disparate musical strands wound tightly around propulsive rhythmic grids. The most sublime document yet of the band’s ongoing interrogation of aesthetic and social form, purpose, and intent, Comradely Objects doesn’t identify a new utopia so much as limn a thrilling portrait of revolution underway.

Over the course of its 20-year history, Ahleuchatistas has pushed the stylistic and technical boundaries of what an instrumental power trio/duo can do. Expansion is the 9th full length album from the genre-defying instrumental juggernaut led by guitarist Shane Parish. It features an all-new trio lineup with Trevor Dunn (Mr. Bungle, Fantomas, John Zorn) on bass, and Danny Piechocki (Terms) on drums.

Gilla Band (fka Girl Band) used lockdown's excessive free time to distort "Most Normal" into their most industrial and experimentally minded album yet, mangling each song into noisy assemblages of post-Fall vocals and gravel-gargling noise backdrops.

The legendary BORIS celebrate a 30 year career as one of experimental music's most forward-thinking, heavy, and innovative bands with the new album Heavy Rocks (2022). Continuing their series of Heavy Rocks records, BORIS once again channels the classic proto-metal sounds of the 70s into something all new.

Another head-melter from Pete Swanson and Jed Bindeman's Freedom To Spend, Cheri Knight's "American Rituals" re-casts Steve Reich's scene-shifting avant minimalism as itchy basement dwelling post-punk…

Strictly Commercial is a compilation album by Frank Zappa. It was released in 1995, two years after his death. The album was named as part of a 2011 lawsuit by Gail Zappa towards Rykodisc, claiming the label released several vault masters without the permission of the Zappa Family Trust on this and other releases, specifically the single edits of some songs, such as the 12" disco Remix of "Dancin' Fool".